Netherlands Box Office for Destroyer (2018)

← Go to main Destroyer page

Destroyer
Theatrical Performance (US$)
Netherlands Box Office $226,789Details
Worldwide Box Office $5,865,489Details
Further financial details...

Synopsis

The receipt of an ink-marked bill in the office mail propels veteran LAPD detective Erin Bell on a perilous journey to find the murderer and gang leader, Silas, and perhaps to finally make peace with her tortured past. The odyssey through the underbelly of Los Angeles and nearby desert communities reunites Bell with members of the criminal gang she once joined as an undercover FBI agent; an assignment which ended disastrously and has taken a heavy emotional and physical toll on her life. One by one, she tracks down the gang leader’s former cohorts including Petra, Silas’ onetime lover and current errand girl. During her obsessive search, Bell is flooded with memories of her undercover days with Silas’ gang and her involvement in a bank heist gone tragically wrong.

Metrics

Movie Details

Production Budget:$9,000,000
Netherlands Releases: March 15th, 2019 (Wide)
Video Release: April 9th, 2019 by Fox Home Entertainment
MPAA Rating: R for language throughout, violence, some sexual content and brief drug use.
(Rating bulletin 2551 (Cert #51777), 10/31/2018)
Running Time: 123 minutes
Keywords: Police Detective, Set in Los Angeles, Undercover, The Past Catching up with You, Gangs, Redemption, Crime Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Automatik, Annapurna Pictures, 30 West, Familystyle, Rocket Science
Production Countries: United States
Languages: English

Home Market Releases for April 23rd, 2019

April 24th, 2019

A Face in the Crowd

It is another slow week on the home market, but that gave me a chance to complete a couple of late reviews. The best release on this week’s list is A Face in the Crowd and it is the Pick of the Week. However, both of the late reviews, On the Basis of Sex and Willie Dynamite, are worth picking up. More...

Theater Averages: Most New Releases were Left Out in the Cold

February 6th, 2019

Never Look Away

Never Look Away held up well earning $19,033 in its lone theater. Its Oscar Nod is helping, but its real test is when the film tries to expand. The only new release in the $10,000 club was Arctic, with an average of $12,720 in four theaters. More...

Theater Averages: New Releases were Destroyed

January 10th, 2019

Destroyer

Destroyer rose to first place on the theater average chart with an average of $16,383 in six theaters. Cold War actually saw its average grow to $15,127, also in six theaters. Last week’s winner, On the Basis of Sex was next with an average of $14,370 in 112 theaters. It’s rare for a limited release to land in the $10,000 club while playing in more than 100 theaters. The final member of the $10,000 club was Stan and Ollie with an average of $10,920 in 8 theaters. More...

Theater Averages: This Week’s Chart is Feeling Sexy

January 2nd, 2019

On the Basis of Sex

It was a busy week on the theater average chart, as there were three new releases and three holdovers in the $10,000 club. On the Basis of Sex led the way with an average of $20,799 in 33 theaters. That’s an excellent start for a limited release playing in that many theaters. Second place went to Destroyer with an average of $18,449 in three theaters. The final new release in the $10,000 club was Stan and Ollie, which earn an average of $15,935 in five theaters. Cold War held on really well earning an average of $14,777 in three theaters. The overall box office leader, Aquaman, was next with an average of $12,634. If Beale Street Could Talk rounded out the $10,000 with an average of $11,788, and it managed this despite expanding its theater count to 65. More...

Weekend Estimates: Aquaman and Entire Top Five have a Repeat Performance

December 30th, 2018

Aquaman

It has been an even more predictable weekend than expected, as every film in the top five finished in the same order as last weekend. This includes Aquaman topping the chart with an estimated $51.55 million over the weekend for a ten-day total of $188.79 million. It will cross $200 million shortly and overtake A Star is Born as Warner Bros.’ biggest domestic hit of the year. Internationally, the film added $85.4 million this weekend to push its global running tally to just shy of $750 million at $748.8 million. It is already ahead of Man of Steel and Suicide Squad on the DCEU chart and should soon step into first place. More...

Theater Averages: Box Office Feels the Winter Chill

December 27th, 2018

Cold War

There were not many new limited releases releases, which let If Beale Street Could Talk remain on top with an average of $21,853 in five theaters. Cold War was the best of the new releases with an average of $18,118 in three theaters. The only other film in the $10,000 club over the weekend was Aquaman with an average of $16,485. Two films had averages of over $10,000 during their Christmas Day debuts, On the Basis of Sex (average of $14,483 in 33 theaters) and Destroyer (average of $10,246 in three). More...

Limited and VOD Releases: Awards Season Doesn’t Help Limited Releases

December 21st, 2018

Stan and Ollie

There is not a lot of time for Oscar contenders to come out in theaters and usually this time of year there are a few Oscar-bait films getting last minute runs. This is sort of true this year. There are three films coming out till the end of the year that have been earning Awards Season buzz, but none of them are earning award-worthy reviews. Besides these three films, there are almost no limited releases. Even if you include all of next week, there are only eight films opening this week in total. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

Destroyer Trailer

October 18th, 2018

Thriller starring Nicole Kidman opens December 25 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/03/15 16 $81,161   49 $1,656   $118,215 1
2019/03/22 17 $40,975 -50% 48 $854   $186,803 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/18/2019 $26,010 41 41 41 $40,473 2/12/2019
Australia 3/22/2019 $138,102 70 72 302 $454,112 5/30/2019
France 2/22/2019 $168,089 107 107 107 $168,089 3/5/2019
Germany 3/15/2019 $113,028 109 109 109 $273,267 4/13/2019
Lithuania 2/15/2019 $3,587 37 37 49 $6,536 2/26/2019
Netherlands 3/15/2019 $81,161 49 49 133 $226,789 4/27/2019
North America 12/25/2018 $55,347 3 235 607 $1,533,324 3/29/2021
Portugal 2/1/2019 $20,333 17 17 39 $41,599 2/28/2019
Russia (CIS) 3/14/2019 $166,613 493 493 821 $255,684 4/19/2019
South Korea 9/19/2019 $12,795 92 92 92 $21,968 9/25/2019
Spain 2/22/2019 $132,400 90 99 189 $316,119 3/30/2019
Turkey 4/19/2019 $30,326 106 106 181 $57,021 5/16/2019
United Kingdom 1/25/2019 $140,198 113 113 113 $308,083 3/30/2019
 
Rest of World $2,162,425
 
Worldwide Total$5,865,489 3/29/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Nicole Kidman Erin Bell

Supporting Cast

Toby Kebbell Silas
Tatiana Maslany Petra
Scoot McNairy Ethan
Beau Knapp Jay
Jade Pettyjohn Shelby
James Jordan Toby
Toby Huss Gil Lawson
Zach Villa Arturo
Shamier Anderson Antonio
Bradley Whitford DiFranco
Sebastian Stan Chris
Natalia Cordova-Buckley Detective Gavras
Colby French Detective Kudra
Kelvin Han Yee Lt. Oshima
Joseph Fatu Taz
Cuete Yeska Taz’s Guy
Doug Simpson Other Agent
Kale Clauson Informant Cousin
Jan Hoag Toby’s Mother
Peter Vasquez* Man at Church
Mickey O'Hagan Gang House Woman
McCabe Slye Ryan
Brandon Morales Running Officer
Chido Nwokocha Cop
Cecily Breaux Bank Teller
Kenley Smyth Young Shelby
Jay Hieron Bouncer
Dan Southworth Bodyguard
Brett Easton Male Officer
Chris Fiore Ice Cream Shop Customer
Justin Rivera Skateboarder
Alex Marshall Female Officer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Karyn Kusama Director
Phil Hay Screenwriter
Matt Manfredi Screenwriter
Fred Berger Producer
Phil Hay Producer
Matt Manfredi Producer
Micah Green Executive Producer
Dan Steinman Executive Producer
Dan Friedkin Executive Producer
Nathan Kelly Executive Producer
Brian Kavanaugh-Jones Executive Producer
Thorsten Schumacher Executive Producer
Nik Bower Executive Producer
Julie Kirkwood Director of Photography
Plummy Tucker Editor
Kay Lee Production Designer
Audrey Fisher Costume Designer
Theodore Shapiro Composer
Randall Poster Music Supervisor
Mark Bennett Casting Director
Nathan Kelly Unit Production Manager
Rachel Jensen First Assistant Director
Randin Brown Second Assistant Director
David Diliberto Co-Producer
Mike Smith Stunt Coordinator
Caroline Connor Production Supervisor
Lyn Matsuda Norton Script Supervisor
Robert Foulkes Location Manager
Eric Jeon Art Director
Lisa Son Set Decorator
Rachel Watson First Assistant Editor
Phillip Bladh Sound Mixer
Leslie Sungail Costume Supervisor
Chris Wells Visual Effects Supervisor
Anwei Chen Visual Effects Producer
Thomas Nittmann Visual Effects Executive Producer
Onnalee Blank Supervising Sound Editor
Paul Bercovitch Supervising Dialogue and ADR Editor
Eliza Zebert Dialogue Editor
John Matter Sound Editor
Paula Fairfield Sound Designer
Shaughnessy Pancho Hare Sound Effects Editor
Benjamin L. Cook Sound Effects Editor
Geordy Sincavage Foley Mixer
Michael Head Foley Mixer
Onnalee Blank Re-recording Mixer
Tony Lamberti Re-recording Mixer
Thomas Drescher Music Editor
John Witt Chapman Score Recordist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.