Netherlands Box Office for Ghostbusters (2016)
Theatrical Performance (US$) | ||
Netherlands Box Office | $821,873 | Details |
Worldwide Box Office | $229,008,658 | Details |
Home Market Performance | ||
North America DVD Sales | $17,258,412 | Details |
North America Blu-ray Sales | $22,040,709 | Details |
Total North America Video Sales | $39,299,121 | |
Further financial details... |
Synopsis
A paranormal researcher, a physicist, a nuclear engineer and a subway worker try to rid New York of ghosts that can possess humans.
Metrics
Movie Details
Production Budget: | $144,000,000 |
Netherlands Releases: | July 14th, 2016 (Wide) |
Video Release: | September 27th, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for supernatural action and some crude humor. (Rating bulletin 2430 (Cert #49737), 6/22/2016) |
Running Time: | 117 minutes |
Franchise: | Ghostbusters |
Keywords: | Set in New York City, Reboot, Haunting, Paranormal Investigation, Entrepreneur, Genderbending Casting, Inventor, Gratuitous Cameos, Development Hell, Supernatural, College Professor, Fired, Horror Comedy, 3-D, 3-D - Post-production Conversion, IMAX: DMR |
Source: | Remake |
Genre: | Comedy |
Production Method: | Animation/Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Columbia Pictures, Village Roadshow Productions, Ivan Reitman Production |
Production Countries: | United States |
Languages: | English |
2016 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets
November 22nd, 2016
It’s Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets, although there aren’t many of the latter to talk about. In fact, the best movie box set of the year includes more TV shows than movies in its running time and I’ve decided to include it in our second part, which deals with TV on DVD releases. There are still a number of big first-run releases this year that are definitely worthy gifts. We are going to start with the biggest domestic hit of the year...
More...
Featured Blu-ray and DVD Review: Ghostbusters
October 23rd, 2016
Ghostbusters felt like a mistake from the very beginning. It is a remake of one the great comedies of all time. Then the first trailer came out and it was complete garbage. However, the international trailer was actually relatively good and the writer / director, Paul Feig, hadn’t made a bad movie since Unaccompanied Minors. Does this film live up to the original? If not, is it as good as the average Paul Feig movie? Or were the haters right on this one?
More...
Home Market Releases for October 11th, 2016
October 11th, 2016
Ghostbusters is the biggest release of the week and the best first run release. Combined with its fully-loaded Blu-ray (extended edition), it is a Pick of the Week contender. There’s not much competition. The main competition is a new Collector's Edition Blu-ray for The Thing, but this is at least a double-dip, which hurts its value. There are a couple of smaller releases as well. In the end it was a literal coin toss to decide the Pick of the Week and Ghostbusters won.
More...
Home Market Releases for September 27th, 2016
September 27th, 2016
It is a pretty good week on the home market with a few releases worth picking up. The biggest of these is Central Intelligence, but while it is worth picking up, it isn’t a contender for Pick of the Week. There are some smaller releases that were up for that title, including The Shallows, An American Werewolf in London and The Innocents. However, in the end, I went with Captain America: Civil War. The Blu-ray screener arrived late, and I held off on naming it Pick of the Week when it came out for that very reason.
More...
International Box Office: Pets Claws Its way to the Top With $43.8 million
August 25th, 2016
The Secret Life of Pets rose to first place with $43.8 million on 12,049 screens in 55 markets for totals of $327.20 million internationally and $674.03 million worldwide. The film opened in first place in Russia with $9.92 million in 1,284 screens over the weekend for a total opening of $16.24 million, including previews.
More...
Weekend Wrap-Up: Jason Bourne Treks to the top of the Chart with $59.22 million
August 2nd, 2016
There was no surprise at the top of the weekend box office chart, as Jason Bourne easily won with $59.22 million. This was on the high end of expectations, but not quite as strong as Star Trek Beyond’s opening last weekend. Both of the other two new releases, Bad Moms and Nerve, also did well. In fact, none of the films we talked about before the weekend missed expectations. The overall box office was down a little compared to last weekend, but a 3.1% decline is hardly noteworthy. More importantly, the box office was 30% higher than the same weekend last year. Year-to-date, 2016 saw its lead over 2015 nearly double to $260 million or 4.0%. Being ahead $6.84 billion to $6.58 billion at this point of the year is a good position to be in, but it wouldn’t take a major collapse for 2016 to fall behind 2015 by year’s end.
More...
Friday Estimates: Bourne doesn’t have the Ultimate Opening Friday, but still on Pace for $60 million Weekend
July 30th, 2016
Jason Bourne dominated the Friday box office chart, earning $22.71 million. I’ve seen reports that this is the biggest opening day for a Matt Damon movie, but The Bourne Ultimatum did better with $24.67 million. That film also earned much better reviews than this film did, so it likely won’t have the same legs. It did earn an A- with CinemaScore, so that will help a little. It will likely have similar legs to Star Trek Beyond. Beyond did earn better reviews, but Star Trek has a bigger fanboy factor, which hurt its legs. That will give the film $60 million over the weekend, more or less.
More...
Weekend Predictions: Will Jason be a Bourne Again Box Office Hit?
July 28th, 2016
The month of July comes to an end this weekend and there are three wide releases hoping the month goes out on a high note. Jason Bourne is the only one with a shot at first place, while Bad Moms is looking to become a solid counter-programming hit. Meanwhile, Nerve opened on Wednesday and it just doesn’t want to slip between the cracks. As far as holdovers are concerned, Star Trek Beyond's daily numbers are average for the summer, but that will still be enough to hit the century mark over the weekend. It won’t be the only film to reach $100 million over the weekend. This weekend last year was led by Mission: Impossible - Rogue Nation with $55.52 million. I don’t think Jason Bourne will top that, but since the second best film, Vacation, made less than $15 million, I think 2016 will win on depth.
More...
Weekend Wrap-Up: Star Trek Tops Chart, but still Weakest in Reboot Franchise with $59.25 million
July 26th, 2016
As expected, Star Trek Beyond earned first place on the weekend box office chart and while it didn’t live up to my lofty predictions, it still did very well with $59.25 million. The next two wide releases, Lights Out and Ice Age: Collision Course, had nearly identical openings with $21.69 million and $21.37 million respectively. For Lights Out, this is a breakout opening and means it is practically guaranteed a profit and will likely get a sequel. For Collision Course, it is a sign that they should retire the franchise. Both The Secret Life of Pets and Ghostbusters earned $20 million, meaning every film in the top five topped that mark, tying with the record most recently set last May. The overall box office was 20% higher than last week at $196 million. This is also 29% higher than the same weekend last year. Since last week, the year-over-year competition got a little closer at $6.55 billion to $6.41 billion. 2016 is still ahead by 2.2%, but this is less than the ticket price inflation.
More...
Weekend Estimates: Star Trek Falls Short of $60 Million
July 24th, 2016
Star Trek Beyond will fall just short of $60 million at the box office this weekend, according to Sunday estimates from Paramount. The studio has the film coming in at $59.6 million over three days, which is substantially short of the $79.2 million earned on debut by Star Trek (the reboot) in 2009, and the $70.2 million made by Star Trek Into Darkness. The so-so start comes in spite of excellent reviews, which are now running at 84% on Rotten Tomatoes, and the franchise seems to have trouble reaching beyond its core audience.
More...
Friday Estimates: Star Trek Soars with $22.5 million
July 23rd, 2016
As expected, Star Trek Beyond led the way on the Friday box office chart, earning $22.5 million. This is in line with the average among analysts, but lower than my prediction. I did warn you about irrational exuberance. Given the film’s reviews and its A CinemaScore, it should have a relatively good internal multiplier. Look for an opening weekend of close to $57 million, which is significantly better than Ghostbusters’ opening with last week and not that much worse than what X-Men: Apocalypse opened with in May. I assume Paramount is happy with this result, but the film will need good legs and a strong international run to justify another sequel.
More...
Thursday Night Previews: Star Trek’s Previews are in the Stratosphere at $5.5 million
July 22nd, 2016
Star Trek Beyond got off to a fast start with $5.5 million during its midnight previews. This is $2 million more than Ghostbusters made last weekend, plus it has better reviews. On the other hand, it is a sequel, so the comparison isn’t perfect. We could compare it to the previous installment in the franchise, but that film opened on a Wednesday. X-Men: Apocalypse earned $8.4 million in its previews, but that film earned weaker reviews and is a comic book movie, which tend to be more front-loaded. I was a little more bullish than most with my prediction, but this result make me feel a lot better.
More...
Weekend Predictions: Will Star Trek go Above and Beyond the Competition?
July 21st, 2016
Star Trek Beyond leads a pack of three wide releases this weekend and there are some who think it will have the best live-action release since Captain America: Civil War. That would be great news for the overall box office. Ice Age: Collision Course has to deal with direct competition and terrible reviews, but it should still do relatively well thanks to goodwill its franchise has built up. The final new release of the week is Lights Out. This low-budget horror film won’t need to earn $20 million over the weekend to break even, but there’s a slim chance it will. In fact, The Secret Life of Pets should easily add another $20 million to its running tally, and Ghostbusters has a good shot at doing the same. So we could have five films earning $20 million over the weekend for the first time in a year. We should have three films earning more than $25 million. Meanwhile this weekend last year, there were no films that earned more than $25 million. Hopefully 2016 will win the year-over-year competition with ease.
More...
International Box Office: Ice Age Collides with Top Spot Earning $53.5 million
July 21st, 2016
Ice Age: Collision Course rose to first place with $53.5 million in 51 markets for an early international total of $127.0 million. The film’s biggest new market was France, where it earned first place with $7.07 million on 873 screens. That’s a pretty good opening for that market, but the previous film opened with $12.76 million in that market, so that’s a sizable drop-off. The film also earned first place in Russia with $5.85 million on 1,236, compared to $16.97 million the earlier film opened with. That’s really troubling. Meanwhile, the film had to settle for second place in the U.K. with $4.99 million in 570 theaters. (We can’t really compare openings here. The numbers we get for the U.K. are actually for the U.K., Ireland, and Malta. It’s similar to the domestic market being Canada and the States. In almost all cases this doesn’t matter, because films open in all three countries at the same time. However, Continental Drift opened in Ireland first, before expanding into the U.K., so there’s no easy way to compare the two results.) At this pace, it looks like Collision Course isn’t going to match its predecessor at the box office. However, it could fail to earn half as much worldwide and still break even on the home market. This might be the last installment in the franchise, on the other hand.
More...
Contest: Green With Envy: Winning Announcement
July 20th, 2016
The winners of our Green With Envy contest were determined and the entrants with the closest predictions for Ghostbusters opening weekend were...
More...
Theater Averages: Café Tops Yearly Chart with an Average of $71,858
July 19th, 2016
Café Society earned first place on the theater average chart with an average of $71,858 in five theaters over the weekend. This is not only the best of the weekend, it is the best of the year so far, topping the previous champ, Captain America: Civil War, which had an average of $42,390 during its opening weekend. Second place went to Hillary’s America: The Secret History of the Democratic Party with an average of $24,938; however, while this is a great result for a documentary, digging just a little into the film’s numbers reveals major weaknesses. The film fell 50% from Friday to Saturday. That’s devastating. We will see if this is an anomaly or a portent when we get this coming weekend’s results. Ghostbusters and The Secret Life of Pets were neck-and-neck with averages of $11,612 and $11,604 respectively.
More...
Weekend Estimates: Pets Keep Trophy with $50 Million to Ghostbusters’ $46 Million
July 17th, 2016
After a huge amount of speculation on how it would perform at the box office, Ghostbusters is coming in right in the middle of (a very wide range of) expectations. Sony is projecting a $46 million debut for the supernatural comedy, which is far from the disaster many had feared, but some way short of the top tier. It’s also not enough for first place, even though The Secret Life of Pets will be down 52% in its second weekend.
More...
Friday Estimates: Ghosts Have Lively Debut with $17.2 million
July 16th, 2016
Ghostbusters topped the box office chart on Friday with $17.2 million. This is the best opening day for the director, Paul Feig, topping his previous champ, The Heat by 25%. If this film has the same internal multiplier as The Heat, then it will earn $49 million over the weekend. This seems a little high, but not out of the question. Ghostbusters’ reviews are better than The Heat’s reviews were, although both films earned B+ from CinemaScore surveys. On the other hand, Ghostbusters is a remake, so that tends to make the movie more front-loaded. Look for an opening weekend of $45 million. This is right on the edge between financial success and failure. The film will need help internationally in order to break even, but it is way too soon to know if that will happen.
More...
Thursday Night Previews: Ghosts have a Chance with $3.4 million in Previews
July 15th, 2016
Ghostbusters earned $3.4 million in previews last night, which is ... a number. Unfortunately, there hasn’t been a film like Ghostbusters to come out this summer, so it is hard to judge that figure. For example, The Conjuring 2: The Enfield Poltergeist also pulled in $3.4 million during its previews and just over $40 million during its opening weekend. However, there’s not a lot of crossover between the two films, outside of the ghosts. Perhaps a better comparison is Central Intelligence which is an action / comedy and the “/ comedy” matters. That film earned $1.84 million during its previews and if Ghostbusters has the same multiplier, it will make $66 million. Ghostbusters did have louder buzz, even if a lot of that buzz was the “Feminists ruin everything” crowd whining, but it also has better reviews. On the other hand, Ghostbusters is part of a franchise, which is going to be more front-loaded. How about Independence Day: Resurgence? It’s a long-delayed sequel, so it has that in common. It earned $4 million on debut night, so if Ghostbusters has the same legs, it will make $35 million over the weekend, although the word-of-mouth is much better here. So we have a range of $35 million to $66 million, or almost exactly what we had for our prediction. We have learned nothing. Fortunately, we will have a much better picture this time tomorrow when Friday’s estimates are in.
More...
Weekend Predictions: Will the New Releases get Busted?
July 14th, 2016
This weekend is rather sparse when it comes to wide releases. Ghostbusters opens this weekend and its buzz and reviews are better than expected and it could be a huge hit. On the other hand, The Secret Life of Pets opened with more than $100 million last weekend and unless it falls more than 50% this weekend, it will remain in first place. That doesn’t feel likely at this point. On the other hand, The Infiltrator opened on Wednesday, but in less than 2,000 theaters. Its reviews are barely in the overall positive range, so it likely won’t be a major factor over the weekend. This weekend last year, Ant-Man opened in first place, pushing Minions into second place. Meanwhile, Trainwreck was a solid midlevel hit. I just don’t see 2016 being able to top that depth.
More...
Contest: No More Secrets: Winning Announcement
July 13th, 2016
The winners of our No More Secrets contest were determined and the entrants with the closest predictions for The Secret Life of Pets opening weekend were...
More...
Contest: Green With Envy
July 8th, 2016
It is an easy week to pick the target film for the Box Office Prediction Contest. I’m not 100% sure The Infiltrator is opening truly wide, plus it is a Wednesday release. On the other hand, if Fandango is correct, Ghostbusters will be the biggest comedy of the summer and if early tracking is correct, it will have the best non-family film opening since X-Men: Apocalypse. Regardless if they are correct, Ghostbusters is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Ghostbusters.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Green Room on Blu-ray, plus an additional previously reviewed movie. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize, consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize, consisting of two previously reviewed DVDs or Blu-rays.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
More...
2016 Preview: July
July 1st, 2016
It's July 1st, which is Canada Day. To celebrate, I wanted to give a gift to my American readers down south, so here's a bunch of "u"s. U, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u. Now you can spell words like "colour" and "neighbour" correctly. As for the July preview... June wasn't a good month, despite Finding Dory being on pace to become the biggest hit of the year so far. Most other films failed to match expectations and as a result, 2016's lead over 2015 has nearly evaporated. In fact, ticket sales are below last year's pace. So how does July look in comparison? Well, last July, there were five films that earned more than $100 million, led by Minions, which earned more than $300 million. This July, there are five films that should earn more than $100 million, led by The Secret Life of Pets, which should earned around $250 million. I don't think July 2016 will live up to July 2015, but it should be close. Maybe if one of the expected midlevel hits is a surprise $100 million hit, or if two more of the $100 million hits crack $200 million, then the month will look great. Or one of the expected $100 million hits could flop and 2016 will actually fall behind 2015, even without taking into account ticket price inflation.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/07/15 | 4 | $259,213 | 88 | $2,946 | $322,099 | 1 | |
2016/07/22 | 8 | $104,632 | -60% | 88 | $1,189 | $506,765 | 2 |
2016/07/29 | 11 | $60,543 | -42% | 67 | $904 | $646,618 | 3 |
2016/08/05 | 18 | $18,153 | -70% | 33 | $550 | $699,932 | 4 |
2016/08/12 | - | $8,472 | -53% | 1 | $8,472 | $1,341,410 | 5 |
2016/08/19 | - | $4,492 | -47% | 0 | $821,873 | 6 | |
2016/08/26 | - | $1,339 | -70% | 0 | $728,221 | 7 | |
2016/09/02 | - | $3,512 | +162% | 0 | $732,480 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 7/14/2016 | $510,052 | 161 | 161 | 260 | $1,322,493 | 11/30/2018 |
Aruba | 7/14/2016 | $9,130 | 5 | 5 | 12 | $24,596 | 12/31/2018 |
Australia | 7/15/2016 | $3,568,017 | 493 | 493 | 2059 | $9,303,411 | 7/6/2020 |
Austria | 8/5/2016 | $203,584 | 120 | 120 | 399 | $703,180 | 10/11/2016 |
Bahrain | 7/14/2016 | $45,551 | 9 | 9 | 16 | $112,288 | 12/31/2018 |
Belgium | 8/10/2016 | $171,687 | 91 | 91 | 290 | $429,467 | 10/4/2016 |
Bolivia | 7/28/2016 | $69,769 | 31 | 31 | 57 | $140,070 | 12/31/2018 |
Brazil | 7/14/2016 | $2,153,194 | 722 | 722 | 1780 | $6,258,580 | 9/7/2016 |
Bulgaria | 7/29/2016 | $19,216 | 56 | 56 | 127 | $72,429 | 2/26/2019 |
Cambodia | 7/28/2016 | $29,142 | 36 | 36 | 65 | $67,673 | 12/31/2018 |
Central America | 7/21/2016 | $532,950 | 196 | 196 | 319 | $814,744 | 8/16/2016 |
Chile | 7/14/2016 | $273,750 | 80 | 80 | 143 | $568,872 | 12/31/2018 |
Colombia | 7/14/2016 | $445,772 | 216 | 216 | 357 | $867,426 | 12/31/2018 |
Croatia | 7/28/2016 | $22,211 | 47 | 47 | 114 | $81,848 | 12/20/2018 |
Curacao | 7/14/2016 | $3,544 | 4 | 4 | 11 | $17,634 | 12/31/2018 |
Czech Republic | 7/28/2016 | $81,927 | 84 | 84 | 194 | $191,506 | 12/31/2018 |
Denmark | 8/4/2016 | $200,381 | 109 | 109 | 275 | $409,771 | 9/13/2016 |
Dominican Republic | 7/21/2016 | $45,910 | 42 | 42 | 53 | $109,846 | 12/31/2018 |
East Africa | 8/19/2016 | $1,773 | 1 | 1 | 2 | $4,333 | 8/30/2016 |
Ecuador | 7/29/2016 | $165,768 | 84 | 84 | 202 | $448,945 | 12/31/2018 |
Egypt | 7/14/2016 | $3,449 | 6 | 10 | 16 | $29,237 | 12/31/2018 |
Estonia | 7/29/2016 | $15,075 | 19 | 19 | 44 | $55,429 | 8/23/2016 |
Finland | 7/22/2016 | $82,030 | 100 | 100 | 264 | $284,376 | 9/13/2016 |
France | 8/10/2016 | $1,620,642 | 849 | 849 | 2243 | $3,611,960 | 9/20/2016 |
Germany | 8/5/2016 | $1,383,263 | 938 | 938 | 3178 | $3,635,143 | 10/4/2016 |
Ghana | 7/22/2016 | $3,066 | 3 | 3 | 17 | $11,817 | 12/31/2018 |
Greece | 7/28/2016 | $48,373 | 43 | 43 | 111 | $174,743 | 8/30/2016 |
Hong Kong | 7/21/2016 | $787,785 | 128 | 128 | 271 | $1,675,097 | 8/30/2016 |
Hungary | 7/28/2016 | $69,067 | 53 | 56 | 164 | $172,919 | 12/31/2018 |
Iceland | 7/20/2016 | $22,981 | 10 | 10 | 32 | $100,823 | 12/31/2018 |
India | 7/29/2016 | $190,039 | 367 | 367 | 392 | $281,759 | 8/30/2016 |
Indonesia | 7/22/2016 | $876,658 | 319 | 319 | 715 | $2,064,566 | 12/31/2018 |
Iraq | 7/14/2016 | $2,635 | 3 | 4 | 11 | $9,353 | 12/31/2018 |
Israel | 7/21/2016 | $149,928 | 49 | 49 | 114 | $423,331 | 12/31/2018 |
Italy | 7/28/2016 | $877,525 | 460 | 460 | 1085 | $2,690,438 | 9/13/2016 |
Jamaica | 7/13/2016 | $20,668 | 6 | 6 | 11 | $51,727 | 12/31/2018 |
Japan | 8/19/2016 | $2,358,181 | 581 | 663 | 2553 | $11,926,411 | 10/25/2016 |
Jordan | 7/14/2016 | $17,394 | 4 | 4 | 8 | $32,835 | 12/31/2018 |
Kenya | 7/22/2016 | $11,268 | 15 | 15 | 33 | $29,591 | 12/31/2018 |
Kuwait | 7/14/2016 | $155,702 | 15 | 15 | 25 | $370,924 | 12/31/2018 |
Latvia | 7/29/2016 | $13,393 | 15 | 15 | 32 | $45,644 | 12/31/2018 |
Lebanon | 7/14/2016 | $27,813 | 16 | 16 | 24 | $75,796 | 12/31/2018 |
Lithuania | 7/29/2016 | $9,568 | 126 | 126 | 208 | $22,771 | 8/26/2016 |
Malaysia | 7/14/2016 | $1,014,222 | 161 | 207 | 679 | $2,028,401 | 9/20/2016 |
Mexico | 8/12/2016 | $2,484,129 | 0 | 726 | 1149 | $6,637,061 | 10/11/2016 |
Netherlands | 7/14/2016 | $259,213 | 88 | 88 | 277 | $821,873 | 9/7/2016 |
New Zealand | 7/15/2016 | $456,862 | 129 | 129 | 517 | $1,366,523 | 9/13/2016 |
Nigeria | 7/22/2016 | $14,710 | 23 | 24 | 101 | $69,886 | 12/31/2018 |
North America | 7/15/2016 | $46,018,755 | 3,963 | 3,963 | 18,792 | $128,350,574 | |
Norway | 7/22/2016 | $170,447 | 185 | 185 | 402 | $652,681 | 9/20/2016 |
Oman | 7/14/2016 | $29,830 | 13 | 13 | 16 | $48,981 | 12/31/2018 |
Peru | 7/21/2016 | $473,399 | 137 | 137 | 307 | $1,351,999 | 12/31/2018 |
Philippines | 7/15/2016 | $821,153 | 206 | 206 | 399 | $1,544,593 | 12/31/2018 |
Poland | 7/15/2016 | $117,638 | 129 | 130 | 347 | $317,721 | 11/18/2018 |
Portugal | 7/21/2016 | $105,990 | 64 | 64 | 172 | $295,516 | 8/31/2016 |
Qatar | 7/14/2016 | $63,674 | 8 | 8 | 14 | $143,511 | 12/31/2018 |
Romania | 7/29/2016 | $52,705 | 64 | 64 | 231 | $144,631 | 12/31/2018 |
Russia (CIS) | 7/28/2016 | $2,537,200 | 1203 | 1203 | 3623 | $4,870,811 | 12/31/2018 |
Serbia and Montenegro | 7/28/2016 | $6,823 | 28 | 28 | 68 | $22,171 | 12/31/2018 |
Singapore | 7/14/2016 | $742,611 | 50 | 50 | 164 | $1,603,552 | 9/7/2016 |
Slovakia | 7/28/2016 | $39,137 | 73 | 73 | 112 | $73,869 | 8/25/2016 |
Slovenia | 7/28/2016 | $5,149 | 13 | 15 | 42 | $18,500 | 10/3/2016 |
South Africa | 7/29/2016 | $213,674 | 102 | 102 | 377 | $705,289 | 10/11/2016 |
South Korea | 8/9/2016 | $0 | 0 | 511 | 1067 | $3,693,843 | 10/11/2016 |
Spain | 8/12/2016 | $823,859 | 525 | 525 | 1712 | $3,511,995 | 10/27/2016 |
Suriname | 7/14/2016 | $931 | 1 | 1 | 3 | $2,868 | 12/31/2018 |
Sweden | 7/27/2016 | $279,524 | 153 | 153 | 443 | $1,405,308 | 10/4/2016 |
Switzerland | 7/28/2016 | $1,502 | 5 | 81 | 241 | $379,881 | 9/20/2016 |
Syria | 7/21/2016 | $1,667 | 1 | 1 | 3 | $4,392 | 12/31/2018 |
Taiwan | 7/14/2016 | $578,336 | 120 | 120 | 254 | $1,375,624 | 8/16/2016 |
Thailand | 7/14/2016 | $250,952 | 140 | 140 | 234 | $975,579 | 8/2/2016 |
Trinidad | 7/20/2016 | $69,260 | 21 | 21 | 67 | $213,634 | 12/31/2018 |
Turkey | 7/29/2016 | $127,210 | 252 | 252 | 591 | $448,667 | 2/26/2019 |
Ukraine | 7/28/2016 | $216,388 | 226 | 226 | 615 | $456,089 | 12/31/2018 |
United Arab Emirates | 7/14/2016 | $424,694 | 70 | 70 | 120 | $955,125 | 12/31/2018 |
United Kingdom | 7/15/2016 | $5,790,928 | 581 | 581 | 2437 | $14,167,996 | 10/18/2016 |
Uruguay | 7/14/2016 | $46,972 | 15 | 15 | 61 | $144,903 | 12/31/2018 |
Venezuela | 7/22/2016 | $35,435 | 80 | 80 | 193 | $164,832 | 9/20/2016 |
Vietnam | 7/29/2016 | $81,502 | 88 | 88 | 152 | $180,498 | 12/31/2018 |
Rest of World | $133,479 | ||||||
Worldwide Total | $229,008,658 | 7/6/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Melissa McCarthy | Abby Yates |
Kristen Wiig | Erin Gilbert |
Leslie Jones | Patty Tolan |
Kate McKinnon | Jillian Holtzmann |
Chris Hemsworth | Kevin |
Supporting Cast
Charles Dance | Harold Filmore |
Michael Kenneth Williams | Agent Hawkins |
Neil Casey | Rowan North |
Cecily Strong | Jennifer Lynch |
Matt Walsh | Agent Rorke |
Ed Begley, Jr. | Ed Mulgrave |
Ernie Hudson | Uncle Bill |
Sigourney Weaver | Rebecca Gorin |
Bill Murray | Martin Heiss |
Dan Aykroyd | Cabbie |
John Milhiser | Higgins Student |
Ben Harris | Higgins Student |
Karan Soni | Bennie |
Bess Rous | Gertrude Aldridge Ghost |
Steve Higgins | Dean |
Dave Gruber Allen | Electrocuted Ghost |
Katie Dippold | Rental Agent |
Nate Corddry | Grafiti Artist |
Daniel Ramis | Metal Head |
Pat Kiernan | NY1 News Anchor #1 |
Michael McDonald | Jonathan The Theater Manager |
Jaime Pacheco | Fernando the Janitor |
Adam Ray | Lead Singer/Voice of Slimer |
Eugene Cordero | Bass Guitarist |
Davey Jones | Ely the Drummer |
Ryan Levine | Rock Guitarist |
Dan Teicher | Rock Guitarist |
Theodore Shapiro | Keyboardist |
Matteo Borghese | Lightboard Operator |
Jeanine Ramirez | Reporter Outside Theater |
Jessica Chaffin | Waitress |
Jamie Denbo | Waitress |
Toby Huss | Officer Stevenson |
Andy Garcia | Mayor Bradley |
Annie Potts | Desk Clerk |
Cheryl Wills | NY1 News Anchor #2 |
Sam Richardson | Basement Cop |
Steve Bannos | Flasher Ghost |
Tom Yi | Flashed Man |
Susan Park | Flashed Woman |
Milana Vayntrub | Subway Rat Woman |
Tony Viveiros | Police Officer |
Stephen tWitch Boss* | Police Officer |
Robin Shelby | Voice of Lady Slimer |
Rosanna Scotto | Fox 5 News Anchor |
Greg Kelly | Fox 5 News Anchor |
Johnny Higgins | Baba Booey Shouter |
Cameos
Ozzy Osbourne | Famous Rock Star |
Al Roker | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Paul Feig | Director |
Paul Feig | Screenwriter |
Katie Dippold | Screenwriter |
Ivan Reitman | Producer |
Amy Pascal | Producer |
Jessie Henderson | Executive Producer |
Paul Feig | Executive Producer |
Dan Aykroyd | Executive Producer |
Tom Pollock | Executive Producer |
Joe Medjuck | Executive Producer |
Ali Bell | Executive Producer |
Michele Imperato Stabile | Executive Producer |
Robert Yeoman | Director of Photography |
Jefferson Sage | Production Designer |
Brent White | Editor |
Melissa Bretherton | Editor |
David Witz | Unit Production Manager |
Michele Imperato Stabile | Unit Production Manager |
Artist W. Robinson* | First Assistant Director |
Deanna Stadler | Second Assistant Director |
Sean Santiago | Visual Effects Supervisor |
Alex Plapinger | Associate Producer |
James Paul | Associate Producer |
Eric Reich | Associate Producer |
Jason Tamez | Production Supervisor |
Beat Frutiger | Art Director |
Lorin Flemming | Art Director |
Iain McFadyen | Art Director |
Bradley Rubin | Art Director |
Audra Avery | Art Director |
Leslie A. Pope | Set Decorator |
Sheila Waldron | Script Supervisor |
Andrew DeCristofaro | Supervising Sound Editor |
Becky Sullivan | Supervising Sound Editor |
Mark Paterson | Re-recording Mixer |
Beau Borders | Re-recording Mixer |
Lisa Rodgers | Post-Production Supervisor |
Alex Hepburn | First Assistant Editor |
Ken O'Keefe | First Assistant Editor |
Eirinn Disbrow | Assistant Editor |
John Casey | Costume Supervisor |
Virginia Johnson | Costume Supervisor |
Patricia Seeney | Make up |
Niki Pleau | Make up |
Brenda McNally | Hairstylist |
Dennis Bailey | Hairstylist |
Mark Hawker | Special Effects Supervisor |
Andy Weder | Special Effects Coordinator |
Mark Fitzgerald | Location Manager |
Charlie Harrington | Location Manager |
Richard Mays | Set Designer |
Steven Saylor | Set Designer |
Patrick Scalise | Set Designer |
Anthony Raymond | Set Designer |
G. A. Aguilar | Second Unit Director/Stunt Coordinator |
Karen Triest | Sound Designer |
Michael Payne | Sound Designer |
Tony Lamberti | Sound Designer |
Jay Wilkinson | Sound Effects Editor |
Phil Barrie | Sound Effects Editor |
David Esparza | Sound Effects Editor |
Laura Harris Atkinson | Dialogue Editor |
Erica Weis | Music Editor |
Chris Fogel | Score Mixer |
Walter Garcia | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.