Russia (CIS) Box Office for Смерть на Ниле (2022)
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| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $11,234,124 | Details |
| Worldwide Box Office | $130,298,184 | Details |
| Home Market Performance | ||
| North America DVD Sales | $452,509 | Details |
| North America Blu-ray Sales | $731,721 | Details |
| Total North America Video Sales | $1,184,230 | |
| Further financial details... | ||
Synopsis
Belgian sleuth Hercule Poirot’s Egyptian vacation aboard a glamorous river steamer turns into a terrifying search for a murderer when a picture-perfect couple’s idyllic honeymoon is tragically cut short. Set against a landscape of sweeping desert vistas and the Giza pyramids, this tale of unbridled passion and incapacitating jealousy features a cosmopolitan group of impeccably dressed travelers and enough wicked twists and turns to keep audiences guessing until the final, shocking denouement.
Metrics
Movie Details
| Production Budget: | $90,000,000 |
| Russia (CIS) Releases: | February 10th, 2022 (Wide), released as Смерть на Ниле |
| Video Release: | March 29th, 2022 by 20th Century Studios |
| MPAA Rating: | PG-13 for violence, some bloody images, and sexual material. (Rating bulletin 2713 (cert #52577), 1/5/2022) |
| Running Time: | 127 minutes |
| Franchise: | Kenneth Branagh's Hercule Poirot |
| Keywords: | Murder Mystery, Mystery Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | 20th Century Studios, Kinberg Genre, The Mark Gordon Company, Scott Free Films, TSG Entertainment |
| Production Countries: | United States |
| Languages: | English |
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Death on the Nile Trailer
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/02/11 | 2 | $2,561,819 | 1,852 | $1,383 | $2,561,819 | 1 | |
| 2022/02/18 | 2 | $1,693,337 | -34% | 1,843 | $919 | $5,181,553 | 2 |
| 2022/02/25 | 3 | $717,062 | -58% | 1,773 | $404 | $6,384,992 | 3 |
| 2022/03/04 | 4 | $278,774 | -61% | 894 | $312 | $5,162,698 | 4 |
| 2022/03/11 | 6 | $224,066 | -20% | 739 | $303 | $5,243,440 | 5 |
| 2022/03/18 | 4 | $213,137 | -5% | 535 | $398 | $6,439,698 | 6 |
| 2022/03/25 | 6 | $211,161 | -1% | 479 | $441 | $7,047,178 | 7 |
| 2022/04/01 | 7 | $202,587 | -4% | 461 | $439 | $8,565,834 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 2/10/2022 | $131,682 | 0 | 0 | 0 | $425,615 | 10/20/2022 |
| Australia | 2/10/2022 | $1,184,347 | 395 | 395 | 2077 | $4,588,487 | 10/20/2022 |
| Austria | 2/10/2022 | $202,968 | 0 | 0 | 0 | $772,870 | 6/6/2022 |
| Belgium | 2/9/2022 | $289,499 | 0 | 0 | 0 | $1,070,295 | 5/17/2022 |
| Brazil | 2/10/2022 | $435,908 | 0 | 0 | 0 | $1,338,690 | 5/23/2022 |
| Chile | 2/10/2022 | $25,437 | 0 | 0 | 0 | $77,999 | 10/20/2022 |
| China | 2/19/2022 | $5,830,000 | 52429 | 52429 | 83466 | $10,828,897 | 10/20/2022 |
| Colombia | 2/10/2022 | $71,094 | 0 | 0 | 0 | $222,125 | 4/4/2022 |
| Czech Republic | 2/11/2022 | $106,701 | 140 | 140 | 457 | $380,900 | 10/20/2022 |
| Denmark | 2/10/2022 | $131,796 | 0 | 0 | 0 | $471,604 | 10/20/2022 |
| Finland | 2/11/2022 | $177,515 | 97 | 97 | 526 | $937,118 | 10/20/2022 |
| France | 2/11/2022 | $2,266,691 | 0 | 0 | 0 | $7,068,787 | 6/13/2022 |
| Germany | 2/10/2022 | $1,290,310 | 0 | 0 | 0 | $5,476,533 | 6/13/2022 |
| Hong Kong | 3/3/2022 | $21,294 | 0 | 0 | 0 | $50,095 | 4/20/2022 |
| India | 2/11/2022 | $116,396 | 0 | 0 | 0 | $261,136 | 10/20/2022 |
| Indonesia | 2/9/2022 | $411,539 | 0 | 0 | 0 | $847,930 | 4/4/2022 |
| Italy | 2/10/2022 | $2,079,138 | 0 | 0 | 0 | $5,656,098 | 10/20/2022 |
| Japan | 2/25/2022 | $1,073,351 | 0 | 0 | 0 | $4,596,112 | 5/17/2022 |
| Lithuania | 2/11/2022 | $30,916 | 18 | 18 | 54 | $105,931 | 10/20/2022 |
| Malaysia | 2/10/2022 | $110,471 | 0 | 0 | 0 | $229,548 | 10/20/2022 |
| Mexico | 2/10/2022 | $401,843 | 0 | 0 | 0 | $1,166,604 | 4/26/2022 |
| Netherlands | 2/9/2022 | $407,921 | 158 | 158 | 955 | $2,027,132 | 5/17/2022 |
| New Zealand | 2/10/2022 | $248,503 | 113 | 113 | 694 | $694,258 | 10/20/2022 |
| North America | 2/11/2022 | $12,891,123 | 3,280 | 3,420 | 19,160 | $45,630,104 | |
| Norway | 2/11/2022 | $112,927 | 0 | 0 | 0 | $390,828 | 10/20/2022 |
| Philippines | 2/9/2022 | $34,984 | 0 | 0 | 0 | $66,998 | 10/20/2022 |
| Poland | 2/11/2022 | $294,942 | 0 | 0 | 0 | $1,062,615 | 5/17/2022 |
| Portugal | 2/10/2022 | $121,392 | 72 | 72 | 361 | $497,061 | 10/20/2022 |
| Romania | 2/11/2022 | $171,065 | 80 | 80 | 401 | $544,523 | 10/20/2022 |
| Russia (CIS) | 2/10/2022 | $2,561,819 | 1852 | 1852 | 8576 | $11,234,124 | 10/20/2022 |
| Singapore | 2/10/2022 | $208,045 | 0 | 0 | 0 | $582,496 | 10/20/2022 |
| Slovakia | 2/17/2022 | $51,103 | 64 | 64 | 180 | $178,726 | 6/21/2022 |
| South Korea | 2/9/2022 | $500,225 | 1035 | 1035 | 2106 | $1,774,947 | 4/30/2022 |
| Spain | 2/18/2022 | $943,497 | 381 | 381 | 2100 | $4,062,874 | 5/31/2022 |
| Sweden | 2/11/2022 | $226,043 | 0 | 0 | 0 | $895,730 | 5/23/2022 |
| Switzerland | 2/9/2022 | $343,474 | 0 | 0 | 0 | $1,494,047 | 6/6/2022 |
| Taiwan | 2/11/2022 | $415,288 | 0 | 0 | 0 | $1,262,632 | 10/20/2022 |
| Thailand | 2/10/2022 | $0 | 0 | 0 | 0 | $278,330 | 10/20/2022 |
| Turkey | 2/11/2022 | $32,993 | 148 | 148 | 334 | $261,404 | 10/20/2022 |
| United Kingdom | 2/11/2022 | $2,582,096 | 710 | 730 | 3512 | $10,785,981 | 6/6/2022 |
| Worldwide Total | $130,298,184 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Tom Bateman | Bouc |
| Annette Bening | Euphemia |
| Kenneth Branagh | Hercule Poirot |
| Russell Brand | Dr. Bessner |
| Ali Fazal | Andrew Katchadourian |
| Dawn French | Mrs. Bowers |
| Gal Gadot | Linnet Ridgeway-Doyle |
| Armie Hammer | Simon Doyle |
| Rose Leslie | Louise Bourget |
| Emma Mackey | Jacqueline de Bellefort |
| Sophie Okonedo | Salome Otterbourne |
| Jennifer Saunders | Marie Van Schuyler |
| Letitia Wright | Rosalie Otterbourne |
| Ann Turkel | Meredith Wilson |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Kenneth Branagh | Director |
| Michael Green | Screenwriter |
| Agatha Christie | Story based on the novel by |
| Judy Hofflund | Producer |
| Simon Kinberg | Producer |
| Ridley Scott | Producer |
| Kevin Walsh | Producer |
| Mark Gordon | Producer |
| Simon Chase | Supervising Dialogue/adr editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.