Netherlands Box Office for Ferdinand (2017)
Theatrical Performance (US$) | ||
Netherlands Box Office | $7,621,240 | Details |
Worldwide Box Office | $307,491,645 | Details |
Home Market Performance | ||
North America DVD Sales | $19,542,068 | Details |
North America Blu-ray Sales | $15,729,157 | Details |
Total North America Video Sales | $35,271,225 | |
Further financial details... |
Synopsis
After being mistaken for a dangerous beast, Ferdinand is captured and torn from his home. Determined to return to his family, he rallies a misfit team on the ultimate adventure. Ferdinand proves you can’t judge a bull by its cover.
Metrics
Movie Details
Production Budget: | $111,000,000 |
Netherlands Releases: | December 22nd, 2017 (Wide) |
Video Release: | February 27th, 2018 by Fox Home Entertainment |
MPAA Rating: | PG for rude humor, action and some thematic elements. (Rating bulletin 2497 (Cert #51275), 10/11/2017) |
Running Time: | 107 minutes |
Keywords: | Animal Lead, Talking Animals, Bullfighting, Remake, 3-D, 3-D - Shot in 3-D, Family Adventure |
Source: | Based on Fiction Book/Short Story |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | Blue Sky Studios, 20th Century Fox Animation, Davis Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 13th, 2018
March 14th, 2018
It’s Oscar week on the home market with several Oscar nominees and winners. Many of these films, like Call Me by Your Name and I, Tonya, are contenders for Pick of the Week. The actual winner of this title is The Shape of Water on Blu-ray Combo Pack or 4K Ultra HD Combo Pack. It’s not the biggest release on this week’s list, as that honor goes to Star Wars: The Last Jedi, but that’s only coming out on Video on Demand.
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2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture
March 4th, 2018
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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2017 Awards Season: Oscars Nominations: Final Look
March 4th, 2018
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning.
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Home Market Releases for February 27th, 2018
February 27th, 2018
It is a great week on the home market with several Oscar contenders making their home market debuts. I put in review requests for several of them, but so far none have arrived. Coco is still a contender for Pick of the Week, but I’ve heard some backlash against the other two, so I want to wait to see for myself. In the end, I went with Thor: Ragnarok and Pick of the Week, even though the DVD, Blu-ray Combo Pack, and 4K Ultra HD Combo Pack don’t come out till next week. The screener arrived early and it is certainly the best Blu-ray on this week’s list.
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2017 Awards Season: Oscar Highlight: Best Feature-Length Animated Film
February 15th, 2018
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. A lot of people call this Oscar the Pixar Award, and look at that, there’s a Pixar film on this list. Is Coco the overwhelming favorite? Or does another film have what it takes?
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2017 Awards Season: Oscars Nominations
January 23rd, 2018
The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations.
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International Box Office: Ex Files Flies to Top Spot with $86.96 million
January 10th, 2018
Ex Files 3: Return of the Exes roared into first place with $86.96 million over the weekend for a 13-day total of $200.43 million. Its weekend total was double last weekend’s haul, while every other holdover at the top of the Chinese chart fell by more than 50%.
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2017 Awards Season: PGA Nominations
January 5th, 2018
The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) It is a strange year for the PGAs, as there was a tie resulting in 11 films being nominated for the top prize.
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Weekend Wrap-Up: The Last Jedi and Jumanji Nearly Tie Over 4-day Weekend with $67 million
January 2nd, 2018
It was a really close weekend with Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle both earning around $67 million during the four-day weekend. In fact, Jumanji beat The Last Jedi on New Year’s Day. Overall, the box office grew 11% from last weekend to $194 million, which was 4.3% more than the same weekend last year. It’s going to take a bit before we have the final numbers for all studios to compare how 2017 did compared to 2016, but it is safe to say 2016 will come out on top.
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Friday Estimates: Last Jedi Starts New Year’s Weekend with $19.06 million
December 30th, 2017
The last year to have Christmas and New Years Days on a Monday was 2006. Using that year as a guide and adjusting for changes in the market, specifically how much more front-loaded films tend to be, I was expecting a slight improvement for Star Wars: The Last Jedi from Thursday to Friday. That didn’t happen. In reality, the film lost 2.2% of its daily box office to hit $19.06 million on Friday. Granted, the film already has $483.76 million domestically and will likely hit first place for the year by the end of business today, surpassing Beauty and the Beast. Even with a slightly reduced weekend estimate of $54 million / $70 million, it is on pace for $600 million domestically with relative ease, making it a shoo-in for the sixth-highest-grossing domestic film of all time.
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Weekend Predictions: The Last Jedi Looks to Top The Last Weekend of 2017
December 28th, 2017
As per usual, the weekend after Christmas has no new wide releases. This means there will be almost no changes in the top five from last weekend, meaning Star Wars: The Last Jedi will win with ease, while Jumanji: Welcome to the Jungle will be in a comfortable second place. This weekend last year, Rogue One: A Star Wars Story and Sing were neck-and-neck with just over $90 million combined. The Last Jedi and Jumanji should top that, giving 2017 one last win in the year-over-year comparison.
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Weekend Estimates: Last Jedi Easily Holds Off Five Newcomers
December 24th, 2017
It’s a very crowded weekend, to say the least, in theaters, with five new wide releases already playing, and another joining the fray tomorrow. The Last Jedi is unperturbed by the competition, and will come out an easy winner, according to studio estimates released on Sunday. Its $68.486 million projected 3-day gross takes it to $365 million after 10 days in release. Among its new records this weekend, it became the 3rd-fastest film to earn $350 million at the domestic box office, and will have the 3rd-best Christmas weekend. All this is in spite of the fact that takings are expected to be down significantly today as everyone prepares for, or starts celebrating, the holiday.
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Friday Estimates: The Last Jedi Adds $24.68 Million to Top $300 Million
December 23rd, 2017
This weekend complicated, as Christmas Eve lands on a Sunday and Christmas Day technically makes it a four-day weekend. Although with so many schools closed for the holidays, you could almost call it a eleven-day weekend. This makes interpreting Friday’s box office numbers more difficult than usual. Star Wars: The Last Jedi earned $24.68 million on Friday, putting its running tally to $321.28 million. It tied Jurassic World for second-fastest to $300 million at just 8 days. On the other hand, this is a little bit lower than our predictions. It still has a real shot at over $100 million during the four-day weekend, but it could have to wait until Tuesday to get to $400 million.
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Weekend Predictions: New Releases are Far From Perfect
December 21st, 2017
This is technically Christmas Weekend, so it should come as no surprised that there are a lot of movies vying for that lucrative Christmas family audience. Two of them, Jumanji: Welcome to the Jungle and The Greatest Showman, opened yesterday, and we’ve already talked about how well they did on their opening day. On Friday, they will be joined by Pitch Perfect 3, Downsizing, and Father Figures, none of which are earning good reviews and only one of which is expected to be a box office hit. This should leave Star Wars: The Last Jedi on top of the chart with room to spare. This weekend last year, Rogue One: A Star Wars Story dominated the box office, while Sing was the only release that was a major hit.
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Weekend Wrap-Up: Last Jedi Tops Expectations with $220.01 million, Ferdinand is a Distant Second Place
December 19th, 2017
We already discussed Star Wars: The Last Jedi’s incredible debut yesterday, but there were other films that were in theaters over the weekend. The Last Jedi earned nearly 80% of the total weekend box office, so the rest of the box office had to settle for the leftovers. Ferdinand was a distant second with just $13.40 million, which is lower than our low expectations. Overall, the box office more than tripled from last week hitting $278 million. More importantly, it rose by 31% when compared to this weekend last year. Year-to-date, 2017 cut 2016’s lead by nearly $100 million in just one week. Granted, 2017 is still behind by $320 million or 3.0% at $10.10 billion to $10.42 billion. However, I just wanted 2017 to cut the lead to $250 million and that looks a lot more likely now than it did even a month ago.
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Weekend Estimates: Last Jedi Set for $220 Million Domestic Debut
December 17th, 2017
Star Wars: The Last Jedi will earn $220 million at the domestic box office this weekend, according to Disney’s Sunday morning estimate. After starting out with the second-biggest day of all time on Friday (a monstrous $104.787 million, including $45 million in Thursday previews), the film looks to be holding on well through the weekend. Saturday’s estimate is $64 million, off 39% from Friday, compared to The Force Awakens’ decline of 43% on its second day. Disney is projecting a decline of 20% on Sunday, while Awakens dropped 11%, which suggests caution on their part, and the possibility of a final opening weekend a little higher than their current projection.
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December 16th, 2017
The Last Jedi topped last night’s estimate, earning $104.78 million on Friday. It is only the second film to reach the century mark during its opening day. It is still 12% lower than the $119 million The Force Awakens opened with, but if it has the same legs, it will earn $218 million during its opening weekend. The reviews are practically identical and both films earned an A from CinemaScore, so having similar legs is more likely. Sequels usually have shorter legs, but The Last Jedi had better growth from Thursday previews to Friday’s numbers, so this could be a good omen. Maybe it will earn $220 million during its opening weekend.
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December 15th, 2017
Disney is really on top of the The Last Jedi hype train sending updated tracking of its opening day. Instead of aiming for $94 million to $99 million, the studio is aiming for $99 million to $104 million, putting on pace to be only the second film to earn $100 million during its opening day. Furthermore, CinemaScore released their final rating and it was a solid A, exactly what the reviews would suggest. The studio expects the film to make $205 million to $215 million over the weekend, which is close enough to our prediction that I’m happy.
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December 15th, 2017
We expect Star Wars: The Last Jedi to have an opening weekend box office total almost exactly in the middle of The Force Awakens and Rogue One. Since those two films earned $57 million and $29 million respectively during their previews, The Last Jedi would need $43 million to be on target. According to Disney it pulled in $45 million last night, making it the second-best Thursday preview of all time. (The Force Awakens is number one, while Harry Potter and the Deathly Hallows, Part II was pushed into third place with $43.5 million.) That’s not a lot above where we needed it, but does make $210 million for the weekend more likely. Additionally, the reviews remain impressive at 93% positive, while the average score given by the critics so far is 8.2 out of 10. There were some grumblings that the audiences were less impressed; however, this appears to be internet buzz and not reflective of the real world. We don’t have the full ComScore grade yet, but they reported 90% positive results last night, as well as 82% in the “Definitely recommend” category. That’s simply fantastic. We will have a better picture by this time tomorrow when the Friday estimates arrive and we can compare legs with the previous two Star Wars films.
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December 14th, 2017
2017 is behind 2016’s pace by over $400 million and and this weekend is the last chance it has to cut that deficit by any real margin. This weekend, Star Wars: The Last Jedi debuts and it is practically a guaranteed monster hit. Rogue One made just over $400 million in the 2016 calendar year, while The Force Awakens earned just over $650 million. The Last Jedi is widely expected to earn somewhere in-between those results. In the meantime, there is one other wide release, Ferdinand, which is the textbook definition of counter-programming. The studio is just hoping it doesn’t get lost in the crowd. This weekend last year, the total box office was $211.57 million. I give The Last Jedi about a 50/50 chance of topping that by itself.
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December 12th, 2017
It was a good weekend at the box office, relatively speaking, as most films in the top five beat expectations. Granted, this was mostly by tiny amounts, but it added up. We still fell 20% compared to last week to $84 million. This is 1.2% higher than the same weekend last year and we were expecting a similarly close loss, so this is a surprise victory. The year-over-year numbers are almost identical to last week, with this year down by 4.1% or $420 million when compared to last year. Right now 2017 has pulled in $9.79 billion, while 2016 had a running tally of $10.21 billion.
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December 11th, 2017
The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece.
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December 9th, 2017
Coco surprised no one by earning first place on Friday. It earned $4.27 million, giving it a running tally of $121.48 million after 17 days of release and putting it on pace for $19 million over the weekend. Good news: This is a little better than expected. Bad news: Next weekend could be a mess, as the film will not only have to deal with monster competition, but direct competition as well. If it can avoid being demolished at the box office next weekend, then it will stick around in the top ten for the rest of the year. Even if if does get demolished, it still has a shot at $200 million domestically, but it will be close.
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December 1st, 2017
The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy.
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March 28th, 2017
Animated adventure with the voice of John Cena opens December 15 ... Full Movie Details.
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Friday Estimates: The Last Jedi Tops Tracking with $104.78 million Opening Day
Early Friday Estimates Update: The Last Jedi Tracking Ticks Higher now at North of $100 million Opening Day
Thursday Night Previews: The Last Jedi Earns Second-Best Previews with $45 million - Updated with Ferdinand
Weekend Predictions: Last Jedi Goes up Against Rogue and Awakens
Weekend Wrap-Up: Coco Continues its Conquest with $18.45 million
2017 - Awards Season: Golden Globes - Nominations
Friday Estimates: Coco Clings to the Top, Disaster Artist Achieves a Spot in the Top Five
2017 Preview: December
Ferdinand Trailer
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/01/05 | 2 | $1,366,279 | 135 | $10,121 | $5,056,351 | 3 | |
2018/01/12 | 7 | $255,479 | -81% | 133 | $1,921 | $5,377,843 | 4 |
2018/01/19 | 7 | $214,860 | -16% | 134 | $1,603 | $5,728,453 | 5 |
2018/01/26 | 7 | $202,739 | -6% | 139 | $1,459 | $6,054,032 | 6 |
2018/02/02 | 9 | $180,317 | -11% | 127 | $1,420 | $6,469,165 | 7 |
2018/02/09 | 12 | $114,005 | -37% | 125 | $912 | $6,321,564 | 8 |
2018/02/16 | 7 | $154,089 | +35% | 123 | $1,253 | $6,681,104 | 9 |
2018/02/23 | 12 | $121,896 | -21% | 127 | $960 | $6,747,754 | 10 |
2018/03/02 | 6 | $308,344 | +153% | 120 | $2,570 | $7,330,213 | 11 |
2018/03/09 | 14 | $76,133 | -75% | 115 | $662 | $7,430,864 | 12 |
2018/03/16 | 13 | $93,657 | +23% | 114 | $822 | $7,522,870 | 13 |
2018/03/23 | 18 | $35,821 | -62% | 106 | $338 | $7,613,128 | 14 |
2018/03/30 | 19 | $53,897 | +50% | 105 | $513 | $7,688,908 | 15 |
2018/04/06 | - | $12,313 | -77% | 102 | $121 | $7,685,891 | 16 |
2018/04/13 | - | $12,316 | n/c | 75 | $164 | $7,731,443 | 17 |
2018/04/27 | - | $15,114 | 49 | $308 | $7,623,605 | 19 | |
2018/05/04 | - | $12,343 | -18% | 33 | $374 | $7,565,936 | 20 |
2018/05/11 | 30 | $17,035 | +38% | 35 | $487 | $7,588,094 | 21 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/5/2018 | $771,897 | 0 | 0 | 0 | $1,979,853 | 1/1/2019 |
Australia | 12/15/2017 | $1,289,517 | 289 | 299 | 2202 | $9,177,379 | 9/26/2022 |
Brazil | 1/12/2018 | $651,683 | 0 | 0 | 0 | $14,382,075 | 6/18/2018 |
Bulgaria | 12/22/2017 | $63,868 | 0 | 0 | 0 | $572,446 | 2/26/2019 |
China | 1/19/2018 | $9,460,000 | 34154 | 34154 | 67649 | $27,148,724 | 8/10/2018 |
Czech Republic | 12/15/2017 | $35,031 | 34 | 115 | 752 | $1,060,571 | 1/1/2019 |
Denmark | 12/15/2017 | $546,196 | 0 | 0 | 0 | $546,196 | 12/19/2017 |
France | 12/22/2017 | $2,100,000 | 0 | 239 | 239 | $17,822,862 | 6/18/2018 |
Germany | 12/15/2017 | $907,382 | 603 | 682 | 1944 | $9,032,296 | 6/18/2018 |
Hong Kong | 2/15/2018 | $439,515 | 0 | 0 | 0 | $1,253,180 | 9/13/2018 |
India | 12/15/2017 | $369,420 | 0 | 0 | 0 | $753,833 | 10/3/2018 |
Indonesia | 12/15/2017 | $331,106 | 242 | 242 | 242 | $331,106 | 1/1/2019 |
Italy | 12/15/2017 | $433,757 | 0 | 0 | 0 | $7,467,894 | 6/18/2018 |
Lithuania | 12/8/2017 | $1,439 | 2 | 192 | 998 | $522,154 | 7/30/2019 |
Mexico | 12/22/2017 | $1,300,000 | 0 | 0 | 0 | $8,522,119 | 6/18/2018 |
Netherlands | 12/22/2017 | $601,161 | 276 | 280 | 2453 | $7,621,240 | 11/3/2018 |
New Zealand | 12/29/2017 | $160,350 | 86 | 86 | 703 | $1,470,839 | 4/9/2018 |
North America | 12/15/2017 | $13,401,586 | 3,621 | 3,630 | 21,453 | $84,410,380 | 11/14/2023 |
Poland | 1/5/2018 | $836,640 | 0 | 0 | 0 | $4,318,208 | 1/1/2019 |
Portugal | 12/22/2017 | $199,091 | 97 | 97 | 736 | $1,866,133 | 7/6/2018 |
Russia (CIS) | 12/22/2017 | $2,076,543 | 1421 | 1428 | 6249 | $11,208,278 | 1/1/2019 |
Slovakia | 12/15/2017 | $25,332 | 25 | 64 | 499 | $701,612 | 6/7/2018 |
South Korea | 12/20/2017 | $0 | 0 | 698 | 1150 | $3,603,437 | 6/18/2018 |
Spain | 12/22/2017 | $854,634 | 347 | 395 | 3414 | $11,092,716 | 6/18/2018 |
Taiwan | 2/15/2018 | $288,153 | 0 | 0 | 0 | $954,019 | 9/13/2018 |
Turkey | 12/22/2017 | $360,100 | 264 | 294 | 1142 | $1,396,685 | 1/22/2020 |
United Arab Emirates | 5/11/2018 | $4,000 | 0 | 0 | 0 | $4,000 | 12/20/2018 |
United Kingdom | 12/22/2017 | $4,876,569 | 563 | 600 | 3055 | $13,094,565 | 6/18/2018 |
Rest of World | $65,176,845 | ||||||
Worldwide Total | $307,491,645 | 11/14/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
John Cena | Ferdinand the Bull |
Kate McKinnon | Lupe the Goat |
Gina Rodriguez | Una the Hedgehog |
Daveed Diggs | Dos the Hedgehog |
Cindy Slattery | Bunny |
Katie Silverman | Nina |
Supporting Cast
Anthony Anderson | Bones the Bull |
Bobby Cannavale | Valiente the Bull |
David Tennant | Angus the Bull |
Peyton Manning | Guapo the Bull |
Miguel Angel Silvestre | El Primero the Matador |
Jerrod Carmichael | Paco the Dog |
Flula Borg | Hans the Horse |
Juanes | Ziggy |
Boris Kodjoe | Klaus the Horse |
Gabriel Iglesias | Cuatro the Hedgehog |
Jeremy Sisto | Ferdinand’s Father |
Karla Martinez | Village Mother |
Raul Esparza | Moreno |
Sally Phillips | Greta the Horse |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Carlos Saldanha | Director |
John Davis | Producer |
Lisa Marie Stetler | Producer |
Lori Forte | Producer |
Bruce Anderson | Producer |
Chris Wedge | Executive Producer |
Robert L. Baird | Screenwriter |
Tim Federle | Screenwriter |
Brad Copeland | Screenwriter |
Ron Burch | Screen story by |
David Kidd | Screen story by |
Don Rhymer | Screen story by |
Munro Leaf | Story based on “The Story of Ferdinand” by |
John Powell | Composer |
Nick Jonas | Song Writer |
Harry Hitner | Editor |
Renato Falcao | Director of Photography |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.