Extraction (2015)

Extraction poster
Theatrical Performance
Domestic Box Office $16,775Details
International Box Office $1,047,061Details
Worldwide Box Office $1,063,836
Home Market Performance
Est. Domestic DVD Sales $2,251,556 Details
Est. Domestic Blu-ray Sales $1,175,957 Details
Total Est. Domestic Video Sales $3,427,513
Further financial details...

Synopsis

When a terrorist group kidnaps retired CIA field operative Leonard Turner, his son Harry Turner, a government analyst who has been repeatedly turned down for field service, launches his own unsanctioned rescue operation. While evading highly skilled operatives, deadly assassins, and international terrorists, Harry finally puts his combat training to the test in a high stakes mission to find his father and to stop a terrorist plot.

Metrics

Opening Weekend:$10,948 (65.3% of total gross)
Legs:1.53 (domestic box office/biggest weekend)
Domestic Share:1.6% (domestic box office/worldwide)
Theater counts:13 opening theaters/13 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $21,441

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu
Netflix:Netflix, Netflix, Netflix

Movie Details

Domestic Releases: December 18th, 2015 (Limited) by Lionsgate
International Releases: December 25th, 2015 (Wide) (Russia (CIS))
December 31st, 2015 (Wide) (Kuwait)
December 31st, 2015 (Wide) (Lebanon)
December 31st, 2015 (Wide) (Oman)
December 31st, 2015 (Wide) (United Arab Emirates)
... Show all releases
Video Release: December 18th, 2015 by Lionsgate Home Entertainment
MPAA Rating: R for violence, language throughout and brief sexual content/nudity.
(Rating bulletin 2390, 9/9/2015)
Running Time: 83 minutes
Comparisons: vs. Die Hard
Create your own comparison chart…
Keywords: Terrorism, Kidnap, Retirement, C.I.A., Rescue, Secret Agent
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate Premiere, Grindstone Entertainment Group, Emmett Furla Oasis Films, The Fyzz Facility, Twirly Films Limited, Aperture Entertainment
Production Countries: Canada
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 18, 2015 49 $10,948   13 $842   $10,948 1

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 18, 2015 51 $16,775   13 $1,290   $16,775 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Kuwait 12/31/2015 $0 0 7 10 $363,105 12/31/2018
Lebanon 12/31/2015 $24,772 4 4 7 $81,817 12/31/2018
Oman 12/31/2015 $6,375 1 1 2 $10,250 12/31/2018
Portugal 3/31/2016 $19,956 10 12 32 $46,251 6/9/2016
Russia (CIS) 12/25/2015 $0 0 0 0 $12,722 12/31/2018
Taiwan 1/15/2016 $81,721 53 53 118 $153,366 10/30/2018
Thailand 2/4/2016 $10,521 16 16 17 $15,952 6/9/2016
Turkey 8/5/2016 $20,558 73 73 111 $48,568 2/26/2019
United Arab Emirates 12/31/2015 $144,900 24 24 44 $300,409 12/31/2018
Vietnam 1/8/2016 $0 0 8 8 $14,621 12/31/2018
 
International Total$1,047,061 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 28, 2016453,889 53,889$700,018$700,01811
Mar 6, 20162714,400-73% 68,289$187,056$887,07412

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 28, 2016624,976 24,976$461,803$461,80311

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Kellan Lutz Harry
Bruce Willis Leonard
Gina Carano Victoria

Supporting Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Steven C. Miller Director
Umair Aleem Screenwriter
Max Adams Screenwriter
Randall Emmett Producer
George Furla Producer
Mark Stewart Producer
Adam Goldworm Producer
Wayne Marc Godfrey Executive Producer
Robert Jones Executive Producer
David Gilbery Executive Producer
Barry Brooker Executive Producer
Stan Wertlieb Executive Producer
Martin Blencowe Executive Producer
Kirk Shaw Executive Producer
Vance Owen Executive Producer
Steven Saxton Executive Producer
Ted Fox Executive Producer
Corey Large Executive Producer
Arnaud Lannic Co-Executive Producer
Christophe Lannic Co-Executive Producer
Ryan Black Co-Executive Producer
Tim Sullivan Co-Producer
Anthony Callie Co-Producer
Max Adams Co-Producer
William B. Steakley Line Producer
Brandon Cox Director of Photography
Nate Jones Production Designer
Vincent Trabaillon Editor
Bonnie Stauch Costume Designer
Ryan Dodson Composer
Mike Burns Music Supervisor
Anne McCarthy Casting Director
Kellie Roy Casting Director
Mary C Russell Unit Production Manager
Jonathan Southard First Assistant Director
Karla Strum Second Assistant Director
Simon Rhee Stunt Coordinator
Michael J Urann Post-Production Supervisor
Beau J Genot Post-Production Supervisor
Nick Dirosa Script Supervisor
B.J. Lehn Sound Mixer
Brad Johnson Set Decorator
Michelle Jones Art Director
Tiffanie Hudson Make up
Lauren Kelley Hairstylist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 23rd, 2016

February 23rd, 2016

The Big Sleep

It's not a great week on the home market. The Good Dinosaur is the biggest release this week, but it is the only wide release of note. Spotlight started out in limited release, but while it expanded significantly, it never expanded truly wide. As for the Pick of the Week, I'm going with the Bogart / Bacall Blu-ray Double-Shot: The Big Sleep and Key Largo.

On a side note, it is another short list this week, because Amazon continues to be run by morons. I tried to get help from chat, but that wasn't very successful. I "talked" to four people without getting an answer. Two of which logged in and then logged out without saying a thing. One logged in, introduced themselves, then logged out when I asked a question. I tried through e-mail, but a week later and no reply. I have a phone number for press and I will try that once the Oscars are over and I'm not overwhelmed with work. More...

Theater Averages: Star Wars Set Another Records with $59,982

December 22nd, 2015

Star Wars: The Force Awakens

Star Wars: The Force Awakens led the way on the theater average chart and broke the record for highest theater average for a wide release. Its average was $59,982, which is the fifth best opening theater average this year. This is just ahead of Ex Machina and just behind Carol. The Big Short fell 46% to $47,286. A 46% drop-off is bad news for a limited release most of the time, but The Force Awakens hurt all of the holdovers and I'm still bullish on its box office chances for its Wednesday expansion. Carol remained in the $10,000 for the fifth week in a row, this time earning an average of $14,446 in 16 theaters. Mojin: The Lost Legend opened with an average of $12,726 in 22 theaters, while Son of Saul was right behind with an average of $12,643. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

When a terrorist group kidnaps retired CIA field operative Leonard Turner, his son Harry Turner, a government analyst who has been repeatedly turned down for field service, launches his own unsanctioned rescue operation. While evading highly skilled operatives, deadly assassins, and international terrorists, Harry finally puts his combat training to the test in a high stakes mission to find his father and to stop a terrorist plot.

Metrics

Opening Weekend:$10,948 (65.3% of total gross)
Legs:1.53 (domestic box office/biggest weekend)
Domestic Share:1.6% (domestic box office/worldwide)
Theater counts:13 opening theaters/13 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $21,441

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu
Netflix:Netflix, Netflix, Netflix

Movie Details

Domestic Releases: December 18th, 2015 (Limited) by Lionsgate
International Releases: December 25th, 2015 (Wide) (Russia (CIS))
December 31st, 2015 (Wide) (Kuwait)
December 31st, 2015 (Wide) (Lebanon)
December 31st, 2015 (Wide) (Oman)
December 31st, 2015 (Wide) (United Arab Emirates)
... Show all releases
Video Release: December 18th, 2015 by Lionsgate Home Entertainment
MPAA Rating: R for violence, language throughout and brief sexual content/nudity.
(Rating bulletin 2390, 9/9/2015)
Running Time: 83 minutes
Comparisons: vs. Die Hard
Create your own comparison chart…
Keywords: Terrorism, Kidnap, Retirement, C.I.A., Rescue, Secret Agent
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate Premiere, Grindstone Entertainment Group, Emmett Furla Oasis Films, The Fyzz Facility, Twirly Films Limited, Aperture Entertainment
Production Countries: Canada
Languages: English

Leading Cast

Kellan Lutz Harry
Bruce Willis Leonard
Gina Carano Victoria

Supporting Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Steven C. Miller Director
Umair Aleem Screenwriter
Max Adams Screenwriter
Randall Emmett Producer
George Furla Producer
Mark Stewart Producer
Adam Goldworm Producer
Wayne Marc Godfrey Executive Producer
Robert Jones Executive Producer
David Gilbery Executive Producer
Barry Brooker Executive Producer
Stan Wertlieb Executive Producer
Martin Blencowe Executive Producer
Kirk Shaw Executive Producer
Vance Owen Executive Producer
Steven Saxton Executive Producer
Ted Fox Executive Producer
Corey Large Executive Producer
Arnaud Lannic Co-Executive Producer
Christophe Lannic Co-Executive Producer
Ryan Black Co-Executive Producer
Tim Sullivan Co-Producer
Anthony Callie Co-Producer
Max Adams Co-Producer
William B. Steakley Line Producer
Brandon Cox Director of Photography
Nate Jones Production Designer
Vincent Trabaillon Editor
Bonnie Stauch Costume Designer
Ryan Dodson Composer
Mike Burns Music Supervisor
Anne McCarthy Casting Director
Kellie Roy Casting Director
Mary C Russell Unit Production Manager
Jonathan Southard First Assistant Director
Karla Strum Second Assistant Director
Simon Rhee Stunt Coordinator
Michael J Urann Post-Production Supervisor
Beau J Genot Post-Production Supervisor
Nick Dirosa Script Supervisor
B.J. Lehn Sound Mixer
Brad Johnson Set Decorator
Michelle Jones Art Director
Tiffanie Hudson Make up
Lauren Kelley Hairstylist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 23rd, 2016

February 23rd, 2016

The Big Sleep

It's not a great week on the home market. The Good Dinosaur is the biggest release this week, but it is the only wide release of note. Spotlight started out in limited release, but while it expanded significantly, it never expanded truly wide. As for the Pick of the Week, I'm going with the Bogart / Bacall Blu-ray Double-Shot: The Big Sleep and Key Largo.

On a side note, it is another short list this week, because Amazon continues to be run by morons. I tried to get help from chat, but that wasn't very successful. I "talked" to four people without getting an answer. Two of which logged in and then logged out without saying a thing. One logged in, introduced themselves, then logged out when I asked a question. I tried through e-mail, but a week later and no reply. I have a phone number for press and I will try that once the Oscars are over and I'm not overwhelmed with work. More...

Theater Averages: Star Wars Set Another Records with $59,982

December 22nd, 2015

Star Wars: The Force Awakens

Star Wars: The Force Awakens led the way on the theater average chart and broke the record for highest theater average for a wide release. Its average was $59,982, which is the fifth best opening theater average this year. This is just ahead of Ex Machina and just behind Carol. The Big Short fell 46% to $47,286. A 46% drop-off is bad news for a limited release most of the time, but The Force Awakens hurt all of the holdovers and I'm still bullish on its box office chances for its Wednesday expansion. Carol remained in the $10,000 for the fifth week in a row, this time earning an average of $14,446 in 16 theaters. Mojin: The Lost Legend opened with an average of $12,726 in 22 theaters, while Son of Saul was right behind with an average of $12,643. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 18, 2015 49 $10,948   13 $842   $10,948 1

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 18, 2015 51 $16,775   13 $1,290   $16,775 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Kuwait 12/31/2015 $0 0 7 10 $363,105 12/31/2018
Lebanon 12/31/2015 $24,772 4 4 7 $81,817 12/31/2018
Oman 12/31/2015 $6,375 1 1 2 $10,250 12/31/2018
Portugal 3/31/2016 $19,956 10 12 32 $46,251 6/9/2016
Russia (CIS) 12/25/2015 $0 0 0 0 $12,722 12/31/2018
Taiwan 1/15/2016 $81,721 53 53 118 $153,366 10/30/2018
Thailand 2/4/2016 $10,521 16 16 17 $15,952 6/9/2016
Turkey 8/5/2016 $20,558 73 73 111 $48,568 2/26/2019
United Arab Emirates 12/31/2015 $144,900 24 24 44 $300,409 12/31/2018
Vietnam 1/8/2016 $0 0 8 8 $14,621 12/31/2018
 
International Total$1,047,061 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 28, 2016453,889 53,889$700,018$700,01811
Mar 6, 20162714,400-73% 68,289$187,056$887,07412

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 28, 2016624,976 24,976$461,803$461,80311

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.