Italy Box Office for Bullet Train (2022)
Theatrical Performance (US$) | ||
Italy Box Office | $2,716,148 | Details |
Worldwide Box Office | $238,534,963 | Details |
Home Market Performance | ||
North America DVD Sales | $2,690,245 | Details |
North America Blu-ray Sales | $5,884,704 | Details |
Total North America Video Sales | $8,574,949 | |
Further financial details... |
Synopsis
Ladybug is an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug’s latest mission puts him on a collision course with lethal adversaries from around the globe—all with connected, yet conflicting, objectives—on the world's fastest train… and he’s got to figure out how to get off.
Metrics
Movie Details
Production Budget: | $85,900,000 |
Italy Releases: | August 25th, 2022 (Wide) |
Video Release: | September 27th, 2022 by Sony Pictures Home Entertainment |
MPAA Rating: | R for strong and bloody violence, pervasive language, and brief sexuality. (Rating bulletin 2741 (Cert #53043), 7/20/2022) |
Running Time: | 126 minutes |
Keywords: | Action Thriller, Hitmen, One Last Job, Set in Japan, Trains, Filmed in Los Angeles, CA |
Source: | Based on Comic/Graphic Novel |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | 87North, Columbia Pictures |
Production Countries: | United States |
Languages: | English |
Weekend predictions: will Don't Worry, Darling’s strong previews translate into a great opening weekend?
September 23rd, 2022
After a months-long (social) media frenzy, Don’t Worry, Darling finally hits theaters this weekend, and Warner Bros. and theater owners had enough confidence in the film to book it in 4,113 movie houses, the widest opening since Bullet Train at the beginning of August. That film earned $4.6 million in previews on its way to a $30-million opening weekend. Now, Don’t Worry, Darling is off to a promising start itself, with $3.1 million in previews, which includes special event IMAX screenings on Monday. Will that translate into a big opening weekend? Here’s what our model thinks…
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Weekend predictions: The Woman King kicks off Fall Season with a $20-million opening in its sights
September 16th, 2022
After a long end-of-Summer lull, The Woman King is kicking off the Fall Season in movie theaters this weekend, and Sony will be hoping that it becomes the first film to hit $50 million at the box office since Bullet Train, which was released by the same studio all the way back on August 5. Woman King doesn’t look like it will be challenged at the top of the chart, but an incredible nine new releases have some sort of shot at opening in the top ten.
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Weekend predictions: Barbarian the favorite going into brutally slow weekend
September 9th, 2022
The weekend after Labor Day is traditionally the slowest one of the year at the box office. But, to get the good news out of the way, there’s a good chance that won’t be the case this year, with the weekend of January 28 looking like it will hold on to that crown. The fact we’ll probably top the $34.8 million earned at the box office on the last weekend of January is down to three new wide releases, albeit ones that probably won’t set records at the box office.
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Weekend predictions: a wide-open race for number one
September 2nd, 2022
This weekend at the box office is a forecaster’s nightmare, with a two new wide releases that are only playing in 1,880 and 1,184 theaters, a classic re-release that’s opening in 1,246 locations, and a recent blockbuster getting a re-release in 3,935 theaters. Making things even harder to predict is that tickets will only be $3 each at thousands of theaters on National Cinema Day on Saturday (see the Regal, Cinemark, and Marcus Theatres sites, and check your local listings—and note that the UK has National Cinema Day on Saturday too). There are four films that have a realistic chance of winning the weekend: Spider-Man: No Way Home, Bullet Train, Top Gun: Maverick, and (even though it’s a rank outsider) DC League of Super Pets. Any one of them would be a highly unusual box office winner, given how long all of them have been in theaters, but that’s mainly the result of a highly unusual lack of major new releases.
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Weekend predictions: The Invitation favorite for narrow weekend win
August 26th, 2022
The theatrical market officially hits the doldrums this weekend, with no films looking likely to top $10 million, and a combined weekend for all films hovering somewhere around the $50 million–$60 million mark—the lowest figure since February. Hopes ride on The Invitation and Three Thousand Years of Longing, both of which look like they will appeal to niche audiences that are too small to propel them to big debuts. The Invitation has the edge as we go into the weekend.
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Weekend predictions: Bullet Train favorite to top slow weekend
August 12th, 2022
The dog days of Summer are upon us. While there are three new wide releases this weekend, none of them are likely to challenge Bullet Train at the top of the chart. In fact, there’s a decent chance that the top seven will be identical to last week, with the new releases struggling to break into the top 10. There’s quite a bit of uncertainty though, and the new films could surprise, particularly given the lack of competition and their potential to reach niche audiences.
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Weekend predictions: Bullet Train shooting for $30-million opening
August 5th, 2022
Two new wide releases hit theaters this weekend, each looking to find what might be described as a “big niche” audience. Bullet Train is looking to draw in fans of high-speed action, while Easter Sunday is the kind of family comedy that we’ve hardly seen in the last couple of years. With this Summer’s blockbusters beginning to play out, both of the new entrants could find a decent crowd, although Bullet Train will end up topping the chart and has already booked $4.6 million from Thursday previews.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/08/26 | 2 | $709,628 | 0 | $709,628 | 1 | ||
2022/09/02 | 3 | $521,330 | -27% | 0 | $1,523,716 | 2 | |
2022/09/09 | 4 | $289,751 | -44% | 0 | $1,987,794 | 3 | |
2022/09/16 | 5 | $216,184 | -25% | 0 | $2,294,853 | 4 | |
2022/09/23 | 11 | $186,848 | -14% | 0 | $2,656,059 | 5 | |
2022/09/30 | 15 | $51,436 | -72% | 0 | $2,682,550 | 6 | |
2022/10/07 | 20 | $23,837 | -54% | 0 | $2,716,148 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/4/2022 | $2,205,666 | 605 | 605 | 3275 | $8,522,977 | 3/20/2023 |
Brazil | 8/4/2022 | $0 | 0 | 0 | 0 | $0 | |
Croatia | 8/4/2022 | $40,609 | 53 | 53 | 262 | $235,307 | 10/21/2022 |
Czech Republic | 8/5/2022 | $155,914 | 160 | 160 | 644 | $818,164 | 11/15/2022 |
Denmark | 7/14/2022 | $0 | 0 | 0 | 0 | $0 | |
Finland | 8/5/2022 | $127,807 | 101 | 101 | 446 | $692,493 | 10/21/2022 |
France | 8/3/2022 | $0 | 0 | 0 | 0 | $5,800,000 | 8/14/2022 |
Germany | 8/4/2022 | $0 | 0 | 0 | 0 | $0 | |
Italy | 8/25/2022 | $709,628 | 0 | 0 | 0 | $2,716,148 | 10/22/2022 |
Japan | 9/1/2022 | $3,000,000 | 0 | 0 | 0 | $3,000,000 | 9/5/2022 |
Malaysia | 7/14/2022 | $0 | 0 | 0 | 0 | $0 | |
Mexico | 8/4/2022 | $0 | 0 | 0 | 0 | $9,967,288 | 9/27/2022 |
Netherlands | 8/3/2022 | $518,254 | 154 | 155 | 1317 | $3,021,596 | 10/22/2022 |
New Zealand | 8/4/2022 | $253,838 | 113 | 114 | 668 | $917,393 | 10/22/2022 |
North America | 8/5/2022 | $30,030,156 | 4,357 | 4,357 | 30,143 | $103,368,602 | |
Poland | 7/15/2022 | $0 | 0 | 0 | 0 | $0 | |
Portugal | 8/4/2022 | $181,543 | 96 | 96 | 533 | $998,432 | 11/8/2022 |
Romania | 8/5/2022 | $124,165 | 100 | 100 | 604 | $952,168 | 12/14/2022 |
Russia (CIS) | 8/5/2022 | $243,241 | 118 | 122 | 432 | $1,169,949 | 9/8/2022 |
Saudi Arabia | 8/4/2022 | $0 | 0 | 0 | 0 | $3,600,000 | 8/14/2022 |
Slovakia | 8/5/2022 | $62,075 | 73 | 73 | 238 | $261,509 | 11/22/2022 |
South Korea | 8/24/2022 | $443,173 | 767 | 767 | 1107 | $1,135,999 | 11/9/2022 |
Spain | 8/5/2022 | $1,419,709 | 408 | 409 | 3084 | $8,203,885 | 11/4/2022 |
Sweden | 7/15/2022 | $0 | 0 | 0 | 0 | $0 | |
Turkey | 8/5/2022 | $128,310 | 420 | 420 | 2142 | $774,650 | 10/13/2022 |
United Kingdom | 8/3/2022 | $3,447,349 | 669 | 677 | 4230 | $12,216,992 | 10/22/2022 |
Rest of World | $70,161,411 | ||||||
Worldwide Total | $238,534,963 | 3/20/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Brad Pitt | Ladybug |
Joey King | Prince |
Aaron Taylor-Johnson | Tangerine |
Brian Tyree Henry | Lemon |
Andrew Koji | Kimura |
Hiroyuki Sanada | The Elder |
Michael Shannon | The White Death |
Benito Antonio Martinez Ocasio | The Wolf |
Supporting Cast
Sandra Bullock | Maria Beetle |
Pasha Lychnikoff |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
David Leitch | Director |
Zak Olkewitz | Screenwriter |
Isaka Kotaro | Based on the book by |
David Leitch | Producer |
Kelly McCormick | Producer |
Antoine Fuqua | Producer |
Kat Samick | Executive Producer |
Brent O’Connor | Executive Producer |
Ryosuke Saegusa | Executive Producer |
Yuma Terada | Executive Producer |
David Scheunemann | Production Designer |
Elísabet Ronaldsdóttir | Editor |
Sarah Evelyn | Costume Designer |
Dominic Lewis | Composer |
Season Kent | Music Supervisor |
Paul Barry | First Assistant Director |
Michael Brazelton | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.