Netherlands Box Office for Chaos Walking (2021)
Theatrical Performance (US$) | ||
Netherlands Box Office | $432,866 | Details |
Worldwide Box Office | $27,072,169 | Details |
Home Market Performance | ||
North America DVD Sales | $1,434,150 | Details |
North America Blu-ray Sales | $1,876,558 | Details |
Total North America Video Sales | $3,310,708 | |
Further financial details... |
Synopsis
Todd Hewitt lives on the distant planet of New World—a new hope for humanity until struck by “The Noise,” a virus which inflicts immersive visions of ones’ every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World’s many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet—trying to escape and hide in an environment where all thought is heard, all movement seen—as they both discover the truth about the lives they left behind and the spectacular world they’ve learned to call home.
Metrics
Movie Details
Production Budget: | $100,000,000 |
Netherlands Releases: | June 25th, 2021 (Wide) |
Video Release: | April 2nd, 2021 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for violence and language. (Rating bulletin 2653 (cert #52756), 10/28/2020) |
Running Time: | 108 minutes |
Keywords: | Post Apocalypse, Fugitive / On the Run, Dystopia, Chase Adventure, Development Hell, Near Future |
Source: | Based on Fiction Book/Short Story |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Lionsgate, Quadrant Pictures, Allison Shearmur, 3 Arts Entertainment, TIK Films, Hercules Bron Creative Partnership |
Production Countries: | United States |
Languages: | English |
Weekend estimates: Nobody maintains market momentum
March 28th, 2021
An excellent opening for Nobody is more than making up for sluggish results for returning films this weekend and keeps the market recovery on course. More or less.
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Weekend estimates: Raya stays top with good second-week hold
March 14th, 2021
A solid second-week performance will be enough to keep Raya and the Last Dragon at the top of the box office chart this weekend, according to studio estimates released on Sunday morning. Its strength contributed to unusually large declines for the movies competing with it for family audiences, but generally it looks as though this weekend will continue the modest growth trend in the theatrical market.
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Weekend predictions: Tom and Jerry and Raya do battle for top spot
March 12th, 2021
After a relative flurry of new wide releases earlier in the month, this weekend sees no films opening in over 1,000 theaters. We do, however, have a close race at the top of the chart to look forward to, and a nearly-wide release that could tell us something about the state of the theatrical market as more theaters open and some potential moviegoers receive their pandemic recovery checks. We’re almost certainly going to have a down week as Raya and the Last Dragon, Chaos Walking, and Boogie decline from their opening weekend numbers.
First up though, let’s look at the potential for this week’s kind-of-wide release Long Weekend…
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Weekend estimates: Raya tops the chart with $8.6 million
March 7th, 2021
Raya and the Last Dragon will top the box office chart on its debut weekend with about $8.6 million according to Disney’s Sunday morning projection. While that’s 13% below our model’s $9.87 million prediction, and well behind the $14.11 million earned by Tom and Jerry last weekend, it’s a decent performance for the pandemic era, and some of the other results this weekend point towards a market that’s inching back towards recovery.
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Weekend predictions: Raya and the road to recovery
March 5th, 2021
After an excellent opening for Tom and Jerry last weekend, all eyes turn to Raya and the Last Dragon. With theaters reopening in New York and San Francisco, the movie’s Disney Animation pedigree and 95% score on Rotten Tomatoes, and a stronger market for family films than other fare during the pandemic, this seems like a film that could continue the process of rebuilding momentum at the box office. A simultaneous release on Disney+ could put the brakes on though, and our model isn’t convinced it’s set for box office glory.
Chaos Walking trailer
November 23rd, 2020
Sci-fi action movie starring Tom Holland and Daisy Ridley, directed by Doug Liman is scheduled to open in theaters on January 22 ... Full Movie Details.
Todd Hewitt lives on the distant planet of New World—a new hope for humanity until struck by “The Noise,” a virus which inflicts immersive visions of ones’ every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World’s many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet—trying to escape and hide in an environment where all thought is heard, all movement seen—as they both discover the truth about the lives they left behind and the spectacular world they’ve learned to call home.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/06/25 | 9 | $136,491 | 91 | $1,500 | $245,229 | 1 | |
2021/07/02 | 14 | $79,070 | -42% | 75 | $1,054 | $396,114 | 2 |
2021/07/09 | 19 | $36,747 | -54% | 59 | $623 | $479,835 | 3 |
2021/07/30 | - | $589 | 4 | $147 | $432,866 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/4/2021 | $900,191 | 388 | 388 | 1481 | $2,936,245 | 6/2/2021 |
Austria | 6/18/2021 | $18,363 | 15050 | 15050 | 15050 | $65,018 | 8/13/2021 |
Belgium | 8/4/2021 | $92,378 | 43 | 43 | 88 | $180,959 | 9/10/2021 |
Brazil | 5/13/2021 | $0 | 0 | 1819 | 1819 | $188,234 | 6/24/2021 |
Chile | 5/27/2021 | $0 | 0 | 310300 | 310300 | $944 | 10/20/2022 |
China | 8/27/2021 | $790,000 | 49008 | 49008 | 49591 | $1,010,000 | 10/20/2022 |
Denmark | 5/6/2021 | $0 | 0 | 12795 | 12795 | $2,351,516 | 8/6/2021 |
Estonia | 5/28/2021 | $0 | 0 | 135 | 135 | $14,545 | 6/24/2021 |
Finland | 7/16/2021 | $0 | 0 | 6 | 8 | $79,114 | 8/13/2021 |
France | 2/3/2021 | $0 | 0 | 0 | 0 | $0 | |
Germany | 6/17/2021 | $10,942 | 8968 | 8968 | 8983 | $33,071 | 8/20/2021 |
Hong Kong | 4/29/2021 | $108,753 | 0 | 0 | 0 | $108,753 | 5/7/2021 |
Lithuania | 5/14/2021 | $3,490 | 13 | 13 | 19 | $5,703 | 5/26/2021 |
Mexico | 3/4/2021 | $263,195 | 0 | 0 | 0 | $942,984 | 10/19/2022 |
Netherlands | 6/25/2021 | $136,491 | 91 | 91 | 229 | $432,866 | 8/6/2021 |
New Zealand | 3/4/2021 | $97,427 | 77 | 80 | 346 | $401,731 | 10/19/2022 |
North America | 3/5/2021 | $3,775,350 | 1,980 | 2,132 | 14,276 | $13,287,908 | |
Norway | 7/16/2021 | $0 | 0 | 23 | 45 | $885,646 | 8/20/2021 |
Peru | 8/5/2021 | $0 | 0 | 0 | 0 | $13,858 | 10/20/2022 |
Portugal | 6/11/2021 | $19,919 | 57 | 57 | 107 | $41,248 | 6/29/2021 |
Russia (CIS) | 3/25/2021 | $405,760 | 1352 | 1407 | 3259 | $930,209 | 10/19/2022 |
Serbia and Montenegro | 9/2/2021 | $1,841 | 18 | 18 | 18 | $1,841 | 10/20/2022 |
South Korea | 2/24/2021 | $504,708 | 759 | 759 | 1425 | $1,099,555 | 4/21/2021 |
Spain | 4/30/2021 | $0 | 0 | 691 | 786 | $612,765 | 7/16/2021 |
Sweden | 6/23/2021 | $0 | 0 | 7 | 7 | $1,007,336 | 8/6/2021 |
Switzerland (French Speaking) | 8/6/2021 | $17,376 | 13 | 13 | 22 | $22,304 | 8/20/2021 |
Switzerland (German Speaking) | 4/22/2021 | $0 | 0 | 1098 | 1100 | $278,577 | 8/13/2021 |
Switzerland (Italian Speaking) | 6/10/2021 | $0 | 0 | 484 | 484 | $1,744 | 6/24/2021 |
Turkey | 1/28/2022 | $23,180 | 103 | 103 | 167 | $132,640 | 10/20/2022 |
United Kingdom | 3/5/2021 | $0 | 0 | 0 | 0 | $0 | |
Uruguay | 8/26/2021 | $0 | 0 | 3 | 3 | $4,855 | 10/20/2022 |
Worldwide Total | $27,072,169 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Tom Holland | Todd Hewitt |
Daisy Ridley | Viola Eade |
Supporting Cast
Mads Mikkelsen | Mayor Prentiss |
Demián Bichir | Ben |
Cynthia Erivo | Hildy |
Nick Jonas | Davy Prentiss, Jr. |
Kurt Sutter | Cillian |
David Oyelowo | Aaron |
Oscar Jaenada | Wilf |
Kurt Sutter | Cillian |
Cynthia Erivo | Hildy |
Bethany Anne Lind | Karyssa Hewitt |
Ray McKinnon | Matthew |
Vincent LeClerc | Daws |
Blane Crockarell | Young Todd |
François Gauthiér | Charlie |
Tyrone Benskin | Hammer |
Frank Fontaine | Mr. Phelps |
Don Jordan | Tam |
Patrick Garrow | Ivan |
Mylène Dinh-Robic | Julie |
Julian Richings | Gault |
Michael Dyson | Fisherman #1 |
Glen Michael Grant | Fisherman #2 |
Maxwell McCabe-Lokos | Prentisstown Man #1 |
Stephen Eric McIntyre | Prentisstown Man #2 |
Pete Seaborne | Caleb |
Jean Michel Paré | Mayor Camp Man #1 |
Michael Yarmush | Prentisstown Scout |
Frédéric Bélanger | Prentisstown Man #3 |
Louis-Philippe Duhamel | Stable Boy #1 |
Janel Boire | Stable #2 |
Trevor Anderson | Prentisstown Man #4 |
Brian Alexander | Prentisstown Footman #1 |
Jerome Huerta | Prentisstown Footman #2 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Doug Liman | Director |
Patrick Ness | Screenwriter |
Christopher D. Ford | Screenwriter |
Patrick Ness | Story based on the book “The Knife of Never Letting Go” by |
Doug Davison | Producer |
Allison Shearmur | Producer |
Erwin Stoff | Producer |
Alison Winter | Producer |
Ray Angelic | Executive Producer |
Erik Feig | Executive Producer |
Iron Chen | Executive Producer |
Paris Kasidokostas Latsis | Executive Producer |
Jason Cloth | Executive Producer |
Ben Seresin | Director of Photography |
Dan Weil | Production Designer |
Doc Crotzer | Editor |
Lon Bender | Sound Designer |
Lon Bender | Sound Supervisor |
Kate Hawley | Costume Designer |
Marco Beltrami | Composer |
Brandon Roberts | Composer |
Julianne Jordan | Music Supervisor |
Matt Johnson | Visual Effects Supervisor |
Helene Ross | Unit Production Manager |
Ray Angelic | Unit Production Manager |
Mark Anthony Little | First Assistant Director |
Patrick Murphy | Second Assistant Director |
Simon Crane | Second Unit Director |
Thomas Elder Groebe | Visual Effects Producer |
Simon Crane | Stunt Coordinator |
Marc Desourdy | Stunt Coordinator |
Gershon Hinkson | Additional Editor |
Nicholas Lepage | Supervising Art Director |
Daran Fulham | Art Director |
Carolyne De Bellefeuille | Art Director |
Daniel Carpentier | Set Decorator |
Daniel Hamelin | Set Decorator |
Brad Rohrer | Post-Production Supervisor |
Julia Bloch | Additional Editor |
Kevin Greutert | Additional Editor |
Adam Schaefer | First Assistant Editor |
Andrew Pang | Assistant Editor |
Max Miller | Assistant Editor |
Elizabeth Tremblay | Script Supervisor |
Simon Poudrette | Sound Mixer |
Frederic Amblard | Set Designer |
Gabriella Douglas | Set Designer |
Simon Theberge | Set Designer |
Jessica Dan | Set Designer |
Louis Craig | Special Effects Supervisor |
Colleen Quinton | Make up |
Charles Carter | Make up |
Bruno Gatien | Special Make-up Effects |
Rejean Goderre | Hairstylist |
Frédéric Bélanger | Hairstylist |
Benoît Mathieu | Location Manager |
Ben Cooke | Second Unit Director |
Luke Gibleon | Sound Editor |
Luke Gibleon | Sound Designer |
Alexa Zimmerman | Supervising Dialogue Editor/ADR Editor |
Alex Nomick | Sound Designer |
Jeffrey A. Pitts | Sound Designer |
Rusty Dunn | Sound Designer |
Mariusz Glabinski | Sound Effects Editor |
Peter Staubli | Sound Effects Editor |
Ronald Eng | Sound Effects Editor |
Michael McMenomy | Dialogue Editor |
Daniel Newman | Dialogue Editor |
Andy Hay | Dialogue Editor |
Martin Czembor | Re-recording Mixer |
David Paterson | Re-recording Mixer |
Ron Bartlett | Re-recording Mixer |
Lon Bender | Re-recording Mixer |
Ryan Collison | Foley Mixer |
Connor Nagy | Foley Mixer |
Nick Seaman | Foley Editor |
Laura Heinzinger | Foley Editor |
Mick Gormaley | Music Editor |
Philip Tallman | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.