Oman Box Office for Extraction (2015)
| Theatrical Performance (US$) | ||
| Oman Box Office | $10,250 | Details |
| Worldwide Box Office | $1,063,836 | Details |
| Home Market Performance | ||
| North America DVD Sales | $2,264,651 | Details |
| North America Blu-ray Sales | $1,177,652 | Details |
| Total North America Video Sales | $3,442,303 | |
| Further financial details... | ||
Synopsis
When a terrorist group kidnaps retired CIA field operative Leonard Turner, his son Harry Turner, a government analyst who has been repeatedly turned down for field service, launches his own unsanctioned rescue operation. While evading highly skilled operatives, deadly assassins, and international terrorists, Harry finally puts his combat training to the test in a high stakes mission to find his father and to stop a terrorist plot.
Metrics
Movie Details
| Oman Releases: | December 31st, 2015 (Wide) |
| Video Release: | December 18th, 2015 by Lionsgate Home Entertainment |
| MPAA Rating: | R for violence, language throughout and brief sexual content/nudity. (Rating bulletin 2390, 9/9/2015) |
| Running Time: | 83 minutes |
| Keywords: | Terrorism, Kidnap, Retirement, C.I.A., Rescue, Secret Agent |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate Premiere, Grindstone Entertainment Group, Emmett Furla Oasis Films, The Fyzz Facility, Twirly Films Limited, Aperture Entertainment |
| Production Countries: | Canada |
| Languages: | English |
Home Market Releases for February 23rd, 2016
February 23rd, 2016
It's not a great week on the home market. The Good Dinosaur is the biggest release this week, but it is the only wide release of note. Spotlight started out in limited release, but while it expanded significantly, it never expanded truly wide. As for the Pick of the Week, I'm going with the Bogart / Bacall Blu-ray Double-Shot: The Big Sleep and Key Largo.
On a side note, it is another short list this week, because Amazon continues to be run by morons. I tried to get help from chat, but that wasn't very successful. I "talked" to four people without getting an answer. Two of which logged in and then logged out without saying a thing. One logged in, introduced themselves, then logged out when I asked a question. I tried through e-mail, but a week later and no reply. I have a phone number for press and I will try that once the Oscars are over and I'm not overwhelmed with work.
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Theater Averages: Star Wars Set Another Records with $59,982
December 22nd, 2015
Star Wars: The Force Awakens led the way on the theater average chart and broke the record for highest theater average for a wide release. Its average was $59,982, which is the fifth best opening theater average this year. This is just ahead of Ex Machina and just behind Carol. The Big Short fell 46% to $47,286. A 46% drop-off is bad news for a limited release most of the time, but The Force Awakens hurt all of the holdovers and I'm still bullish on its box office chances for its Wednesday expansion. Carol remained in the $10,000 for the fifth week in a row, this time earning an average of $14,446 in 16 theaters. Mojin: The Lost Legend opened with an average of $12,726 in 22 theaters, while Son of Saul was right behind with an average of $12,643.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/01/01 | 2 | $6,375 | 1 | $6,375 | $6,375 | 1 | |
| 2016/01/08 | 4 | $1,099 | -83% | 1 | $1,099 | $10,250 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Kuwait | 12/31/2015 | $0 | 0 | 7 | 10 | $363,105 | 12/31/2018 |
| Lebanon | 12/31/2015 | $24,772 | 4 | 4 | 7 | $81,817 | 12/31/2018 |
| North America | 12/18/2015 | $10,948 | 13 | 13 | 13 | $16,775 | |
| Oman | 12/31/2015 | $6,375 | 1 | 1 | 2 | $10,250 | 12/31/2018 |
| Portugal | 3/31/2016 | $19,956 | 10 | 12 | 32 | $46,251 | 6/9/2016 |
| Russia (CIS) | 12/25/2015 | $0 | 0 | 0 | 0 | $12,722 | 12/31/2018 |
| Taiwan | 1/15/2016 | $81,721 | 53 | 53 | 118 | $153,366 | 10/30/2018 |
| Thailand | 2/4/2016 | $10,521 | 16 | 16 | 17 | $15,952 | 6/9/2016 |
| Turkey | 8/5/2016 | $20,558 | 73 | 73 | 111 | $48,568 | 2/26/2019 |
| United Arab Emirates | 12/31/2015 | $144,900 | 24 | 24 | 44 | $300,409 | 12/31/2018 |
| Vietnam | 1/8/2016 | $0 | 0 | 8 | 8 | $14,621 | 12/31/2018 |
| Worldwide Total | $1,063,836 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Kellan Lutz | Harry |
| Bruce Willis | Leonard |
| Gina Carano | Victoria |
Supporting Cast
| D.B. Sweeney | Robertson |
| Dan Bilzerian | Higgins |
| Olga Valentina | Katya |
| Lydia Hull | Kris |
| Tyler J. Olson | Darryl |
| Joshua Mikel | Drake |
| Steve Coulter | Sitterson |
| Heather Johansen | Agent Stevens |
| Roman Mitichyan | Dmitri |
| Christopher Rob Bowen | Purvis |
| Rob Steinberg | Ivan |
| David Gordon | Sean |
| Nick Loeb | Vinn |
| Sierra Love | Sally |
| Nathan Varnson | Young Harry |
| Richard Chance | Aide John |
| John Dauer | Scott |
| Nikki Breanne Wells* | Biker Bartender |
| Nicole Gomez | Mandi |
| Linda Lind | Sarah |
| Jeffery Patterson | Jack |
| Sydney Fine | Vanessa |
| Jillian Sheen | Jessica |
| Jacques L Devore | Steve |
| Summer Altice | Denise |
| Hwan Tran | DJ |
| Lindsey Pelas | Stephanie |
| Jenna Kelly | Trisha |
| Martin Blencowe | Frank |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Steven C. Miller | Director |
| Umair Aleem | Screenwriter |
| Max Adams | Screenwriter |
| Randall Emmett | Producer |
| George Furla | Producer |
| Mark Stewart | Producer |
| Adam Goldworm | Producer |
| Wayne Marc Godfrey | Executive Producer |
| Robert Jones | Executive Producer |
| David Gilbery | Executive Producer |
| Barry Brooker | Executive Producer |
| Stan Wertlieb | Executive Producer |
| Martin Blencowe | Executive Producer |
| Kirk Shaw | Executive Producer |
| Vance Owen | Executive Producer |
| Steven Saxton | Executive Producer |
| Ted Fox | Executive Producer |
| Corey Large | Executive Producer |
| Arnaud Lannic | Co-Executive Producer |
| Christophe Lannic | Co-Executive Producer |
| Ryan Black | Co-Executive Producer |
| Tim Sullivan | Co-Producer |
| Anthony Callie | Co-Producer |
| Max Adams | Co-Producer |
| William B. Steakley | Line Producer |
| Brandon Cox | Director of Photography |
| Nate Jones | Production Designer |
| Vincent Trabaillon | Editor |
| Bonnie Stauch | Costume Designer |
| Ryan Dodson | Composer |
| Mike Burns | Music Supervisor |
| Anne McCarthy | Casting Director |
| Kellie Roy | Casting Director |
| Mary C Russell | Unit Production Manager |
| Jonathan Southard | First Assistant Director |
| Karla Strum | Second Assistant Director |
| Simon Rhee | Stunt Coordinator |
| Michael J Urann | Post-Production Supervisor |
| Beau J Genot | Post-Production Supervisor |
| Nick Dirosa | Script Supervisor |
| B.J. Lehn | Sound Mixer |
| Brad Johnson | Set Decorator |
| Michelle Jones | Art Director |
| Tiffanie Hudson | Make up |
| Lauren Kelley | Hairstylist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.