Portugal Box Office for Pequena Grande Vida (2017)
Theatrical Performance (US$) | ||
Portugal Box Office | $180,136 | Details |
Worldwide Box Office | $54,462,971 | Details |
Home Market Performance | ||
North America DVD Sales | $1,179,069 | Details |
North America Blu-ray Sales | $1,639,411 | Details |
Total North America Video Sales | $2,818,480 | |
Further financial details... |
Synopsis
When scientists discover how to shrink humans to five inches tall as a solution to over-population, Paul and his wife Audrey decide to abandon their stressed lives in order to get small and move to a new downsized community—a choice that triggers life-changing adventures.
Metrics
Movie Details
Production Budget: | $68,000,000 |
Portugal Releases: | February 23rd, 2018 (Wide), released as Pequena Grande Vida |
Video Release: | March 6th, 2018 by Paramount Home Video |
MPAA Rating: | R for language including sexual references, some graphic nudity and drug use. (Rating bulletin 2505 (Cert #50693), 12/6/2017) |
Running Time: | 135 minutes |
Keywords: | Tiny Worlds, Human Experimentation, Therapists / Therapy, Therapist, Relationships Gone Wrong, Gratuitous Cameos, Satire, Satirical Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Paramount Pictures, Annapurna Pictures, Ad Hominem Enterpises |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 20th, 2018
March 20th, 2018
It is a slow week with less than a dozen releases in the main section, and that includes two late reviews. There’s no more than that for the secondary Blu-ray releases. That said, a high percentage of these are worth picking up with many Pick of the Week contenders. For example, the biggest release of the week, Jumanji: Welcome to the Jungle, is one of the best, as is one of the smallest releases, Miss Kiet’s Children. However, in the end, I went with Coco, which technically came out a couple of weeks ago, but the screener arrived late and it really deserves the title of Pick of the Week.
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Weekend Wrap-Up: Abridged Edition: Star Wars Tops Estimates with $71.57 million / $99.03 million
December 26th, 2017
We still don’t have final numbers for the weekend or Christmas day, and because of the holidays, we likely won’t get them until January 2nd. This means were are stuck with weekend estimates for Jumanji: Welcome to the Jungle and other films and no information for Monday. Star Wars: The Last Jedi outperformed estimates with $71.57 million for a four-day total of $99.03 million. Its 11-day total is $395.63 million and it will take just 12 days to get to $400 million. That’s not the record, but it is the third best result and that's still very impressive.
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Weekend Estimates: Last Jedi Easily Holds Off Five Newcomers
December 24th, 2017
It’s a very crowded weekend, to say the least, in theaters, with five new wide releases already playing, and another joining the fray tomorrow. The Last Jedi is unperturbed by the competition, and will come out an easy winner, according to studio estimates released on Sunday. Its $68.486 million projected 3-day gross takes it to $365 million after 10 days in release. Among its new records this weekend, it became the 3rd-fastest film to earn $350 million at the domestic box office, and will have the 3rd-best Christmas weekend. All this is in spite of the fact that takings are expected to be down significantly today as everyone prepares for, or starts celebrating, the holiday.
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Friday Estimates: The Last Jedi Adds $24.68 Million to Top $300 Million
December 23rd, 2017
This weekend complicated, as Christmas Eve lands on a Sunday and Christmas Day technically makes it a four-day weekend. Although with so many schools closed for the holidays, you could almost call it a eleven-day weekend. This makes interpreting Friday’s box office numbers more difficult than usual. Star Wars: The Last Jedi earned $24.68 million on Friday, putting its running tally to $321.28 million. It tied Jurassic World for second-fastest to $300 million at just 8 days. On the other hand, this is a little bit lower than our predictions. It still has a real shot at over $100 million during the four-day weekend, but it could have to wait until Tuesday to get to $400 million.
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Last Jedi Finishes Week in First Place with $17.8 million on Thursday
December 22nd, 2017
Star Wars: The Last Jedi bounced back 5% from Wednesday, earning $17.8 million on Thursday for a week-long total of $296.5 million. It is impossible to compare the film to The Force Awakens, as the seventh day in that film’s run was Christmas Eve and it fell 28% as a result. Rogue One grew a lot more, up 12% to $16.7 million. I was expecting the film to bounce back more than this. That said, it is already in seventh place on the 2017 domestic chart and will be in fourth place by the end of the weekend. Add in Christmas and it will be at over $500 million by the end of the year.
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Weekend Predictions: New Releases are Far From Perfect
December 21st, 2017
This is technically Christmas Weekend, so it should come as no surprised that there are a lot of movies vying for that lucrative Christmas family audience. Two of them, Jumanji: Welcome to the Jungle and The Greatest Showman, opened yesterday, and we’ve already talked about how well they did on their opening day. On Friday, they will be joined by Pitch Perfect 3, Downsizing, and Father Figures, none of which are earning good reviews and only one of which is expected to be a box office hit. This should leave Star Wars: The Last Jedi on top of the chart with room to spare. This weekend last year, Rogue One: A Star Wars Story dominated the box office, while Sing was the only release that was a major hit.
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2017 Awards Season: SAG Nominations
December 13th, 2017
The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. Three Billboards Outside Ebbing, Missouri picked up four nominations, which is extra impressive, as there are only six theatrical categories.
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2017 - Awards Season: Golden Globes - Nominations
December 11th, 2017
The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece.
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2017 Preview: December
December 1st, 2017
The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy.
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Downsizing Trailer
November 2nd, 2017
Black comedy starring Matt Damon and Kristen Wiig, written and directed by Alexander Payne, opens December 22 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/02/23 | 5 | $74,109 | 57 | $1,300 | $74,234 | 1 | |
2018/03/02 | 8 | $49,237 | -34% | 47 | $1,048 | $148,553 | 2 |
2018/03/09 | 16 | $14,395 | -71% | 29 | $496 | $174,250 | 3 |
2018/03/16 | 28 | $2,735 | -81% | 8 | $342 | $180,136 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/12/2018 | $151,458 | 0 | 0 | 0 | $215,341 | 1/1/2019 |
Australia | 12/22/2017 | $0 | 0 | 200 | 772 | $2,676,468 | 9/10/2018 |
Brazil | 2/23/2018 | $316,781 | 0 | 0 | 0 | $577,390 | 6/14/2018 |
Bulgaria | 1/12/2018 | $14,741 | 0 | 0 | 0 | $42,246 | 2/26/2019 |
Czech Republic | 12/29/2017 | $5,306 | 14 | 123 | 244 | $178,659 | 1/1/2019 |
France | 1/12/2018 | $1,800,000 | 0 | 31 | 31 | $4,717,584 | 4/11/2019 |
Germany | 1/19/2018 | $933,000 | 0 | 0 | 0 | $2,465,539 | 6/11/2018 |
Hong Kong | 1/26/2018 | $173,533 | 0 | 0 | 0 | $287,395 | 9/13/2018 |
India | 1/12/2018 | $51,442 | 0 | 0 | 0 | $68,117 | 9/10/2018 |
Indonesia | 2/2/2018 | $239,389 | 0 | 0 | 0 | $433,356 | 1/1/2019 |
Italy | 1/25/2018 | $359,630 | 0 | 0 | 0 | $512,687 | 9/12/2018 |
Japan | 3/3/2018 | $154,478 | 0 | 0 | 0 | $439,289 | 6/8/2018 |
Lithuania | 1/19/2018 | $11,395 | 53 | 53 | 70 | $24,879 | 2/13/2018 |
Mexico | 1/19/2018 | $733,308 | 0 | 0 | 0 | $1,589,655 | 9/10/2018 |
Netherlands | 1/26/2018 | $210,400 | 75 | 75 | 271 | $723,670 | 9/12/2018 |
New Zealand | 1/26/2018 | $27,150 | 21 | 21 | 48 | $81,177 | 2/12/2018 |
North America | 12/22/2017 | $4,954,287 | 2,668 | 2,668 | 8,011 | $24,449,754 | 4/15/2019 |
Poland | 1/12/2018 | $117,893 | 0 | 0 | 0 | $257,596 | 1/1/2019 |
Portugal | 2/23/2018 | $74,109 | 57 | 57 | 141 | $180,136 | 3/20/2018 |
Russia (CIS) | 2/2/2018 | $1,382,725 | 1149 | 1153 | 2709 | $2,283,864 | 1/1/2019 |
Slovakia | 2/2/2018 | $56,289 | 62 | 62 | 111 | $98,713 | 2/21/2018 |
South Korea | 12/28/2017 | $0 | 0 | 506 | 587 | $1,146,493 | 2/23/2018 |
Spain | 12/22/2017 | $160,556 | 279 | 279 | 647 | $898,978 | 9/12/2018 |
Taiwan | 1/26/2018 | $498,651 | 0 | 0 | 0 | $1,118,339 | 9/13/2018 |
United Kingdom | 1/26/2018 | $1,604,547 | 389 | 389 | 739 | $3,225,194 | 9/10/2018 |
Rest of World | $5,770,452 | ||||||
Worldwide Total | $54,462,971 | 4/15/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Matt Damon | Paul Safranek |
Supporting Cast
Christoph Waltz | Dusan Mirkovic |
Hong Chau | Ngoc Lan Tran |
Jason Sudeikis | Dave Johnson |
Kristen Wiig | Audrey Safranek |
Maribeth Monroe | Carol Johnson |
Rolf Lassgard | Dr. Jørgen Asbjørnsen |
Don Lake | Matt |
Udo Kier | Konrad |
Brigette Lundy-Paine | Dusan’s Girlfriend |
Ingjerd Egeberg | Helene Asbjørnsen |
Soren Pilmark | Dr. Andreas Jacobsen |
Joaquim de Almeida | Dr. Oswaldo Pereira |
Cameos
Donna Lynne Champlin | Leisureland Administrator |
Neil Patrick Harris | Jeff Lonowski |
Margo Martindale | Miniaturized Woman |
Paul Mabon | Roger |
Niecy Nash | Leisureland Salesperson |
Laura Dern | Laure Lonowski |
James Van Der Beek | Anesthesiologist |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Alexander Payne | Director |
Alexander Payne | Written by |
Jim Taylor | Written by |
Jim Taylor | Producer |
Alexander Payne | Producer |
Mark Johnson | Producer |
Diana Pokorny | Executive Producer |
Jim Burke | Executive Producer |
Megan Ellison | Executive Producer |
Phedon Papamichael | Director of Photography |
Stefania Cella | Production Designer |
Kevin Tent | Editor |
Wendy Chuck | Costume Designer |
Rolfe Kent | Composer |
Dondi Bastone | Music Supervisor |