Hong Kong Box Office for Elle (2016)
Theatrical Performance (US$) | ||
Hong Kong Box Office | $58,306 | Details |
Worldwide Box Office | $16,517,708 | Details |
Home Market Performance | ||
North America DVD Sales | $325,607 | Details |
North America Blu-ray Sales | $211,895 | Details |
Total North America Video Sales | $537,502 | |
Further financial details... |
Synopsis
Michèle seems indestructible. Head of a leading video game company, she brings the same ruthless attitude to her love life as to business. Being attacked in her home by an unknown assailant changes Michèle's life forever. When she resolutely tracks the man down, they are both drawn into a curious and thrilling game-a game that may, at any moment, spiral out of control.
Metrics
Movie Details
Production Budget: | $9,100,000 |
Hong Kong Releases: | March 9th, 2017 (Wide) |
Video Release: | March 14th, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | R for violence involving sexual assault, disturbing sexual content, some grisly images, brief graphic nudity, and language. (Rating bulletin 2441 (Cert #50658), 9/7/2016) |
Running Time: | 130 minutes |
Keywords: | Sex Crimes, Home Invasion, Non-Chronological, Christmas in November, Christmas, Dysfunctional Family, Relationships Gone Wrong |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | SBS Productions, Twenty Twenty Vision, France 2 Cinema, Entre Chien et Loup, Proximus |
Production Countries: | Belgium, France, Germany |
Languages: | French |
Home Market Releases for March 14th, 2017
March 15th, 2017
There are a few Oscar-nominated films on this week’s list. However, it was still hard to come up with a Pick of the Week release. Most of them were like Elle with great reviews and weak extras. The DVD for Drunk History: Season Four has more than two hours of extras, but I admit it is an acquired taste. Fortunately, we do have a clear winner: The Love Witch on Blu-ray.
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2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 - Awards Season: Independent Spirit Awards - Winners - Moonlight has a Serious Night
February 26th, 2017
The Independent Spirit Awards winners were handed out last night. While they are rarely a good predictor for the Oscars, Moonlight’s performance was so dominant that its chances of winning Oscars have ticked up a couple of percentage points.
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2016 Awards Season: Oscar Highlight: Best Leading Actress
February 17th, 2017
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Leading Actress, which is not competitive. There’s an overwhelming favorite, a long shot with a shot, and then everyone else.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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Theater Averages: The New Year has a Patriotic Start
January 10th, 2017
The theater average chart was dominated by holdovers, as is the norm this time of year. The top film was Patriots Day with an average of $14,972 in seven theaters. This bodes very well for its wide expansion next weekend. 20th Century Women is becoming a sleeper hit earning an average of $13,047 in ten theaters. This is one of those films that should be earning more Awards Season buzz, but I fear it has slipped between the cracks. Toni Erdmann and Paterson were neck-and-neck with averages of $10,472 and $10,205 respectively.
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2016 - Awards Season: Golden Globes - Winners - La La Lands on Top
January 8th, 2017
The first major awards night was Sunday with the Golden Globes being handed out. La La Land led the way with seven wins, winning in every category it was nominated in. This is great news for its Oscar chances, but there’s already backlash building.
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2016 - Awards Season: Golden Globes - Nominations
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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Limited and VOD Releases: Jackie Hopes O stands for Oscar
December 2nd, 2016
There are not a lot of limited releases on this week’s list. Things to Come is earning the best reviews, but it is a foreign-language film and that will limit its box office potential. Believe is the biggest in terms of theater count, but it’s a faith-based film and there’s a chance it will open well below the Mendoza Line. On the other hand, Jackie has the best box office potential and Natalie Portman could win an Oscar for her performance.
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2016 - Awards Season: Independent Spirit Awards - Nominations
November 23rd, 2016
The Independent Spirit Awards nominations were announced last night and thus the 2016 Awards Season begins. There were a few surprises and some snubs to discuss, but for the most part, there’s not a lot nominations that broke the established narrative. It’s because there isn’t really an established narrative. This means films that earn nominations here have a much better chance of doing well going forward and Moonlight looks like it could rise up as a result.
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Theater Averages: It’s a Long Walk to the Top with $57,065
November 16th, 2016
Billy Lynn’s Long Halftime Walk earned first place on the theater average chart over the weekend earning an average of $57,065 in two theaters. That’s the good news. The bad news is its reviews suggest poor word of mouth and difficulty expanding wide this coming weekend. Elle opened in second place with an average of $25,467, also in two theaters. Loving remained in the $10,000 club for the second weekend with an average of $11,149 in 46 theaters. It still has room to grow. Doctor Strange was right behind with an average of $11,069. The final film in the $10,000 was the biggest new release of the week, Arrival, which earned an average of $10,390.
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Weekend Estimates: Healthy Arrivals Help Veterans Day Box Office
November 13th, 2016
While Doctor Strange and Trolls aren’t really being threatened at the top of the chart this weekend, a few healthy new releases are giving Veterans Day weekend a timely boost at the box office. Arrival is the stand-out performer in wide release, with $24 million from 2,317 theaters and an average over $10,000. The sci-fi drama is a critical darling, but is having a harder time with general audiences who might be expecting something with a few more explosions and laser battles, and its CinemaScore is a B. Its potential long-term performance is a therefore a little hard to gauge at this point, but it would be very surprising for it not to pick up a few more theaters, and it might be decent counter-programming to the explosions and laser battles promised by several other films coming up in the next few weeks.
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Limited and VOD Releases: Release Dates are Bewitching
November 11th, 2016
One of the more difficult aspects of this job is keeping track of release dates. For instance, we thought The Love Witch came out two weeks ago, but its release date changed at the last minute. The official site says it’s coming out this week, so if it gets changed again, it is not my fault. It arguably has the best reviews on this week’s list and it is the one I’m most interested in seeing. That said, it is too out there to expect it to find mainstream success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/03/10 | - | $22,961 | 5 | $4,592 | $22,961 | 1 | |
2017/03/17 | - | $12,269 | -47% | 6 | $2,045 | $44,888 | 2 |
2017/03/24 | - | $5,911 | -52% | 5 | $1,182 | $55,927 | 3 |
2017/03/31 | - | $685 | -88% | 1 | $685 | $58,306 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/16/2017 | $83,523 | 37 | 37 | 99 | $176,195 | 1/1/2019 |
Australia | 10/28/2016 | $47,821 | 16 | 18 | 81 | $197,734 | 12/13/2016 |
Brazil | 11/17/2016 | $40,458 | 29 | 29 | 141 | $254,385 | 3/21/2017 |
Central America | 1/5/2017 | $0 | 0 | 1 | 1 | $13,872 | 1/18/2017 |
Chile | 12/8/2016 | $0 | 0 | 2 | 12 | $18,864 | 12/20/2018 |
Croatia | 12/29/2016 | $0 | 0 | 3 | 13 | $11,836 | 1/1/2019 |
Denmark | 3/16/2017 | $30,961 | 23 | 23 | 60 | $82,607 | 4/24/2017 |
Finland | 12/9/2016 | $16,249 | 37 | 37 | 87 | $74,293 | 2/21/2017 |
France | 5/27/2016 | $1,214,400 | 0 | 0 | 0 | $4,215,020 | 8/17/2018 |
Hong Kong | 3/9/2017 | $22,961 | 5 | 6 | 17 | $58,306 | 4/4/2017 |
Italy | 3/24/2017 | $408,564 | 0 | 0 | 0 | $1,007,510 | 4/20/2017 |
Mexico | 2/10/2017 | $52,674 | 35 | 35 | 117 | $146,528 | 3/21/2017 |
Netherlands | 6/2/2016 | $145,061 | 56 | 62 | 471 | $954,226 | 8/25/2016 |
New Zealand | 12/23/2016 | $759 | 2 | 5 | 36 | $75,930 | 3/21/2017 |
North America | 11/11/2016 | $50,934 | 2 | 143 | 542 | $2,339,735 | 10/29/2019 |
Norway | 3/3/2017 | $18,237 | 20 | 20 | 67 | $112,933 | 6/20/2017 |
Peru | 12/22/2016 | $0 | 0 | 2 | 8 | $20,326 | 12/20/2018 |
Poland | 1/27/2017 | $3,213 | 7 | 9 | 28 | $27,490 | 1/1/2019 |
Portugal | 11/18/2016 | $20,011 | 9 | 9 | 45 | $82,903 | 3/2/2017 |
Russia (CIS) | 9/23/2016 | $98,647 | 205 | 205 | 370 | $304,772 | 1/1/2019 |
Singapore | 2/2/2017 | $7,792 | 1 | 1 | 11 | $25,480 | 5/31/2017 |
Slovakia | 3/24/2017 | $314 | 1 | 1 | 1 | $314 | 3/27/2017 |
Slovenia | 3/2/2017 | $4,527 | 2 | 4 | 12 | $12,406 | 4/11/2017 |
South Korea | 5/20/2017 | $0 | 0 | 56 | 138 | $246,333 | 8/3/2017 |
Spain | 9/30/2016 | $178,040 | 63 | 82 | 437 | $948,493 | 2/24/2017 |
Sweden | 1/13/2017 | $40,931 | 25 | 25 | 103 | $271,951 | 3/14/2017 |
Taiwan | 2/17/2017 | $14,180 | 8 | 8 | 20 | $44,873 | 3/21/2017 |
Thailand | 2/16/2017 | $10,679 | 27 | 27 | 34 | $21,153 | 3/14/2017 |
Turkey | 11/4/2016 | $6,024 | 13 | 562 | 579 | $18,485 | 2/26/2019 |
United Kingdom | 3/10/2017 | $308,351 | 62 | 62 | 78 | $640,887 | 3/22/2017 |
Uruguay | 2/16/2017 | $6,143 | 4 | 4 | 11 | $18,522 | 1/1/2019 |
Venezuela | 4/28/2017 | $1,992 | 1 | 7 | 20 | $31,183 | 6/21/2017 |
Rest of World | $4,062,163 | ||||||
Worldwide Total | $16,517,708 | 10/29/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Isabelle Huppert | Michèle |
Supporting Cast
Laurent Lafitte | Patrick |
Anne Consigny | Anna |
Charles Berling | Rochard |
Virginie Aefira | Rebecca |
Judith Magre | Irène |
Christian Berkel | Robert |
Jonas Bloquet | Vincent |
Alice Isaaz | Josie |
Vamila Pons | Hélène |
Arthur Mazet | Kevin |
Raphael Lenglet | Ralf |
Lucas Prisor | Kurt |
Hugo Conzelmann | Phillip Kwan |
Stéphane Bak | Omar |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Paul Verhoeven | Director |
David Birke | Screenwriter |
Phillipe Djian | Story based on the novel "OH…" by |
Said Ben Said | Producer |
Michel Merkt | Producer |
Thanassis Karathanos | Co-Producer |
Kate Merkt | Co-Producer |
Diana Elbaum | Co-Producer |
Sebastien Delloye | Co-Producer |
François Touwaide | Co-Producer |
Oury Milshtein | Production Manager |
Stephane Fontaine | Director of Photography |
Job Ter Berg | Editor |
Brieuc Vanderswalm | First Assistant Director |
Nathalie Raoul | Costume Designer |
Laurent Ott | Production Designer |
Bénédicte Darblay | Script Supervisor |
Constance Demontoy | Casting Director |
Anne Dudley | Composer |
Jean-Paul Mugel | Sound Designer |
Alexis Place | Sound Designer |
Katia Boutin | Sound Designer |
Frédéric Souquet | Hairstylist |