Netherlands Box Office for Blue Beetle (2023)
| Theatrical Performance (US$) | ||
| Netherlands Box Office | $933,483 | Details |
| Worldwide Box Office | $128,777,017 | Details |
| Further financial details... | ||
Synopsis
Recent college grad Jaime Reyes returns home full of aspirations for his future, only to find that home is not quite as he left it. As he searches to find his purpose in the world, fate intervenes when Jaime unexpectedly finds himself in possession of an ancient relic of alien biotechnology: the Scarab. When the Scarab suddenly chooses Jaime to be its symbiotic host, he is bestowed with an incredible suit of armor capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the super hero Blue Beetle.
Metrics
Movie Details
| Production Budget: | $120,000,000 |
| Netherlands Releases: | August 17th, 2023 (Wide) |
| Video Release: | September 26th, 2023 by Warner Home Video |
| MPAA Rating: | PG-13 for sequences of action and violence, language, and some suggestive references. (Rating bulletin 2788 (cert #54461), 6/21/2023) |
| Running Time: | 127 minutes |
| Franchise: | DC Extended Universe |
| Keywords: | Action Adventure, Origin Story |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Warner Bros., The Safran Company, DC Films |
| Production Countries: | United States |
| Languages: | English, Spanish |
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August 25th, 2023
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Blue Beetle should top the box office chart this weekend, but it’s looking like it’ll mimic the performance of Shazam! Fury of the Gods and come in with something around $30 million on debut—another disappointment for the DC Extended Universe following The Flash’s $55-million opening and $108-million run in June and July. Barbie looks headed to second place this weekend, with Strays back in a pack of movies that will earn something in the $9 million to $10 million range.
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Blue Beetle trailer
August 14th, 2023
Super hero action movie starring Xolo Maridueña opens in theaters this Friday, August 18 ... Full Movie Details.
Recent college grad Jaime Reyes returns home full of aspirations for his future, only to find that home is not quite as he left it. As he searches to find his purpose in the world, fate intervenes when Jaime unexpectedly finds himself in possession of an ancient relic of alien biotechnology: the Scarab. When the Scarab suddenly chooses Jaime to be its symbiotic host, he is bestowed with an incredible suit of armor capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the super hero Blue Beetle.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2023/08/18 | 4 | $304,130 | 133 | $2,287 | $304,130 | 1 | |
| 2023/08/25 | 7 | $221,167 | -27% | 133 | $1,663 | $652,632 | 2 |
| 2023/09/01 | 9 | $101,307 | -54% | 106 | $956 | $826,033 | 3 |
| 2023/09/08 | 11 | $42,538 | -58% | 84 | $506 | $894,435 | 4 |
| 2023/09/15 | 20 | $21,567 | -49% | 34 | $634 | $919,271 | 5 |
| 2023/09/22 | - | $12,753 | -41% | 18 | $709 | $933,483 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 9/14/2023 | $717,019 | 378 | 378 | 1493 | $3,079,862 | 1/15/2024 |
| Brazil | 8/17/2023 | $2,200,000 | 1306 | 1306 | 1306 | $2,200,000 | 8/21/2023 |
| Croatia | 8/17/2023 | $27,998 | 35 | 42 | 144 | $91,291 | 10/6/2023 |
| Czech Republic | 8/17/2023 | $31,825 | 89 | 89 | 189 | $83,057 | 9/6/2023 |
| Finland | 8/18/2023 | $23,367 | 67 | 67 | 134 | $57,754 | 9/11/2023 |
| France | 8/16/2023 | $1,500,000 | 514 | 514 | 514 | $1,500,000 | 8/21/2023 |
| Germany | 8/17/2023 | $0 | 0 | 0 | 0 | $0 | |
| India | 8/18/2023 | $687,000 | 0 | 0 | 0 | $687,000 | 8/21/2023 |
| Indonesia | 8/16/2023 | $1,200,000 | 678 | 678 | 678 | $1,200,000 | 8/21/2023 |
| Italy | 8/17/2023 | $559,319 | 0 | 0 | 0 | $1,076,105 | 9/4/2023 |
| Malaysia | 8/17/2023 | $579,000 | 0 | 0 | 0 | $579,000 | 8/21/2023 |
| Mexico | 8/17/2023 | $2,696,397 | 0 | 0 | 0 | $5,987,138 | 9/12/2023 |
| Middle East Region | 8/25/2023 | $1,200,000 | 0 | 0 | 0 | $1,200,000 | 8/27/2023 |
| Netherlands | 8/17/2023 | $304,130 | 133 | 133 | 508 | $933,483 | 9/25/2023 |
| New Zealand | 9/14/2023 | $133,159 | 89 | 93 | 470 | $737,337 | 12/11/2023 |
| North America | 8/18/2023 | $25,030,225 | 3,871 | 3,871 | 20,414 | $72,541,501 | |
| Philippines | 8/16/2023 | $440,000 | 0 | 0 | 0 | $440,000 | 8/21/2023 |
| Portugal | 8/17/2023 | $110,052 | 72 | 72 | 180 | $346,179 | 9/26/2023 |
| Romania | 8/18/2023 | $85,177 | 81 | 81 | 271 | $303,280 | 10/25/2023 |
| Russia (CIS) | 8/17/2023 | $341,665 | 142 | 142 | 336 | $906,642 | 9/13/2023 |
| Saudi Arabia | 8/24/2023 | $0 | 0 | 0 | 0 | $0 | |
| Slovakia | 8/17/2023 | $23,139 | 68 | 68 | 129 | $54,975 | 9/12/2023 |
| South Africa | 8/18/2023 | $0 | 0 | 0 | 0 | $0 | |
| Spain | 8/18/2023 | $612,415 | 306 | 306 | 1012 | $1,860,429 | 9/15/2023 |
| Taiwan | 8/17/2023 | $481,000 | 0 | 0 | 0 | $481,000 | 8/21/2023 |
| Thailand | 8/17/2023 | $666,000 | 0 | 0 | 0 | $666,000 | 8/21/2023 |
| Turkey | 8/18/2023 | $85,020 | 461 | 461 | 936 | $222,520 | 9/21/2023 |
| Ukraine | 8/17/2023 | $0 | 0 | 0 | 0 | $0 | |
| United Arab Emirates | 8/24/2023 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 8/18/2023 | $1,515,491 | 549 | 585 | 2077 | $5,700,124 | 9/25/2023 |
| Rest of World | $25,842,340 | ||||||
| Worldwide Total | $128,777,017 | 1/15/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Xolo Maridueña | Jaime Reyes/Blue Beetle |
| Adriana Barraza | Nana Reyes |
| Damian Alcazar | Alberto Reyes |
| Raoul Trujillo | Carapax |
| Susan Sarandon | Victoria Kord |
| George Lopez | Rudy Reyes |
| Bruna Marquezine | Jenny Kord |
Supporting Cast
| Elpidia Carrillo | Rocio Reyes |
| Becky G | Khaji-Da |
| Belissa Escobedo | Milagro Reyes |
| Harvey Guillen | Dr. Sanchez |
| Jorge Jimenez | Tia Chema |
| Eyra Aguero Joubert | Tia Maru |
| Gabriella Ortiz | Tia Letty |
| Vicente Ydrach | Old Man in Airport |
| Modesto Lacen | General Crane |
| Oshun Ramirez | Nayeli |
| Brianna Lewis | Kord Receptionist |
| Tahj Vaughans | Dude #1 |
| Dante Gonazalez-Abreu | Dude #2 |
| Jon Z | Dude #3 |
| Carlos Ponce | Bentley Owner |
| Franco Castan | Security Tech #1 |
| Perris Drew | Security Tech #2 |
| Felipe Esparza | Security Tech #3 |
| Walter J. Buck | Security Tech #4 |
| Jackson Spidell | Black Ops Leader |
| Esteban Ruiz | Sebastian — Wall Guard #1 |
| Marcus Nelson | Giovani — Wall Guard #2 |
| Isabella Aparicio | Young Jenny Kord |
| Ayden Rivera | Kid Carapax |
| Xol Gonzalez | Teen Carapax |
| Yuli Zorrilla | Carapax’s Mom |
| Sergio Valente | Soldier |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Angel Manuel Soto | Director |
| John Rickard | Producer |
| Zev Foreman | Producer |
| Gareth Dunnet-Alcocer | Screenwriter |
| Walter Hamada | Executive Producer |
| Galen Vaisman | Executive Producer |
| Garrett Grant | Executive Producer |
| Pawel Pogorzelski | Director of Photography |
| Jon Billington | Production Designer |
| Craig Alpert | Editor |
| Season Kent | Music Supervisor |
| Bobby Krlic | Composer |
| Kelvin McIlwain | Visual Effects Supervisor |
| Mayes C. Rubeo | Costume Designer |
| Marisol Roncali | Casting Director |
| Chelsea Ellis Bloch | Casting Director |
| Ellen S. Gordon | Unit Production Manager |
| Garrett Grant | Unit Production Manager |
| K.C. Hodenfield | First Assistant Director |
| Ben White | Second Assistant Director |
| J.J. Perry | Second Unit Director |
| Ari Nikjeh | Visual Effects Producer |
| Jay Pelissier | Supervising Art Director |
| Ricky Aguierre | Art Director |
| Julian Ashby | Art Director |
| Arte Contreras | Art Director |
| Nathan Krochmal | Art Director |
| Arielle Ness-Cohn | Art Director |
| Chris Cortner | Set Designer |
| Maggie Ditre | Set Designer |
| George Lee McDonnell | Set Designer |
| Emma Sparer | Set Designer |
| Yolande Thame | Set Designer |
| Whit Norris | Sound Mixer |
| Anna-Elisa Mackowiak | Production Supervisor |
| Jody Blose | Script Supervisor |
| Michael Saunders | First Assistant Director |
| Jill Somers | Key Second Assistant Directors |
| Fady Hadid | Post-Production Supervisor |
| Brandon Cano-Erecart | Additional Editor |
| Ray Neapolitan | Assistant Editor |
| Nathan Bruner | Assistant Editor |
| Clint Bennett | Music Editor |
| Chris Newlin | Music Editor |
| Andrew DeCristofaro | Supervising Sound Editor |
| Darren Warkentin | Supervising Sound Editor |
| Mark Paterson | Re-recording Mixer |
| Will Files | Re-recording Mixer |
| Lee Gilmore | Supervising Sound Effects Editor/Designer |
| Will Files | Sound Designer |
| Chris Terhune | Sound Designer |
| David Farmer | Sound Designer |
| Michael Payne | Sound Effects Editor |
| Angelo Palazzo | Sound Effects Editor |
| Tony Lamberti | Sound Effects Editor |
| Luis Galdames | Sound Effects Editor |
| David Stanke | First Assistant Sound Editor |
| Bruce Tanis | Foley Supervisor |
| Darrin Mann | Foley Mixer |
| Edward Hanley | Costume Supervisor |
| Jeri Baker | Hairstylist |
| Jacqueline Bell | Hairstylist |
| Robert Wilson | Hairstylist |
| Kimberly Jones | Make up |
| Amanda Bianchi | Make up |
| Miles Henley | Location Manager |
| Catherine Kagan | Location Manager |
| Jennifer Gentile | Set Decorator |
| Mark Hawker | Special Effects Supervisor |
| Jon Valera | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.