Portugal Box Office for Doutor Sono (2019)
Theatrical Performance (US$) | ||
Portugal Box Office | $178,971 | Details |
Worldwide Box Office | $71,720,838 | Details |
Home Market Performance | ||
North America DVD Sales | $3,715,119 | Details |
North America Blu-ray Sales | $8,488,531 | Details |
Total North America Video Sales | $12,203,650 | |
Further financial details... |
Synopsis
Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the “shine.” Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra’s innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before—at once facing his fears and reawakening the ghosts of the past.
Metrics
Movie Details
Production Budget: | $45,000,000 |
Portugal Releases: | November 1st, 2019 (Wide), released as Doutor Sono |
Video Release: | February 4th, 2020 by Warner Home Video March 9th, 2020 by Warner Home Video |
MPAA Rating: | R for disturbing and violent content, some bloody images, language, nudity and drug use. (Rating bulletin 2592 (Cert #52286), 8/21/2019) R for disturbing and violent content, some bloody images, language, nudity and drug use. Rating is for Director's Cut from Warner Home Entertainment NOTE: EDITED VERSION. CONTENT IS DIFFERENT FROM "R" RATED VERSION, BULLETIN NO. 2592 (08/21/2019). (Rating bulletin 2610 (Cert #52527), 12/25/2019) |
Running Time: | 151 minutes |
Franchise: | The Shining |
Keywords: | Psychics, Delayed Sequel, Supernatural, Cults, Fountain of Youth, Supernatural Horror, 1980s, 2010s, Addiction, Rehab / Former Addict |
Source: | Based on Fiction Book/Short Story |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Intrepid Pictures, Vertigo Entertainment, Warner Bros. |
Production Countries: | United States |
Languages: | English |
Home Market Releases for February 4th, 2020
February 5th, 2020
It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well.
More...
Weekend Wrap-Up: Ford v Ferrari has no Competition at the Box Office
November 18th, 2019
Ford v Ferrari had a good opening over the weekend, but unfortunately, it was only good and not great. Furthermore, it was the only film that had a good weekend. The other two new releases crashed and burned, while the holdovers couldn’t compensate for this weakness. The overall box office fell 11% from last weekend to just $108 million, which was 37% lower than the same weekend last year. The year-to-date numbers don’t look any better, as 2019 is now behind 2018’s pace by a margin of 6.5% or $660 million at $9.47 billion to $10.13 billion. Worse still, 2019 has fallen behind 2016’s pace. Things need to turn around and fast.
More...
Weekend Estimates: Ford and Ferrari v Top Five
November 17th, 2019
If the weekend estimates hold, then Ford v Ferrari, with an estimated $31.04 million, will open with almost as much as the rest of the top five combined. A lot of time when something like this happens, it is because there’s a monster hit opening. In this case, Ford v Ferrari will need strong legs just to top its production budget and hit $100 million at the box office and it is dominating the box office due to really weak competition. Fortunately, the film should have strong legs thanks to its reviews and its A plus from CinemaScore. The film is not doing as well internationally with an opening of $21.4 million in 41 markets. This includes a $3.2 million debut in Russia and $2.3 million debuts in the U.K. and France. If the film can earn some Awards Season buzz, then it could have the legs to get to $250 million worldwide, which should be enough to break even sometime during its home market run.
More...
Friday Estimates: Ford v Ferrari Laps the Competition
November 16th, 2019
Ford v Ferrari is going to dominate the weekend chart. In fact, it earned more on Friday than the second place film is expected to earn during the full weekend. The film pulled in $10.94 million during its opening day, putting it on pace for $30 million over the full weekend, which is significantly ahead of our prediction. Its reviews and its A plus from CinemaScore should result in stellar word-of-mouth. It might even do well during Awards Season, although if it does win any Oscars, I think it will be limited to technical categories.
More...
Weekend Predictions: Can Ford get the Pole Position on the Angels?
November 14th, 2019
There are three wide releases coming out this week and at the moment, all three of them have positive reviews. Unfortunately, that’s the end of the good news. Ford v Ferrari is the best new release of the week and should have no trouble earning first place on the box office. On the other hand, the film cost nearly $100 million to make, so it will likely struggle to break even any time soon. Charlie’s Angels cost half as much to make, but it is also on track to open with about half as much. The Good Liar is the smallest of the three new films and, with a more mature target audience, it is unlikely to have a big opening. Worse still, it is likely all three new releases this week will earn less than Fantastic Beasts: The Crimes of Grindelwald opened with this weekend last year. 2019 is going to take another beating in the year-over-year competition and it might even be worse than last weekend was.
More...
Weekend Wrap-Up: The Box Office is in a Deep Sleep
November 12th, 2019
It was a weekend to forget with the four new releases earning significantly less than The Grinch opened with last year. Still, the four new releases took the to four spots, meaning there were no powerful holdovers to make up the difference. Midway was the best of the bunch, while Playing with Fire was the biggest positive surprise. Unfortunately, Doctor Sleep missed expectations by a larger margin than those two films beat our predictions, so the good news was drowned out by the bad. Overall, the box office was 5.9% higher than last weekend at $121 million. This is not a reason to celebrate, as last weekend was arguably Halloween weekend, which is one of the worst weekends of the year. More importantly, the weekend was behind the same weekend last year by 28%. 2019 is now behind 2018’s pace by 5.9% or $580 million at $9.32 billion to $9.90 billion. However, and this is important, as bad as 2019 has been doing, we are still ahead of 2017’s pace, both in terms of raw dollars and ticket sales, so there’s no need to panic. While we would prefer to set records every year, being the second best year at the box office is still worth celebrating.
More...
Weekend Estimates: Midway Overcomes the Odds to Come out on Top
November 10th, 2019
Midway wasn’t supposed to be a major hit, and it won’t be, but, sadly for all the other new films, it is opening in first place at the box office. In fact, its weekend estimate is $17.49 million, which is less than 10% above our prediction, but it was able to earn first place with relative ease. The film only managed mixed reviews, but it did earn an A-rating from CinemaScore. Additionally, there are holidays coming up, so it could have surprisingly long legs. The film also opened in China with $4.48 million. It’s hard to use this result as a guide for other markets, as there haven’t been enough American-centric war movies released in China to compare against.
More...
Friday Estimates: Midway is the High Point of the Weekend
November 9th, 2019
Midway made a surprisingly strong debut to earn first place on Friday with an estimated $6.34 million. Its reviews have improved and are currently 40% positive. Granted, this isn’t great, or even merely good, but it is also not so bad that it will be a major drag at the box office. Furthermore, the film scored a solid A-rating from CinemaScore, indicating its target audience loved the movie, especially compared to critics. Add in a more mature target audience and the film should have solid legs, helping it earn close to $18 million during its opening weekend. Granted, the film cost $50 million to make, so it will still need help internationally and on the home market to break even after a start like this, but this is still much better than most people were expecting.
More...
Thursday Previews: Doctor Sleep Hits the Snooze Alarm
November 8th, 2019
It looks like it could be a slow weekend at the box office. Doctor Sleep only managed $1.5 million during its previews, which is lower than anticipated. There are some reasons to be optimistic. Firstly, it does have the best reviews of the four new releases and this is technically a long weekend, as Veteran's Day is on Monday. On the other hand, I was expecting closer to $2 million during its previews.
More...
Can Doctor Sleep Wake Up the Box Office?
November 7th, 2019
It is not a banner week for stellar new releases. Doctor Sleep is earning good reviews, but not great reviews. Sadly, it is award-worthy compared to most of the other new releases. Last Christmas is earning mixed reviews, but that’s to be expected for a romantic comedy. The less said about Midway or Playing with Fire’s reviews, the better. This weekend last year, The Grinch opened with $67 million, which is likely more than all four new films will open with this year. In fact, last year’s number two film, Bohemian Rhapsody, will likely earn more than any one film will earn this year. 2019 is going to take a beating in the year-over-year competition.
More...
2019 Preview: November
November 1st, 2019
Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year.
More...
Doctor Sleep Trailer
September 27th, 2019
Supernatural horror movie starring Ewan McGregor opens November 8 ... Full Movie Details.
Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the “shine.” Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra’s innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before—at once facing his fears and reawakening the ghosts of the past.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/11/01 | 6 | $89,030 | 79 | $1,127 | $89,030 | 1 | |
2019/11/08 | 9 | $34,587 | -61% | 63 | $549 | $141,483 | 2 |
2019/11/15 | 13 | $13,478 | -61% | 31 | $435 | $166,065 | 3 |
2019/11/22 | 18 | $4,951 | -63% | 16 | $309 | $175,197 | 4 |
2019/11/29 | - | $803 | -84% | 6 | $134 | $176,937 | 5 |
2019/12/06 | - | $600 | -25% | 3 | $200 | $178,971 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/8/2019 | $103,721 | 240 | 240 | 454 | $292,665 | 1/20/2020 |
Australia | 11/8/2019 | $552,173 | 345 | 345 | 1020 | $1,212,965 | 10/16/2023 |
Brazil | 11/8/2019 | $577,000 | 675 | 675 | 1139 | $1,210,000 | 1/7/2020 |
Bulgaria | 11/8/2019 | $28,971 | 0 | 0 | 0 | $94,788 | 12/11/2019 |
Czech Republic | 11/15/2019 | $71,093 | 103 | 103 | 213 | $185,310 | 10/19/2022 |
France | 11/1/2019 | $991,000 | 381 | 381 | 1170 | $2,040,000 | 1/7/2020 |
Germany | 11/22/2019 | $485,000 | 430 | 430 | 791 | $1,180,000 | 1/7/2020 |
Hong Kong | 11/8/2019 | $272,227 | 0 | 0 | 0 | $272,227 | 11/17/2019 |
Indonesia | 11/6/2019 | $0 | 0 | 0 | 0 | $1,080,000 | 1/7/2020 |
Italy | 10/31/2019 | $1,249,597 | 0 | 54 | 54 | $2,010,000 | 1/7/2020 |
Japan | 11/29/2019 | $1,190,000 | 335 | 335 | 668 | $3,400,000 | 1/7/2020 |
Lithuania | 11/8/2019 | $29,959 | 14 | 14 | 37 | $89,710 | 10/19/2022 |
Mexico | 11/8/2019 | $1,428,721 | 0 | 1058 | 1656 | $3,700,000 | 10/19/2022 |
Netherlands | 11/8/2019 | $189,075 | 91 | 91 | 251 | $468,131 | 10/19/2022 |
New Zealand | 11/7/2019 | $74,905 | 65 | 65 | 333 | $192,662 | 10/19/2022 |
North America | 11/8/2019 | $14,114,124 | 3,855 | 3,855 | 11,008 | $31,581,712 | |
Portugal | 11/1/2019 | $89,030 | 79 | 79 | 198 | $178,971 | 10/19/2022 |
Romania | 11/22/2019 | $62,162 | 69 | 69 | 176 | $152,822 | 1/8/2020 |
Russia (CIS) | 11/8/2019 | $2,040,126 | 1602 | 1607 | 5163 | $4,400,000 | 10/19/2022 |
Slovakia | 11/8/2019 | $39,241 | 70 | 70 | 101 | $77,686 | 10/19/2022 |
Slovenia | 11/8/2019 | $8,006 | 24 | 24 | 55 | $30,796 | 12/9/2019 |
South Korea | 11/8/2019 | $282,126 | 484 | 484 | 515 | $459,997 | 11/27/2019 |
Spain | 11/1/2019 | $63,702 | 385 | 385 | 1084 | $1,700,000 | 1/7/2020 |
Taiwan | 11/8/2019 | $0 | 0 | 0 | 0 | $966,000 | 1/7/2020 |
Turkey | 11/22/2019 | $84,709 | 199 | 199 | 301 | $162,268 | 10/19/2022 |
United Kingdom | 11/1/2019 | $1,891,535 | 609 | 609 | 1492 | $4,200,000 | 1/7/2020 |
Rest of World | $10,382,128 | ||||||
Worldwide Total | $71,720,838 | 10/16/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ewan McGregor | Dan Torrance |
Supporting Cast
Rebecca Ferguson | Rose The Hat |
Kyliegh Curran | Abra Stone |
Cliff Curtis | Billy Freeman |
Zahn McClarnon | Crow Daddy |
Emily Alyn Lind | Snakebite Andi |
Selena Anduze | Apron Annie |
Robert Longstreet | Barry The Chunk |
Carel Struycken | Grampa Flick |
James Flanagan | Diesel Doug |
Met Clark | Short Eddie |
Zackary Momoh | David Stone |
Jocelin Donahue | Lucy Stone |
Dakota Hickman | Young Abra |
Carl Lumbly | Dick Halloran |
Henry Thomas | The Bartender |
Bruce Greenwood | Dr. John |
Sallye Hooks | Mrs. Massey |
Alexandra Essoe | Wendy Torrance |
Roger Dale Floyd | Young Danny |
George Mengert | Charlie |
Jacob Tremblay | Bradley Trevor |
Chelsea Talmadge | Deenie |
Violet McGraw | Carl Lumbly/Dick Halloran |
Bethany Ann Lind | Violet’s Mother |
Nicholas Pryor | Elderly Patient |
Peggy Tillman | Toddler |
Deadra Moore | Mrs. Robertson |
Jason Davis | Businessman |
Alyssa Gonzalez | Supermarket Clerk |
Shane Brady | Magician |
Danny Lloyd | Spectator |
Michael Monks | Delbert Grady |
Hugh Maguire | Horace Derwent |
Sadie Heim | Grady Twin |
KK Heim | Grady Twin |
Mistie Gibby | Bobbie |
Callie McClincy | Library Kid |
Logan A. Medina | Library Kid |
Johnnie Gordon | Library Kid |
Molly Quinn | Mrs. Grady |
Evan Dumouchel | Victor T. Boorman |
MacLeod Andrews | Roger Macassi |
Fedor Steer | Vito the Chopper |
Charles Green | U.S. Senator |
Marc Farley | James Parris |
Juan Carlos Romero Perez | Baseball Coach |
Sarah Morrison | Girl |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mike Flanagan | Director |
Jon Berg | Producer |
Trevor Macy | Producer |
Mike Flanagan | Screenwriter |
Stephen King | Story Based on the Novel by |
Roy Lee | Executive Producer |
D. Scott Lumpkin | Executive Producer |
Akiva Goldsman | Executive Producer |
Kevin McCormick | Executive Producer |
Michael Fimognari | Director of Photography |
Maher Ahmad | Production Designer |
Mike Flanagan | Editor |
The Newton Brothers* | Composer |
The Newton Brothers* | Composer |
Anne McCarthy | Casting Director |
Kellie Roy | Casting Director |
Terry Anderson | Costume Designer |
Marc Kolbe | Visual Effects Supervisor |
D. Scott Lumpkin | Unit Production Manager |
Janell Sammelman | First Assistant Director |
Meaghan F. McLaughlin | Second Assistant Director |
Michael J. Wassel | Visual Effects Supervisor |
Elizabeth Boller | Supervising Art Director |
Richie Bearden | Art Director |
Joshua Wells | Set Designer |
Andrea Manners | Script Supervisor |
Michael Koff | Sound Mixer |
Brian J. Smith | Additional Editor |
Jonathan Wales | Re-recording Mixer |
Michael Babcock | Re-recording Mixer |
Trevor Gates | Supervising Sound Editor |
Nancy Kirhoffer | Post-Production Supervisor |
Salvatore Valone | First Assistant Editor |
Jason Dotts | Supervising Dialogue Editor |
Matt Hall* | Sound Effects Editor |
Paul Knox | Sound Effects Editor |
Russel Topal | Sound Effects Editor |
Jesse Kees | Dialogue Editor |
Walter Spencer | Foley Mixer |
Trevor Sperry | Foley Mixer |
Alex Capaldi | Production Supervisor |
Carlos Rey Del Castillo | Location Manager |
Johnna Thomas | Costume Supervisor |
Bernadette Mazur | Make Up |
Donald Kozma | Make up |
Staci Witt | Special Make-up Effects |
Robert Kurtzman | Make up |
Brett Pierce | Music Editor |
The Newton Brothers* | Score Producer |
The Newton Brothers* | Score Producer |
Matt Ward | Score Recordist |
Ari Nikjeh | Visual Effects Producer |
Ken Gorrell | Special Effects Coordinator |
Michael Schorr | Special Effects |
Keith Harris | Special Effects |
Matthew James | Special Effects |
Victor Kerkeslager | Special Effects |
Chuck Borden | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.