Carlos Saldanha
Best known as a Director based on credits in that role in 8 films, with $3,087,109,529 worldwide aggregate box office (rank #34) |
Best-known technical roles: Ice Age: Dawn of the Dinosaurs (Director), Ice Age: Continental Drift (Executive Producer), Rio 2 (Director), Ice Age: The Meltdown (Director), Rio 2 (Story Creator) |
Best-known acting roles: Dodo (Ice Age: The Meltdown), Amazon Quail (Rio 2) |
Most productive collaborators: John Cena, Chris Wedge, Bruce Anderson, John Davis, Kate McKinnon |
Born: January 24, 1965 (59 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 2 | $326,869,056 | $817,876,517 | $1,144,745,573 |
In Technical Roles | Director | 8 | $879,704,944 | $2,207,404,585 | $3,087,109,529 |
Executive Producer | 2 | $225,384,851 | $1,056,536,968 | $1,281,921,819 | |
Story Creator | 2 | $275,158,244 | $705,205,288 | $980,363,532 | |
Co-Director | 1 | $176,387,405 | $209,728,938 | $386,116,343 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Stars at the Domestic Box Office (Rank 5,501-5,600) | 5,515 | $326,869,056 |
Top Stars at the International Box Office (Rank 2,301-2,400) | 2,346 | $817,876,517 |
Top Stars at the Worldwide Box Office (Rank 3,001-3,100) | 3,064 | $1,144,745,573 |
Top Grossing Director at the Domestic Box Office | 70 | $879,704,944 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 601-700) | 679 | $225,384,851 |
Top Grossing Story Creator at the Domestic Box Office (Rank 101-200) | 179 | $275,158,244 |
Top Grossing Director at the International Box Office | 23 | $2,207,404,585 |
Top Grossing Executive Producer at the International Box Office (Rank 101-200) | 172 | $1,056,536,968 |
Top Grossing Story Creator at the International Box Office | 89 | $705,205,288 |
Top Grossing Director at the Worldwide Box Office | 34 | $3,087,109,529 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 201-300) | 248 | $1,281,921,819 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 101-200) | 110 | $980,363,532 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2017 Preview: December
December 1st, 2017
The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy.
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2014 Preview: April
April 1st, 2014
March was stronger than expected when compared to 2013 with four films earning $100 million or more, led by Divergent. (Not all of them have gotten there yet, but they are certain to reach that milestone before they are done their box office runs.) It wasn't a blow-out victory, on the other hand, as a few weekends the ticket sales were lower in 2014 than they were during the same weekend in 2013. April looks really strong with Captain America: The Winter Soldier leading the way. This film should top $200 million over the weekend, while it isn't the only film that should crack the century mark, as Rio 2 is also on track for $100 million. This is great news, as no film last April reached $100 million. Granted, 42 came close and Oblivion wasn't far behind, but The Winter Soldier should earn more than those two films earned combined giving 2014 a comfortable lead over 2013 over the full month.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Apr 11, 2014 | Rio 2 | Amazon Quail | $131,538,435 | $361,307,856 | $492,846,291 |
Mar 31, 2006 | Ice Age: The Meltdown | Dodo | $195,330,621 | $456,568,661 | $651,899,282 |
Averages | $163,434,528 | $408,938,259 | $572,372,787 | ||
Totals | 2 | $326,869,056 | $817,876,517 | $1,144,745,573 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 11, 2014 | Rio 2 | $39,327,869 | 3,975 | $131,538,435 | $492,846,291 | 26.7% |
Mar 31, 2006 | Ice Age: The Meltdown | $68,033,544 | 3,969 | $195,330,621 | $651,899,282 | 30.0% |
Averages | $53,680,707 | 3,972 | $163,434,528 | $572,372,787 | 28.3% | |
Totals | 2 | $326,869,056 | $1,144,745,573 |
Latest Ranking on All Acting Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top 100 Stars in Supporting Roles at the Domestic Box Office (Rank 4,601-4,700) | 4,624 | $326,869,056 |
Top Below the Line Stars at the Domestic Box Office (Rank 3,401-3,500) | 3,489 | $326,869,056 |
Top Stars at the Domestic Box Office (Rank 5,501-5,600) | 5,515 | $326,869,056 |
Top 100 Stars in Supporting Roles at the International Box Office (Rank 1,801-1,900) | 1,818 | $817,876,517 |
Top Below the Line Stars at the International Box Office (Rank 1,101-1,200) | 1,175 | $817,876,517 |
Top Stars at the International Box Office (Rank 2,301-2,400) | 2,346 | $817,876,517 |
Top 100 Stars in Supporting Roles at the Worldwide Box Office (Rank 2,301-2,400) | 2,364 | $1,144,745,573 |
Top Below the Line Stars at the Worldwide Box Office (Rank 1,501-1,600) | 1,555 | $1,144,745,573 |
Top Stars at the Worldwide Box Office (Rank 3,001-3,100) | 3,064 | $1,144,745,573 |
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Aug 2, 2024 | Harold and the Purple Crayon | Director | |||
Dec 15, 2017 | Ferdinand | Director | $84,410,380 | $223,081,265 | $307,491,645 |
Jul 22, 2016 | Ice Age: Collision Course | Executive Producer | $64,063,008 | $338,093,674 | $402,156,682 |
Apr 15, 2016 | Rio, Eu Te Amo | Director | $31,982 | $31,982 | |
Apr 11, 2014 | Rio 2 | Director Story Creator |
$131,538,435 | $361,307,856 | $492,846,291 |
Jul 13, 2012 | Ice Age: Continental Drift | Executive Producer | $161,321,843 | $718,443,294 | $879,765,137 |
Apr 15, 2011 | Rio | Director Story Creator |
$143,619,809 | $343,897,432 | $487,517,241 |
Jul 1, 2009 | Ice Age: Dawn of the Dinosaurs | Director | $196,573,705 | $690,113,112 | $886,686,817 |
Mar 31, 2006 | Ice Age: The Meltdown | Director | $195,330,621 | $456,568,661 | $651,899,282 |
Mar 11, 2005 | Robots | Director | $128,200,012 | $132,436,259 | $260,636,271 |
Mar 15, 2002 | Ice Age | Co-Director | $176,387,405 | $209,728,938 | $386,116,343 |
Averages | $128,147,720 | $385,963,388 | $475,514,769 | ||
Totals | 11 | $1,281,477,200 | $3,473,670,491 | $4,755,147,691 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Aug 2, 2024 | Harold and the Purple … | |||||
Dec 15, 2017 | Ferdinand | $13,401,586 | 3,630 | $84,410,380 | $307,491,645 | 27.5% |
Apr 15, 2016 | Rio, Eu Te Amo | 15 | $31,982 | $31,982 | 100.0% | |
Apr 11, 2014 | Rio 2 | $39,327,869 | 3,975 | $131,538,435 | $492,846,291 | 26.7% |
Apr 15, 2011 | Rio | $39,225,962 | 3,842 | $143,619,809 | $487,517,241 | 29.5% |
Jul 1, 2009 | Ice Age: Dawn of the D… | $41,690,382 | 4,102 | $196,573,705 | $886,686,817 | 22.2% |
Mar 31, 2006 | Ice Age: The Meltdown | $68,033,544 | 3,969 | $195,330,621 | $651,899,282 | 30.0% |
Mar 11, 2005 | Robots | $36,045,301 | 3,776 | $128,200,012 | $260,636,271 | 49.2% |
Averages | $39,620,774 | 3,330 | $125,672,135 | $441,015,647 | 40.7% | |
Totals | 8 | $879,704,944 | $3,087,109,529 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 11, 2014 | Rio 2 | $39,327,869 | 3,975 | $131,538,435 | $492,846,291 | 26.7% |
Apr 15, 2011 | Rio | $39,225,962 | 3,842 | $143,619,809 | $487,517,241 | 29.5% |
Averages | $39,276,916 | 3,909 | $137,579,122 | $490,181,766 | 28.1% | |
Totals | 2 | $275,158,244 | $980,363,532 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office | 70 | $879,704,944 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 601-700) | 679 | $225,384,851 |
Top Grossing Story Creator at the Domestic Box Office (Rank 101-200) | 179 | $275,158,244 |
Top Grossing Director at the International Box Office | 23 | $2,207,404,585 |
Top Grossing Executive Producer at the International Box Office (Rank 101-200) | 172 | $1,056,536,968 |
Top Grossing Story Creator at the International Box Office | 89 | $705,205,288 |
Top Grossing Director at the Worldwide Box Office | 34 | $3,087,109,529 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 201-300) | 248 | $1,281,921,819 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 101-200) | 110 | $980,363,532 |