Australia Box Office for Climax (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $69,222 | Details |
Worldwide Box Office | $1,905,109 | Details |
Further financial details... |
Synopsis
A trippy horror-musical featuring twenty sensuous dancers partying hard and living their best lives, until a bad batch of sangria plunges them into insanity.
Metrics
Movie Details
Australia Releases: | December 7th, 2018 (Wide) |
Video Release: | May 7th, 2019 by A24 |
MPAA Rating: | R for disturbing content involving a combination of drug use, violent behavior and strong sexuality, and for language and some graphic nudity. (Rating bulletin 2536 (Cert #51704), 7/18/2018) |
Running Time: | 95 minutes |
Keywords: | 1990s, Dancing, Abandoned Location, Narcotics, Psychological Horror |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Les Cinemas de la Zone, Artemis Prods, Vice Studios |
Production Countries: | France |
Languages: | French |
Home Market Releases for May 28th, 2019
May 28th, 2019
We are back to normal on the home market for a summer week. That is to say, there’s almost nothing to talk about. The biggest physical release of the week is Outlander: Season Four. The show’s reviews have slipped a little, but they are still earning amazing reviews. However, it airs on Starz, so most people have never seen it and I don’t think it is a good idea to jump into the show in season four. Greta is the next biggest physical release, but it is not Pick of the Week material. That leaves How to Train Your Dragon: The Hidden World, which came out last week, but the screener arrived late. And of course Captain Marvel, which is coming out on VOD this week. So the choice for Pick of the Week is down to a movie I already awarded the title to and a movie that isn’t out on DVD / Blu-ray this week. It’s a tough call, but in the end, I went with How to Train Your Dragon: The Hidden World. Captain Marvel will have another chance when it comes out on Blu-ray.
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Home Market Releases for May 7th, 2019
May 8th, 2019
It is yet another slow week on the home market with very few first-run releases of note. There are three contenders for Pick of the Week: Better Call Saul: Season 4, The LEGO Movie 2: The Second Part on 4K Ultra HD, and My Hero Academia: Season Three, Part One. It is too close to call, so I’m declaring a three-way tie.
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Theater Averages: Climactic Results Over the Weekend
March 7th, 2019
It was a really busy week on the Theater Average Chart with a ton of films to talk about, including six films in the $10,000 club. This list was led by Climax with an average of $23,885 in five theaters. Transit was next with an average of $15,966 in two theaters. Giant Little Ones and Apollo 11 had nearly identical averages of $13,500 and $13,392 respectively, but were playing in vastly different number of theaters at 1 and 120 respectively. Furie was a surprise entry in the $10,000 club with an average of $11,151 in 14 theaters. There was only one wide release in the $10,000 club, as Tyler Perry’s A Madea Family Funeral earned an average of $11,082.
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Weekend Estimates: Dragons Stay Afloat, Medea Ends on a High Note
March 3rd, 2019
According to estimates, How to Train Your Dragon: The Hidden World really bounced back on Saturday and its Sunday number will help it earn first place over the weekend with $30.05 million. This is lower than predictions and a sophomore decline of 48% is a little steep for a family film. That said, the film is nearly at $100 million domestically after just 10 days and its worldwide total is at $375 million, again according to estimates. The film opened in first place in China with $33.38 million in approximately 10,000 locations. The film’s only remaining major market is Japan, but it doesn’t open there until August. In the meantime, the film should have little trouble getting to $500 million worldwide before then.
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Limited and VOD Releases: Climactic Change in Pace
March 1st, 2019
After two weeks of almost no releases, there are nearly 30 limited releases coming out this week. However, it’s a case of quantity above quality, for the most part, as the majority of films have no or almost no reviews. That said, the majority of films with a substantial number of reviews are earning overwhelmingly positive reviews. Some of these films, like Climax and Apollo 11, are even earning a combination of amazing reviews and loud buzz. Hopefully this means we will have some hits on this week’s list and the competition won’t sink everyone’s chances.
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Limited and VOD Releases: Old Man and the Limited Release
September 27th, 2018
Robert Redford’s swan song, The Old Man and the Gun, leads a group of limited releases this week. It should be the biggest hit on this week’s list and could even become an Awards Season contender. Bad Reputation could also open really well, for a documentary.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/12/07 | - | $7,586 | 5 | $1,517 | $7,586 | 1 | |
2018/12/14 | - | $4,093 | -46% | 5 | $819 | $17,150 | 2 |
2018/12/21 | - | $3,133 | -23% | 6 | $522 | $23,262 | 3 |
2018/12/28 | - | $1,524 | -51% | 2 | $762 | $25,616 | 4 |
2019/01/04 | - | $1,093 | -28% | 2 | $547 | $27,617 | 5 |
2019/01/11 | - | $909 | -17% | 2 | $455 | $29,133 | 6 |
2019/03/01 | - | $1,004 | 4 | $251 | $32,897 | 13 | |
2021/07/30 | - | $309 | 1 | $309 | $77,876 | 139 | |
2022/09/30 | - | $1,026 | 1 | $1,026 | $69,222 | 200 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/7/2018 | $7,586 | 5 | 6 | 28 | $69,222 | 10/22/2022 |
Czech Republic | 11/2/2018 | $8,726 | 29 | 29 | 34 | $34,929 | 1/1/2019 |
France | 9/21/2018 | $164,256 | 0 | 0 | 0 | $292,142 | 10/9/2018 |
Italy | 6/13/2019 | $12,725 | 0 | 34 | 34 | $25,660 | 10/19/2022 |
Lithuania | 1/18/2019 | $6,465 | 35 | 35 | 57 | $15,051 | 3/5/2019 |
Netherlands | 2/1/2019 | $29,871 | 33 | 33 | 62 | $65,389 | 2/12/2019 |
North America | 3/1/2019 | $146,756 | 5 | 217 | 413 | $817,339 | |
Portugal | 2/8/2019 | $1,267 | 3 | 3 | 6 | $3,665 | 2/28/2019 |
Russia (CIS) | 10/11/2018 | $98,396 | 229 | 229 | 610 | $378,526 | 2/12/2019 |
Slovakia | 11/9/2018 | $1,899 | 12 | 12 | 12 | $2,194 | 11/13/2018 |
Spain | 10/12/2018 | $22,048 | 25 | 25 | 50 | $71,827 | 10/25/2018 |
Turkey | 11/2/2018 | $12,326 | 30 | 33 | 164 | $90,205 | 2/26/2019 |
United Kingdom | 9/21/2018 | $38,960 | 31 | 31 | 31 | $38,960 | 9/26/2018 |
Worldwide Total | $1,905,109 | 10/22/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Gaspar Noe | Director |
Gaspar Noe | Screenwriter |
Edouard Weil | Producer |
Vincent Maraval | Producer |
Richard Grandpierre | Producer |
Michel Merkt | Producer |
Danny Gabai | Executive Producer |
Eddy Moretti | Executive Producer |
Denis Bedlow | Editor |
Gaspar Noe | Editor |
Benoît Debie | Director of Photography |