Lithuania Box Office for The Conjuring 2: The Enfield Poltergeist (2016)
Theatrical Performance (US$) | ||
Lithuania Box Office | $206,745 | Details |
Worldwide Box Office | $310,196,332 | Details |
Home Market Performance | ||
North America DVD Sales | $5,358,210 | Details |
North America Blu-ray Sales | $3,861,014 | Details |
Total North America Video Sales | $9,219,224 | |
Further financial details... |
Synopsis
Lorraine and Ed Warren, who, in one of their most terrifying paranormal investigations, travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Lithuania Releases: | June 10th, 2016 (Wide) |
Video Release: | August 30th, 2016 by Warner Home Video |
MPAA Rating: | R for terror and horror violence. (Rating bulletin 2422 (Cert #50358), 4/27/2016) |
Running Time: | 133 minutes |
Franchise: | The Conjuring |
Keywords: | Haunting, Based on an UNTRUE Story, Haunted House, Set in London, Supernatural Horror |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | New Line Cinema, The Safran Company, Atomic Monster, RatPac Entertainment, Dune Vision |
Production Countries: | United States |
Languages: | English |
2016 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets
November 22nd, 2016
It’s Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets, although there aren’t many of the latter to talk about. In fact, the best movie box set of the year includes more TV shows than movies in its running time and I’ve decided to include it in our second part, which deals with TV on DVD releases. There are still a number of big first-run releases this year that are definitely worthy gifts. We are going to start with the biggest domestic hit of the year...
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Home Market Releases for September 13th, 2016
September 12th, 2016
This week, the biggest hit of the year so far, Captain America: Civil War, comes out. It is also one of the best and the Blu-ray is a contender for Pick of the Week. Unfortunately, the screener is late and I don’t like awarding Pick of the Week to a release where I’m still waiting on the Blu-ray. The rest of the contenders are smaller films, including The Bloodstained Butterfly, which arrived late. Part of me wants to give the title to The Transformers: The Movie, but while I plan to buy the Blu-ray, I understand that Nostalgia has a lot to with that. ... Oh what the hell, doing it. The Transformers: The Movie is the Pick of the Week.
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Home Market Releases for August 30th, 2016
August 29th, 2016
We are in the heart of TV on DVD season with a dozen such releases on this week’s list. Unfortunately, while there are a few that are worth picking up, none of them have the extras needed to be Pick of the Week contenders. The biggest release of the week is The Jungle Book, which is one of the biggest hits of the year. I got a chance to review it, so you can compare my opinion to the critics. As for the best of the best, there weren’t a lot to choose from. In the end, I went with The Commitments, which is making its Blu-ray debut this week.
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Thursday Night Previews: Ghosts have a Chance with $3.4 million in Previews
July 15th, 2016
Ghostbusters earned $3.4 million in previews last night, which is ... a number. Unfortunately, there hasn’t been a film like Ghostbusters to come out this summer, so it is hard to judge that figure. For example, The Conjuring 2: The Enfield Poltergeist also pulled in $3.4 million during its previews and just over $40 million during its opening weekend. However, there’s not a lot of crossover between the two films, outside of the ghosts. Perhaps a better comparison is Central Intelligence which is an action / comedy and the “/ comedy” matters. That film earned $1.84 million during its previews and if Ghostbusters has the same multiplier, it will make $66 million. Ghostbusters did have louder buzz, even if a lot of that buzz was the “Feminists ruin everything” crowd whining, but it also has better reviews. On the other hand, Ghostbusters is part of a franchise, which is going to be more front-loaded. How about Independence Day: Resurgence? It’s a long-delayed sequel, so it has that in common. It earned $4 million on debut night, so if Ghostbusters has the same legs, it will make $35 million over the weekend, although the word-of-mouth is much better here. So we have a range of $35 million to $66 million, or almost exactly what we had for our prediction. We have learned nothing. Fortunately, we will have a much better picture this time tomorrow when Friday’s estimates are in.
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Weekend Wrap-Up: It’s No Secret that Life of Pets Will Get a Sequel
July 12th, 2016
As expected, The Secret Life of Pets earned first place on the weekend box office chart. However, almost no one was expecting it to dominate the way that it did with $104.35 million. There are some calling this film the best opening for a non-franchise animation film, but let’s face the facts... Universal started work on two or three sequels as soon as Friday’s Estimates came in. Meanwhile, Mike and Dave Need Wedding Dates has a good opening in the role of counter-programming with $16.63 million. Overall, the box office pulled in $217 million, which was 14% more than last weekend. More importantly, it is 1.3% more than the same weekend last year. Granted, this is lower than ticket price inflation, but since most people assumed the weekend would suffer a serious decline, this should be seen as a major victory. Year-to-date, 2016’s lead over 2015 grew a tiny bit hitting 2.4% at $6.00 billion to $5.86 billion.
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International Box Office: Independence Day gets Tricked out of Top Spot in China
June 30th, 2016
Independence Day: Resurgence started its international run in first place with $102.1 million in 57 markets. That's the good news. That bad news is that its biggest market was China, where it only managed second place with $36.09 million, including previews. In most of the rest of the world, the film did no better than it did here, relative to the size of the market. South Korea helped it out with a first place, $5.45 million opening on 926 screens over the weekend for a total opening of $7.49 million. It opened in second place in the U.K. with $6.91 million in 610 theaters, which is no better than its opening here. The film cost a lot to make, so it needs to do better than this to be seen as a financial hit.
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Weekend Wrap-Up: Dory Defeats Alien Invasion with $72.96 million
June 28th, 2016
As predicted, Finding Dory repeated as the box office champion and came very close to matching our prediction with $72.96 million over the weekend. This is well above Independence Day: Resurgence's opening of $41.04 million. The Shallows was great as a low-budget horror film. The other two films... let's not talk about them. Overall, the box office fell 19% from last weekend to $188 million; however, this is to be expected, given how big Finding Dory opened. The weekend box office was even better than the same weekend last year, albeit by only 2.3%, which is not enough to keep up with inflation. Likewise, the year-over-year comparison is not great either. 2016 still leads 2015, but only by $5.38 billion to $5.31 billion, which is a lead of just 1.2%. Hopefully this weekend's win is a sign of things turning around, but I'm not so sure of that.
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Thursday Night Previews: Independence Day Doesn't Really Surge
June 24th, 2016
Independence Day: Resurgence started its box office run with $4 million during Thursday previews. That's not good. That's twice as much as the $2 million Teenage Mutant Ninja Turtles: Out of the Shadows earned a few weeks ago, but half as much as the $8.2 million X-Men: Apocalypse earned the week before that. It is identical to Mission: Impossible - Rogue Nation, which opened last summer. If you compare its opening to all three films, taking into account Out of the Shadows' younger target audience and Apocalypse's Fanboy nature, then Resurgence will likely opened with between $50 million and $60 million. Hopefully it is performing better internationally.
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International Box Office: Dory Earns $50 Million to Dump Warcraft
June 22nd, 2016
Finding Dory started its international run in first place with $50.0 million in 29 markets. Its biggest market was China, where it earned second place with 18.15 million over the weekend and $18.18 million including previews. This is not a lot of money compared to last week's winner; however, China is not a market that is kind to animated films. Before this year, no animated movie had earned more than $100 million in China and the current record is held by Zootopia at $235.77 million. Zootopia only made $23.99 million during its opening weekend in China, so this isn't a bad start for Finding Dory. Additionally, Finding Dory doubled Zootopia's opening in Australia with $7.63 million on 524 screens. It also performed very well in Argentina ($3.5 million) and in Russia ($3.25 million on 1,220 screens). It is still too early to tell if Finding Dory will top $1 billion worldwide, but this start gives box office watchers a reason to be optimistic.
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Weekend Wrap-Up: Dory Dominates with $135.06 Million, Central is Solid with $35.54 Million
June 21st, 2016
In our prediction column, I said I wanted the top two films to earn a combined total of $150 million to $170 million. Finding Dory's and Central Intelligence's combined opening weekend was $170.60 million. The overall box office was 53% higher than last weekend at $233 million. However, this was still 6.3% lower than the same weekend last year. Finding Dory did do better than either Jurassic World or Inside Out individually, but couldn't compete with their combined totals. 2016 is still ahead of 2015, but its lead was cut by a third at $150 million or 3.1%. That said, 2016 hit $5 billion a week faster than 2015 did and its lead of $5.06 billion to $4.91 billion is still substantial.
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Friday Estimates: Dory Finds Success with $54.95 Million
June 18th, 2016
Finding Dory led the way on Friday with $54.95 million. This is the best opening day for a Pixar film and the best opening day for an animated film. Simply, a fantastic start. Our prediction of $129 million seems woefully inadequate. It is a family-friendly film with 95% positive reviews and a CinemaScore of A, so it should have good legs, meaning a $140 million is the new target. This would also be a record for an animated film and put it in the top twenty opening weekends. If this calculation holds true, then getting to $400 million domestically will be an easy feat. Hitting $500 million isn’t out of the question.
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Weekend Predictions: Will Audience Find Dory? Is Seeing Central Intelligence the Smart Thing to do?
June 16th, 2016
This weekend should be the best weekend in June, led by Finding Dory. Finding Dory should easily be the biggest hit of the month, one of the biggest hits of the year, and the fastest opening film in Pixar's history. On the other hand, Central Intelligence is just hoping for a solid second place opening in its role as counter-programming. If it hits $30 million, then the studio will be very happy. This weekend last year, Jurassic World led the way with $106.59 million, while Inside Out opened in second place with $90.44 million. 2016 is going to lose more ground to 2015. I just hope they keep it close. I will be happy if Finding Dory and Central Intelligence earned a combined $150 million to $170 million.
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International Box Office: Warcraft Crushes Competition in China on way to $185.8 Million Weekend
June 16th, 2016
Warcraft roared into first place with $185.8 million in 52 markets for totals of $261.7 million internationally and 285.9 million worldwide. There are some amazing news to report from over the weekend, but also some bad news. First the positive news. The film broke records in China earning $156.17 million during its five-day opening. That topped the previous record held by Furious 7. Unfortunately, outside of China, its box office run was much closer to its North American debut. For example, it earned second place in South Korea with $4.26 million on 736 screens over the weekend for a total opening of $5.09 million. Because of how much money the film is earning in China and how little of that the studio sees, the film could make $600 million internationally and still struggle to break even.
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Contest: Scared Silly: Winning Announcement
June 15th, 2016
The winners of our Scared Silly contest were determined and the entrants with the closest predictions for The Conjuring 2: The Enfield Poltergeist opening weekend were...
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Theater Averages: Conjuring Comes Out on Top, but De Palma is De Lightful
June 15th, 2016
There were only two films in the $10,000 club on the theater average chart. This includes the overall number one film, The Conjuring 2: The Enfield Poltergeist, which opened with an average of $12,087. The only other film in the $10,000 club was De Palma, which earned an average of $10,118 in three theaters.
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Weekend Wrap-Up: Conjuring Conquers Competition with $40.41 million
June 14th, 2016
As anticipated, The Conjuring 2: The Enfield Poltergeist led the weekend box office with ease pulling in $40.41 million. The second place film, Warcraft, earned 40% less. Now You See Me 2 only managed third place and it will need a lot of help to break even. The overall box office was $152 million, which is 13% more than last weekend. However, it was also more than $100 million less than this weekend last year. Normally a 44% collapse like this only happens when there is a misalignment in holidays. In this case, it's because of Jurassic World. 2016 is still ahead of 2015 by a substantial margin at $4.76 billion to $4.54 billion. 2016's lead is now 4.8%, more than a full percentage point lower than it was this time last week, but hopefully Finding Dory will help prevent a similar descent this week.
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Weekend Estimates: Conjuring Top at Home, Warcraft Dominates in China
June 12th, 2016
This weekend’s box office is a tale of two continents. In North America, The Conjuring 2 is off to a great start, easily winning the weekend with $40.35 million, and averaging over $10,000 per theater. In Asia—China to be specific—Warcraft has made a record-breaking debut. Its domestic prospects look horrible though, with just $24.36 million expected for the weekend.
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Friday Estimates: Sequels Still Struggle, but Conjuring Comes Out on Top with $16.4 million
June 11th, 2016
The Conjuring 2: The Enfield Poltergeist is the only bit of good news to come out of Friday, and even then it was muted. The film earned $16.4 million on Friday, which is enough for first place, but it is also about 3.3% lower than the original’s opening day and sequels really need to open faster than the original. Its outlook for the rest of the weekend is mixed when compared to the first film. Both films earned identical A- CinemaScores, but the sequel’s reviews are weaker and sequels tend to be more front-loaded. Look for an opening weekend of about $38 million. This is a little better than predicted and almost as much as it cost to make. Hopefully it is enough to get to $100 million domestically, because we could use some good news at the box office. Even if it doesn’t quite get to the century mark, as long as it doesn’t completely collapse, it will break even sooner rather than later.
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Thursday Night Previews: Conjuring 2 Re-Capture's Box Office Might with $3.4 million
June 10th, 2016
The Conjuring 2: The Enfield Poltergeist had the best run during Midnight showings earning $3.4 million on Thursday. By comparison, The Conjuring earned $3.3 million during its previews. The Enfield Poltergeist does have a good Tomatometer Score (74% positive), but the Sequel Effect will still be in play and that will limit the film's weekend box office. Look for $35 million, or close to it. This will make it the biggest horror release of 2016 by Sunday, perhaps as early as Saturday.
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Weekend Predictions: Will the New Releases Scare the Industry?
June 9th, 2016
If this weekend is as bad as some fear it will be, it could begin to cause a panic among some studio executives. Two of the three wide releases are sequels and there are some who expect both to fail to match their predecessors by significant margins. If this happens, we will have six sequels failing to match expectations during a four-week stretch. Worse still, there are more than six additional sequels left to open before the end of summer. (Finding Dory seems safe, but the rest could flop as well.) The Conjuring 2: The Enfield Poltergeist should come out on top at the box office, but with less than the original made. Now You See Me 2 will likely continue Lionsgate's losing streak. Meanwhile, Warcraft could do well enough in China to justify a sequel, which is great news, because it will likely bomb here. This weekend last year, Jurassic World opened with $208 million. There's no way the entire box office will make that much this year. 2016 is going to get pummeled in the year-over-year comparison.
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Contest: Turtle Power: Winning Announcement
June 8th, 2016
The winners of our Turtle Power contest were determined and the entrants with the closest predictions for Teenage Mutant Ninja Turtles: Out of the Shadows opening weekend were...
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Contest: Scared Silly
June 3rd, 2016
There are three wide releases coming out next week. The Conjuring 2: The Enfeild Poltergeist is expected to top Now You See Me 2 for top spot. (Warcraft is just hoping to not embarrass itself at this point.) While there is a chance of an upset, The Enfeild Poltergeist has a large enough advantage that I'm confident in making it the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Conjuring 2: The Enfeild Poltergeist.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviews DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are, two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: June
June 1st, 2016
May was great, as long as you don't compare it to last May. Captain America: Civil War was a monster hit and is closing in on $400 million, while both X-Men: Apocalypse and The Angry Birds Movie will earn over $100 million. Looking ahead, every week in June, there is one movie that should top $100 million; however, only Finding Dory is expected to make more than $200 million. In fact, that film is expected to make close to $400 million domestically and over $1 billion worldwide. Last June, there were two monster hits, Inside Out and Jurassic World, plus one $100 million hit, Spy. I don't see how 2016 will top that. Even if every film with a shot at $100 million gets to that milestone, 2016 still might not top last year's pace. Fortunately, 2016 does have a large lead and that could be enough to keep 2016 ahead of 2015's pace in the year-over-year competition. It could be really close at the end of the month, on the other hand.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/06/10 | 2 | $58,730 | 90 | $653 | $62,470 | 1 | |
2016/06/17 | 2 | $25,480 | -57% | 82 | $311 | $127,785 | 2 |
2016/06/24 | 3 | $9,153 | -64% | 67 | $137 | $155,109 | 3 |
2016/07/01 | 6 | $7,725 | -16% | 7 | $1,104 | $183,135 | 4 |
2016/07/08 | 12 | $1,945 | -75% | 3 | $648 | $194,664 | 5 |
2016/07/15 | 13 | $1,885 | -3% | 4 | $471 | $199,366 | 6 |
2016/07/22 | 16 | $1,080 | -43% | 4 | $270 | $198,807 | 7 |
2016/07/29 | 17 | $736 | -32% | 4 | $184 | $203,162 | 8 |
2016/08/05 | 15 | $533 | -28% | 2 | $267 | $202,096 | 9 |
2016/08/12 | 17 | $456 | -14% | 2 | $228 | $204,222 | 10 |
2016/08/19 | 16 | $569 | +25% | 2 | $285 | $208,062 | 11 |
2016/08/26 | 19 | $319 | -44% | 2 | $160 | $206,745 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/10/2016 | $2,600,000 | 0 | 382 | 1195 | $3,894,800 | 1/1/2019 |
Australia | 6/10/2016 | $2,608,699 | 207 | 208 | 999 | $8,341,699 | 10/23/2023 |
Brazil | 6/10/2016 | $3,700,000 | 0 | 629 | 629 | $17,121,024 | 11/16/2018 |
Bulgaria | 6/17/2016 | $15,462 | 0 | 0 | 0 | $70,599 | 2/26/2019 |
Czech Republic | 6/9/2016 | $172,353 | 78 | 78 | 303 | $649,996 | 12/31/2018 |
France | 6/30/2016 | $3,200,000 | 0 | 0 | 0 | $11,312,824 | 8/17/2018 |
Germany | 6/17/2016 | $2,120,000 | 0 | 0 | 0 | $3,500,000 | 8/19/2018 |
India | 6/10/2016 | $0 | 0 | 0 | 0 | $9,200,000 | 6/20/2016 |
Indonesia | 6/10/2016 | $0 | 0 | 0 | 0 | $11,300,000 | 12/20/2018 |
Italy | 6/24/2016 | $1,035,770 | 0 | 0 | 0 | $2,968,101 | 10/20/2022 |
Lithuania | 6/10/2016 | $58,730 | 90 | 90 | 269 | $206,745 | 8/31/2016 |
Mexico | 6/10/2016 | $7,495,808 | 0 | 0 | 0 | $20,300,000 | 8/16/2016 |
Netherlands | 6/10/2016 | $432,623 | 54 | 56 | 390 | $1,986,337 | 8/9/2016 |
New Zealand | 6/10/2016 | $447,090 | 53 | 55 | 295 | $1,606,826 | 9/5/2022 |
North America | 6/10/2016 | $40,406,314 | 3,343 | 3,356 | 14,126 | $102,470,008 | |
Poland | 6/17/2016 | $560,124 | 0 | 0 | 0 | $2,648,144 | 11/17/2018 |
Portugal | 6/10/2016 | $194,017 | 53 | 53 | 252 | $719,946 | 8/31/2016 |
Russia (CIS) | 6/17/2016 | $1,765,586 | 935 | 935 | 2575 | $4,240,306 | 12/31/2018 |
Slovakia | 6/9/2016 | $126,151 | 50 | 50 | 195 | $387,019 | 11/3/2016 |
Slovenia | 6/10/2016 | $16,204 | 13 | 13 | 53 | $71,149 | 8/9/2016 |
South Korea | 6/10/2016 | $4,254 | 0 | 640 | 2509 | $14,127,168 | 6/11/2021 |
Spain | 6/17/2016 | $1,741,493 | 387 | 387 | 2102 | $7,187,819 | 9/8/2016 |
Turkey | 6/10/2016 | $143,997 | 184 | 188 | 647 | $708,297 | 2/26/2019 |
United Kingdom | 6/16/2016 | $6,625,517 | 504 | 510 | 2226 | $15,200,000 | 7/25/2016 |
Rest of World | $69,977,525 | ||||||
Worldwide Total | $310,196,332 | 10/23/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Vera Farmiga | Lorraine Warren |
Patrick Wilson | Ed Warren |
Frances O’Connor | Peggy Hodgson |
Madison Wolfe | Janet Hodgson |
Supporting Cast
Simon McBurney | Maurice Grosse |
Franka Potente | Anita Gregory |
Lauren Esposito | Margaret Hodgson |
Benjamin Haigh | Billy Hodgson |
Patrick McAuley | Johnny Hodgson |
Maria Doyle Kennedy | Peggy Nottingham |
Bob Adrian | Bill Wilkins |
Robin Atkin Downes | Demon Voice |
Bonnie Aarons | Demon Nun |
Javier Botet | Crooked Man |
Steve Coulter | Father Gordon |
Abhi Sinha | Harry Whitmark |
Chris Royds | Graham Morris |
Sterling Jerins | Judy Warren |
Daniel Wolfe | Kent Allen |
Annie Young | Constable Heeps |
Elliot Joseph | Constable Peterson |
Debora Weston | Talk Show Host |
Cory English | Skeptic Kaplan |
Joseph Bishara | Demon |
Emily Tasker | Camilla |
Kate Cook | Mrs. More |
Carol Been | Lollipop Woman |
Shannon Kook | Drew |
Holly Hayes | Audience Member |
Lance C. Fuller | Audience Member |
Thomas Harrison | Peter |
Jennifer Collins | Louise Defeo |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James Wan | Director |
Peter Safran | Producer |
Rob Cowan | Producer |
James Wan | Producer |
James Wan | Screenwriter |
Chad Hayes | Screenwriter |
Carey W. Hayes* | Screenwriter |
David Leslie Johnson | Screenwriter |
Chad Hayes | Story by |
Carey W. Hayes* | Story by |
James Wan | Story by |
Toby Emmerich | Executive Producer |
Richard Brener | Executive Producer |
Walter Hamada | Executive Producer |
Dave Neustadter | Executive Producer |
Don Burgess | Director of Photography |
Julie Berghoff | Production Designer |
Kirk Morri | Editor |
Dana Sano | Music Supervisor |
Joseph Bishara | Composer |
Ariel Velasco Shaw | Visual Effects Supervisor |
Anne McCarthy | Casting Director |
Kellie Roy | Casting Director |
Rose Wicksteed | Casting Director |
Kristin M. Burke | Costume Designer |
Jenny Hinkey | Unit Production Manager |
Albert Cho | First Assistant Director |
Conte Matal | Second Assistant Director |
A. Todd Holland | Art Director |
Sophie Neudorfer | Set Decorator |
William Kaplan* | Sound Mixer |
Darin Read | Post-Production Supervisor |
Liz Calandrello | First Assistant Editor |
Todd Zongker | First Assistant Editor |
Joe Dzuban | Supervising Sound Editor |
Gregg Landaker | Re-recording Mixer |
Steve Maslow | Re-recording Mixer |
Peter Staubli | Sound Effects Editor |
Eliot Connors | Sound Effects Editor |
Charlie Campagna | Sound Effects Editor |
Lauren Hadaway | Supervising Dialogue Editor |
Justin Dzuban | Dialogue Editor |
Lise Richardson | Music Editor |
Julie Pearce | Music Editor |
Curtis Collins | Location Manager |
Jody Blose | Script Supervisor |
Sandy Kenyon | Costume Supervisor |
Eleanor Sabaduquia | Make up |
Yoko Nobushi | Make up |
Shimmy Osman | Hairstylist |
Tuen Osman | Hairstylist |
John Bruce | Set Designer |
David Moreau | Set Designer |
Richard Jacobs | Special Effects |
Bart Barber | Special Effects |
Chris Bailey | Special Effects |
Frank Balzer | Special Effects |
Mark Caplan | Special Effects |
Michael McCooey | Special Effects |
Robert Clot | Special Effects |
Matt Kutcher | Special Effects |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.