Poland Box Office for Demolition (2016)
Theatrical Performance (US$) | ||
Poland Box Office | $20,734 | Details |
Worldwide Box Office | $4,253,297 | Details |
Further financial details... |
Synopsis
Davis, a successful investment banker, struggles after losing his wife in a tragic car crash. Despite pressure from his father-in-law, Phil, to pull it together, Davis continues to unravel. What starts as a complaint letter to a vending machine company turns into a series of letters revealing startling personal admissions. Davis’ letters catch the attention of customer service rep Karen and, amidst emotional and financial burdens of her own, the two form an unlikely connection. With the help of Karen and her son Chris, Davis starts to rebuild, beginning with the demolition of the life he once knew.
Metrics
Movie Details
Poland Releases: | September 2nd, 2016 (Wide) |
Video Release: | July 1st, 2016 by Fox Home Entertainment |
MPAA Rating: | R for language, some sexual references, drug use and disturbing behavior. (Rating bulletin 2376, 6/3/2015) |
Running Time: | 101 minutes |
Keywords: | Car Accident, Death of a Spouse or Fiancée / Fiancé, In-Laws / Future In-Laws, Investment Banking, Infidelity, LGBTQ+, Voiceover/Narration |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Sidney Kimmel Entertainment, Black Label Media, Mr. Mudd, Fox Searchlight Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 19th, 2016
July 18th, 2016
This week, the home market is led by Batman v Superman: Dawn of Justice, at least in terms of box office dollars. It is far from the best in terms of reviews. That’s not to say there are no high quality releases this week. In fact, there are five Pick of the Week contenders, six if you include Belladonna Of Sadness, which came out last week, but the screener arrived late, so the review didn’t get published till the weekend. In the end, I went with To Have and Have Not on Blu-ray as Pick of the Week. However, Orphan Black: Season Four earns the seldom awarded Puck of the Week, as the best Canadian release.
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Theater Averages: Vita Activa has a Spirited Opening with $13,244 / $18,468
April 14th, 2016
Vita Activa: The Spirit of Hannah Arendt was the only film in the $10,000 club with an opening of $13,244 over the weekend in one theater. From Wednesday through Sunday, the film pulled in $18,468.
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Weekend Estimates: Boss tied at the top with Batman v Superman
April 10th, 2016
Critics have not been kind to The Boss, and audiences are split 50–50 between liking it and hating it, but it will still post a respectable $23.48 million opening, according to Universal’s Sunday projection. Among recent Melissa McCarthy outings, that’s a little ahead of Tammy ($21.6 million on opening weekend), and a little behind Spy! ($29.1 million). Of more immediate interest, it’s almost exactly tied with Batman v Superman at the top of the chart.
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Limited and VOD Releases: Getting Demolished
April 8th, 2016
It's not a good week for limited releases. Not only is it a short list this week, but none of them look like they will be a hit at the box office. Demolition is the widest release of the week, but it is too wide for a limited release. The Invitation is earning amazing reviews, but it is also playing on Video on Demand. Neon Bull is earning even better reviews, but it is a foreign-language film, so that limits its chances. The rest of the films are not earning strong enough reviews to suggest they will do well in limited release.
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2016 Preview: April
April 1st, 2016
March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/09/02 | - | $5,915 | 21 | $282 | $6,126 | 1 | |
2016/09/09 | - | $3,557 | -40% | 25 | $142 | $14,660 | 2 |
2016/09/16 | - | $1,280 | -64% | 10 | $128 | $19,173 | 3 |
2016/09/23 | - | $297 | -77% | 5 | $59 | $20,076 | 4 |
2016/09/30 | - | $200 | -33% | 2 | $100 | $20,734 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/15/2016 | $14,590 | 9 | 10 | 26 | $31,263 | 8/1/2016 |
Belgium | 4/6/2016 | $61,207 | 25 | 25 | 25 | $61,207 | 6/9/2016 |
Denmark | 6/30/2016 | $601 | 1 | 1 | 4 | $5,722 | 7/26/2016 |
Dominican Republic | 9/1/2016 | $2,490 | 2 | 2 | 2 | $2,490 | 12/31/2018 |
France | 4/6/2016 | $304,503 | 105 | 105 | 105 | $304,503 | 6/9/2016 |
Greece | 9/15/2016 | $16,899 | 26 | 26 | 34 | $32,286 | 9/27/2016 |
Hong Kong | 4/14/2016 | $63,738 | 12 | 12 | 12 | $63,738 | 6/9/2016 |
Iraq | 4/7/2016 | $937 | 1 | 1 | 2 | $1,671 | 12/31/2018 |
Italy | 9/15/2016 | $87,585 | 0 | 0 | 0 | $88,379 | 9/22/2016 |
Lebanon | 4/7/2016 | $3,310 | 4 | 4 | 4 | $3,310 | 12/31/2018 |
Lithuania | 4/15/2016 | $0 | 0 | 25 | 53 | $13,589 | 6/8/2016 |
Netherlands | 4/14/2016 | $86,914 | 46 | 48 | 192 | $409,061 | 11/18/2018 |
New Zealand | 7/22/2016 | $5,756 | 5 | 5 | 13 | $12,560 | 8/15/2016 |
North America | 4/8/2016 | $1,100,042 | 854 | 862 | 1,716 | $1,978,592 | |
Peru | 7/7/2016 | $5,029 | 1 | 1 | 4 | $14,031 | 12/31/2018 |
Poland | 9/2/2016 | $5,915 | 21 | 25 | 63 | $20,734 | 11/18/2018 |
Portugal | 4/21/2016 | $25,008 | 26 | 26 | 58 | $59,176 | 6/9/2016 |
Russia (CIS) | 7/1/2016 | $109,190 | 348 | 348 | 666 | $211,360 | 12/31/2018 |
Singapore | 4/14/2016 | $11,300 | 5 | 5 | 5 | $11,300 | 6/9/2016 |
South Korea | 6/23/2016 | $0 | 0 | 196 | 286 | $334,560 | 9/17/2016 |
Spain | 7/1/2016 | $34,082 | 56 | 56 | 110 | $81,241 | 8/11/2016 |
Turkey | 4/8/2016 | $43,618 | 36 | 36 | 36 | $125,697 | 2/26/2019 |
United Kingdom | 4/29/2016 | $386,827 | 204 | 204 | 204 | $386,827 | 6/8/2016 |
Worldwide Total | $4,253,297 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jake Gyllenhaal | Davis Mitchell |
Supporting Cast
Naomi Watts | Karen Moreno |
Chris Cooper | Phil |
Judah Lewis | Chris Moreno |
C.J. Wilson | Carl |
Polly Draper | Margot |
Malachy Cleary | Davis’ Dad |
Debra Monk | Davis’ Mom |
Heather Lind | Julia |
Wass Stevens | Jimmy |
Blaire Brooks | Amy |
Ben Cole | Steven |
Brendan Dooling | Todd |
James Colby | John |
Alfredo Narciso | Michael |
Madison Arnold | Ray |
Gregory Haney | Nurse |
James Young | Ahmed |
Bjorn Dupaty | DOT Agent #1 |
Jane Dashow | Buccaneer Diner Waitress |
Tom Kemp | Dr. Brodkey |
Royce Johnson | Security Marty |
Hani Avital | Young Waitress |
Elizabeth Loyacano | Woman Crying |
Celia Au | Punk Girl |
Stephen Badalamenti | Mickey |
Mark Lewis | Chris’ Doctor |
Aaron Bantum | Chris’ Friend |
Lytle Harper | Attractive Bartender |
Kevin Herbst | Mourner |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jean-Marc Vallee | Director |
Bryan Sipe | Screenwriter |
Molly Smith | Producer |
Trent Luckinbill | Producer |
Sidney Kimmel | Producer |
Lianne Halfon | Producer |
Jean-Marc Vallee | Producer |
Russell Smith | Producer |
Thad Luckinbill | Executive Producer |
Jason Reitman | Executive Producer |
Helen Estabrook | Executive Producer |
John Malkovich | Executive Producer |
Nathan Ross | Executive Producer |
Ellen Schwartz | Executive Producer |
Carla Hacken | Executive Producer |
Bruce Toll | Executive Producer |
Yves Belanger | Director of Photography |
John Paino | Production Designer |
Jay M. Glen | Editor |
Marc Cote | Visual Effects Supervisor |
Leah Katznelson | Costume Designer |
Susan Jacobs | Music Supervisor |
Bryan Sipe | Co-Producer |
Jon Schumacher | Co-Producer |
Suzanne Crowley Smith* | Casting Director |
Jessica Kelly | Casting Director |
Ellen H. Schwartz | Unit Production Manager |
Urs Hirscvhbiegel | First Assistant Director |
Keith Marlin | Second Assistant Director |
Alex Terzieff | Stunt Coordinator |
Emma McGill | Associate Producer |
Elizabeth Pellegrini | Production Supervisor |
Mona Medawar | Script Supervisor |
Javiera Varas | Art Director |
Robert Covelman | Set Decorator |
Tom Nelson | Sound Mixer |
Doug Coleman | Special Effects Supervisor |
Evelyne Noraz | Make up |
Rachel Geary | Make up |
Michelle Johnson | Hairstylist |
Adenike Wright | Hairstylist |
Pierre Theriault | Post-Production Supervisor |
Maxime Lahaie Denis | First Assistant Editor |
Edith Bellehumeur | Assistant Editor |
Ivy Yukiko Ishihara Oldford | Assistant Editor |
Martin Pinsonnault | Supervising Sound Editor |
Martin Pinsonnault | Sound Designer |
Anton Fischlin | Sound Effects Editor |
Paul Col | Sound Effects Editor |
Thomas Brodeur | Dialogue and ADR Editor |
Gavin Fernandes | Re-recording Mixer |
Louis Gignac | Re-recording Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.