Netherlands Box Office for The Front Runner (2018)
Theatrical Performance (US$) | ||
Netherlands Box Office | $33,004 | Details |
Worldwide Box Office | $3,233,962 | Details |
Home Market Performance | ||
North America DVD Sales | $203,002 | Details |
North America Blu-ray Sales | $84,294 | Details |
Total North America Video Sales | $287,296 | |
Further financial details... |
Synopsis
A film about the rise and fall of Senator Hart, who captured the imagination of young voters and was considered the overwhelming front runner for the 1988 Democratic presidential nomination when his campaign was sidelined by the story of an extramarital relationship with Donna Rice. As tabloid journalism and political journalism merged for the first time, Senator Hart was forced to drop out of the race—events that left a profound and lasting impact on American politics and the world stage.
Metrics
Movie Details
Netherlands Releases: | March 7th, 2019 (Wide) |
Video Release: | February 12th, 2019 by Sony Pictures Home Entertainment |
MPAA Rating: | R for language including some sexual references. (Rating bulletin 2540 (Cert #51619), 8/15/2018) |
Running Time: | 113 minutes |
Keywords: | Political Campaign, 1980s, Politicians, Scandal, Tabloid Journalism, Infidelity |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Right of Way Films, Bron Studios, Creative Wealth Media Finance, Columbia Pictures, Stage 6 Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for February 12th, 2019
February 13th, 2019
It’s a shallow week on the home market. That said, Bohemian Rhapsody was a monster hit, especially internationally. It isn’t a Pick of the Week contender, but we do have a trio of contenders: At Eternity’s Gate, Audition, and Shoplifters. It’s a close race, but Shoplifters came out on top.
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Theater Averages: The Favourite Lives Up to Its Name
November 29th, 2018
The Favourite had the best theater average, not only of the weekend, but of the year. It pulled in $422,000 in 4 theaters for an average of $105,603, putting it ahead of the previous leader for 2018, Suspiria. It is a lot more mainstream and shouldn’t have a problem expanding significantly beyond this point. Shoplifters was well back with an average of $17,853 in five theaters. The overall box office leader, Ralph Breaks The Internet, was next with an average of $14,000. The World Before Your Feet was the latest documentary to open in the $10,000 club earning an average of $11,241 in two theaters. The final film in the $10,000 club was also a wide release, Creed II, which earned an average of $10,338.
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Weekend Prediction: Will Ralph Wreck the Competition?
November 21st, 2018
It’s Thanksgiving long weekend, which means it is officially the start of the holiday blockbuster season. This year, three films are opening wide hoping to become hits. One of them, Ralph Breaks the Internet, could become the biggest hit of the month. Creed II is expected to top its predecessor during its five-day opening. Robin Hood is just hoping not to bomb in theaters. Both Green Book and The Front Runner were scheduled to expand wide, but neither will. In fact, The Front Runner isn’t even expanding semi-wide. This weekend last year, Coco opened with nearly $73 million during its five day weekend. Ralph Breaks the Internet likely won’t earn that much over the weekend, but it should come close. Additionally, Justice League earned $60 million during the five-day frame, which is very likely better than Creed II will perform. However, after that point, 2018’s depth becomes stronger than 2017’s depth and we should earn the small win in the year-over-year competition.
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Theater Averages: Chef is in Like Flynn
November 14th, 2018
Chef Flynn debuted on top spot on the theater average chart with $29,869 in one theater. The overall box office chart leader, Dr. Seuss’ The Grinch, was next with an average of $16,318. The Front Runner followed with an average of $12,886 over the weekend. The film opened on Tuesday, which obviously had some negative effect of its weekend number, but even the full six-day result of $71,742 / $17,936 average isn’t enough to warrant a full wide expansion. El Angel was the final film in the $10,000 club with an average of $11,674 in two theaters.
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Weekend Estimates: Grinch Grabs First Place, Bohemian Sings a Long Note
November 11th, 2018
The Weekend box office is on par with expectations, for the most part. Dr Seuss’ The Grinch is dominating the box office chart with an estimated $66.0 million debut. This isn’t the record for biggest November weekend for an animated film, but it is reasonably close. Its reviews and its A minus from CinemaScore suggest reasonably long legs at the box office. In fact, with the holidays coming up, it has an outside chance at $200 million. Internationally, its start is a little more muted at $12.7 million in 23 markets, including $6.53 in 559 theaters in the U.K. That’s equivalent to a $35 million opening here, given the relative size of the two markets.
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Friday Estimates: Grinch Steals Top Spot, but Doesn’t have Incredible Start
November 10th, 2018
Dr Seuss’ The Grinch debuted in first place on Friday with $18.67 million. This is not quite as good as we were originally expecting, but better than its previews would indicate. This is good news for the film’s long term chances. Its reviews having fallen below the overall positive level. It did earn an A minus from CinemaScore, which is good for a family film, but not great. Universal expects the film to earn $67 million over the weekend, which is close enough to our $68 million prediction to be a success. It is also very close to its $75 million production budget.
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Limited and VOD Releases: Running Down the Long Road to Limited Releases
November 9th, 2018
There are not many limited releases on this week’s list, but there are some that have earned louder than average pre-release buzz. This includes The Front Runner and The Long Dumb Road, but out of all of the films on this week’s list, Liz and the Blue Bird is the one I want to see the most.
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2018 Preview: November
November 1st, 2018
October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office.
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The Front Runner Trailer
September 7th, 2018
Real-life drama starring Hugh Jackman opens November 6 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/03/08 | - | $10,303 | 24 | $429 | $19,825 | 1 | |
2019/03/15 | - | $4,423 | -57% | 24 | $184 | $29,212 | 2 |
2019/03/22 | - | $908 | -79% | 9 | $101 | $33,004 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 2/1/2019 | $80,719 | 59 | 59 | 165 | $214,666 | 4/10/2019 |
France | 1/16/2019 | $70,282 | 68 | 68 | 95 | $98,567 | 1/29/2019 |
Germany | 1/17/2019 | $19,464 | 110 | 110 | 176 | $36,119 | 2/20/2019 |
Greece | 12/6/2018 | $17,463 | 38 | 38 | 43 | $44,700 | 12/27/2018 |
Italy | 2/21/2019 | $44,625 | 62 | 62 | 83 | $75,473 | 5/23/2019 |
Japan | 2/1/2019 | $106,742 | 84 | 84 | 236 | $391,849 | 4/16/2019 |
Netherlands | 3/7/2019 | $10,303 | 24 | 24 | 57 | $33,004 | 3/26/2019 |
New Zealand | 2/6/2019 | $2,494 | 7 | 7 | 15 | $6,546 | 2/26/2019 |
North America | 11/6/2018 | $51,543 | 4 | 807 | 2,102 | $1,994,179 | |
South Africa | 3/29/2019 | $0 | 0 | 7 | 7 | $8,989 | 4/10/2019 |
Spain | 2/15/2019 | $38,159 | 41 | 41 | 70 | $67,573 | 3/5/2019 |
Sweden | 11/23/2018 | $4,369 | 18 | 18 | 21 | $8,520 | 12/4/2018 |
Thailand | 1/31/2019 | $429 | 1 | 2 | 7 | $1,380 | 3/26/2019 |
United Kingdom | 1/11/2019 | $112,564 | 142 | 142 | 193 | $210,119 | 3/5/2019 |
Rest of World | $42,278 | ||||||
Worldwide Total | $3,233,962 | 5/23/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Hugh Jackman | Gary Hart |
Supporting Cast
Vera Farmiga | Lee Hart |
J.K. Simmons | Bill Dixon |
Alfred Molina | Ben Bradlee |
Mamoudou Athie | A.J. Parker |
Josh Brener | Doug Wilson |
Bill Burr | Pete Murphy |
Oliver Cooper | Joe Trippi |
Chris Coy | Kevin Sweeney |
Kaitlyn Dever | Andrea Hart |
Tommy Dewey | John Emerson |
Molly Ephraim | Irene Kelly |
Spencer Garrett | Bob Woodward |
Ari Graynor | Ann Devroy |
Toby Huss | Billy Broadhurst |
Mike Judge | Jim Dunn |
Alex Karpovsky | Mike Stratton |
Jennifer Landon | Ann McDaniel |
John Bedford Lloyd | David Broder |
Mark O'Brien | Billy Shore |
Sara Paxton | Donna Rice |
Kevin Pollak | Bob Martindale |
Steve Zissis | Tom Fielder |
Jenna Kanell | Ginny Terzano |
R.J. Brown | Bill Martin |
Steve Coulter | Bob Kaiser |
Nyasha Hatendi | Roy Valentine |
Margo Moorer | Miami Assistant Editor |
Kenneth Nance Jr | Herald Reporter |
Courtney Ford | Lynn Armandt |
Rachel Walters | Dana Weems |
Randy Havens | Alan Weinberg |
Joe Chrest | Ira Wyman |
Mike Lawrence | Mike Shanahan |
Lee Armstrong | Jack Germond |
Jonny Pasvolsky | Steve Dunleavy |
Jeff Witzke | Mike Ritchie |
Evan Castelloe | John Hart |
Stephanie Allynne | SF TV Producer |
Daniel Kang | SF Engineer |
Evan Kelly | SF Field Reporter 1 |
Joe Washington | SF Field Reporter 2 |
Jon Meacham | Georgetown Moderator |
Lucius Baston | DC Cab Driver |
Patricia French | Disco Waitress |
Victor McCay | Waldorf Emcee |
Scott Deal | Male Co-Correspondent |
Carrie Walrond | Female Co-Correspondent |
Joanne Clendining | NY Reporter |
Tony Scott | Telecom Engineer |
Christen C. Orr | Autograph Seeker |
David Allen Dillon | Diner Waiter |
Cristina Figarola | Miani Shouter 1 |
Kristopher Charles | Miami Shouter 2 |
Jason Edwards | Miami Shouter 2 |
Gara Coffey | Flight Attendant |
Monica Mears | Campaign Reporter |
Kendrick Cross | Chairmaker |
Ryan Davenport | Angry Woodsman |
Collin Sutton | Hunter 1 |
Bart Hansard | Hunter 2 |
Deadra Moore | Hunter 3 |
Chuck Tedder | Hunter 4 |
Adam Drescher | Hunter 5 |
Cameos
Matt Bai | Rumba Reporter |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jason Reitman | Director |
Matt Bai | Screenwriter |
Jay Carson | Screenwriter |
Jason Reitman | Screenwriter |
Matt Bai | Story based on the book ‘All The Truth is Out’ by |
Jason Reitman | Producer |
Helen Estabrook | Producer |
Aaron L. Gilbert | Producer |
Matt Bai | Executive Producer |
Jay Carson | Executive Producer |
Michael Beugg | Executive Producer |
Jason Blumenfeld | Executive Producer |
George C. Wolfe | Executive Producer |
Steven Thibault | Executive Producer |
Brenda Gilbert | Executive Producer |
David Gendron | Executive Producer |
Ali Jazayeri | Executive Producer |
Jason Cloth | Executive Producer |
Chris Conover | Executive Producer |
Edward Carpezzi | Executive Producer |
Eric Steelberg | Director of Photography |
Steve Saklad | Production Designer |
Stefan Grube | Editor |
Danny Glicker | Costume Designer |
Rob Simonsen | Composer |
John Papsidera | Casting Director |
Michael Beugg | Unit Production Manager |
Jason Blumenfeld | First Assistant Director |
Chris O’ Hara | Second Assistant Director |
Anjay Nagpal | Co-Executive Producer |
Andria Spring | Co-Executive Producer |
David Davoli | Co-Executive Producer |
Garrick Dion | Co-Executive Producer |
Matthias Mellinghaus | Co-Producer |
Erica Mills | Associate Producer |
Tamara Gagarin | Post-Production Supervisor |
Tricia Halloran | Music Supervisor |
Chris Jenkins | Re-recording Mixer |
Jeremy Peirson | Re-recording Mixer |
Perry Robertson | Supervising Sound Editor |
Scott Sanders | Supervising Sound Editor |
Daniel Stevens | Stunt Coordinator |
Nate Orloff | Additional Editor |
Bryan Yaconelli | Unit Production Manager |
Steven A. Morrow | Sound Mixer |
Cameron Beasley | Art Director |
Valerie Zielonka | Costume Supervisor |
Melinda Sanders | Set Decorator |
Michael White | Hairstylist |
Lawrence Davis | Hairstylist |
Felicity Bowring | Make up |
Ann Marie Hurley | Make up |
Wendy Bell | Make up |
David Fletcher | Special Effects Coordinator |
Suzanne C. Swindle | Script Supervisor |
John Latenser | Supervising Location Manager |
Kerry Blackman | First Assistant Editor |
Zachary Rosenblatt | Second Assistant Editor |
Kevin A. Zimmerman | Dialogue Editor |
Sebastian Sheeman Visconti | Sound Editor |
Jacob McNaughton | Foley Mixer |
Nick South | Music Editor |
Stan Neff | Score Mixer |
Chris LeDoux | Visual Effects Executive Producer |
Chris LeDoux | Visual Effects Supervisor |
Wes Dorough | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.