Netherlands Box Office for Cafarnaúm (2018)
Theatrical Performance (US$) | ||
Netherlands Box Office | $490,446 | Details |
Worldwide Box Office | $65,233,793 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $15,622 | Details |
Total North America Video Sales | $15,622 | |
Further financial details... |
Synopsis
The story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. The film follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil and her baby son, Yonas, being jailed for a crime, and finally, seeks justice in a courtroom.
Metrics
Movie Details
Production Budget: | $4,000,000 |
Netherlands Releases: | February 1st, 2019 (Wide) |
Video Release: | March 26th, 2019 by Sony Pictures Home Entertainment |
MPAA Rating: | R for language and some drug material. (Rating bulletin 2552 (Cert #51889), 11/7/2018) |
Running Time: | 126 minutes |
Keywords: | Set in Lebanon, Dysfunctional Family, Runaway, Homeless, Courtroom / Legal Drama, Non Professional Actor |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Sony Pictures Classics, Khaled Mouzanar, Mooz Films |
Production Countries: | Lebanon, United States |
Languages: | Amharic, Arabic |
International Box Office: Pikachu Squeaks by Endgame
May 16th, 2019
Pokémon: Detective Pikachu won what was perhaps the closest race on the international chart in my time on the job. The film won first place with $103.0 million on 36,633 screens in 62 markets for totals of $112.4 million internationally and $166.9 million worldwide. The film dominated the chart in China earning first place with $40.61 million on an estimated 20,000 screens. It also earned first place in the U.K. with $6.46 million in 579 theaters. On the other hand, it had to settle for second place in Germany ($5.0 million on 1,220 screens); France ($4.8 million in 467 theaters); Mexico ($4.36 million on 2,686 screens); and Australia ($3.5 million on 412 screens). The film only managed fourth place in South Korea with $1.71 million on 817 screens over the weekend for a total opening of $3.20 million. The film debuts in Russia this weekend and while this isn’t the last market, it is the last major market.
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International Box Office: Endgame Laps the Competition
May 9th, 2019
Avengers: Endgame continued to dominate the international box office with $282.2 million in 55 markets for totals of $1.57 billion internationally and $2.19 billionh worldwide. Like last week, we’ve been tracking these numbers as they have been released on our page for the movie, so there’s no need to go into much more detail here. I would like to point out that the film earned more in several individual markets than the second place film earned in total. This includes China ($63.83 million over the weekend for a two-week total of $572.64 million); The U.K. ($18.83 million / $91.09 million); and South Korea ($17.93 million / $80.40 million).
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Home Market Releases for March 26th, 2019
March 27th, 2019
It is an amazing week for home releases. Not only do we have the biggest hit of last winter on this week’s list, but Aquaman is actually worth owning. That’s only the second time I can say that about the D.C.E.U. Additionally, there are a huge number of contenders for Pick of the Week, ranging from Oscar contenders (If Beale Street Could Talk on Blu-ray Combo Pack); limited releases (The Miseducation of Cameron Post: Special Edition Blu-ray); animated imports (My Hero Academia: Two Heroes on Blu-ray); TV movie aimed at teens (Kim Possible on DVD); and classics (For A Few Dollars More: Special Edition Blu-ray). It was an exceptionally close call, but in the end, I went with If Beale Street Could Talk.
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Theater Averages: Dragons Look Down on the Other New Releases
February 27th, 2019
How to Train Your Dragon: The Hidden World was the only film in the $10,000 Club earning an average of $13,506. The best limited release was Wrestle, which earned $6,027 in its lone theater.
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2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture
February 24th, 2019
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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2018 Awards Season: Oscars Nominations: Final Look
February 24th, 2019
It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning.
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2018 Awards Season: Oscar Nominations
January 23rd, 2019
The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each.
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2018 - Awards Season: BAFTA - Nominations
January 12th, 2019
The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here.
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Theater Averages: Everyone is Talking about Beale Street
December 19th, 2018
There was only one new release in the $10,000 club this past weekend. If Beale Street Could Talk opened with an average of $56,119 in four theaters. The only other member of the $10,000 club was Mary Queen of Scots, with an average of $10,602 in 66 theaters during its second week of release. It will continue to expand, but it very likely won’t expand even semi-wide.
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Limited and VOD Releases: Limited Releases are Not Very Talkative
December 14th, 2018
It’s a great time of year to release an Awards Season contender. Ironically, there is so much competition in that space that the number of Oscar-bait films already in release is too much competition, so there are not too many films coming out this week. That’s not to say there are no prime releases coming out. If Beale Street Could Talk is an Awards Season contender, but it is arguably the only film on this week’s list with a realistic chance of doing well at the box office.
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2018 - Awards Season: Golden Globes - Nominations
December 6th, 2018
The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced.
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Capernaum Trailer
November 8th, 2018
Drama directed by Nadine Labaki opens December 4 ... Full Movie Details.
The story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. The film follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil and her baby son, Yonas, being jailed for a crime, and finally, seeks justice in a courtroom.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/02/01 | 18 | $64,907 | 35 | $1,854 | $96,508 | 1 | |
2019/02/08 | 18 | $69,860 | +8% | 37 | $1,888 | $218,661 | 2 |
2019/02/15 | 20 | $42,194 | -40% | 39 | $1,082 | $291,955 | 3 |
2019/02/22 | 23 | $30,762 | -27% | 32 | $961 | $348,623 | 4 |
2019/03/01 | 24 | $29,028 | -6% | 26 | $1,116 | $395,242 | 5 |
2019/03/08 | 23 | $20,687 | -29% | 23 | $899 | $428,595 | 6 |
2019/03/15 | 28 | $21,598 | +4% | 32 | $675 | $466,038 | 7 |
2019/03/22 | 29 | $11,350 | -47% | 28 | $405 | $490,446 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/21/2019 | $8,104 | 18 | 18 | 30 | $15,524 | 4/24/2019 |
Australia | 2/8/2019 | $53,830 | 27 | 28 | 203 | $356,877 | 8/6/2019 |
Brazil | 1/17/2019 | $23,517 | 7 | 19 | 138 | $243,867 | 5/23/2019 |
Bulgaria | 5/17/2019 | $0 | 0 | 0 | 0 | $7,309 | 9/19/2019 |
China | 4/29/2019 | $94,359 | 0 | 54206 | 149603 | $53,980,000 | 8/13/2020 |
Colombia | 2/14/2019 | $25,240 | 30 | 30 | 88 | $69,153 | 4/16/2019 |
Czech Republic | 2/22/2019 | $4,947 | 7 | 7 | 7 | $4,947 | 2/26/2019 |
France | 10/19/2018 | $635,067 | 159 | 350 | 1461 | $2,881,734 | 12/6/2018 |
Germany | 4/12/2019 | $0 | 0 | 36 | 36 | $1,103,683 | 5/24/2019 |
Italy | 4/11/2019 | $313,706 | 0 | 36 | 94 | $1,182,455 | 10/11/2019 |
Lithuania | 4/5/2019 | $6,106 | 8 | 8 | 45 | $25,289 | 8/7/2019 |
Mexico | 2/8/2019 | $57,364 | 57 | 57 | 217 | $244,371 | 6/12/2019 |
Netherlands | 2/1/2019 | $64,907 | 35 | 39 | 252 | $490,446 | 3/25/2019 |
New Zealand | 2/7/2019 | $0 | 0 | 1 | 1 | $48,851 | 9/11/2019 |
North America | 12/14/2018 | $24,988 | 3 | 136 | 676 | $1,660,708 | 8/20/2019 |
Portugal | 2/8/2019 | $8,776 | 9 | 9 | 36 | $34,466 | 5/7/2019 |
Russia (CIS) | 2/14/2019 | $40,821 | 116 | 116 | 306 | $133,852 | 10/19/2022 |
Slovakia | 2/22/2019 | $1,461 | 6 | 6 | 6 | $1,461 | 2/28/2019 |
South Africa | 4/19/2019 | $0 | 0 | 3 | 22 | $35,380 | 9/4/2019 |
South Korea | 1/24/2019 | $118,500 | 108 | 108 | 501 | $1,041,116 | 11/23/2022 |
Spain | 2/15/2019 | $103,348 | 48 | 69 | 225 | $424,376 | 3/14/2019 |
Turkey | 1/25/2019 | $12,113 | 25 | 27 | 86 | $63,154 | 2/21/2019 |
United Kingdom | 2/22/2019 | $183,941 | 48 | 48 | 48 | $183,941 | 3/1/2019 |
Rest of World | $1,000,833 | ||||||
Worldwide Total | $65,233,793 | 11/23/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Zain Al Rafeea | Zain |
Yordanos Shiferaw | Rahil |
Supporting Cast
Boluwatife Treasure Bankole | Yonas |
Kawthar Al Haddad | Souad |
Fadi Kamel Yousef | Selim |
Cedra Izam | Sahar |
Alaa Chouchnieh | Aspro |
Elias Khoury | The Judge |
Nadine Labaki | Nadine |
Nour El Husseini | Assaad |
Joseph Jimbazian | Cockroach Man/Harout |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nadine Labaki | Director |
Khaled Mouzanar | Producer |
Nadine Labaki | Screenwriter |
Jihad Hojeily | Screenwriter |
Michelle Keserwany | Screenwriter |
Georges Khabbaz | Screenplay in Collaboration with |
Khaled Mouzanar | Screenplay in Participation with |
Khaled Mouzanar | Composer |
Christopher Aoun | Director of Photography |
Konstantin Bock | Editor |
Laure Gardette | Editor |
Hussein Baydoun | Art Director |
Zein Saab De Melero | Costume Designer |
Jennifer Haddad | Casting Director |
Toufic Khreich | First Assistant Director |
Chadi Roukoz | Sound Designer |
Emmanuel Croset | Sound Mixer |
Matthieu Tertois | Sound Mixer |
Pierre Sarraf | Line Producer |
Marianne Katra | Line Producer |
Michel Merkt | Producer |
Akram Safa | Executive Producer |
Pierre Sarraf | Co-Producer |
Anne Dominique Toussaint | Executive Producer |
Jason Kliot | Executive Producer |
Joana Vicente | Executive Producer |
Fouad Mikati | Executive Producer |
Candice Abela | Executive Producer |
Samer Rizk | Executive Producer |
Ayla Rizk | Executive Producer |
Georges Sarraf | Executive Producer |
Sylvio Sharif Tabet | Executive Producer |
Ray Barakat | Executive Producer |
Chadi Eli Mattar | Executive Producer |
Antoine Khalife | Executive Producer |
Joslyn Barnes | Executive Producer |
Danny Glover | Executive Producer |
Susan Rockefeller | Executive Producer |
Wissam Smayra | Executive Producer |
Assaad Debs | Executive Producer |