Phil Hay
Best known as a Screenwriter based on credits in that role in 8 films, with $877,002,130 worldwide aggregate box office (rank #318) |
Best-known technical roles: Clash of the Titans (Screenwriter), Ride Along (Screenwriter), Ride Along 2 (Screenwriter), R.I.P.D. (Screenwriter), R.I.P.D. (Story Creator) |
Most productive collaborators: Sam Worthington, Louis Leterrier, Matt Manfredi, Travis Beacham, Liam Neeson |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 8 | $440,593,178 | $436,408,952 | $877,002,130 |
Producer | 2 | $1,765,062 | $4,455,263 | $6,220,325 | |
Story Creator | 1 | $33,618,855 | $45,457,823 | $79,076,678 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Producer at the Domestic Box Office (Rank 4,701-4,800) | 4,743 | $1,765,062 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 201-300) | 255 | $440,593,178 |
Top Grossing Story Creator at the Domestic Box Office (Rank 1,501-1,600) | 1,550 | $33,618,855 |
Top Grossing Producer at the International Box Office (Rank 4,101-4,200) | 4,122 | $4,455,263 |
Top Grossing Screenwriter at the International Box Office (Rank 401-500) | 429 | $436,408,952 |
Top Grossing Story Creator at the International Box Office (Rank 1,201-1,300) | 1,238 | $45,457,823 |
Top Grossing Producer at the Worldwide Box Office (Rank 4,801-4,900) | 4,858 | $6,220,325 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 301-400) | 318 | $877,002,130 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 1,301-1,400) | 1,360 | $79,076,678 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2016 Preview: January
January 1st, 2016
2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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2014 Preview: January
January 1st, 2014
It's the first month of the new year, but the biggest hit might be a film released in December. Last month ended on a slow note with all five Christmas day releases failing to become hits, some more than others. (It's a little too soon to tell if The Wolf of Wall Street or The Secret Life of Walter Mitty will do well enough to break even any time soon, but neither is a serious hit.) There are still some December releases that will likely remain on the charts through the opening weekends of January, while there are some films that opened in limited release last month with a scheduled wide release this month. Of the purely January releases, I would guess Jack Ryan: Shadow Recruit will be the biggest hit. Even then, it won't live up to the previous films in the franchise, even if you don't take inflation into account. Most of the rest of the new releases will be happy if they can become midlevel hits. Last January was led by Mama, which earned more than $70 million. I think Shadow Recruit will top that figure at the box office, while there are a similar number of likely box office bombs opening this year as there were last year. 2014 could start out ahead of 2013's pace, but it likely won't be a huge difference either way.
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2013 Preview: July
July 1st, 2013
For the most part, June was a really strong month at the box office with nearly every film either matching expectations, or at least coming close enough to call it a victory. Looking forward, there are a dozen films opening wide in July, more or less. One of them, The Smurfs 2, is opening on a Wednesday, so I'm going to hold off talking about that movie till the August preview. Kevin Hart: Let Me Explain is opening in less than 1000 theaters, but it has a shot at reaching the top ten during its opening weekend. If we include both of them, there are twelve films, but I think it is better to stick with the ten truly wide, truly July openings. Of these, Despicable Me 2 is clearly going to be the biggest hit at the box office. It could become the second biggest hit of the year so far. It is not the only film that could be a $100 million hit. In fact, there are six films opening in July that I think have a better than 50% chance of reaching that level. There is currently only one film that I think won't at least become a midlevel hit. By comparison in 2012, there were three $100 million movies, led by The Dark Knight Rises, but the rest of the new releases struggled. There's no chance any movie opening this month will top $400 million, in fact, it is quite possible no film will get to $300 million. That said, 2013 has a lot better depth, so it might come out on top in the end.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 25, 2018 | Destroyer | Screenwriter Producer |
$1,533,324 | $4,332,165 | $5,865,489 |
Apr 8, 2016 | The Invitation | Screenwriter Producer |
$231,738 | $123,098 | $354,836 |
Jan 15, 2016 | Ride Along 2 | Screenwriter | $90,862,685 | $33,964,631 | $124,827,316 |
Jan 17, 2014 | Ride Along | Screenwriter | $134,202,565 | $19,531,235 | $153,733,800 |
Jul 19, 2013 | R.I.P.D. | Screenwriter Story Creator |
$33,618,855 | $45,457,823 | $79,076,678 |
Apr 1, 2010 | Clash of the Titans | Screenwriter | $163,214,888 | $330,000,000 | $493,214,888 |
Jun 29, 2001 | crazy/beautiful | Screenwriter | $16,929,123 | $3,000,000 | $19,929,123 |
Averages | $62,941,883 | $62,344,136 | $125,286,019 | ||
Totals | 7 | $440,593,178 | $436,408,952 | $877,002,130 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Dec 25, 2018 | Destroyer | $55,347 | 235 | $1,533,324 | $5,865,489 | 26.1% |
Apr 8, 2016 | The Invitation | $67,877 | 31 | $231,738 | $354,836 | 65.3% |
Averages | $61,612 | 133 | $882,531 | $3,110,163 | 45.7% | |
Totals | 2 | $1,765,062 | $6,220,325 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Dec 25, 2018 | Destroyer | $55,347 | 235 | $1,533,324 | $5,865,489 | 26.1% |
Apr 8, 2016 | The Invitation | $67,877 | 31 | $231,738 | $354,836 | 65.3% |
Jan 15, 2016 | Ride Along 2 | $35,243,095 | 3,192 | $90,862,685 | $124,827,316 | 72.8% |
Jan 17, 2014 | Ride Along | $41,516,170 | 2,867 | $134,202,565 | $153,733,800 | 87.3% |
Jul 19, 2013 | R.I.P.D. | $12,691,415 | 2,852 | $33,618,855 | $79,076,678 | 42.5% |
Apr 1, 2010 | Clash of the Titans | $61,235,105 | 3,802 | $163,214,888 | $493,214,888 | 33.1% |
Jun 29, 2001 | crazy/beautiful | $4,715,060 | 1,603 | $16,929,123 | $19,929,123 | 84.9% |
Averages | $22,217,724 | 2,083 | $62,941,883 | $125,286,019 | 58.9% | |
Totals | 7 | $440,593,178 | $877,002,130 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Producer at the Domestic Box Office (Rank 4,701-4,800) | 4,743 | $1,765,062 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 201-300) | 255 | $440,593,178 |
Top Grossing Story Creator at the Domestic Box Office (Rank 1,501-1,600) | 1,550 | $33,618,855 |
Top Grossing Producer at the International Box Office (Rank 4,101-4,200) | 4,122 | $4,455,263 |
Top Grossing Screenwriter at the International Box Office (Rank 401-500) | 429 | $436,408,952 |
Top Grossing Story Creator at the International Box Office (Rank 1,201-1,300) | 1,238 | $45,457,823 |
Top Grossing Producer at the Worldwide Box Office (Rank 4,801-4,900) | 4,858 | $6,220,325 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 301-400) | 318 | $877,002,130 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 1,301-1,400) | 1,360 | $79,076,678 |