Slovakia Box Office for Eddie the Eagle (2016)
Theatrical Performance (US$) | ||
Slovakia Box Office | $23,768 | Details |
Worldwide Box Office | $45,032,437 | Details |
Home Market Performance | ||
North America DVD Sales | $1,725,396 | Details |
North America Blu-ray Sales | $1,172,753 | Details |
Total North America Video Sales | $2,898,149 | |
Further financial details... |
Synopsis
Michael “Eddie” Edwards was an unlikely but courageous British ski-jumper who never stopped believing in himself—even as an entire nation was counting him out. With the help of a rebellious and charismatic coach, Eddie takes on the establishment and wins the hearts of sports fans around the world by making an improbable and historic showing at the 1988 Calgary Winter Olympics.
Metrics
Movie Details
Production Budget: | $23,000,000 |
Slovakia Releases: | April 14th, 2016 (Wide) |
Video Release: | May 27th, 2016 by Fox Home Entertainment |
MPAA Rating: | PG-13 for some suggestive material, partial nudity and smoking. (Rating bulletin 2410 (Cert #50074), 2/3/2016) |
Running Time: | 105 minutes |
Keywords: | Winter Sports, Olympics, Inspirational Sports, Skiing, Underdog, Sports Drama |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | MARV Films, Lionsgate, Saville Productions |
Production Countries: | United Kingdom, United States |
Languages: | English |
2016 - Holiday Gift Guide - Part IV - Books, Music, and Anything I Missed
December 22nd, 2016
We listed the first-run releases, TV on DVD releases and Classics. The final installment includes some books, music, and anything I forgot before. And let’s be honest, there’s a couple of late screeners on this list, because I don’t have time to review them.
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Home Market Releases for June 14th, 2016
June 14th, 2016
It is a much slower week than it was last time. In fact, the only two reviews this week were for releases that came out last week. That doesn't mean we don't have any good releases and there are a few contenders for Pick of the Week. Of these, Hello, My Name is Doris is the one I'm most interested in buying and the Blu-ray, while not loaded with extras, is the Pick of the Week. I'm also giving an honorary Puck of the Week to Dark Matter: Season 1, which is a Canadian Sci-fi series.
(On a side note, Amazon's list of new releases is a mess with a bunch of Game of Thrones and Star Trek titles, most of which don't even have images. This made sorting through the new releases a lot harder.)
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Home Market Releases for May 24th, 2016
May 24th, 2016
There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it.
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Theater Averages: Fang has Teeth with $14,506
May 3rd, 2016
The Family Fang led the way on the theater average chart with $14,506 in one theater. This is the last time we will talk about this film's box office numbers, because it opens on VOD this Friday, thus ending its chances of box office success. Then again, clearly VOD is more important to a limited release than the theatrical box office is. The Man Who Knew Infinity was next with an average of $13,388 in six theaters. That's good, but likely not good enough to expand significantly. Eva Hesse was playing in just one theater earning $12,780 over the weekend and $17,912 from Wednesday through Sunday. The Jungle Book made the $10,000 club for the third weekend in a row with an average of $10,818.
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Weekend Wrap-Up: Zootopia Wins Weekend With Record-breaking Result of $75.06 million
March 8th, 2016
As expected Zootopia dominated the weekend box office earning $75.06 million. This is half of what The Hunger Games opened with, but it was still the fifth Biggest March Opening. It also broke a couple of smaller records, but more on that down below. Second place went to London Has Fallen, but it was way, way back with just $21.64 million. This is terrible for a film that cost more than $100 million to make. Overall, the box office was $159 million. This is 41% more than last weekend and 77% more than the same weekend last year. 2016's lead over 2015 rose to just a hair under 10% at $1.97 billion to $1.79 billion. Granted, by this time in 2015, none of the year's $1 billion hits had been released, so things can change rapidly, but this is still a great start so far.
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Weekend Wrap-Up: Deadpool Remains Immortal pulling in $31.12 million
February 29th, 2016
As anticipated, Deadpool easily won the weekend with $31.12 million. This was more than double its nearest competitor, Gods of Egypt, which earned $14.12 million. Unfortunately, those were the only two films that earned more than $10 million over the weekend. The overall box office was $112 million, which was 21% lower than last weekend. This was still 5.1% more than the same weekend last year, while 2016's year-to-date advantage crept up ever so slightly to 3.9% at $1.78 billion to $1.71 billion. Hopefully March can continue this pace.
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Weekend Estimates: Deadpool Enjoys Third Weekend Win
February 28th, 2016
This is shaping up to be a triumphant weekend for 20th Century Fox. The studio will take three out of the top five spots at the box office this weekend, with Deadpool claiming a third straight win with $31.5 million, taking it to a huge (for the time of year) $285.6 million by close of business on Sunday. The studio’s Kung Fu Panda 3 will be down just 28% to $9 million in third place, for $128.5 million to date, and their new release Eddie the Eagle will land in fifth with a slightly disappointing, but not horrible, $6.3 million. Oh, and The Revenant is still in the top ten in its tenth weekend in release, and is the hot favorite to win Best Picture at the Oscars this evening (more on that in a moment).
All of which is a roundabout way of saying that Gods of Egypt had a horrible opening weekend…
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Friday Estimates: Deadpool Delivers a Mortal Blow to Gods of Egypt
February 27th, 2016
Deadpool will again earn first place at the box office, and with more than anticipated. It earned $8.95 million on Friday, which is 45% lower than last Friday's box office. If it maintains this run, then it will earn $31 million over the weekend for a total of $285 million. By this time next weekend, it will be over $300 million domestically. I don't think the studio was expecting $300 million worldwide when it gave the film the greenlight.
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Thursday Night Previews: Gods off to a Mortal Start
February 26th, 2016
Gods of Egypt had the best showing among new releases from its Thursday previews; however, best is being used as a relative term, as it only managed $800,000. By comparison, 13 Hours pulled in $900,000 earlier this year. If the film’s reviews hurt its word of mouth, and I can’t imagine they won’t, then we are looking at a domestic total of about $40 million on a $140 million production budget. In fact, it will likely make less during its opening weekend than the $15.3 million reportedly spend on TV ads leading up to its release.
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Weekend Predictions: Gods of Egypt Eye Top Spot
February 26th, 2016
There are three wide releases looking to overtake Deadpool at the box office. I seriously doubt any of them will be able to do so. In fact, all three combined might not top Deadpool over the weekend. Gods of Egypt is by far the biggest costing $140 million, but it likely won't earn 10% of that over the weekend. Triple 9 is a rather generic action film that bombed in its debut in the U.K., which doesn't bode well for its run here. Finally, Eddie the Eagle is a feel-good inspirational sports movie based on a real life story. Unfortunately, the sport in question is ski-jumping, which isn't popular enough to expect the movie will find an audience in theaters. This weekend last year, Focus was the top film, but Deadpool will likely beat it by $10 million over the weekend. It should be a relatively good week for 2016.
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2016 Preview: February
February 1st, 2016
As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/04/15 | 7 | $13,519 | 31 | $436 | $14,071 | 1 | |
2016/04/22 | 15 | $4,434 | -67% | 16 | $277 | $21,082 | 2 |
2016/04/29 | 18 | $1,873 | -58% | 5 | $375 | $23,768 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/31/2016 | $44,747 | 36 | 36 | 38 | $54,106 | 4/12/2016 |
Australia | 4/22/2016 | $2,029,307 | 377 | 377 | 1660 | $5,596,320 | 7/24/2023 |
Austria | 4/1/2016 | $54,559 | 61 | 61 | 165 | $141,444 | 6/9/2016 |
Bahrain | 3/31/2016 | $35,523 | 6 | 6 | 10 | $60,004 | 12/31/2018 |
Belgium | 3/30/2016 | $50,155 | 35 | 35 | 72 | $105,266 | 6/9/2016 |
Bolivia | 3/31/2016 | $5,266 | 4 | 4 | 5 | $8,219 | 12/31/2018 |
Brazil | 3/31/2016 | $70,780 | 71 | 71 | 119 | $102,978 | 6/9/2016 |
Cambodia | 3/31/2016 | $1,970 | 24 | 24 | 29 | $3,854 | 12/31/2018 |
Central America | 3/31/2016 | $0 | 0 | 12 | 13 | $52,434 | 4/19/2016 |
China | 3/18/2016 | $410,000 | 10467 | 10467 | 11353 | $930,000 | 3/12/2019 |
Colombia | 3/31/2016 | $101,829 | 80 | 80 | 122 | $177,563 | 12/31/2018 |
Croatia | 4/14/2016 | $12,680 | 20 | 20 | 20 | $12,680 | 12/31/2018 |
Czech Republic | 4/14/2016 | $27,770 | 46 | 46 | 130 | $80,508 | 12/31/2018 |
Denmark | 3/31/2016 | $0 | 0 | 69 | 69 | $119,324 | 6/9/2016 |
Ecuador | 4/1/2016 | $30,622 | 33 | 33 | 69 | $74,980 | 12/31/2018 |
Finland | 4/1/2016 | $29,333 | 70 | 70 | 155 | $109,462 | 6/9/2016 |
France | 5/6/2016 | $332,376 | 0 | 0 | 0 | $555,241 | 10/2/2018 |
Germany | 3/31/2016 | $542,062 | 422 | 441 | 1234 | $1,231,754 | 6/9/2016 |
Greece | 3/31/2016 | $6,829 | 28 | 28 | 28 | $6,829 | 6/9/2016 |
Hong Kong | 3/31/2016 | $84,264 | 19 | 19 | 48 | $288,764 | 6/9/2016 |
Hungary | 3/31/2016 | $36,450 | 28 | 29 | 86 | $111,461 | 12/31/2018 |
Iraq | 3/31/2016 | $2,126 | 3 | 3 | 5 | $3,895 | 12/31/2018 |
Italy | 6/3/2016 | $56,900 | 0 | 0 | 0 | $56,900 | 6/8/2016 |
Kuwait | 3/31/2016 | $60,163 | 8 | 8 | 11 | $100,979 | 12/31/2018 |
Lebanon | 3/31/2016 | $13,477 | 6 | 6 | 10 | $22,461 | 12/31/2018 |
Lithuania | 3/25/2016 | $1,016 | 6 | 90 | 257 | $38,989 | 6/9/2016 |
Mexico | 3/31/2016 | $299,197 | 0 | 0 | 0 | $337,417 | 6/9/2016 |
Netherlands | 3/31/2016 | $63,561 | 60 | 75 | 196 | $148,158 | 6/9/2016 |
New Zealand | 4/29/2016 | $266,682 | 92 | 92 | 578 | $941,707 | 8/8/2016 |
North America | 2/26/2016 | $6,084,682 | 2,042 | 2,044 | 7,193 | $15,789,389 | 12/7/2016 |
Norway | 4/1/2016 | $45,175 | 165 | 165 | 222 | $86,519 | 6/9/2016 |
Oman | 3/31/2016 | $9,464 | 5 | 5 | 7 | $14,458 | 12/31/2018 |
Peru | 3/31/2016 | $0 | 0 | 12 | 12 | $63,232 | 12/31/2018 |
Portugal | 3/31/2016 | $23,737 | 30 | 30 | 60 | $40,003 | 6/9/2016 |
Qatar | 3/31/2016 | $32,489 | 5 | 5 | 8 | $56,402 | 12/31/2018 |
Russia (CIS) | 4/7/2016 | $204,073 | 609 | 609 | 1368 | $458,784 | 12/31/2018 |
Serbia and Montenegro | 3/31/2016 | $3,080 | 13 | 21 | 41 | $9,169 | 12/31/2018 |
Singapore | 3/31/2016 | $115,251 | 23 | 23 | 51 | $197,085 | 6/9/2016 |
Slovakia | 4/14/2016 | $13,519 | 31 | 31 | 52 | $23,768 | 6/9/2016 |
Slovenia | 4/14/2016 | $6,173 | 20 | 20 | 43 | $27,197 | 6/9/2016 |
South Korea | 4/7/2016 | $3,817 | 0 | 527 | 862 | $1,546,145 | 9/10/2018 |
Spain | 6/10/2016 | $23,135 | 71 | 71 | 125 | $53,762 | 6/30/2016 |
Sweden | 4/1/2016 | $0 | 0 | 71 | 71 | $90,772 | 6/9/2016 |
Switzerland | 3/31/2016 | $0 | 0 | 53 | 53 | $208,884 | 6/9/2016 |
Taiwan | 4/8/2016 | $364,823 | 74 | 74 | 148 | $718,738 | 6/9/2016 |
Turkey | 4/1/2016 | $18,072 | 86 | 86 | 97 | $32,428 | 12/31/2018 |
Ukraine | 4/7/2016 | $0 | 0 | 61 | 61 | $23,828 | 12/31/2018 |
United Arab Emirates | 3/31/2016 | $76,247 | 24 | 24 | 32 | $127,117 | 12/31/2018 |
United Kingdom | 4/1/2016 | $4,026,683 | 570 | 607 | 2642 | $12,352,356 | 6/22/2016 |
Uruguay | 4/14/2016 | $895 | 1 | 1 | 1 | $895 | 12/31/2018 |
Venezuela | 4/1/2016 | $13,196 | 37 | 37 | 77 | $53,508 | 6/9/2016 |
Rest of World | $1,584,301 | ||||||
Worldwide Total | $45,032,437 | 7/24/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Taron Egerton | Michael Edwards a.k.a Eddie the Eagle |
Hugh Jackman | Bronson Peary |
Supporting Cast
Christopher Walken | Warren Sharp |
Keith Allen | Terry Edwards |
Jim Broadbent | Commentator |
Tim McInnerny | Dustin Target |
Jo Hartley | Janette Edwards |
Daniel Ings | Zach |
Rune Temte | Bjorn Norwegian Coach |
Edvin Endre | Matti Nykanen |
Lasco Atkins | Calgary Press |
Ania Sowinski | Carrie |
Anastasia Harrold | British Olympian |
Daniel Westwood | Calgary Press Reporter |
Tony West | Reporter |
Mads Petterson | Erik Moberg |
Jessica Williams | British Olympian |
Russell Balogh | Wayne |
Marc Benjamin | Lars Kuk |
Mac Pietowski | British Olympian |
Bron James | Eagle Fan |
Tomasz Dabrowski | Swedish Coach |
Jassie Mortimer | Eagle Fan |
Graham Fletcher Cook | BOA Official |
Ruth Shaw | Gillian-Fan |
Martyn Mayger | Ski Sports Sponsor |
Karl Farrer | Eddie's Neighbour |
Katie Hudson | Hysterical Fan |
Caolan McClafferty | Crazy Fan |
Anthony Chisholm | Crazy Fan |
Christopher Marsh | British Olympian |
Michael Jeffries | Swedish Skier |
Guna Gultniece | Fan |
Billy Holland | Street Kid |
Garry Moore | Customs Officer |
Laura Black | Eddie's Fan |
Kheira Bey | British Olympian |
Matthew Brandon | Canadian Ski Jumper |
Brent Phebey | British Olympian |
Austin Burrows | German Coach |
Sascha Hodak | Official |
Michael Rauth | Bartender |
Mark Benton | Richmond the BOA Official |
Dickon Tolson | UK Doctor |
Timothy Spall | Mr. Edwards |
Iris Berben | Petra |
Matt Rippy | US Anchorman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Dexter Fletcher | Director |
Sean Macaulay | Screenwriter |
Simon Kelton | Screenwriter |
Simon Kelton | Based on the Story of Eddie Edwards by |
Matthew Vaughn | Producer |
Adam Bohling | Producer |
David Reid | Producer |
Rupert Maconick | Producer |
Valerie Van Galder | Producer |
Stephen Marks | Executive Producer |
Claudia Vaughn | Executive Producer |
Pierre Lagrange | Executive Producer |
Peter Morton | Executive Producer |
Zygi Kamasa | Executive Producer |
George Richmond | Director of Photography |
Mike Gunn | Production Designer |
Martin Walsh | Editor |
Matthew Margeson | Composer |
Annie Hardinge | Costume Designer |
Reginald Poerscout Edgerton* | Casting Director |
Henning Molfenter | Co-Producer |
Simon Kelton | Co-Producer |
Carl Woebcken* | Co-Producer |
Christoph Fisser | Co-Producer |
Jack Ravenscroft | First Assistant Director |
Gayle Dickie | Assistant Director |
Dan Cox | Assistant Director |
Andi Lang | Assistant Director |
Daniel John | Second Assistant Director |
Adam Bohling | Unit Production Manager |
Andy Buckley | Location Manager |
Jens Geibel | Location Manager |
Iain MacKenzie | Post-Production Supervisor |
Oliver Luer | Line Producer |
Tine Hoefke | Production Manager |
Matthew Tucker | Associate Editor |
Alex Fenn | Assistant Editor |
Jack Dolman | Music Editor |
Tom Kramer | Music Editor |
Jason Soudah | Additional Music |
Ian Neil | Music Supervisor |
Tim Blake | Art Director |
Astrid Poeschke | Art Director |
Naomi Moore | Set Decorator |
Nadia Stacey | Make-up and Hair Designer |
Annette Batz | Costume Supervisor |
Matthew Collinge | Sound Supervisor |
Danny Sheehan | Sound Supervisor |
Matthew Collinge | Sound Designer |
Matthew Collinge | Re-recording Mixer |
Chris Burdon | Re-recording Mixer |
John Hayes | Sound Mixer |
Manfred Banach | Sound Mixer |
Gavin Rose | Dialogue Editor |
Torsten Jerabek | Stunt Coordinator |
Matt Kasmir | Visual Effects Supervisor |
Steve Warner | Special Effects Supervisor |
Roland Tropp | Special Effects |
Vic Armstrong | Second Unit Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.