Chile Box Office for The Danish Girl (2015)
Theatrical Performance (US$) | ||
Chile Box Office | $204,903 | Details |
Worldwide Box Office | $67,514,963 | Details |
Home Market Performance | ||
North America DVD Sales | $741,361 | Details |
North America Blu-ray Sales | $692,597 | Details |
Total North America Video Sales | $1,433,958 | |
Further financial details... |
Synopsis
A film based on the real life stories of artists Lili Elbe and Gerda Wegener, whose marriage and work evolve as they navigate Lili’s groundbreaking journey as a transgender pioneer.
Metrics
Movie Details
Production Budget: | $15,000,000 |
Chile Releases: | February 18th, 2016 (Wide) |
Video Release: | February 16th, 2016 by Universal Home Entertainment |
MPAA Rating: | R for some sexuality and full nudity. (Rating bulletin 2393, 9/30/2015) |
Running Time: | 120 minutes |
Keywords: | Romance, LGBTQ+, Infidelity, Sex Change, 1920s, Dysfunctional Family, Love Triangle, Artists, Painter, Biographical Drama, Biography |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Working Title Films, Pretty Pictures, Senator Global Productions, Focus Features, Revision Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 1st, 2016
March 2nd, 2016
There are some really good releases on this week's Home Market Release Report, including many that either won or were competing for Oscars, like Creed, Room, etc. However, once you get past the cream of the crop, there isn't much in the way of depth. Most of the Oscar contenders are Pick of the Week Contenders, but the best release by far is The Adventures of Bob & Doug McKenzie: Strange Brew on Blu-ray. This is the greatest movie ever made.
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Oscar Predictions: Mad Max Heads Technical Categories, Revenant Favorite for Best Picture
February 28th, 2016
Voting in our annual Predict the Academy Awards contest is now closed, and we can reveal the final vote totals in each category, along with the rough probability for which film will win each award. This is a year where readers are very confident about the outcomes in many of the categories. In fact, there isn’t a single major category where less than 50% of readers picked the same winner, and there are five Oscars where 90% or more of readers agreed on the outcome, including a massive 97% of the vote for Inside Out for Best Animated Feature. That makes The Revenant a rather more uncertain bet, with 70% of readers favoring it for Best Picture. That’s actually theoretically the closest call among all the major prizes…
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2015 Awards Season: Oscar Preview
February 28th, 2016
It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.
If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD.
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2015 Awards Season: Oscar Highlight: Best Lead Actor
February 26th, 2016
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. If Leonardo DiCaprio doesn't win, there will be rioting in the streets.
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2015 Awards Season: Oscar Highlight: Best Supporting Actress
February 24th, 2016
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This year, Best Supporting Actress is a two-horse race, making it one of the more competitive categories of the ones we are going to look at.
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Theater Averages: Panda Eats the Competition with an average of $10,438
February 3rd, 2016
There was only one film in the $10,000 this week, Kung Fu Panda 3, which earned an average of $10,438. The best limited release was Rabin The Last Day, which opened with $7,940 in one theater.
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2015 Awards Season: SAG Winners—Oscar Picture Clarifies, Mostly
January 31st, 2016
The Screen Actors Guild winners were handed out last night and for the most part the winners here will likely walk away with an Oscar. There is one major exception.
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2015 Awards Season: Oscars - Nominations
January 15th, 2016
The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in.
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2015 - Awards Season: BAFTA - Nominations
January 9th, 2016
The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies.
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Theater Averages: Revenant Remains Potent with Average of $111,957
January 5th, 2016
The Revenant remained on top of the theater average chart dipping just 6% to an average of $111,957 in four theaters. That's amazing and it bodes very well for its chances during its wide expansion this weekend. Furthermore, there are some major Awards Season events this week that could boost ticket sales even more. Anomalisa was well back in second place, but it still had an impressive opening with an average of $33,806 over the weekend and an average of $52,658 during its five-day opening. Star Wars: The Force Awakens was next with an average of $21,829. Chimes at Midnight earned $20,480 in one theater during its re-release, while Only Yesterday earned $14,970, also in one theater. The latter film is yet another success for GKIDS; this is the only studio that routinely has success with animated films in limited release. 45 Years remained in the $10,000 club with an average of $14,588 in six theaters. It doubled its theater count, but the average only fell 33% and that's a great sign for further expansion. Mr. Six is the fourth holdover in the $10,000 club earning an average of $10,406 in 28 theaters.
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Theater Averages: Revenant Arrives with a Lively Debut of $118,640
December 29th, 2015
The Revenant had the best theater average of the week and the second best opening theater average of the year with $474,560 in four theaters for an average of $118,640. The only film to open in 2015 with a better theater average was Steve Jobs with an average of $130,381. It struggled during its wide expansion. Hopefully that won't happen here. The Hateful Eight was next with an average of $46,107 in 100 theaters. The overall number one film, Star Wars: The Force Awakens, was next with an average of $36,092. This would have been the fourth best opening weekend average for a wide release all year. 45 Years opened with an average of $21,925 in three theaters over the weekend and an average of $30,119 over its five-day opening. Daddy's Home was the second wide release in the $10,000 club with an average of $11,844. Mr. Six just missed the $10,000 club over the weekend with an average of $9,562 in 30 theaters; however, it earned an average of $12,500 over its four-day opening.
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Theater Averages: Star Wars Set Another Records with $59,982
December 22nd, 2015
Star Wars: The Force Awakens led the way on the theater average chart and broke the record for highest theater average for a wide release. Its average was $59,982, which is the fifth best opening theater average this year. This is just ahead of Ex Machina and just behind Carol. The Big Short fell 46% to $47,286. A 46% drop-off is bad news for a limited release most of the time, but The Force Awakens hurt all of the holdovers and I'm still bullish on its box office chances for its Wednesday expansion. Carol remained in the $10,000 for the fifth week in a row, this time earning an average of $14,446 in 16 theaters. Mojin: The Lost Legend opened with an average of $12,726 in 22 theaters, while Son of Saul was right behind with an average of $12,643.
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Per Theater Chart: The Big Short was Nearly the Biggest
December 15th, 2015
We have a new champion on top of the per theater chart this week, as The Big Short earned one of the best limited release openings of the year. Its average of $88,191 was behind only Steve Jobs for the year and Steve Jobs opened in half as many theaters as The Big Short, 8 to 4. Carol remained strong in second place with an average of $21,105 in 16 theaters. Thankfully it is expanding, but I'm worried the studio waited too long and it won't reach its potential. Yellow Day opened with an average of $13,130 in two theaters. The Danish Girl rounded out the $10,000 club with an average of $10,964 in 24 theaters. By this time next week, it could be over $1 million in total.
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Weekend Estimates: Mockingjay Cruises On
December 13th, 2015
The Hunger Games: Mockingjay—Part 2 will cruise to another victory at the box office this weekend, for the simple reason that In the Heart of the Sea is having a terrible opening. Mockingjay will be down another 40% in its fourth weekend, and will pick up a relatively modest $11.3 million, taking its domestic total to $244.5 million. That confirms it as comfortably the worst-performing film in the franchise, and even a Christmas-season boost at the box office will leave it under $300 million in total. That, however, is unimaginable riches compared to the performance of Heart of the Sea.
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2015 - Awards Season: Golden Globes - Nominations
December 10th, 2015
The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four.
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2015 Awards Season: SAG Nominations
December 9th, 2015
The Screen Actors Guild nominations were announced today and there are at least a few surprises to talk about. Trumbo led the way with three nominations, but there were six films with two nods apiece. Six!
Per Theater Chart: Carol Completes the Hat-trick
December 8th, 2015
For the third weekend in a row, Carol earned first place on the per theater chart, this time with an average of $36,281. It is still playing in only four theaters, which is a huge mistake in my mind. It really should have expanded by now. The Danish Girl remained in second place with an average of $26,089, also in four theaters. It too should expand. The best new release was Youth, which opened with an average of $19,521, again in four theaters. Macbeth was playing in five theaters and earned an average of $13,967. Hitchcock/Truffaut opened with an average of $9,393 in three theaters over the weekend, but it was a Wednesday release. Its five-day average was $11,927.
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Weekend Estimates: Krampus Wins Battle for Second
December 6th, 2015
Krampus is providing the industry with some surprise post-Thanksgiving, pre-Holiday cheer this weekend, with an opening well ahead of expectations amongst a crowd of slightly disappointing results. Mockingjay, Part 2 will top the chart with $18.6 million, which is off a surprisingly steep 64%. With the film expected to hit $20 million or so this weekend, that’s a disappointment, and makes a final total of $300 million look just out of reach. The Good Dinosaur was expected to have the legs of a Pixar movie, and is instead looking more like a run-of-the-mill high-budget animated film, so instead of topping $20 million, it is down 60% to $15.5 million for the weekend. That left an opening for Krampus, which will take second spot overall with a $16-million debut.
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Per Theater Chart: Carol's Second Verse is the Same as the First
December 1st, 2015
Carol remained in first place on the per theater chart with an average of $49,443 in four theaters. This is 22% lower than the film's opening weekend average, which isn't bad for a limited release. The Danish Girl opened in a close second place with $46,830, also in four theaters. The Hunger Games: Mockingjay - Part 2 earned first place on the overall chart and third place on the per theater chart with an average of $12,456. Janis: Little Girl Blue earned an average of $10,931 in two theaters, which is great for a documentary. The second wide release in the $10,000 club was The Good Dinosaur with an average of $10,444.
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Weekend Estimates: Mockingjay Rules Thanksgiving Roost
November 29th, 2015
The combined forces of a 50% weekend-to-weekend decline at the box office and two strong rivals wasn’t enough to knock The Hunger Games: Mockingjay—Part 2 off its perch at the top of the box office chart this Thanksgiving. With a three-day total of $51.6 million (and $75.8 million over five), the franchise-capper will finish the holiday just shy of $200 million at the domestic box office. With a reported $242.4 million overseas, the film is hurrying towards $500 million worldwide, and sits at $440.7 million as of Sunday evening.
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Limited and VOD Releases: Dressing Up for the Holidays
November 27th, 2015
Thanksgiving Weekend is not a good time to release a limited release. There are too many other distractions for moviegoers to deal with. This year is no different. If we limited the films to only those with ten reviews on Rotten Tomatoes, there would only be two films on this week's list. One of them is The Danish Girl, which was earning some Awards Season buzz. Its reviews are good, but not Awards Season good.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/02/19 | 6 | $36,359 | 12 | $3,030 | $42,329 | 1 | |
2016/02/26 | 6 | $27,619 | -24% | 10 | $2,762 | $94,252 | 2 |
2016/03/04 | 8 | $24,022 | -13% | 9 | $2,669 | $130,791 | 3 |
2016/03/11 | 5 | $17,351 | -28% | 7 | $2,479 | $158,543 | 4 |
2016/03/18 | 5 | $13,663 | -21% | 8 | $1,708 | $178,446 | 5 |
2016/03/25 | 8 | $11,969 | -12% | 6 | $1,995 | $193,708 | 6 |
2016/04/01 | 7 | $8,210 | -31% | 6 | $1,368 | $203,889 | 7 |
2016/04/08 | 9 | $1,811 | -78% | 1 | $1,811 | $207,349 | 8 |
2016/04/15 | 14 | $1,215 | -33% | 1 | $1,215 | $208,965 | 9 |
2016/04/22 | 3 | $1,351 | +11% | 1 | $1,351 | $203,920 | 10 |
2016/04/29 | 3 | $731 | -46% | 1 | $731 | $204,903 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/18/2016 | $101,918 | 40 | 40 | 150 | $309,827 | 5/24/2016 |
Australia | 1/15/2016 | $47,690 | 6 | 130 | 722 | $1,973,607 | 6/9/2016 |
Austria | 1/8/2016 | $31,702 | 13 | 20 | 141 | $237,185 | 6/8/2016 |
Belgium | 1/20/2016 | $114,304 | 27 | 27 | 187 | $440,487 | 6/9/2016 |
Bolivia | 2/18/2016 | $5,031 | 7 | 7 | 14 | $14,667 | 12/31/2018 |
Brazil | 2/11/2016 | $306,560 | 110 | 112 | 604 | $1,570,133 | 6/9/2016 |
Bulgaria | 1/29/2016 | $13,123 | 14 | 14 | 52 | $49,209 | 2/26/2019 |
Central America | 2/11/2016 | $69,610 | 37 | 37 | 67 | $176,509 | 3/15/2016 |
Chile | 2/18/2016 | $36,359 | 12 | 12 | 62 | $204,903 | 12/31/2018 |
Colombia | 2/18/2016 | $63,754 | 49 | 49 | 156 | $236,544 | 12/31/2018 |
Croatia | 1/21/2016 | $9,238 | 15 | 15 | 59 | $37,547 | 12/31/2018 |
Czech Republic | 2/4/2016 | $61,019 | 73 | 73 | 248 | $288,158 | 12/31/2018 |
Denmark | 2/4/2016 | $465,155 | 92 | 92 | 500 | $2,111,014 | 6/9/2016 |
Ecuador | 2/12/2016 | $37,941 | 22 | 22 | 65 | $121,635 | 12/31/2018 |
Finland | 2/5/2016 | $73,755 | 56 | 56 | 296 | $403,366 | 6/9/2016 |
France | 1/20/2016 | $644,519 | 265 | 265 | 815 | $1,659,304 | 6/9/2016 |
Germany | 1/7/2016 | $630,619 | 187 | 192 | 1517 | $3,291,462 | 8/2/2016 |
Greece | 1/28/2016 | $116,599 | 45 | 45 | 155 | $484,416 | 6/9/2016 |
Hong Kong | 2/25/2016 | $425,277 | 18 | 24 | 117 | $1,920,039 | 6/9/2016 |
Hungary | 1/28/2016 | $42,069 | 31 | 31 | 114 | $149,477 | 12/31/2018 |
India | 1/15/2016 | $60,157 | 90 | 90 | 90 | $60,157 | 6/9/2016 |
Israel | 1/14/2016 | $46,875 | 16 | 16 | 60 | $133,664 | 12/31/2018 |
Italy | 2/18/2016 | $1,042,906 | 296 | 326 | 1214 | $4,297,674 | 6/9/2016 |
Japan | 3/18/2016 | $426,455 | 67 | 67 | 301 | $2,204,561 | 6/9/2016 |
Lebanon | 1/7/2016 | $8,232 | 4 | 4 | 6 | $19,403 | 12/31/2018 |
Lithuania | 2/2/2016 | $14,062 | 83 | 83 | 85 | $42,396 | 6/9/2016 |
Mexico | 1/15/2016 | $1,308,871 | 280 | 290 | 1350 | $3,786,233 | 6/9/2016 |
Netherlands | 1/14/2016 | $146,664 | 63 | 63 | 360 | $841,380 | 6/9/2016 |
New Zealand | 1/28/2016 | $86,452 | 67 | 69 | 316 | $325,348 | 6/9/2016 |
North America | 11/27/2015 | $187,318 | 4 | 794 | 3,364 | $11,114,018 | 5/12/2022 |
Norway | 2/5/2016 | $65,285 | 73 | 73 | 143 | $257,858 | 6/9/2016 |
Panama | 2/11/2016 | $74,107 | 10 | 10 | 25 | $203,026 | 12/31/2018 |
Peru | 2/18/2016 | $56,964 | 15 | 15 | 48 | $231,040 | 12/31/2018 |
Philippines | 2/3/2016 | $13,762 | 6 | 6 | 6 | $16,899 | 12/31/2018 |
Poland | 1/22/2016 | $66,030 | 69 | 74 | 181 | $241,369 | 12/31/2018 |
Portugal | 12/31/2015 | $114,209 | 29 | 32 | 185 | $601,809 | 6/9/2016 |
Romania | 1/8/2016 | $38,225 | 38 | 38 | 70 | $64,703 | 12/31/2018 |
Russia (CIS) | 1/28/2016 | $97,523 | 200 | 200 | 425 | $239,090 | 12/31/2018 |
Serbia and Montenegro | 3/24/2016 | $0 | 0 | 7 | 9 | $13,855 | 12/31/2018 |
Singapore | 1/7/2016 | $95,122 | 16 | 16 | 60 | $285,456 | 6/9/2016 |
Slovakia | 2/4/2016 | $33,396 | 37 | 37 | 68 | $70,848 | 6/9/2016 |
Slovenia | 1/7/2016 | $9,100 | 9 | 9 | 44 | $39,936 | 6/9/2016 |
South Africa | 1/29/2016 | $9,193 | 7 | 7 | 42 | $45,542 | 6/9/2016 |
South Korea | 2/17/2016 | $244,640 | 246 | 246 | 520 | $879,300 | 6/9/2016 |
Spain | 1/15/2016 | $1,044,966 | 258 | 268 | 1750 | $5,456,253 | 8/2/2016 |
Sweden | 2/5/2016 | $164,411 | 67 | 104 | 896 | $2,516,306 | 6/14/2016 |
Switzerland | 1/7/2016 | $224,652 | 34 | 47 | 287 | $1,245,924 | 6/9/2016 |
Taiwan | 2/12/2016 | $522,783 | 69 | 71 | 333 | $2,148,948 | 6/9/2016 |
Thailand | 2/4/2016 | $98,013 | 29 | 29 | 72 | $299,905 | 6/9/2016 |
Turkey | 2/12/2016 | $46,615 | 43 | 43 | 103 | $171,568 | 12/31/2018 |
Ukraine | 1/21/2016 | $26,706 | 64 | 64 | 125 | $58,224 | 12/31/2018 |
United Arab Emirates | 1/7/2016 | $10 | 1 | 1 | 1 | $10 | 12/31/2018 |
United Kingdom | 1/1/2016 | $2,056,472 | 508 | 545 | 2610 | $10,837,569 | 6/8/2016 |
Uruguay | 2/4/2016 | $2,051 | 7 | 9 | 49 | $70,736 | 12/31/2018 |
Venezuela | 2/26/2016 | $12,479 | 19 | 19 | 52 | $49,200 | 6/9/2016 |
Vietnam | 1/15/2016 | $101,586 | 43 | 46 | 89 | $297,824 | 12/31/2018 |
Rest of World | $2,667,442 | ||||||
Worldwide Total | $67,514,963 | 5/12/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Eddie Redmayne | Lili Elbe |
Alicia Vikander | Gerda |
Supporting Cast
Ben Whishaw | Henrik |
Sebastian Koch | Warnekros |
Amber Heard | Ulla |
Matthias Schoenaerts | Hans |
Tusse Silberg | Older Woman |
Adrian Schiller | Rasmussen |
Emerald Fennell | Elsa |
Henry Pettigrew | Niels |
Claus Bue | Man at Window |
Peter Krag | Stage Doorman |
Angela Curran | Dresser |
Pixie | Hvappe |
Richard Nixon | Fonnesbech |
Pip Torrens | Dr. Hexler |
Paul Bigley | Man in Gallery |
Nancy Crane | Enthusiastic American Woman |
Nicola Sloane | Brothel Madame |
Sonya Cullingford | Striptease Artist |
Clare Fettarappa | Receptionist |
Jake Graf | Henri |
Victoria Emslie | Gallery Employee |
Raphael Acloque | Man in Park 1 |
Alexander Devrient | Man in Park 2 |
Nicholas Woodeson | Dr. Buson |
Philip Arditti | Dr. McBride |
Miltos Yerolemou | Dr. Mai |
Cosima Shaw | Hospital Receptionist |
Sophie Kennedy Clark | Ursula |
Rebecca Root | Nurse |
Issy van Randwyck | Manageress |
Aisha Fabienne Ross | Shop Assistant 1 |
Holly Weston | Shop Assistant 2 |
Eleanor Hafner | Shop Assistant 3 |
Maya Lindh | Shop Assistant 4 |
Rebecca Clay | Scent Customer |
Erich Redman | Concierge |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tom Hooper | Director |
Gail Mutrux | Producer |
Anne Harrison | Producer |
Tim Bevan | Producer |
Eric Fellner | Producer |
Tom Hooper | Producer |
Lucinda Coxon | Screenwriter |
David Ebershoff | Based on the Book by |
Linda Reisman | Executive Producer |
Ulf Israel | Executive Producer |
Kathy Morgan | Executive Producer |
Liza Chasin | Executive Producer |
Jane Robertson | Co-Producer |
Danny Cohen | Director of Photography |
Eve Stewart | Production Designer |
Melanie Ann Oliver | Editor |
Jan Sewell | Make-up, Hair and Prosthetic Designer |
Paco Delgado | Costume Designer |
Alexandre Desplat | Composer |
Nina Gold | Casting Director |
Tore Schmidt | Associate Producer |
Jo Wallett | Production Manager |
Ben Howarth | First Assistant Director |
Grant Armstrong | Supervising Art Director |
Laura Miles | Script Supervisor |
Martin Beresford | Sound Mixer |
Tania Blunden | Post-Production Supervisor |
Matt Skelding | Supervising Sound Editor |
Mike Prestwood Smith | Re-recording Mixer |
Gilbert Lake | Re-recording Mixer |
Tom Weaving | Art Director |
Michael Standish | Set Decorator |
Alex Anstey | First Assistant Editor |
Alex Williams | Second Assistant Editor |
Hannah Walter | Costume Supervisor |
Carmel Jackson | Make up |
Bruno Cassoni | Unit Production Manager |
Alex Darby | Unit Production Manager |
Paul Dimmer | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.