Spain Box Office for Persecucion al limite (2016)
Theatrical Performance (US$) | ||
Spain Box Office | $34,583 | Details |
Worldwide Box Office | $5,466,698 | Details |
Further financial details... |
Synopsis
After a heist goes terribly wrong, Casey Stein finds himself on the run from a ruthless gang headed by mob boss Hagen. Now Casey has precious cargo that belongs to Hagen, who will stop at nothing to retrieve it. Left with no choice, Casey calls his former employer and drug smuggler Geran to protect his long-time girlfriend Juliette before Hagen gets his hands on her. Casey sets out on an adrenaline-fueled car chase on the German highways to save the love of his life before it’s too late.
Metrics
Movie Details
Production Budget: | $29,200,000 |
Spain Releases: | July 20th, 2018 (Wide), released as Persecucion al limite |
Video Release: | May 16th, 2017 by Universal Home Entertainment |
MPAA Rating: | PG-13 for violence, frenetic action, some sexuality, language, and drug material. (Rating bulletin 2403 (Cert #49918), 12/9/2015) |
Running Time: | 99 minutes |
Keywords: | Heist, Fugitive / On the Run, Organized Crime, Narcotics, Smuggler, Medical and Hospitals, Development Hell, Delayed Release, Crime Thriller |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Sycamore Pictures, Automatik, DMG Entertainment, Silver Pictures, Autobahn Film Gmbh |
Production Countries: | United Kingdom |
Languages: | English |
Home Market Releases for May 30th, 2017
May 29th, 2017
Last week was amazing for this time of year with three top-tier releases. This week, the best first-run release is Before I Fall, which deserves to be seen by more, but there are no extras, so it is not a Pick of the Week contender. The actual contenders are limited to The Blackcoat’s Daughter and Ghost World: The Criterion Collection. It isn’t close as to which one comes out on top.
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Home Market Releases for May 16th, 2017
May 16th, 2017
It is another terrible week on the home market. There are three first-run releases coming out this week, which isn’t a bad number. However, all three earned terrible reviews and bombed in theaters, so you should avoid all of them. There’s not a lot of limited releases, classics, or TV on DVD releases to make up the gap, so for the second week in a row, we have a Video on Demand release topping the list of best new releases. This week it is Logan, which is one of the best wide releases of the year. I would wait for the Blu-ray, on the other hand.
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Weekend Wrap-Up: Get Out has Out of Control Opening with $33.38 million
February 28th, 2017
Get Out beat expectations on the weekend box office chart earning first place with $33.38 million. Not only did it beat expectations, but it also had better than expected legs over the weekend and that bodes well for its long term success. Neither of the other two wide releases, Collide and Rock Dog, earned a spot in the top ten. Both will disappear from theaters A.S.A.P. Overall, the box office fell 17% from last weekend to $123 million. It is, however, 9.9% higher than the same weekend last year. Meanwhile, 2017 remains $100 million behind last year’s pace at $1.69 billion to $1.79 billion. 2017 made gains over the weekend, but The Lego Batman Movie was the number one movie during the midweek and having a kids movie on top hurts the weekday box office numbers.
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Weekend Estimates: Get Out Pulls Off Huge Win
February 26th, 2017
If you took a bet a year ago that the Oscar weekend box office would be dominated by a movie with an A- CinemaScore, and a score of 100% on Rotten Tomatoes, you probably wouldn’t get great odds. If you’d included the stipulation that the film would be a horror movie written and directed by Jordan Peele, your winnings would set you up for retirement. For that is what we have this morning: Get Out will easily top the chart this weekend, with Universal estimating a weekend around $30.5 million.
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Friday Estimates: Get Out Gets off to a Fast Start with $10.8 million
February 25th, 2017
As expected, Get Out earned first place on the Friday box office chart with $10.8 million. This a little higher than originally predicted, but not quite up to the heights that seemed possible after Thursday’s $1.8 million in previews. The film’s Tomatometer Score remains 100% positive, although I did see that Armond White gave the film a negative review. I didn’t realize he still wrote reviews. His reputation is so bad that a negative review from him is something to cherish. Furthermore, it earned an A minus from CinemaScore, which is stunning for a horror film. Even a B plus is great for a horror film. Look for $28 million over the weekend and an easy first place finish.
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Thursday Night Previews: Get Out Starts Out on Top with $1.8 million
February 24th, 2017
Get Out opened with $1.8 million during its midnight previews. This isn’t the best previews we’ve seen this year, but it is near the top. For example, it is just 10% lower than Split managed in January and only three other films topped $2 million during previews. The film’s 100% positive reviews should certainly help the film’s legs over the weekend and that’s great news for the studio. In fact, there are some who think it will earn more than $35 million over the weekend. That’s a little too bullish for my tastes, but I can’t entirely dismiss those predictions. Opening with just over $30 million, on the other hand, now feels more likely. Since the film only cost $5 million to make, it could earn more over the opening weekend than it cost to make and advertise.
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Weekend Predictions: Will Moviegoers Get Out to the Theater This Weekend?
February 23rd, 2017
There are three films opening wide this weekend, which is a surprise. The buzz for Collide and Rock Dog are so quiet that I’m surprised they are playing in more than 2,000 theaters and I will be equally surprised if they open above the Mendoza Line by averaging more than $2,000 per theater. On the other hand, Get Out has nearly 100 reviews and its Tomatometer Score is 100% positive. It could be a surprise smash hit. Then again... It could be another Keanu. If that happens, The Lego Batman Movie will earn its third first-place finish in a row. That’s would be bad news for the overall box office. This weekend last year there were a similar selection of new releases. Gods of Egypt struggled while the other two new releases bombed, and only Deadpool saved the box office. If Get Out matches Deadpool’s total weekend of $31 million this time last year, I will be so happy. I don’t think it will happen, but it could be close.
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Contest: Straight Outta Suburbia
February 17th, 2017
Surprisingly, there are three wide releases next week. I wasn’t expecting both Collide and Rock Dog to debut in more than 2,000 theaters, but that appears to be the case. That said, Get Out is widely expected to be the biggest of these three releases and as such, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Get Out.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2017 Preview: February
February 1st, 2017
January turned out to be a good month. Granted, it didn’t live up to last January, but its box office was one of the top five Januarys of all time, so that’s still a good start to the year. Also, we will have our first $100 million movie released in 2017 and that doesn’t happen this early very often. As for February, there’s potentially the first $200 million hit of the year, The Lego Batman Movie. Fifty Shades Darker and The Great Wall both have a shot at $100 million. That said, it is more likely that both will miss that milestone than both will get there. As for the rest of the films, there are a few that are aiming for solid midlevel hits, like John Wick: Chapter Two and Get Out, while there are very few potential bombs. By comparison, last February there was one monster hit, Deadpool, and a lot of bombs. No other movie besides Deadpool made $50 million. No movie opening this month will match Deadpool, but we won’t have as many bombs either, so hopefully that will balance out and 2017 won’t fall further behind 2016.
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Collide Trailer
January 19th, 2017
Thriller starring Nicholas Hoult, Felicity Jones, Ben Kingsley and Anthony Hopkins opens February 24 ... Full Movie Details.
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Contest: Look Alive
March 25th, 2016
At one time, there were three films scheduled to open wide next week. However, Collide has been pushed back to the fall and Amityville: The Awakening's release has been pushed back to January of next year. This leaves only one real choice for the target film in this week's Box Office Prediction contest. ... oh no! God's Not Dead 2, a faith-based film. Faith-based films are notoriously difficult to predict, so entrants will have a difficult time getting this right. On the other hand, it means you could use a random number generator and have just as good of a shot of winning as someone who spends the next seven days researching the film. In order to win, one must simply predict the opening weekend box office number for God's Not Dead 2.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Casual: Season One on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Casual: Season One on DVD.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a copy of Casual: Season One on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/07/20 | 16 | $34,583 | 54 | $640 | $34,583 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Bulgaria | 8/26/2016 | $9,799 | 0 | 0 | 0 | $49,307 | 2/26/2019 |
China | 12/2/2016 | $1,770,000 | 10415 | 10415 | 10415 | $2,221,106 | 8/27/2018 |
Italy | 2/17/2017 | $240,198 | 0 | 0 | 0 | $337,018 | 2/28/2017 |
Lithuania | 3/3/2017 | $10,399 | 59 | 59 | 68 | $17,279 | 3/21/2017 |
Mexico | 5/5/2017 | $113,134 | 0 | 0 | 0 | $113,134 | 5/9/2017 |
North America | 2/24/2017 | $1,512,824 | 2,045 | 2,045 | 3,047 | $2,280,004 | |
Portugal | 9/30/2016 | $19,851 | 12 | 27 | 77 | $99,269 | 4/14/2017 |
Russia (CIS) | 3/3/2017 | $22,214 | 0 | 0 | 0 | $95,944 | 1/1/2019 |
Slovenia | 3/17/2017 | $1,231 | 5 | 5 | 5 | $1,687 | 3/23/2017 |
South Korea | 3/22/2017 | $80,078 | 153 | 153 | 213 | $171,989 | 6/30/2017 |
Spain | 7/20/2018 | $34,583 | 54 | 54 | 54 | $34,583 | 8/14/2018 |
Turkey | 3/24/2017 | $20,903 | 59 | 59 | 81 | $45,378 | 2/26/2019 |
Worldwide Total | $5,466,698 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Nicholas Hoult | Casey |
Felicity Jones | Juliette |
Supporting Cast
Ben Kingsley | Geran |
Anthony Hopkins | Hagen Kahl |
Marwan Kenzari | Matthias |
Nadia Hilker | Rowena |
Clemens Schick | Mirko |
Christian Rubeck | Kye |
Aleksandar Jovanovic | Jonas |
Johnny Palmiero | Fitch |
Michael Epp | Karl |
Markus Klauk | Talaz |
Cherin West | Prostitute |
Sandra Steinbach | Waitress |
Joachim Krol | Wolfgang |
Svenja Kleinfeld | Stockbroker’s Wife |
Johny Mathew | Dancer |
Ben Hecker | Gas Station Clerk |
Josh Gotto | Truck Driver |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Eran Creevy | Director |
Eran Creevy | Screenwriter |
F. Scott Frazier | Screenwriter |
F. Scott Frazier | Story by |
Joel Silver | Producer |
Ben Pugh | Producer |
Rory Aitken | Producer |
Brian Kavanaugh-Jones | Producer |
Daniel Hetzer | Producer |
Stuart Ford | Executive Producer |
Matt Jackson | Executive Producer |
Steve Squillante | Executive Producer |
Rick Jackson | Executive Producer |
Ben Nearn | Executive Producer |
Tom Rice | Executive Producer |
Dan Mintz | Executive Producer |
Wu Bing | Executive Producer |
Peter Xiao | Executive Producer |
Chris Fenton | Executive Producer |
Chris Cowles | Executive Producer |
Hermann Joha | Executive Producer |
Kay Niessen | Executive Producer |
Steve Richards | Executive Producer |
Ali Cook | Executive Producer |
Aaron Auch | Co-Producer |
Ethan Erwin | Co-Producer |
F. Scott Frazier | Co-Executive Producer |
Ed Wild | Director of Photography |
Chris Gill | Editor |
Marese Langan | Make-up and Hair Designer |
Sharon Gilham | Costume Designer |
David Schulhof | Music Supervisor |
Ian Neil | Music Supervisor |
Iain Cooke | Music Supervisor |
Sasha Robertson | Casting Director |