Demolition (2016)

Demolition poster
Theatrical Performance
Domestic Box Office $1,978,592Details
International Box Office $2,274,705Details
Worldwide Box Office $4,253,297
Further financial details...

Synopsis

Davis, a successful investment banker, struggles after losing his wife in a tragic car crash. Despite pressure from his father-in-law, Phil, to pull it together, Davis continues to unravel. What starts as a complaint letter to a vending machine company turns into a series of letters revealing startling personal admissions. Davis’ letters catch the attention of customer service rep Karen and, amidst emotional and financial burdens of her own, the two form an unlikely connection. With the help of Karen and her son Chris, Davis starts to rebuild, beginning with the demolition of the life he once knew.

Metrics

Opening Weekend:$1,100,042 (55.6% of total gross)
Legs:1.80 (domestic box office/biggest weekend)
Domestic Share:46.5% (domestic box office/worldwide)
Theater counts:854 opening theaters/862 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $2,465,796

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 8,001-8,100) 8,089 $1,978,592
All Time International Box Office (Rank 8,601-8,700) 8,649 $2,274,705
All Time Worldwide Box Office (Rank 10,601-10,700) 10,619 $4,253,297
All Time Domestic Box Office for R Movies (Rank 2,901-3,000) 2,944 $1,978,592
All Time International Box Office for R Movies (Rank 2,001-2,100) 2,028 $2,274,705
All Time Worldwide Box Office for R Movies (Rank 2,901-3,000) 2,993 $4,253,297

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: April 8th, 2016 (Wide) by Fox Searchlight
International Releases: April 6th, 2016 (Wide) (Belgium)
April 6th, 2016 (Wide) (France)
April 7th, 2016 (Wide) (Iraq)
April 7th, 2016 (Wide) (Lebanon)
April 8th, 2016 (Wide) (Turkey)
... Show all releases
Video Release: July 1st, 2016 by Fox Home Entertainment
MPAA Rating: R for language, some sexual references, drug use and disturbing behavior.
(Rating bulletin 2376, 6/3/2015)
Running Time: 101 minutes
Comparisons: vs. Olympus Has Fallen
Create your own comparison chart…
Keywords: Car Accident, Death of a Spouse or Fiancée / Fiancé, In-Laws / Future In-Laws, Investment Banking, Infidelity, LGBTQ+, Voiceover/Narration
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Sidney Kimmel Entertainment, Black Label Media, Mr. Mudd, Fox Searchlight Pictures
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 8,001-8,100) 8,089 $1,978,592
All Time Domestic Inflation Adjusted Box Office (Rank 7,801-7,900) 7,804 $2,465,796
All Time Domestic Non-Sequel Box Office (Rank 7,201-7,300) 7,226 $1,978,592
Top 2016 Movies at the Domestic Box Office (Rank 201-300) 205 $1,978,592
All Time Domestic Box Office for Original Screenplay Movies (Rank 4,101-4,200) 4,178 $1,978,592
All Time Domestic Box Office for Live Action Movies (Rank 7,201-7,300) 7,234 $1,978,592
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 4,201-4,300) 4,284 $1,978,592
All Time Domestic Box Office for Drama Movies (Rank 1,901-2,000) 1,910 $1,978,592
All Time Domestic Box Office for R Movies (Rank 2,901-3,000) 2,944 $1,978,592
All Time Domestic Box Office for Fox Searchlight Movies (Rank 101-200) 132 $1,978,592

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 8, 2016 15 $1,100,042   854 $1,288   $1,100,042 1
Apr 15, 2016 21 $293,296 -73% 862 $340   $1,822,315 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 8, 2016 14 $360,513     854 $422   $360,513 1
Apr 9, 2016 15 $470,929 +31%   854 $551   $831,442 2
Apr 10, 2016 15 $268,600 -43%   854 $315   $1,100,042 3
Apr 11, 2016 15 $102,156 -62%   854 $120   $1,202,198 4
Apr 12, 2016 14 $154,374 +51%   854 $181   $1,356,572 5
Apr 13, 2016 - $95,505 -38%   854 $112   $1,452,077 6
Apr 14, 2016 14 $76,942 -19%   854 $90   $1,529,019 7
Apr 15, 2016 - $86,819 +13% -76% 862 $101   $1,615,838 8
Apr 16, 2016 - $133,785 +54% -72% 862 $155   $1,749,623 9
Apr 17, 2016 - $72,692 -46% -73% 862 $84   $1,822,315 10
Apr 18, 2016 - $33,772 -54% -67% 862 $39   $1,856,087 11
Apr 19, 2016 - $52,209 +55% -66% 862 $61   $1,908,296 12
Apr 20, 2016 - $36,785 -30% -61% 862 $43   $1,945,081 13
Apr 21, 2016 - $33,511 -9% -56% 862 $39   $1,978,592 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 8, 2016 15 $1,529,019   854 $1,790   $1,529,019 1
Apr 15, 2016 20 $449,573 -71% 862 $522   $1,978,592 2

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 7/15/2016 $14,590 9 10 26 $31,263 8/1/2016
Belgium 4/6/2016 $61,207 25 25 25 $61,207 6/9/2016
Denmark 6/30/2016 $601 1 1 4 $5,722 7/26/2016
Dominican Republic 9/1/2016 $2,490 2 2 2 $2,490 12/31/2018
France 4/6/2016 $304,503 105 105 105 $304,503 6/9/2016
Greece 9/15/2016 $16,899 26 26 34 $32,286 9/27/2016
Hong Kong 4/14/2016 $63,738 12 12 12 $63,738 6/9/2016
Iraq 4/7/2016 $937 1 1 2 $1,671 12/31/2018
Italy 9/15/2016 $87,585 0 0 0 $88,379 9/22/2016
Lebanon 4/7/2016 $3,310 4 4 4 $3,310 12/31/2018
Lithuania 4/15/2016 $0 0 25 53 $13,589 6/8/2016
Netherlands 4/14/2016 $86,914 46 48 192 $409,061 11/18/2018
New Zealand 7/22/2016 $5,756 5 5 13 $12,560 8/15/2016
Peru 7/7/2016 $5,029 1 1 4 $14,031 12/31/2018
Poland 9/2/2016 $5,915 21 25 63 $20,734 11/18/2018
Portugal 4/21/2016 $25,008 26 26 58 $59,176 6/9/2016
Russia (CIS) 7/1/2016 $109,190 348 348 666 $211,360 12/31/2018
Singapore 4/14/2016 $11,300 5 5 5 $11,300 6/9/2016
South Korea 6/23/2016 $0 0 196 286 $334,560 9/17/2016
Spain 7/1/2016 $34,082 56 56 110 $81,241 8/11/2016
Turkey 4/8/2016 $43,618 36 36 36 $125,697 2/26/2019
United Kingdom 4/29/2016 $386,827 204 204 204 $386,827 6/8/2016
 
International Total$2,274,705 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 8,601-8,700) 8,649 $2,274,705
All Time International Non-Sequel Box Office (Rank 7,601-7,700) 7,682 $2,274,705
All Time International Box Office for Original Screenplay Movies (Rank 4,701-4,800) 4,703 $2,274,705
All Time International Box Office for Live Action Movies (Rank 7,101-7,200) 7,192 $2,274,705
All Time International Box Office for Contemporary Fiction Movies (Rank 4,501-4,600) 4,532 $2,274,705
All Time International Box Office for Drama Movies (Rank 2,201-2,300) 2,212 $2,274,705
All Time International Box Office for R Movies (Rank 2,001-2,100) 2,028 $2,274,705
All Time International Box Office for Fox Searchlight Movies (Rank 101-200) 111 $2,274,705

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 10,601-10,700) 10,619 $4,253,297
All Time Worldwide Non-Sequel Box Office (Rank 9,401-9,500) 9,490 $4,253,297
All Time Worldwide Box Office for Original Screenplay Movies (Rank 5,601-5,700) 5,689 $4,253,297
All Time Worldwide Box Office for Live Action Movies (Rank 9,101-9,200) 9,150 $4,253,297
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 5,601-5,700) 5,661 $4,253,297
All Time Worldwide Box Office for Drama Movies (Rank 2,601-2,700) 2,605 $4,253,297
All Time Worldwide Box Office for R Movies (Rank 2,901-3,000) 2,993 $4,253,297
All Time Worldwide Box Office for Fox Searchlight Movies (Rank 101-200) 134 $4,253,297

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jake Gyllenhaal Davis Mitchell

Supporting Cast

Naomi Watts Karen Moreno
Chris Cooper Phil
Judah Lewis Chris Moreno
C.J. Wilson Carl
Polly Draper Margot
Malachy Cleary Davis’ Dad
Debra Monk Davis’ Mom
Heather Lind Julia
Wass Stevens Jimmy
Blaire Brooks Amy
Ben Cole Steven
Brendan Dooling Todd
James Colby John
Alfredo Narciso Michael
Madison Arnold Ray
Gregory Haney Nurse
James Young Ahmed
Bjorn Dupaty DOT Agent #1
Jane Dashow Buccaneer Diner Waitress
Tom Kemp Dr. Brodkey
Royce Johnson Security Marty
Hani Avital Young Waitress
Elizabeth Loyacano Woman Crying
Celia Au Punk Girl
Stephen Badalamenti Mickey
Mark Lewis Chris’ Doctor
Aaron Bantum Chris’ Friend
Lytle Harper Attractive Bartender
Kevin Herbst Mourner

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jean-Marc Vallee Director
Bryan Sipe Screenwriter
Molly Smith Producer
Trent Luckinbill Producer
Sidney Kimmel Producer
Lianne Halfon Producer
Jean-Marc Vallee Producer
Russell Smith Producer
Thad Luckinbill Executive Producer
Jason Reitman Executive Producer
Helen Estabrook Executive Producer
John Malkovich Executive Producer
Nathan Ross Executive Producer
Ellen Schwartz Executive Producer
Carla Hacken Executive Producer
Bruce Toll Executive Producer
Yves Belanger Director of Photography
John Paino Production Designer
Jay M. Glen Editor
Marc Cote Visual Effects Supervisor
Leah Katznelson Costume Designer
Susan Jacobs Music Supervisor
Bryan Sipe Co-Producer
Jon Schumacher Co-Producer
Suzanne Crowley Smith* Casting Director
Jessica Kelly Casting Director
Ellen H. Schwartz Unit Production Manager
Urs Hirscvhbiegel First Assistant Director
Keith Marlin Second Assistant Director
Alex Terzieff Stunt Coordinator
Emma McGill Associate Producer
Elizabeth Pellegrini Production Supervisor
Mona Medawar Script Supervisor
Javiera Varas Art Director
Robert Covelman Set Decorator
Tom Nelson Sound Mixer
Doug Coleman Special Effects Supervisor
Evelyne Noraz Make up
Rachel Geary Make up
Michelle Johnson Hairstylist
Adenike Wright Hairstylist
Pierre Theriault Post-Production Supervisor
Maxime Lahaie Denis First Assistant Editor
Edith Bellehumeur Assistant Editor
Ivy Yukiko Ishihara Oldford Assistant Editor
Martin Pinsonnault Supervising Sound Editor
Martin Pinsonnault Sound Designer
Anton Fischlin Sound Effects Editor
Paul Col Sound Effects Editor
Thomas Brodeur Dialogue and ADR Editor
Gavin Fernandes Re-recording Mixer
Louis Gignac Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 19th, 2016

July 18th, 2016

Orphan Black: Season Four

This week, the home market is led by Batman v Superman: Dawn of Justice, at least in terms of box office dollars. It is far from the best in terms of reviews. That’s not to say there are no high quality releases this week. In fact, there are five Pick of the Week contenders, six if you include Belladonna Of Sadness, which came out last week, but the screener arrived late, so the review didn’t get published till the weekend. In the end, I went with To Have and Have Not on Blu-ray as Pick of the Week. However, Orphan Black: Season Four earns the seldom awarded Puck of the Week, as the best Canadian release. More...

Theater Averages: Vita Activa has a Spirited Opening with $13,244 / $18,468

April 14th, 2016

Vita Activa: The Spirit of Hannah Arendt

Vita Activa: The Spirit of Hannah Arendt was the only film in the $10,000 club with an opening of $13,244 over the weekend in one theater. From Wednesday through Sunday, the film pulled in $18,468. More...

Weekend Estimates: Boss tied at the top with Batman v Superman

April 10th, 2016

The Boss

Critics have not been kind to The Boss, and audiences are split 50–50 between liking it and hating it, but it will still post a respectable $23.48 million opening, according to Universal’s Sunday projection. Among recent Melissa McCarthy outings, that’s a little ahead of Tammy ($21.6 million on opening weekend), and a little behind Spy! ($29.1 million). Of more immediate interest, it’s almost exactly tied with Batman v Superman at the top of the chart. More...

Limited and VOD Releases: Getting Demolished

April 8th, 2016

Demolition

It's not a good week for limited releases. Not only is it a short list this week, but none of them look like they will be a hit at the box office. Demolition is the widest release of the week, but it is too wide for a limited release. The Invitation is earning amazing reviews, but it is also playing on Video on Demand. Neon Bull is earning even better reviews, but it is a foreign-language film, so that limits its chances. The rest of the films are not earning strong enough reviews to suggest they will do well in limited release. More...

2016 Preview: April

April 1st, 2016

The Jungle Book

March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Davis, a successful investment banker, struggles after losing his wife in a tragic car crash. Despite pressure from his father-in-law, Phil, to pull it together, Davis continues to unravel. What starts as a complaint letter to a vending machine company turns into a series of letters revealing startling personal admissions. Davis’ letters catch the attention of customer service rep Karen and, amidst emotional and financial burdens of her own, the two form an unlikely connection. With the help of Karen and her son Chris, Davis starts to rebuild, beginning with the demolition of the life he once knew.

Metrics

Opening Weekend:$1,100,042 (55.6% of total gross)
Legs:1.80 (domestic box office/biggest weekend)
Domestic Share:46.5% (domestic box office/worldwide)
Theater counts:854 opening theaters/862 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $2,465,796

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 8,001-8,100) 8,089 $1,978,592
All Time International Box Office (Rank 8,601-8,700) 8,649 $2,274,705
All Time Worldwide Box Office (Rank 10,601-10,700) 10,619 $4,253,297
All Time Domestic Box Office for R Movies (Rank 2,901-3,000) 2,944 $1,978,592
All Time International Box Office for R Movies (Rank 2,001-2,100) 2,028 $2,274,705
All Time Worldwide Box Office for R Movies (Rank 2,901-3,000) 2,993 $4,253,297

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: April 8th, 2016 (Wide) by Fox Searchlight
International Releases: April 6th, 2016 (Wide) (Belgium)
April 6th, 2016 (Wide) (France)
April 7th, 2016 (Wide) (Iraq)
April 7th, 2016 (Wide) (Lebanon)
April 8th, 2016 (Wide) (Turkey)
... Show all releases
Video Release: July 1st, 2016 by Fox Home Entertainment
MPAA Rating: R for language, some sexual references, drug use and disturbing behavior.
(Rating bulletin 2376, 6/3/2015)
Running Time: 101 minutes
Comparisons: vs. Olympus Has Fallen
Create your own comparison chart…
Keywords: Car Accident, Death of a Spouse or Fiancée / Fiancé, In-Laws / Future In-Laws, Investment Banking, Infidelity, LGBTQ+, Voiceover/Narration
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Sidney Kimmel Entertainment, Black Label Media, Mr. Mudd, Fox Searchlight Pictures
Production Countries: United States
Languages: English

Leading Cast

Jake Gyllenhaal Davis Mitchell

Supporting Cast

Naomi Watts Karen Moreno
Chris Cooper Phil
Judah Lewis Chris Moreno
C.J. Wilson Carl
Polly Draper Margot
Malachy Cleary Davis’ Dad
Debra Monk Davis’ Mom
Heather Lind Julia
Wass Stevens Jimmy
Blaire Brooks Amy
Ben Cole Steven
Brendan Dooling Todd
James Colby John
Alfredo Narciso Michael
Madison Arnold Ray
Gregory Haney Nurse
James Young Ahmed
Bjorn Dupaty DOT Agent #1
Jane Dashow Buccaneer Diner Waitress
Tom Kemp Dr. Brodkey
Royce Johnson Security Marty
Hani Avital Young Waitress
Elizabeth Loyacano Woman Crying
Celia Au Punk Girl
Stephen Badalamenti Mickey
Mark Lewis Chris’ Doctor
Aaron Bantum Chris’ Friend
Lytle Harper Attractive Bartender
Kevin Herbst Mourner

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jean-Marc Vallee Director
Bryan Sipe Screenwriter
Molly Smith Producer
Trent Luckinbill Producer
Sidney Kimmel Producer
Lianne Halfon Producer
Jean-Marc Vallee Producer
Russell Smith Producer
Thad Luckinbill Executive Producer
Jason Reitman Executive Producer
Helen Estabrook Executive Producer
John Malkovich Executive Producer
Nathan Ross Executive Producer
Ellen Schwartz Executive Producer
Carla Hacken Executive Producer
Bruce Toll Executive Producer
Yves Belanger Director of Photography
John Paino Production Designer
Jay M. Glen Editor
Marc Cote Visual Effects Supervisor
Leah Katznelson Costume Designer
Susan Jacobs Music Supervisor
Bryan Sipe Co-Producer
Jon Schumacher Co-Producer
Suzanne Crowley Smith* Casting Director
Jessica Kelly Casting Director
Ellen H. Schwartz Unit Production Manager
Urs Hirscvhbiegel First Assistant Director
Keith Marlin Second Assistant Director
Alex Terzieff Stunt Coordinator
Emma McGill Associate Producer
Elizabeth Pellegrini Production Supervisor
Mona Medawar Script Supervisor
Javiera Varas Art Director
Robert Covelman Set Decorator
Tom Nelson Sound Mixer
Doug Coleman Special Effects Supervisor
Evelyne Noraz Make up
Rachel Geary Make up
Michelle Johnson Hairstylist
Adenike Wright Hairstylist
Pierre Theriault Post-Production Supervisor
Maxime Lahaie Denis First Assistant Editor
Edith Bellehumeur Assistant Editor
Ivy Yukiko Ishihara Oldford Assistant Editor
Martin Pinsonnault Supervising Sound Editor
Martin Pinsonnault Sound Designer
Anton Fischlin Sound Effects Editor
Paul Col Sound Effects Editor
Thomas Brodeur Dialogue and ADR Editor
Gavin Fernandes Re-recording Mixer
Louis Gignac Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 19th, 2016

July 18th, 2016

Orphan Black: Season Four

This week, the home market is led by Batman v Superman: Dawn of Justice, at least in terms of box office dollars. It is far from the best in terms of reviews. That’s not to say there are no high quality releases this week. In fact, there are five Pick of the Week contenders, six if you include Belladonna Of Sadness, which came out last week, but the screener arrived late, so the review didn’t get published till the weekend. In the end, I went with To Have and Have Not on Blu-ray as Pick of the Week. However, Orphan Black: Season Four earns the seldom awarded Puck of the Week, as the best Canadian release. More...

Theater Averages: Vita Activa has a Spirited Opening with $13,244 / $18,468

April 14th, 2016

Vita Activa: The Spirit of Hannah Arendt

Vita Activa: The Spirit of Hannah Arendt was the only film in the $10,000 club with an opening of $13,244 over the weekend in one theater. From Wednesday through Sunday, the film pulled in $18,468. More...

Weekend Estimates: Boss tied at the top with Batman v Superman

April 10th, 2016

The Boss

Critics have not been kind to The Boss, and audiences are split 50–50 between liking it and hating it, but it will still post a respectable $23.48 million opening, according to Universal’s Sunday projection. Among recent Melissa McCarthy outings, that’s a little ahead of Tammy ($21.6 million on opening weekend), and a little behind Spy! ($29.1 million). Of more immediate interest, it’s almost exactly tied with Batman v Superman at the top of the chart. More...

Limited and VOD Releases: Getting Demolished

April 8th, 2016

Demolition

It's not a good week for limited releases. Not only is it a short list this week, but none of them look like they will be a hit at the box office. Demolition is the widest release of the week, but it is too wide for a limited release. The Invitation is earning amazing reviews, but it is also playing on Video on Demand. Neon Bull is earning even better reviews, but it is a foreign-language film, so that limits its chances. The rest of the films are not earning strong enough reviews to suggest they will do well in limited release. More...

2016 Preview: April

April 1st, 2016

The Jungle Book

March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 8,001-8,100) 8,089 $1,978,592
All Time Domestic Inflation Adjusted Box Office (Rank 7,801-7,900) 7,804 $2,465,796
All Time Domestic Non-Sequel Box Office (Rank 7,201-7,300) 7,226 $1,978,592
Top 2016 Movies at the Domestic Box Office (Rank 201-300) 205 $1,978,592
All Time Domestic Box Office for Original Screenplay Movies (Rank 4,101-4,200) 4,178 $1,978,592
All Time Domestic Box Office for Live Action Movies (Rank 7,201-7,300) 7,234 $1,978,592
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 4,201-4,300) 4,284 $1,978,592
All Time Domestic Box Office for Drama Movies (Rank 1,901-2,000) 1,910 $1,978,592
All Time Domestic Box Office for R Movies (Rank 2,901-3,000) 2,944 $1,978,592
All Time Domestic Box Office for Fox Searchlight Movies (Rank 101-200) 132 $1,978,592

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 8, 2016 15 $1,100,042   854 $1,288   $1,100,042 1
Apr 15, 2016 21 $293,296 -73% 862 $340   $1,822,315 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 8, 2016 14 $360,513     854 $422   $360,513 1
Apr 9, 2016 15 $470,929 +31%   854 $551   $831,442 2
Apr 10, 2016 15 $268,600 -43%   854 $315   $1,100,042 3
Apr 11, 2016 15 $102,156 -62%   854 $120   $1,202,198 4
Apr 12, 2016 14 $154,374 +51%   854 $181   $1,356,572 5
Apr 13, 2016 - $95,505 -38%   854 $112   $1,452,077 6
Apr 14, 2016 14 $76,942 -19%   854 $90   $1,529,019 7
Apr 15, 2016 - $86,819 +13% -76% 862 $101   $1,615,838 8
Apr 16, 2016 - $133,785 +54% -72% 862 $155   $1,749,623 9
Apr 17, 2016 - $72,692 -46% -73% 862 $84   $1,822,315 10
Apr 18, 2016 - $33,772 -54% -67% 862 $39   $1,856,087 11
Apr 19, 2016 - $52,209 +55% -66% 862 $61   $1,908,296 12
Apr 20, 2016 - $36,785 -30% -61% 862 $43   $1,945,081 13
Apr 21, 2016 - $33,511 -9% -56% 862 $39   $1,978,592 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 8, 2016 15 $1,529,019   854 $1,790   $1,529,019 1
Apr 15, 2016 20 $449,573 -71% 862 $522   $1,978,592 2

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 7/15/2016 $14,590 9 10 26 $31,263 8/1/2016
Belgium 4/6/2016 $61,207 25 25 25 $61,207 6/9/2016
Denmark 6/30/2016 $601 1 1 4 $5,722 7/26/2016
Dominican Republic 9/1/2016 $2,490 2 2 2 $2,490 12/31/2018
France 4/6/2016 $304,503 105 105 105 $304,503 6/9/2016
Greece 9/15/2016 $16,899 26 26 34 $32,286 9/27/2016
Hong Kong 4/14/2016 $63,738 12 12 12 $63,738 6/9/2016
Iraq 4/7/2016 $937 1 1 2 $1,671 12/31/2018
Italy 9/15/2016 $87,585 0 0 0 $88,379 9/22/2016
Lebanon 4/7/2016 $3,310 4 4 4 $3,310 12/31/2018
Lithuania 4/15/2016 $0 0 25 53 $13,589 6/8/2016
Netherlands 4/14/2016 $86,914 46 48 192 $409,061 11/18/2018
New Zealand 7/22/2016 $5,756 5 5 13 $12,560 8/15/2016
Peru 7/7/2016 $5,029 1 1 4 $14,031 12/31/2018
Poland 9/2/2016 $5,915 21 25 63 $20,734 11/18/2018
Portugal 4/21/2016 $25,008 26 26 58 $59,176 6/9/2016
Russia (CIS) 7/1/2016 $109,190 348 348 666 $211,360 12/31/2018
Singapore 4/14/2016 $11,300 5 5 5 $11,300 6/9/2016
South Korea 6/23/2016 $0 0 196 286 $334,560 9/17/2016
Spain 7/1/2016 $34,082 56 56 110 $81,241 8/11/2016
Turkey 4/8/2016 $43,618 36 36 36 $125,697 2/26/2019
United Kingdom 4/29/2016 $386,827 204 204 204 $386,827 6/8/2016
 
International Total$2,274,705 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 8,601-8,700) 8,649 $2,274,705
All Time International Non-Sequel Box Office (Rank 7,601-7,700) 7,682 $2,274,705
All Time International Box Office for Original Screenplay Movies (Rank 4,701-4,800) 4,703 $2,274,705
All Time International Box Office for Live Action Movies (Rank 7,101-7,200) 7,192 $2,274,705
All Time International Box Office for Contemporary Fiction Movies (Rank 4,501-4,600) 4,532 $2,274,705
All Time International Box Office for Drama Movies (Rank 2,201-2,300) 2,212 $2,274,705
All Time International Box Office for R Movies (Rank 2,001-2,100) 2,028 $2,274,705
All Time International Box Office for Fox Searchlight Movies (Rank 101-200) 111 $2,274,705

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 10,601-10,700) 10,619 $4,253,297
All Time Worldwide Non-Sequel Box Office (Rank 9,401-9,500) 9,490 $4,253,297
All Time Worldwide Box Office for Original Screenplay Movies (Rank 5,601-5,700) 5,689 $4,253,297
All Time Worldwide Box Office for Live Action Movies (Rank 9,101-9,200) 9,150 $4,253,297
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 5,601-5,700) 5,661 $4,253,297
All Time Worldwide Box Office for Drama Movies (Rank 2,601-2,700) 2,605 $4,253,297
All Time Worldwide Box Office for R Movies (Rank 2,901-3,000) 2,993 $4,253,297
All Time Worldwide Box Office for Fox Searchlight Movies (Rank 101-200) 134 $4,253,297

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.