Jordan Box Office for Charlie’s Angels (2019)
.jpg)
| Theatrical Performance (US$) | ||
| Jordan Box Office | $60,984 | Details |
| Worldwide Box Office | $73,235,048 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,156,170 | Details |
| North America Blu-ray Sales | $1,445,492 | Details |
| Total North America Video Sales | $2,601,662 | |
| Further financial details... | ||
Synopsis
The Angels are working for the mysterious Charles Townsend, whose security and investigative agency has expanded internationally. With the world’s smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere.
Metrics
Movie Details
| Production Budget: | $48,000,000 |
| Jordan Releases: | November 14th, 2019 (Wide) |
| Video Release: | February 18th, 2020 by Sony Pictures Home Entertainment April 6th, 2020 by Sony Pictures |
| MPAA Rating: | PG-13 for action/violence, language and some suggestive material. (Rating bulletin 2596 (Cert #51938), 9/18/2019) |
| Running Time: | 119 minutes |
| Franchise: | Charlie's Angels |
| Keywords: | Reboot, Kidnap, Delayed Sequel, Special Ops, Corporate Malfeasance, Action Comedy, Whistleblowers, Scene in End Credits |
| Source: | Based on TV |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 2.0 Entertainment, Brownstone, Cantillon Company, Columbia Pictures, Perfect World Pictures |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/11/15 | - | $26,148 | 6 | $4,358 | $26,149 | 1 | |
| 2019/11/22 | - | $10,123 | -61% | 6 | $1,687 | $46,083 | 2 |
| 2019/11/29 | - | $5,662 | -44% | 5 | $1,132 | $56,984 | 3 |
| 2019/12/06 | - | $1,615 | -71% | 3 | $538 | $60,984 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 11/28/2019 | $67,294 | 109 | 109 | 245 | $145,526 | 12/31/2019 |
| Aruba | 11/14/2019 | $0 | 0 | 5 | 6 | $8,614 | 12/4/2019 |
| Australia | 11/15/2019 | $1,148,899 | 390 | 390 | 1416 | $3,404,228 | 1/29/2020 |
| Austria | 1/2/2020 | $167,044 | 68 | 69 | 285 | $492,198 | 2/12/2020 |
| Bahrain | 11/14/2019 | $70,688 | 12 | 12 | 25 | $133,572 | 12/18/2019 |
| Belgium | 12/25/2019 | $210,158 | 54 | 54 | 193 | $577,028 | 2/4/2020 |
| Bolivia | 1/2/2020 | $22,068 | 18 | 18 | 31 | $49,842 | 1/22/2020 |
| Brazil | 11/14/2019 | $738,708 | 650 | 650 | 1603 | $1,685,265 | 10/19/2022 |
| Cambodia | 11/15/2019 | $40,119 | 83 | 83 | 170 | $74,076 | 12/18/2019 |
| Central America | 1/1/2020 | $179,100 | 160 | 160 | 309 | $504,944 | 1/29/2020 |
| Chile | 1/2/2020 | $37,021 | 47 | 47 | 53 | $54,443 | 1/15/2020 |
| China | 11/14/2019 | $8,610,000 | 77884 | 77884 | 91014 | $10,800,219 | 12/10/2019 |
| Colombia | 1/9/2020 | $207,927 | 185 | 185 | 252 | $359,586 | 1/29/2020 |
| Curacao | 11/14/2019 | $3,614 | 6 | 6 | 12 | $8,479 | 12/11/2019 |
| Dominican Republic | 1/2/2020 | $25,110 | 32 | 32 | 62 | $57,789 | 2/5/2020 |
| East Africa | 11/14/2019 | $5,762 | 4 | 4 | 19 | $15,227 | 1/8/2020 |
| Ecuador | 1/10/2020 | $95,078 | 46 | 46 | 167 | $250,337 | 2/12/2020 |
| Egypt | 11/14/2019 | $52,346 | 34 | 34 | 108 | $156,354 | 12/27/2019 |
| Estonia | 11/15/2019 | $25,109 | 20 | 20 | 51 | $73,011 | 12/31/2019 |
| France | 12/25/2019 | $746,823 | 271 | 280 | 1086 | $1,691,961 | 2/5/2020 |
| Germany | 1/2/2020 | $600,792 | 224 | 251 | 865 | $1,348,880 | 3/11/2020 |
| Greece | 11/21/2019 | $50,018 | 65 | 65 | 99 | $98,329 | 12/18/2019 |
| Hong Kong | 11/14/2019 | $244,687 | 111 | 111 | 211 | $455,435 | 12/18/2019 |
| Hungary | 11/28/2019 | $60,354 | 57 | 60 | 156 | $118,518 | 10/19/2022 |
| India | 11/15/2019 | $231,616 | 875 | 875 | 892 | $336,008 | 11/27/2019 |
| Indonesia | 11/13/2019 | $2,875,361 | 1122 | 1122 | 2574 | $4,799,167 | 12/18/2019 |
| Iraq | 11/14/2019 | $11,603 | 8 | 8 | 23 | $34,559 | 12/10/2019 |
| Israel | 11/14/2019 | $161,673 | 31 | 32 | 175 | $513,427 | 10/19/2022 |
| Italy | 3/12/2020 | $0 | 0 | 0 | 0 | $12,687 | 10/19/2022 |
| Jamaica | 11/13/2019 | $15,106 | 6 | 6 | 7 | $33,830 | 12/4/2019 |
| Japan | 2/21/2020 | $495,659 | 306 | 306 | 1225 | $2,057,250 | 3/24/2020 |
| Jordan | 11/14/2019 | $26,148 | 6 | 6 | 20 | $60,984 | 12/10/2019 |
| Kenya | 11/15/2019 | $17,375 | 21 | 23 | 72 | $53,449 | 1/15/2020 |
| Kuwait | 11/14/2019 | $156,877 | 30 | 30 | 43 | $261,215 | 12/10/2019 |
| Latvia | 11/22/2019 | $10,004 | 9 | 9 | 21 | $27,263 | 12/18/2019 |
| Lebanon | 11/14/2019 | $43,033 | 20 | 20 | 54 | $105,485 | 12/27/2019 |
| Lithuania | 11/15/2019 | $13,236 | 14 | 14 | 22 | $22,312 | 10/19/2022 |
| Malaysia | 11/14/2019 | $666,222 | 370 | 370 | 873 | $1,400,093 | 1/8/2020 |
| Mexico | 1/1/2020 | $1,298,701 | 0 | 561 | 717 | $4,132,466 | 10/19/2022 |
| Middle East Region | 11/14/2019 | $449,806 | 11 | 11 | 40 | $1,211,227 | 12/27/2019 |
| Mongolia | 11/15/2019 | $9,442 | 9 | 9 | 29 | $26,089 | 12/18/2019 |
| Netherlands | 1/10/2020 | $308,578 | 92 | 93 | 434 | $1,175,884 | 10/19/2022 |
| New Zealand | 11/14/2019 | $138,229 | 84 | 84 | 330 | $424,456 | 10/19/2022 |
| Nigeria | 11/15/2019 | $31,249 | 49 | 49 | 173 | $86,560 | 12/10/2019 |
| North America | 11/15/2019 | $8,351,109 | 3,452 | 3,452 | 11,022 | $17,801,306 | 9/1/2022 |
| Oman | 11/14/2019 | $49,216 | 25 | 25 | 44 | $88,722 | 12/10/2019 |
| Pakistan | 11/15/2019 | $32,409 | 62 | 62 | 140 | $71,689 | 12/18/2019 |
| Paraguay | 11/28/2019 | $5,707 | 17 | 17 | 26 | $13,109 | 12/18/2019 |
| Peru | 1/9/2020 | $150,490 | 117 | 117 | 197 | $294,535 | 1/29/2020 |
| Philippines | 11/13/2019 | $985,746 | 284 | 284 | 660 | $1,833,682 | 12/27/2019 |
| Portugal | 11/28/2019 | $96,723 | 53 | 53 | 184 | $361,455 | 1/29/2020 |
| Qatar | 11/14/2019 | $160,723 | 25 | 25 | 51 | $268,437 | 12/27/2019 |
| Romania | 11/29/2019 | $97,390 | 79 | 79 | 251 | $266,608 | 2/12/2020 |
| Russia (CIS) | 11/14/2019 | $1,142,393 | 1300 | 1300 | 3410 | $2,134,387 | 10/19/2022 |
| Singapore | 11/14/2019 | $514,512 | 68 | 68 | 201 | $1,118,933 | 12/27/2019 |
| Slovakia | 11/14/2019 | $34,383 | 65 | 65 | 111 | $62,405 | 12/18/2019 |
| South Africa | 11/15/2019 | $133,201 | 114 | 114 | 562 | $759,172 | 2/4/2020 |
| Spain | 12/5/2019 | $591,937 | 329 | 375 | 1220 | $1,166,259 | 1/22/2020 |
| Suriname | 11/14/2019 | $713 | 1 | 1 | 5 | $3,643 | 12/18/2019 |
| Switzerland | 12/25/2019 | $46,177 | 17 | 67 | 192 | $538,433 | 2/12/2020 |
| Syria | 11/14/2019 | $7,865 | 2 | 2 | 6 | $13,530 | 12/10/2019 |
| Taiwan | 12/27/2019 | $276,490 | 93 | 94 | 365 | $949,281 | 2/4/2020 |
| Thailand | 11/28/2019 | $339,504 | 168 | 168 | 265 | $1,086,224 | 10/19/2022 |
| Trinidad | 11/13/2019 | $39,693 | 21 | 21 | 65 | $106,810 | 12/18/2019 |
| Turkey | 11/29/2019 | $161,959 | 229 | 229 | 465 | $372,517 | 10/19/2022 |
| Ukraine | 11/14/2019 | $357,212 | 341 | 341 | 788 | $659,554 | 12/18/2019 |
| United Arab Emirates | 11/14/2019 | $522,973 | 88 | 88 | 191 | $953,152 | 12/18/2019 |
| United Kingdom | 11/29/2019 | $707,729 | 488 | 488 | 1087 | $1,483,398 | 1/22/2020 |
| Uruguay | 11/14/2019 | $7,428 | 19 | 19 | 37 | $19,714 | 12/31/2019 |
| Venezuela | 1/3/2020 | $14,746 | 55 | 55 | 175 | $52,094 | 2/5/2020 |
| Vietnam | 11/15/2019 | $384,728 | 389 | 389 | 657 | $837,992 | 12/10/2019 |
| Rest of World | $579,735 | ||||||
| Worldwide Total | $73,235,048 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Kristen Stewart | Sabina Wilson |
| Naomi Scott | Elena Houghlin |
| Ella Balinska | Jane Kano |
Supporting Cast
| Elizabeth Banks | Bosley |
| Djimon Hounsou | Bosley |
| Sam Claflin | Bosley |
| Noah Centineo | Langston |
| Nat Faxon | Peter Fleming |
| Patrick Stewart | Bosley |
| Chris Pang | Jonny Smith |
| Jonathan Tucker | Hodak |
| Luis Gerardo Mendez | The Saint |
| David Schütter | Ralph |
| Hannah Hoekstra | Ingrid (Angel) |
| Jane Chirwa | Passing Woman (Angel) |
| Emre Kentmenoglu | Prince Alim Hassan |
| Murali Perumal | Pradeep Prasad |
| Sebastian Kroehnert | Sven Ludwig |
| Franz Xaver Zach | Watchmaker Schmidt |
| Andreas Schroders | The Accountant |
| Marie-Lou Sellem | Fatima Ahmed |
| Batur Belirdi | Bettor |
| Anna Drexler | Susan Olson |
| Tanem Calbayram | Istanbul Ferry Girl |
| Neil Malik Abdullah | LA Bosley |
| Nick Dong-Sik | LA Bosley |
| Dennenesch Zoudé | LA Bosley |
| Peter Sikorski | Brok Lobby Security |
| Frederic Böhle | Level 4 Guard |
| Marco Grahl | Cyclist |
| Livia Matthes | Model |
| Tessa Achtermann | Dancer |
| Jabar Maurice Werner | Dancer |
| Daria Nowak | Dancer |
| Kiani del Valle | Dancer |
| Jakob Yaw Yeboah | Dancer |
| Helen Aschauer | Dancer |
| Robert Clotworthy | Charlie |
Cameos
| Michael Strahan | NY Bosley |
| Jaclyn Smith | Kelly Garrett |
| Danica Pantic | Driving Instructor |
| Ronda Rousey | Fight Instructor |
| Laverne Cox | Bomb Instructor |
| Hailee Steinfeld | Angel Recruit |
| Chloe Kim | Angel Recruit |
| Lili Reinhart | Angel Recruit |
| Aly Raisman | Angel Recruit |
| Huda Kattan | Angel Recruit |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Elizabeth Banks | Director |
| Elizabeth Banks | Screenwriter |
| Evan Spiliotopoulos | Story by |
| David Auburn | Story by |
| Elizabeth Banks | Producer |
| Max Handelman | Producer |
| Doug Belgrad | Producer |
| Elizabeth Cantillon | Producer |
| Nancy Juvonen | Executive Producer |
| Drew Barrymore | Executive Producer |
| Leonard Goldberg | Executive Producer |
| Matthew Hirsch | Executive Producer |
| Bill Pope | Director of Photography |
| Aaron Haye | Production Designer |
| Mary Jo Markey | Editor |
| Debra Zane | Casting Director |
| Dylan Jury | Casting Director |
| Simone Bar | Casting Director |
| Alexandra Montag | Casting Director |
| Kym Barrett | Costume Designer |
| Brian Tyler | Composer |
| Julianne Jordan | Music Supervisor |
| Julia Michels | Music Supervisor |
| Arno Neubauer | Unit Production Manager |
| Alexander Oakley | First Assistant Director |
| Alexander Oakley | Associate Producer |
| James Manning | Second Assistant Director |
| Christoph Fisser | Co-Producer |
| Henning Molfenter | Co-Producer |
| Charlie Woebcken | Co-Producer |
| Karen Heston | Visual Effects Supervisor |
| Ebbi Olshausen* | Supervising Art Director |
| Cornelia Ott | Art Director |
| Uwe Stanik | Art Director |
| Stephanie Rass | Art Director |
| Mark Rosinski | Set Decorator |
| Zoe Morgan | Script Supervisor |
| Meike Schlegel | Costume Supervisor |
| Jayne Marie Ghisays | Costume Supervisor |
| Melanie Hughes-Weaver* | Make up |
| Maha Lessner | Make up |
| Camille Friend | Hairstylist |
| April Schuller | Make up |
| Roland Winke | Sound Mixer |
| Uli Nefzer | Special Effects Supervisor |
| Simon Daniel | Location Manager |
| Nic Diedrich | Location Manager |
| Daniel Selensky | Set Designer |
| Anna Jarocka | Set Designer |
| Mariana Vasconcellos | Set Designer |
| Markos Rounthwaite | Second Unit Director |
| Björn S. Berger | Script Supervisor |
| Richard B. Molina | First Assistant Editor |
| Christine Kim | First Assistant Editor |
| Sarah Russell | Assistant Editor |
| Anahuac Valdez | Assistant Editor |
| Kevin O'Connell | Re-recording Mixer |
| Greg Orloff | Re-recording Mixer |
| Erin Oakley | Supervising Sound Editor |
| Kami Asgar | Supervising Sound Editor |
| Ryan Collins | Sound Effects Editor |
| Hector Gika | Sound Effects Editor |
| Casey Genton | Sound Effects Editor |
| Mark Larry | Sound Effects Editor |
| Steve Urban | Dialogue Editor |
| Brendan Hill | Foley Editor |
| Brendan Croxon | Foley Mixer |
| Will Kaplan | Music Editor |
| Joe Lisanti | Music Editor |
| Greg Hayes | Score Recordist |
| Frank Wolf | Score Mixer |
| Brian Tyler | Score Mixer |
| Thomas Hacikoglu | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.