South Korea Box Office for Fahrenheit 11/9 (2018)
Theatrical Performance (US$) | ||
South Korea Box Office | $28,962 | Details |
Worldwide Box Office | $6,653,715 | Details |
Home Market Performance | ||
North America DVD Sales | $423,868 | Details |
North America Blu-ray Sales | $61,036 | Details |
Total North America Video Sales | $484,904 | |
Further financial details... |
Synopsis
A provocative and comedic look at the times in which we live. It will explore the two most important questions of the Trump Era: How the f**k did we get here, and how the f**k do we get out? It’s the film to see before it’s too late.
Metrics
Movie Details
Production Budget: | $5,000,000 |
South Korea Releases: | November 14th, 2018 (Wide) |
Video Release: | December 18th, 2018 by Briarcliffe Entertainment |
MPAA Rating: | R for language and some disturbing material/images. (Rating bulletin 2543 (Cert #51795), 9/5/2018) |
Running Time: | 128 minutes |
Keywords: | Agitprop, Political, Politicians, Archive Footage, Political Protest, Political Documentary, Directing Yourself, Screenplay Written By the Star |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | State Run Films, Briarcliff Entertainment, Dog Eat Dog |
Production Countries: | United States |
Languages: | English |
2018 - Awards Season: WGA - Nominations
January 10th, 2019
The Writers Guild of America has a lot of categories, as they hand out nearly 30 awards. However, only three of them are for theatrical releases. The list of nominees include several major Awards Season players and not a lot of surprises. There are some clear patterns emerging, but also some surprising results.
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Home Market Releases for December 18th, 2018
December 18th, 2018
It’s an odd week on the home market, as there are four major first run releases coming out this week, but almost nothing else. Fun fact, I got screeners for all four of these films, although one of them arrived too late to review. Of these four, A Simple Favor is clearly the best and the DVD / Blu-ray / 4K is a contender for Pick of the Week. Its only competition is the 4K release for 2001: A Space Odyssey.
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Weekend Wrap-Up: Wishing September Good Night
October 2nd, 2018
Overall, the weekend matched our predictions almost perfectly. All three new releases came within a rounding error of our prediction, if not better. This includes Night School, which led the way with $27.26 million during its opening weekend, while Smallfoot wasn’t too far behind with $23.05 million. Overall, the box office was 14% higher than last weekend at $105 million. This is also 16% higher than the same weekend last year. 2018’s lead over 2017 remained nearly identical this week at 9.0% / $720 million with $8.77 billion compared to $8.04 billion.
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Weekend Wrap-Up: Clocking the Opposition
September 24th, 2018
As expected, The House with a Clock in its Walls topped the chart over the weekend. It was able to open faster than expected with $26.61 million. The other three films combined earned a fraction of that and A Simple Favor was the only other film to earn more than $10 million over the weekend. This caused the overall box office to fall 16% from last weekend to just $90 million. Worse still, this is 23% lower than the same weekend last year, which is a terrible margin. 2018 still has a massive 9.1% / $720 million lead over 2017 at $8.63 billion to $7.91 billion, so there’s no need to panic just yet.
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Weekend Estimates: Clock Runs Fast, Other Openings Stumble
September 23rd, 2018
The House with a Clock in its Walls was the only new release to top expectations this weekend, and it is doing so with ease. The film will pull in a projected $26.85 million over the weekend, which is close to Goosebumps’s $28.87 million debut and is much better than predicted. Its reviews and its B plus from CinemaScore suggest merely average legs, but this is still a great start for a film that cost $42 million to make. It is way too early to make a call on its international numbers, so I’m a little wary of calling this a financial hit just yet. It did open in first place in the Philippines with 602,000 in 195 theaters, but it only managed third place in Germany with $789,000 in 465.
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Friday Estimates: Beating the Clock
September 22nd, 2018
The House with a Clock in its Walls is the only new release that opened well on Friday, with $7.82 million during its opening day. Its reviews are in the overall positive level and it earned a B plus from CinemaScore. This is nearly identical to Miss Peregrine’s Home for Peculiar Children and weaker than Goosebumps’ result. If this film has the same legs as Miss Peregrine, then it will earn $25 million during its opening weekend. That would be an amazing start for a film that cost $42 million to make and significantly better than we predicted.
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Thursday Night Previews: House Wins Previews with $840,000
September 21st, 2018
The House with a Clock in its Walls opened with $840,000 in previews on Thursday, which sounds terrible for a wide release, but it is actually quite good, all things considered. It is a family film that had previews on a school night, so it is no surprise it couldn’t crack $1 million. By comparison, Goosebumps opened with $600,000, before earning $23.62 million during its opening weekend and if this film has similar legs, it will open with more than $30 million. On the other hand, Miss Peregrine’s Home for Peculiar Children opened with $1.2 million before earning $28.87 million, which would give this film barely more than $20 million. House’s reviews are closer to Miss Peregrine’s reviews than Goosebumps’ reviews, so its legs will likely be similar. That said, I’m happy with our $20 million prediction for now, but I could have to adjust it tomorrow when Friday’s numbers show up.
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Weekend Prediction: Countdown to the Weekend
September 20th, 2018
It’s a busier week than expected, as there are four films opening wide or semi-wide. The House with a Clock in its Walls is the only one with a shot at first place. In fact, it might be the only new release in the top five. Fahrenheit 11/9 could earn as much as $10 million, but it could also fail to reach the top five with $5 million. Life Itself is aiming even lower, but there’s an outside chance all things line up correctly and it earns a spot in the top five. On the other hand, Assassination Nation is opening semi-wide and it could miss the Mendoza Line. This weekend last year, Kingsman: The Golden Circle opened with nearly $40 million and two other films earned more than $20 million. This weekend, there might not be a single film with $20 million at the box office.
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2018 Preview: September
September 1st, 2018
Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/11/23 | - | $9,691 | 71 | $136 | $19,537 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/2/2018 | $24,894 | 17 | 18 | 64 | $92,241 | 1/1/2019 |
Netherlands | 9/28/2018 | $29,999 | 30 | 30 | 60 | $83,225 | 10/9/2018 |
North America | 9/21/2018 | $3,008,563 | 1,719 | 1,719 | 4,281 | $6,352,306 | |
Portugal | 11/1/2018 | $8,511 | 10 | 10 | 22 | $22,869 | 11/27/2018 |
South Korea | 11/14/2018 | $0 | 0 | 71 | 71 | $28,962 | 12/14/2018 |
United Kingdom | 10/19/2018 | $74,112 | 40 | 40 | 40 | $74,112 | 10/24/2018 |
Worldwide Total | $6,653,715 | 1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Narrator(s)
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Michael Moore | Director |
Michael Moore | Screenwriter |
Michael Moore | Producer |
Meghan O'Hara | Producer |
Tia Lessin | Producer |
Carl Deal | Producer |
Basel Hamdan | Executive Producer |
Tia Lessin | Executive Producer |
Pablo Proenza | Editor |
Rory Douglas Abel | Editor |