United Kingdom Box Office for Danny Collins (2015)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $720,695 | Details |
Worldwide Box Office | $9,271,825 | Details |
Further financial details... |
Synopsis
Danny Collins is an aging 1970's rocker, who can't give up his hard-living ways. But when his manager uncovers a 40 year-old undelivered letter written to him by John Lennon, he decides to change course and embarks on a heartfelt journey to rediscover his family, find true love and begin a second act.
Metrics
Movie Details
Production Budget: | $10,000,000 |
United Kingdom Releases: | May 29th, 2015 (Wide) |
Video Release: | June 16th, 2015 by Universal Home Entertainment |
MPAA Rating: | R for language, drug use and some nudity. (Rating bulletin 2343, 10/8/2014) |
Running Time: | 106 minutes |
Keywords: | Musicians, Rock 'n' Roll, Inspired by a True Story, Comedy Drama, Dysfunctional Family, Adult Child Dealing with the Death of a Parent, Cancer, Money Troubles, Addiction |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Shivhans Pictures, Handwritten Films, Big Indie Pictures |
Production Countries: | United States |
Languages: | English |
2015 - Awards Season: Golden Globes - Nominations
December 10th, 2015
The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four.
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Home Market Releases for June 30th, 2015
June 30th, 2015
There's a short list this week, for two reasons. Firstly, there's not a lot of new releases worth mentioning. Secondly, I really have to concentrate on the July preview (look for that on the site tomorrow). The biggest release of the week is clearly Get Hard, but it was not the best. As for the best, there are two that jump out: Kumiko, the Treasure Hunter (Blu-ray) and The Decline Of Western Civilization Collection (DVD or Blu-ray). Both are top-notch picks, but I went with Kumiko, the Treasure Hunter.
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Per Theater Chart: Welcome to the Age of Ultron
May 7th, 2015
The Avengers: Age of Ultron not only earned first place on the overall box office chart, but it also topped the per theater chart with an average of $44,731. There were a couple of limited releases in the $10,000 club, Welcome to Me with an average of $19,084 in two theaters and Far from the Madding Crowd with an average of $16,499 in ten theaters. Iris came really close with an average of $9,542 in six theaters over the weekend and an average of $11,467 from Wednesday through Sunday.
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Per Theater Chart: Calm Before the Storm
April 28th, 2015
There were no films in the $10,000 club this week and no new releases really came close. The closest was Full Moon in Paris, which rose 58% from last weekend to $7,987, still in one theater. Felix et Meira was next with an average of $6,590 after expanding from one to four theaters. Don't Think I've Forgotten: Cambodia's Lost Rock and Roll was the biggest new release with an average of $6,402 in three theaters over the weekend for an average of $8,465 from Wednesday to Sunday.
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Per Theater Chart: Felix et Machina
April 21st, 2015
Ex Machina remained in first place on the per theater chart with an average of $20,478 in 39 theaters. The only other film in the $10,000 club was Felix et Meira, which earned $15,018 in its lone theater.
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Per Theater Chart: Machina Saves Box Office
April 15th, 2015
Ex Machina's opening weekend was surprisingly potent earning an average of $59,316 in four theaters. This is the biggest per theater average for a film that opened in 2015. I was not expecting that. On the other hand, I was expecting Clouds of Sils Maria to do well, and it did, earning an average of $20,603 in three theaters. Furious 7 remained in the $10,000 club with an average of $14,815 in more than 4,000 theaters.
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Weekend Wrap-Up: Furious Races into Top Spot for the Year
April 14th, 2015
It didn't take long for for Furious 7 to become the biggest hit of the year; in fact, it took just five days to top Cinderella. Over the weekend, it became the first film released in 2015 to reach the $200 million milestone and thanks to a better than expected hold, reached $250 million as well. Home finished well back in second place, while The Longest Ride managed third place. Overall, the box office fell 42% from last weekend down to $131 million, which is 6.3% lower than the same weekend last year. Furious 7 topped Captain America: The Winter Soldier, but Rio 2 and the other films of 2014 had better depth giving 2014 the win. 2015 is still ahead in the year-to-date comparison, up 4.1% at $2.85 billion to $2.74 billion.
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Per Theater Chart: Danny Boy
March 25th, 2015
Danny Collins led the way on the per theater chart with an average of $14,631 in five theaters. However, since its reviews are merely good and not great, I doubt it will have the legs needed to thrive in limited release. The overall box office leader, Insurgent, was next with an average of $13,487. Last week's winner on the per theater chart, It Follows, was the only holdover in the $10,000 club earning an average of $10,777 in 32 theaters. It has room to grow and should have no trouble earning a least some small measure of mainstream success. Kumiko, the Treasure Hunter was the only other film that did well, with an average of $8,529 in four theaters over the weekend, while it earned an average of $10,101 since Wednesday.
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Weekend Estimates: Insurgent Matches Divergent’s Debut
March 22nd, 2015
A mix of positive and negative factors (poor reviews vs. fan loyalty, competition vs. Spring break and so on) are neatly canceling one another out this weekend to give Insurgent an opening weekend almost perfectly in line with the $54.6 million debut enjoyed by Divergent this time last year. Lionsgate is officially projecting a $54 million weekend. The numbers we’re seeing suggest the film will end up a shade lower than that—perhaps $53 million would be a safer bet—but either way, it’s an impressive start, and the fifth-best weekend of 2015 so far.
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Limited Releases: There is Treasure to be Found
March 20th, 2015
It is a busy week with a number of limited releases earning outstanding reviews. This includes a couple of foreign-language films (Amour fou and La Sapienza), as well as a couple of horror films (Backcountry and Spring). However, of the films on this week's list, Kumiko, The Treasure Hunter is the one with the best chance of earning some measure of mainstream success.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 5/21/2015 | $2,307 | 41 | 41 | 41 | $2,307 | 5/26/2015 |
Brazil | 4/17/2015 | $213,378 | 116 | 116 | 250 | $792,839 | 11/6/2018 |
Bulgaria | 3/27/2015 | $0 | 0 | 14 | 14 | $18,056 | 12/30/2018 |
Hong Kong | 6/5/2015 | $38,775 | 17 | 17 | 37 | $81,177 | 11/26/2018 |
Mexico | 7/31/2015 | $102,319 | 0 | 0 | 0 | $300,419 | 9/7/2018 |
Netherlands | 6/25/2015 | $0 | 0 | 1 | 1 | $29,770 | 10/13/2015 |
North America | 3/20/2015 | $72,459 | 5 | 739 | 3,182 | $5,637,066 | 10/27/2022 |
Poland | 7/3/2015 | $27,507 | 0 | 0 | 0 | $216,968 | 12/30/2018 |
Russia (CIS) | 5/1/2015 | $105,885 | 196 | 196 | 196 | $105,885 | 11/19/2018 |
South Korea | 9/30/2015 | $159,488 | 309 | 309 | 339 | $366,887 | 11/17/2015 |
Spain | 3/4/2016 | $40,290 | 71 | 71 | 136 | $84,657 | 6/9/2016 |
Turkey | 3/27/2015 | $31,904 | 27 | 27 | 92 | $109,119 | 12/30/2018 |
United Kingdom | 5/29/2015 | $345,358 | 0 | 0 | 0 | $720,695 | 9/30/2018 |
Rest of World | $805,980 | ||||||
Worldwide Total | $9,271,825 | 10/27/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Al Pacino | Danny Collins |
Supporting Cast
Annette Bening | Mary Sinclair |
Jennifer Garner | Samantha Leigh Donnelly |
Bobby Cannavale | Tom Donnelly |
Christopher Plummer | Frank |
Katarina Cas | Sophie |
Giselle Eisenberg | Hope Donnelly |
Melissa Benoist | Jamie |
Eric Lange | Dr. Silverman |
Brian Thomas Smith | Judd |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Dan Fogelman | Director |
Dan Fogelman | Screenwriter |
Jessie Nelson | Producer |
Nimitt Mankad | Producer |
Denise Di Novi | Executive Producer |
Shivani Rawat | Executive Producer |
Declan Baldwin | Executive Producer |
Monica Levinson | Executive Producer |
Steve Yedlin | Director of Photography |
Dan Bishop | Production Designer |
Julie Monroe | Editor |
Sophie de Rakoff | Costume Designer |
Theodore Shapiro | Composer |
Ryan Adams | Composer |
Mindy Marin | Casting Director |
Matt Sullivan | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.