Mexico Box Office for Compadres (2016)
Theatrical Performance (US$) | ||
Mexico Box Office | $4,220,573 | Details |
Worldwide Box Office | $7,445,044 | Details |
Home Market Performance | ||
North America DVD Sales | $117,191 | Details |
Total North America Video Sales | $117,191 | |
Further financial details... |
Synopsis
After being released from prison, former Mexican cop Garza seeks revenge on Santos. Santos has kidnapped his girlfriend Maria and framed him for a crime he didn’t commit. With the help of his former boss Coronado, Garza manages to escape with a tip about how to find Santos which leads him to San Diego in search of an “accountant.” This said accountant is responsible for stealing $10 million dollars from Santos and may know Santos’ whereabouts. When Garza arrives, he is shocked to find that the infamous accountant is a 17 year old American computer hacker named Vic. Despite an immediate disdain for each other, these two divided by culture, language and age, realize that Garza’s low tech brain and Vic’s high tech hacker skills may be their only chance at finding Santos before he finds them.
Metrics
Movie Details
Production Budget: | $3,000,000 |
Mexico Releases: | March 31st, 2016 (Wide) |
Video Release: | September 6th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | R for violence and language. (Rating bulletin 2421 (Cert #50413), 4/20/2016) |
Running Time: | 110 minutes |
Keywords: | Hispanic, Revenge, Fired, Framed, Hackers, Gangs, Action Comedy, Kidnap, Life on the Outside, Police Detective, Buddy Cop |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Pantelion Films, Lionsgate, Televisa Cine, Draco Films |
Production Countries: | Mexico, United States |
Languages: | English, Spanish |
Theater Averages: Weiner Wins Weekend Race with $16,835
May 25th, 2016
Weiner earned first place on the theater average chart, which is terrible news for me, because there are so many immature puns that I want to be using right now. The film earned an average of $16,835 in five theaters, which is fantastic for a documentary. The Lobster was right behind with an average of $16,212 in 24 theaters during its second week of release. The film has already hit $1 million in total and has plenty of room to grow. Maggie's Plan was next with an average of $12,662 in five theaters. It has a shot at expanding significantly, but it likely won't expand truly wide. Love and Friendship remained in the $10,000 club with an average of $11,911. Its better than expected theatrical run appears to have pushed back its VOD release.
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Theater Averages: Fang has Teeth with $14,506
May 3rd, 2016
The Family Fang led the way on the theater average chart with $14,506 in one theater. This is the last time we will talk about this film's box office numbers, because it opens on VOD this Friday, thus ending its chances of box office success. Then again, clearly VOD is more important to a limited release than the theatrical box office is. The Man Who Knew Infinity was next with an average of $13,388 in six theaters. That's good, but likely not good enough to expand significantly. Eva Hesse was playing in just one theater earning $12,780 over the weekend and $17,912 from Wednesday through Sunday. The Jungle Book made the $10,000 club for the third weekend in a row with an average of $10,818.
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Theater Averages: The Jungle Book Meddles with the Limited Releases
April 26th, 2016
It wasn't a great week for new limited releases, which left a holdover / wide release on top of the theater average chart. The Jungle Book led the way with an average of $15,278. The only other film in the $10,000 was The Meddler, which opened with an average of $14,256 in four theaters.
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Weekend Wrap-Up: Jungle Sets 2016 Sophomore Record with $61.54 Million
April 26th, 2016
Both The Jungle Book and The Huntsman: Winter's War were a little weaker than predicted over the weekend. The Jungle Book was still able to earn the biggest sophomore weekend of 2016 at $61.54 million. For The Huntsman: Winter's War, it was a disappointing $19.45 million. Overall, the box office fell 28% to $128 million. However, this was still 32% more than the same weekend last year. Unfortunately, next weekend is going to be damn awful in the year-over-year comparison, because of a misalignment in the weekend. Year-to-date, 2016 has earned $3.37 million, putting it ahead of last year's pace by 8.5% or $260 million.
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Weekend Estimates: Jungle Book Brushes Off Huntsman
April 24th, 2016
What in theory should have been a battle at the box office has turned into a rout this weekend, with The Jungle Book set to earn $60 million, according to Disney’s Sunday morning estimate, and The Huntsman: Winter’s War limping into second place with $20.1 million, per Universal.
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Friday Estimates: Jungle Preys on the Huntsman with a $16.38 Million Friday
April 23rd, 2016
The Jungle Book remained the top draw on Friday with $16.38 million, which was more than twice as much as The Huntsman: Winter’s War opened with. With its reviews and family-friendly nature, Saturday will be even better for Jungle Book, and it should top $60 million over the weekend. That’s a great sophomore weekend, even if it is below our prediction of $65 million. It also won’t quite take the film past $200 million by the end of the weekend, but it will be close enough that Disney will be able to celebrate that milestone shortly.
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Limited and VOD Releases: Plenty of Tales that Need to be Told
April 22nd, 2016
There are several limited releases on this week's list, including three that have a shot at earning a spot in the top ten. However, the best-reviewed releases are among the smaller releases: Tale of Tales and The Meddler included. However, if you don't want to go out, Holidays is good bet on Video on Demand.
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Weekend Predictions: Will Jungle Leave Huntsman Out in the Cold?
April 21st, 2016
It's a bad week for new releases, as The Jungle Book is widely expected to dominate the box office. The only truly wide release is The Huntsman: Winter's War, but its reviews are simply terrible. There are also three films opening in select theaters and one of them should earn a spot in the top ten. They only need a little more than $1 million to do so. This weekend last year, the only true wide release was The Age of Adaline, which opened with $13 million on its way to becoming a midlevel hit. The Huntsman could double that opening, but it won't have the same legs.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/04/01 | 2 | $1,693,999 | 0 | $1,991,201 | 1 | ||
2016/04/08 | 5 | $753,791 | -56% | 0 | $3,524,276 | 2 | |
2016/04/15 | 8 | $270,768 | -64% | 0 | $4,220,573 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Central America | 4/7/2016 | $0 | 0 | 6 | 6 | $27,805 | 4/19/2016 |
Mexico | 3/31/2016 | $1,693,999 | 0 | 0 | 0 | $4,220,573 | 6/9/2016 |
North America | 4/22/2016 | $1,397,434 | 368 | 368 | 1,157 | $3,127,773 | |
Rest of World | $68,893 | ||||||
Worldwide Total | $7,445,044 | 6/9/2016 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Omar Chaparro | Diego Garza |
Joey Morgan | Vic |
Supporting Cast
Eric Roberts | Dalton |
Kevin Pollak | Banker |
Erick Elias | Santos |
Aislinn Derbez | María |
Hector Jimenez | Guasa |
Mauricio Barrientos | Porky |
Camila Sodi | Emilia |
Jose Sefami | Coronado |
Cameos
Joaquin Cosio | Gaspar |
Adrian Uribe | Guardia Fronterizo |
Espinoza Paz | Waldo |
Iran Castillo | Comadre |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Enrique Begne | Director |
Francisco Gonzalez Compean* | Producer |
Ted Perkins | Screenwriter |
Gabriel Ripstein | Screenwriter |
Enrique Begne | Screenwriter |
Ben Odell | Executive Producer |
Jose Nacif | Producer |
J. Fernando Perez Gavilan E. | Associate Producer |
Omar Chaparro | Associate Producer |
Auri Maruri | Co-Producer |
Tita Lombardo | Line Producer |
Federico Barbabosa | Director of Photography |
Miguel Angel Alvarez | Production Designer |
Jorge Macaya | Editor |
Joan Valent | Composer |
Martin Hernandez | Sound Supervisor |
Martin Hernandez | Sound Designer |
Lynn Fainchtein | Music Supervisor |
Lynn Fainchtein | Music Producer |
Raul Prado | Visual Effects Supervisor |
Carlos Morales | Post-Production Supervisor |
Vanessa Hernandez | Post-Production Supervisor |
Adela Cortazar | Costume Designer |
Isabel Menchaca | Casting Director |