Lithuania Box Office for Tėvas (The Father) (2020)
Theatrical Performance (US$) | ||
Lithuania Box Office | $33,721 | Details |
Worldwide Box Office | $36,427,155 | Details |
Home Market Performance | ||
North America DVD Sales | $415,864 | Details |
North America Blu-ray Sales | $190,277 | Details |
Total North America Video Sales | $606,141 | |
Further financial details... |
Synopsis
Anthony is almost 80 years old and mischievous. He lives alone in his London apartment and refuses each of the nurses that his daughter, Anne, tries to impose upon him. Yet such a necessity is becoming more and more pressing for her, as she can’t visit him every day anymore: she has taken the decision to move to Paris to live with a man she has just met…
Metrics
Movie Details
Production Budget: | $6,000,000 |
Lithuania Releases: | April 30th, 2021 (Wide), released as Tėvas (The Father) |
Video Release: | March 26th, 2021 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for some strong language, and thematic material. (Rating bulletin 2627 (Cert #52705), 4/29/2020) |
Running Time: | 97 minutes |
Keywords: | Sundance Film Festival 2020, Family Drama, Faulty Memory, Autumn Years, Dysfunctional Family, Relationships Gone Wrong, Retirement Home, Death of a Son or Daughter, Unnamed Character, 2021 Oscars Best Picture Nominee |
Source: | Based on Play |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Film 4, Embankment Films, Trademark Films, F Commie Film, Sony Pictures Classics, Les Films Du Cru, Orange Studio, Canal Plus, Cine Plus, Cine-@ |
Production Countries: | France, United Kingdom |
Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/04/30 | - | $7,356 | 14 | $525 | $9,707 | 1 | |
2021/04/30 | 4 | $8,093 | 14 | $578 | $10,680 | 53 | |
2021/05/07 | 6 | $6,955 | -14% | 13 | $535 | $25,932 | 2 |
2021/05/14 | 11 | $1,830 | -74% | 10 | $183 | $29,653 | 3 |
2021/05/21 | 16 | $1,202 | -34% | 6 | $200 | $31,917 | 4 |
2021/05/28 | - | $280 | -77% | 3 | $93 | $32,717 | 5 |
2021/06/04 | - | $229 | -18% | 2 | $115 | $33,081 | 6 |
2021/06/11 | 17 | $249 | +9% | 2 | $125 | $33,236 | 7 |
2021/06/25 | 13 | $449 | 2 | $225 | $33,244 | 9 | |
2021/07/02 | 19 | $166 | -63% | 2 | $83 | $33,551 | 10 |
2021/07/09 | 20 | $134 | -19% | 1 | $134 | $33,721 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/1/2021 | $100,164 | 99 | 177 | 1476 | $2,226,191 | 10/20/2022 |
China | 6/18/2021 | $1,210,000 | 7693 | 7693 | 16941 | $4,670,000 | 8/2/2021 |
Finland | 8/13/2021 | $64,187 | 67 | 112 | 1023 | $1,279,948 | 10/20/2022 |
France | 5/26/2021 | $1,017,159 | 407 | 737 | 3345 | $4,815,410 | 7/23/2021 |
Germany | 8/26/2021 | $0 | 0 | 0 | 0 | $0 | |
Hong Kong | 4/8/2021 | $0 | 0 | 0 | 0 | $677,184 | 6/11/2021 |
Italy | 5/20/2021 | $50,782 | 24 | 40 | 64 | $1,448,415 | 10/20/2022 |
Lithuania | 4/30/2021 | $7,356 | 14 | 14 | 69 | $33,721 | 7/15/2021 |
Mexico | 4/1/2021 | $157,597 | 0 | 0 | 0 | $783,880 | 10/19/2022 |
Netherlands | 8/27/2021 | $236,607 | 66 | 120 | 1557 | $2,952,550 | 2/16/2022 |
New Zealand | 4/1/2021 | $127,446 | 87 | 90 | 829 | $979,297 | 10/20/2022 |
North America | 3/12/2021 | $433,611 | 865 | 933 | 5,124 | $2,120,992 | 10/18/2022 |
Portugal | 5/6/2021 | $73,498 | 63 | 63 | 299 | $332,479 | 10/19/2022 |
Russia (CIS) | 4/15/2021 | $206,059 | 303 | 303 | 1361 | $1,581,444 | 10/20/2022 |
Slovakia | 6/25/2021 | $4,579 | 34 | 34 | 62 | $15,237 | 7/13/2021 |
South Korea | 4/7/2021 | $70,180 | 348 | 348 | 806 | $323,652 | 2/8/2023 |
Spain | 12/25/2020 | $171,901 | 156 | 169 | 1497 | $1,159,325 | 4/8/2021 |
Turkey | 9/17/2021 | $16,304 | 78 | 78 | 223 | $130,292 | 10/20/2022 |
United Kingdom | 6/11/2021 | $560,929 | 626 | 626 | 2364 | $2,860,621 | 11/16/2021 |
Rest of World | $8,036,517 | ||||||
Worldwide Total | $36,427,155 | 2/8/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Anthony Hopkins | Anthony |
Olivia Colman | Anne |
Supporting Cast
Imogen Poots | Laura |
Mark Gatiss | The Man/Bill |
Rufus Sewell | Paul |
Olivia Williams | The Woman/Catherine |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Florian Zeller | Director |
Florian Zeller | Screenwriter |
Christopher Hampton | Screenwriter |
Florian Zeller | Story based on the play “La pere” by |
David Parfitt | Producer |
Jean-Louis Livi | Producer |
Philippe Carcassonne | Producer |
Christophe Spadone | Producer |
Simon Friend | Producer |
Alice Dawson | Co-Producer |
Héloïse Spadone | Executive Producer |
Alessandro Mauceri | Executive Producer |
Lauren Dark | Executive Producer |
Ollie Madden | Executive Producer |
Daniel Battsek | Executive Producer |
Hugo Grumbar | Executive Producer |
Tim Haslam | Executive Producer |
Paul Grindey | Executive Producer |
Ben Smithard | Director of Photography |
Peter Francis | Production Designer |
Yorgos Lamprinos | Editor |
Ludivico Einaudi | Composer |
Anna Mary Scott Robbins | Costume Designer |