Portugal Box Office for À Procura de Vivian Maier (2014)
Theatrical Performance (US$) | ||
Portugal Box Office | $1,372 | Details |
Worldwide Box Office | $3,596,550 | Details |
Home Market Performance | ||
North America DVD Sales | $764,960 | Details |
Total North America Video Sales | $764,960 | |
Further financial details... |
Synopsis
A mysterious nanny, who secretly took over 100,000 photographs that were hidden in storage lockers and discovered decades later, is now considered among the 20th century’s greatest photographers. Maier’s strange and riveting life and art are revealed through never before seen photographs, films, and interviews with dozens who thought they knew her.
Metrics
Movie Details
Portugal Releases: | September 7th, 2018 (Wide), released as À Procura de Vivian Maier |
Video Release: | July 29th, 2014 by Mpi Home Video |
MPAA Rating: | Not Rated |
Running Time: | 83 minutes |
Keywords: | Photography, Biography, Directing Yourself |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Ravine Pictures |
Production Countries: | United States |
Languages: | English |
2014 Awards Season: Oscar Highlight: Best Feature-Length Documentary
February 3rd, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Feature-Length Documentary. This category had a lot of surprises throughout the nomination process; however, now that we have our five Oscar nominees, it seems like one of them has really settled into first place, while one of the other four might make it a two-horse race. On a side note, there are five major awards that we track that have a Documentary category. Of those, only one has announced its winners and none of the Oscar-nominated films won.
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2014 Awards Season: Oscars - Nominations
January 17th, 2015
The Oscar nominations were announced early in the morning, when all sensible people were asleep. There were some surprises, as well as some results that would have been surprises had it not been for the previous Awards Season nominations. Seventeen films earned two or more nods, led by Birdman and The Grand Budapest Hotel, both of which picked up nine nominations, while The Imitation Game was right behind with eight.
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2014 - Awards Season: DGA - Nominations
January 15th, 2015
The Directors Guild of America were the last major Awards Season group to hand out their nominations and did so over two days this week. Not surprisingly, for the most part, the same group of films appear on this list as have appeared on the rest of the Awards Season nominations. Birdman, Boyhood, and The Imitation Game all make appearances,
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2014 - Awards Season: BAFTA - Nominations
January 11th, 2015
The BAFTA nominations were announced yesterday and unlike most other Awards Season voters, the BAFTA voters gave us some real surprises. For instance, Birdman didn't lead the way. In fact, it was a comedy, The Grand Budapest Hotel, that earned the most nominations at 11. Granted, Birdman and The Theory of Everything were tied for second place with ten each, but it is still strange to see a comedy leading the way.
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2014 - Awards Season: WGA - Nominations
January 10th, 2015
The Writers Guild of America nominations were latest to be announced, but were there any real surprises? Yes. Birdman didn't get a nomination, but Guardians of the Galaxy did. More on that later. Besides those two films, there are not a lot of surprises here and the usual contenders are present, including Boyhood and The Imitation Game, but there are also some other notable films missing.
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DVD and Blu-ray Releases for July 29th, 2014
July 28th, 2014
I is not a bad week on the home market, as we do have a $100 million hit coming out on DVD and Blu-ray. Unfortunately, this $100 million hit is Noah, which is a good movie, but not a Pick of the Week contender. Worse still, it is a very shallow week and on the first page of Amazon.com's new releases list, there are releases that on a normal week would be filler. There are a trio of Pick of the Week contenders: Finding Vivian Maier - Buy from Amazon; It Felt Like Love - Buy from Amazon; and Marty - Blu-ray Buy from Amazon. All three are worth picking up, but in the end I went with Marty as Pick of the Week.
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Per Theater Chart: Eat It Up
May 14th, 2014
It was a good week on the per theater chart with five films in the $10,000 club, led by Chef with an average of $34,160 in six theaters, which is the third best opening average of the year so far. Palo Alto was well back, but was still strong earning an average of $15,865 in four theaters. The overall box office leader, Neighbors, was next with an average of $14,954. There were also a couple of holdovers in the $10,000 club, which is impressive. Ida held on strong earning an average of $12,223 in seven theaters, with room to keep growing. Belle expanded from 4 theaters to 45 theaters, but still managed an average of $10,825. By this time next week, it will have reached its first major milestone, with more to come.
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Per Theater Chart: Mistakes Paid Dividends, while Raid Rules
April 1st, 2014
It was a close race, but The Raid 2 took top spot on the per theater chart with an average of $23,613 in seven theaters. Finding Vivian Maier was right behind with an average of $21,200 in three theaters. The overall number one film, Noah, was the only other film in the $10,000 club, earning an average of $12,257.
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Limited Releases: No Mistake
March 28th, 2014
It's quite a good week for limited releases, as there are several that are earning overwhelmingly positive reviews. Finding Vivian Maier, Hide Your Smiling Faces, and Mistaken for Strangers are all earning excellent reviews. The Raid 2 is also earning excellent reviews, but it also possesses the buzz needed to thrive in limited release.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/11/02 | - | $611 | 1 | $611 | $611 | 9 | |
2018/11/09 | 37 | $326 | -47% | 1 | $326 | $934 | 10 |
2018/12/07 | - | $224 | 1 | $224 | $1,372 | 14 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/7/2014 | $0 | 0 | 12 | 13 | $189,579 | 5/21/2018 |
Germany | 6/26/2014 | $43,078 | 33 | 41 | 186 | $268,357 | 12/15/2015 |
New Zealand | 11/6/2014 | $0 | 0 | 1 | 1 | $107,397 | 7/16/2015 |
North America | 3/28/2014 | $63,600 | 3 | 97 | 522 | $1,509,131 | 5/28/2015 |
Portugal | 9/7/2018 | $0 | 0 | 1 | 3 | $1,372 | 12/11/2018 |
South Korea | 5/1/2015 | $25,062 | 0 | 0 | 0 | $41,870 | 8/29/2018 |
United Kingdom | 7/18/2014 | $51,888 | 25 | 30 | 55 | $149,785 | 12/17/2015 |
Rest of World | $1,329,059 | ||||||
Worldwide Total | $3,596,550 | 12/11/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Vivian Maier | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Maloof | Director |
Charlie Siskel | Director |
John Maloof | Producer |
Charlie Siskel | Producer |
Jeff Garlin | Executive Producer |
John Maloof | Director of Photography |
J. Ralph | Composer |
Aaron Wickenden | Editor |
Scott Palmer | Sound Mixer |
Steve Lynch | Sound Mixer |
Anthony Rydzon | Associate Producer |
Lars Oxfelt Mortensen | Associate Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.