Spain Box Office for Blended (2014)
Theatrical Performance (US$) | ||
Spain Box Office | $2,322,878 | Details |
Worldwide Box Office | $127,990,741 | Details |
Home Market Performance | ||
North America DVD Sales | $14,840,175 | Details |
North America Blu-ray Sales | $5,660,864 | Details |
Total North America Video Sales | $20,501,039 | |
Further financial details... |
Synopsis
After a disastrous blind date, single parents Lauren and Jim agree on only one thing: they never want to see each other again. But when they each sign up separately for a fabulous family vacation with their kids, they are all stuck sharing a suite at a luxurious African safari resort for a week.
Metrics
Movie Details
Production Budget: | $45,000,000 |
Spain Releases: | June 27th, 2014 (Wide) |
Video Release: | August 26th, 2014 by Warner Home Video |
MPAA Rating: | PG-13 for crude and sexual content, and language. (Rating bulletin 2306, 1/22/2014) |
Running Time: | 117 minutes |
Keywords: | Blind Date, Single Parent, Family Vacations, Gratuitous Cameos, Romantic Comedy, Young Child Dealing with the Death of a Parent, Death of a Spouse or Fiancée / Fiancé, Romance, Dysfunctional Family |
Source: | Original Screenplay |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Gulfstream Pictures, Happy Madison |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for August 26th, 2014
August 26th, 2014
This is not a good week for new releases on the home market. For one thing, the biggest first-run release is Blended (DVD or Blu-ray ComboPack) which is also one of the worst movies of the summer. There are many TV on DVD releases that helped pick up the slack somewhat, but it still feels like a shallow week. As for Pick of the Week contenders, there are not many. The Normal Heart (DVD or Blu-ray) and Belle (Blu-ray) are the two most likely candidates, but I kind of want to give it to Gravity Falls: Even Stranger (DVD). In the end, I went with The Normal Heart.
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International Box Office: Transformers Continue On Top
July 24th, 2014
Transformers: Age of Extinction continues its lock on top spot earning $84.6 million in 58 markets for totals of $662.6 million internationally and $889.6 million worldwide. It is about a week away from becoming the first film released in 2014 to hit the $1 billion mark and it will top Dark of the Moon's international numbers in the process. This weekend, the film opened in first place in Germany with $11.16 million on 645 screens over the weekend for a total opening of $12.84 million. It also pulled in first place in France with $8.91 million on 890 screens. It earned first place in Italy with $3.87 million on 850 screens over the weekend for a total of $5.24 million. Its "biggest" opening of the weekend was in Brazil where it made $16.13 million, but that was with previews. Over the weekend it made $5.71 million on 504 screens. That's a lot of previews. The film's biggest market to date is China, where it has pulled in $306.28 million, including $26.08 million over the past week. However, it has been knocked out of top spot by a local hit.
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International Box Office: Transformers in Their Prime
July 9th, 2014
Transformers: Age of Extinction remained in first place with $95.8 million in 37 markets over the weekend for totals of $400.9 million internationally and $576.3 million worldwide. Its best market remains China, where it added $120.61 million for the full week giving it a total of $222.74 million after two. These numbers are important for two reasons. Firstly, revised totals in China put the film's opening there ahead of its debut in North America. Stunning. Secondly, the film is already ahead of Avatar's final figure in that market. Granted, it's barely above Avatar's pace, as that film pulled in $221.9 million after ten days of release, but that is still great news. It held up better than most films do in South Korea earning $8.05 million on 1,096 screens over the weekend for a total of $34.62 million. In Russia, the film added $7.04 million on 2,171 screens over the weekend for a total of $35.38 million after two. The last major market was Australia, where it pulled in $4.54 million on 623 screens over the weekend for a two-week total of $17.32 million.
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International Box Office: Beginning of a New Age
July 2nd, 2014
Transformers: Age of Extinction earned top spot on the international chart with $201.3 million on 10,015 screens in 37 markets. This includes a record $99.81 million opening in China, which is basically a rounding error away from its North American debut. It also broke the record in Russia with $21.23 million on 2,171 screens. Its opening in South Korea was nearly identical with $15.88 million on 1,597 screens over the weekend for a total opening of $21.98 million. The final major market of the weekend was Australia, where it pulled in $8.30 million on 623 screens over the weekend for a total opening of $9.56 million. The film likely cost about $300 million to make and advertise, so it still needs work to break even, but this is an amazing start.
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International Box Office: Bewitching the Box Office
June 25th, 2014
Maleficent rose to first place with $47.9 million in 54 markets for totals of $340.8 million internationally and $526.7 million worldwide. It became the first live-action film in Angelina Jolie's career to reach the $500 million mark. The film opened in first place in China with $22.01 million. Up next for the film is Japan and if it does well there, it could top Kung Fu Panda 2 as Angelina Jolie's biggest hit.
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Weekend Wrap-Up: Maleficent is Magnificent Enough
June 2nd, 2014
It was a mostly good weekend at the box office with Maleficent earning first place with nearly $70 million, which was on the very high end of expectations. On the other hand, A Million Ways to Die in the West failed to match the low end of expectations. Overall, the box office pulled in $165 million, which is 11% lower than last weekend. That's not bad for a post-holiday weekend. Compared to last year, the box office was higher, albeit by 0.6%, which is much lower than ticket price inflation. Considering I thought it would be worse than this, I'm calling a 0.6% increase a victory. Year-to-date, 2014 remains ahead of 2013, but by $133 million or 3.3% at $4.16 billion to $4.02 billion. If June is as bad as May, then 2014 could slip behind 2013 entirely.
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Weekend Estimates: Maleficent Magnificent
June 1st, 2014
Disney’s $180 million gamble on Maleficent looks to have paid off this weekend, with Angelina Jolie’s starring role carrying the film to a $70 million opening weekend, in spite of middling reviews. The film is as much a triumph for Jolie as World War Z was for husband Brad Pitt. They truly are Hollywood’s power couple.
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Weekend Predictions: Will the New Releases Die at the Box Office?
May 29th, 2014
The weekend after a long weekend is never the best time of year to release a new movie, but at this point, summer vacation has begun for a lot of people, so both new releases should still have a lot of potential at the box office. Maleficent is the origin story for the villain from Sleeping Beauty. It should earn first place with ease. A Million Ways to Die in the West is the latest from Seth MacFarlane, but it is not earning as much praise as Ted did and its box office chances are not as strong as a result. The box office will certainly be lower than it was last weekend. However, we are more concerned with the comparison with last year. This weekend last year, there were two wide releases, Now You See Me and After Earth, but neither opened with more than $30 million. Granted, Fast and Furious 6 earned $35 million over the weekend, but that's still lower than usual for a number one film during summer weekend. The top three films this weekend should be better than the top three films last weekend, but I think 2014's depth will hurt it in the year-over-year comparison.
Weekend Wrap-Up: X-Men Earn Monster Opening, but Overall Box Office Still Down
May 27th, 2014
X-Men: Days of Future Past easily won the weekend race at the box office earning more than $100 million over the four-day weekend. That's great news and it helped the overall box office grow by 5% to $187 million over the three-day weekend from last week. That's the good news. The bad news the other new release, Blended, bombed and the three-day weekend was down 27% from the same weekend last year. In fact, this year's four-day weekend total of $231 million was 9% lower than last year's three-day total and 26% lower than the four-day weekend from last year. That's a devastating collapse. The only saving grace is last year was a record-breaking Memorial Day long weekend, so a sharp drop-off isn't that unexpected. So far, 2014 has pulled in $3.95 billion, which is 4% more than 2013's running tally of $3.80 billion.
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Weekend Estimates: X-Men Joins 2014 $90 Million Club
May 25th, 2014
Another weekend, another $90 million opener. This time, there’s an asterisk at least, because X-Men: Days of Future Past will “open” with $110 million, thanks to the four day Memorial Day long weekend, giving Fox an arguable claim to the biggest weekend of the year, and the first $100 million debut. The reality, however, is that it will line up in fourth place when comparing 3-day weekends, with Captain America still out in front, thanks to its $95 million opening back in April. May has seen the three other $90 million-plus weekends, with Godzilla second ($93 million) and The Amazing Spider-Man 2 third ($91.6 million).
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Weekend Predictions: Will the X-Men Opening be Remembered in the Future
May 22nd, 2014
It is Memorial Day long weekend and the box office is looking strong. X-Men: Days of Future Past should dominate the box office chart and there are some who think it will have the best opening of the year so far. Blended is playing the role of counter-programing this week and should do well in that role opening in third place. Meanwhile, the rest of the top five will be filled with Godzilla, Neighbors, and The Amazing Spider-Man 2, all of which should still pull in $10 million or more. By comparison, this weekend last year, there were six films that earned more than $10 million over the four-day weekend, led by Fast and Furious 6, which earned a four-day opening of $117.04 million There are some who think X-Men: Days of Future Past will top that figure. I really hope so. However, even if it does, last year was a record-breaking Memorial Day long weekend and I don't think 2014 will match it.
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2014 Preview: May
May 1st, 2014
It has been a great year so far and April was again a strong month. The box office was led by Captain America: The Winter Soldier, as it became the second film of the year to reach $200 million, while Rio 2 is on pace to become the seventh $100 million hit of the year. Big picture, 2014 has already hit $3 billion, which isn't a record for this time of the year, but it is $250 million ahead of 2013. That streak ends in May. Don't get me wrong. There are six films opening this month that at least have a shot at $100 million and two of those should earn more than $200 million and there are two others that at least have a shot at that milestone. Leading the way is The Amazing Spider-Man 2, which is looking to top The Winter Soldier and become the second biggest hit of the year so far. Its main competition this month is X-men: Days of Future Past, while Godzilla also has a shot at $200 million. Unfortunately, this month last year, Iron Man 3 earned more than $400 million, while two other films took in $200 million and seven films in total reached the century mark. That is going to be really hard to replicate this year and 2014 will likely lose some of its lead over 2013. Fortunately, 2014 has such a big lead that unless the box office really slumps, it will end the month with at least a small lead over 2013.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/06/27 | 2 | $527,362 | 219 | $2,408 | $527,362 | 1 | |
2014/07/04 | 4 | $317,730 | -40% | 233 | $1,364 | $1,252,647 | 2 |
2014/07/11 | 4 | $225,199 | -29% | 245 | $919 | $1,725,932 | 3 |
2014/07/18 | 6 | $165,815 | -26% | 212 | $782 | $2,101,654 | 4 |
2014/07/25 | 8 | $85,177 | -49% | 188 | $453 | $2,322,878 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/5/2014 | $0 | 0 | 50 | 141 | $1,611,906 | 12/30/2018 |
Australia | 6/12/2014 | $0 | 0 | 199 | 537 | $4,404,786 | 12/17/2015 |
Austria | 5/23/2014 | $0 | 0 | 60 | 245 | $1,169,503 | 12/17/2015 |
Belgium | 6/11/2014 | $0 | 0 | 20 | 40 | $131,038 | 12/17/2015 |
Bolivia | 6/12/2014 | $0 | 0 | 8 | 27 | $287,744 | 12/30/2018 |
Brazil | 7/17/2014 | $1,256,404 | 304 | 320 | 935 | $6,740,147 | 12/17/2015 |
Bulgaria | 5/30/2014 | $0 | 0 | 18 | 59 | $128,166 | 12/30/2018 |
Chile | 6/5/2014 | $0 | 0 | 21 | 50 | $375,218 | 12/30/2018 |
Colombia | 6/13/2014 | $0 | 0 | 91 | 245 | $1,902,465 | 12/30/2018 |
Croatia | 7/3/2014 | $13,456 | 16 | 17 | 65 | $78,604 | 12/30/2018 |
Ecuador | 6/13/2014 | $0 | 0 | 54 | 222 | $474,809 | 12/30/2018 |
Egypt | 5/28/2014 | $0 | 0 | 6 | 22 | $173,351 | 12/30/2018 |
Estonia | 7/11/2014 | $16,492 | 7 | 8 | 20 | $54,724 | 12/17/2015 |
Finland | 6/27/2014 | $56,840 | 59 | 59 | 135 | $176,614 | 12/17/2015 |
Germany | 5/22/2014 | $0 | 0 | 203 | 622 | $2,790,597 | 12/17/2015 |
Greece | 6/19/2014 | $0 | 0 | 19 | 32 | $116,692 | 12/15/2015 |
Hong Kong | 7/10/2014 | $150,761 | 49 | 49 | 90 | $371,240 | 12/17/2015 |
Hungary | 7/3/2014 | $164,216 | 53 | 53 | 209 | $753,809 | 12/30/2018 |
Iceland | 6/11/2014 | $0 | 0 | 2 | 3 | $31,380 | 12/30/2018 |
India | 5/30/2014 | $0 | 0 | 4 | 4 | $366,079 | 12/15/2015 |
Indonesia | 7/4/2014 | $106,713 | 61 | 61 | 103 | $348,792 | 12/30/2018 |
Israel | 7/3/2014 | $292,086 | 22 | 24 | 93 | $1,192,282 | 12/30/2018 |
Italy | 7/2/2014 | $186,211 | 126 | 136 | 454 | $857,884 | 12/17/2015 |
Kenya | 6/6/2014 | $0 | 0 | 2 | 7 | $32,591 | 12/30/2018 |
Latvia | 7/11/2014 | $11,461 | 7 | 7 | 17 | $37,002 | 12/30/2018 |
Lebanon | 6/12/2014 | $0 | 0 | 7 | 24 | $172,657 | 12/30/2018 |
Lithuania | 7/11/2014 | $22,816 | 9 | 9 | 25 | $63,939 | 12/17/2015 |
Malaysia | 6/12/2014 | $0 | 0 | 25 | 39 | $374,695 | 12/17/2015 |
Mexico | 6/25/2014 | $2,265,147 | 1105 | 1105 | 3816 | $11,459,109 | 12/17/2015 |
Netherlands | 7/24/2014 | $303,749 | 69 | 69 | 69 | $335,088 | 12/17/2015 |
New Zealand | 6/19/2014 | $0 | 0 | 46 | 129 | $413,889 | 12/17/2015 |
Nigeria | 6/6/2014 | $0 | 0 | 11 | 11 | $53,942 | 12/30/2018 |
North America | 5/23/2014 | $14,284,031 | 3,555 | 3,555 | 14,592 | $46,290,741 | |
Norway | 7/11/2014 | $19,069 | 23 | 23 | 23 | $19,069 | 12/16/2015 |
Peru | 6/12/2014 | $0 | 0 | 80 | 207 | $1,740,738 | 12/30/2018 |
Philippines | 6/11/2014 | $0 | 0 | 0 | 0 | $302,840 | 12/30/2018 |
Poland | 7/4/2014 | $67,858 | 112 | 124 | 397 | $409,114 | 12/30/2018 |
Portugal | 7/3/2014 | $103,390 | 26 | 29 | 105 | $336,761 | 12/17/2015 |
Romania | 6/20/2014 | $0 | 0 | 38 | 141 | $439,553 | 12/30/2018 |
Russia (CIS) | 6/19/2014 | $0 | 0 | 912 | 1369 | $5,633,810 | 12/30/2018 |
Serbia and Montenegro | 7/3/2014 | $8,057 | 14 | 14 | 56 | $52,377 | 12/30/2018 |
Singapore | 6/5/2014 | $0 | 0 | 5 | 13 | $582,590 | 12/17/2015 |
Slovakia | 7/3/2014 | $52,320 | 42 | 42 | 103 | $199,668 | 12/17/2015 |
Slovenia | 7/10/2014 | $0 | 0 | 9 | 18 | $43,520 | 12/17/2015 |
South Africa | 7/4/2014 | $220,808 | 76 | 78 | 300 | $848,550 | 12/17/2015 |
Spain | 6/27/2014 | $527,362 | 219 | 245 | 1097 | $2,322,878 | 12/17/2015 |
Sweden | 6/27/2014 | $22,850 | 14 | 14 | 24 | $47,892 | 12/15/2015 |
Switzerland | 5/22/2014 | $0 | 0 | 20 | 68 | $1,163,551 | 12/17/2015 |
Taiwan | 6/20/2014 | $0 | 0 | 70 | 164 | $1,402,575 | 12/17/2015 |
Turkey | 6/13/2014 | $0 | 0 | 82 | 143 | $665,112 | 12/30/2018 |
Ukraine | 6/19/2014 | $0 | 0 | 112 | 233 | $497,519 | 12/30/2018 |
United Arab Emirates | 6/12/2014 | $0 | 0 | 21 | 88 | $1,593,394 | 12/30/2018 |
Uruguay | 6/19/2014 | $0 | 0 | 14 | 56 | $616,528 | 12/30/2018 |
Venezuela | 7/4/2014 | $298,999 | 21 | 29 | 105 | $2,953,555 | 12/17/2015 |
Vietnam | 5/30/2014 | $0 | 0 | 4 | 4 | $344,977 | 12/30/2018 |
Rest of World | $22,002,687 | ||||||
Worldwide Total | $127,990,741 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Adam Sandler | Jim Friedman |
Drew Barrymore | Lauren Reynolds |
Supporting Cast
Kevin Nealon | Eddy |
Terry Crews | Nickens |
Wendi McLendon-Covey | Jen |
Bella Thorne | Hilary |
Joel McHale | Mark |
Abdoulaye N'Gom | Mfana |
Jessica Lowe | Ginger |
Braxton Beckham | Brendan |
Emma Fuhrmann | Espn |
Alyvia Alyn Lind | Lou |
Kyle Red Silverstein | Tyler |
Zak Henri | Jake |
Shaquille O'Neal | Doug |
Dan Patrick | Dick |
Jacqueline Sandler | Hollywood Stepmom |
Sunny Sandler | Wall Street Stepdaughter |
Sadie Sandler | Little League Announcer |
Judith Sandler | Little League Announcer's Grandma |
Alexis Arquette | Georgina |
Katheryn Cain | British Stepmom |
Susan Yeagley | Southern Stepmom |
Aimee Goldsmith | Wall Street Stepmom |
Mary Pat Gleason | Pharmacy Cashier |
Dale Steyn | Dale |
Allen Covert | 220 Tom |
Tim Herlihy | Basketball Dad |
Hugo McKerron | Basketball Son |
Jared Sandler | Cute Teenage Boy |
Chris April | Safety Director |
Vivian Shabalala | Thathoo Harmony Group |
Zenzozenkosi Dubazane | Thathoo Harmony Group |
Albert Mhlongo | Thathoo Harmony Group |
Arnold Ndlovu | Thathoo Harmony Group |
Thokozani Duma | Thathoo Harmony Group |
Goodwill Ngwane | Thathoo Harmony Group |
Jabulani Dludla | Thathoo Harmony Group |
Inos Phungula | Thathoo Harmony Group |
Wellington Mncube | Thathoo Harmony Group |
Josette Eales | Massage Instructor |
Lauren Lapkus | Tracy |
Anna Colwell | Bubbles |
Marissa Raisor | Bethany |
Ashley Pike | Britney |
Casey Luckey | Bunny |
Jonathan Loughran | Umpire |
Chris Titone | Umpire |
Rob Moran | Baseball Dad |
Michael Buscemi | Baseball Dad |
Max Karz | Little League Pitcher |
Jackie Goldston | Closet Client |
Joey Karz | Client's Son |
Dylan Karz | Client's Son |
Simon Sibonelo Vilakazi | Waiter |
Gregg Bright | Wall Street Husband |
Hannah Covert | Dick's Kid #1 |
Abigail Covert | Face Painting Girl |
Nikki Walker | African Storyteller |
Cullen Deuce Tonry | Little Boy |
Dambuza Mdledle | African Barber |
Zwelithin Mathebula | Villager |
Ishmael Kakasa | Villager |
Isaac Kakasa | Villager |
Mikayla Park | Kissing Woman in Boat |
J. D. Donaruma | Standard Fence Coach |
Robert Harvey | Baseball Fan |
Bill Romanowski | Baseball Fan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Frank Coraci | Director |
Mike Karz | Producer |
Adam Sandler | Producer |
Jack Giarraputo | Producer |
Ivan Menchell | Screenwriter |
Clare Sera | Screenwriter |
Barry Bernardi | Executive Producer |
Josie Rosen | Executive Producer |
Tim Herlihy | Executive Producer |
Allen Covert | Executive Producer |
Steve Koren | Executive Producer |
Julio Macat | Director of Photography |
Perry Andelin Blake | Production Designer |
Tom Costain | Editor |
Christine Wada | Costume Designer |
Rupert Gregson-Williams | Composer |
Angela Demo | Casting Director |
Barbara J. McCarthy | Casting Director |
Kevin Grady | Co-Producer |
Aimee Keen | Co-Producer |
Kevin Grady | Music Supervisor |
Brooks Arthur | Music Supervisor |
Daryl Kass | Unit Production Manager |
Dianne Beatty | Unit Production Manager |
Justin Muller | First Assistant Director |
John M. Morse | Second Assistant Director |
Patricia Wheeler | Second Assistant Director |
Andile Pakade | Second Assistant Director |
Bryan Brucks | Co-Producer |
Alan Au | Art Director |
Andrew Orlando | Art Director |
Drew Monahan | Assistant Art Director |
Guy Potgieter | Assistant Art Director |
Lauren Adams | Art Department Coordinator |
Christo Strydom | Art Department Coordinator |
Karen O'Hara | Set Decorator |
Andrew McCarthy | Set Decorator |
Ronit Ravich-Boss | Script Supervisor |
Nancy Capper | Costume Supervisor |
Jayne Forbes | Costume Supervisor |
Ann Pala | Makeup Department Head |
Corina Duran-Rabichuk | Make up |
Kim Santantonio | Hair Department Head |
Jose Zamora | Hairstylist |
Nadine Prigge | Make up Supervisor |
Richard Kite | Sound Mixer |
Conrad Kuhne | Sound Mixer |
Bob Shelley | Special Effects Coordinator |
John Smith | Special Effects Coordinator |
Lisa Reynolds | Special Effects Foreman |
Elizabeth Tyson | Production Coordinator |
Donovan Roberts-Baxter | Production Supervisor |
David Louw | Assistant Production Supervisor |
Frank Masi | Still Photographer |
David Bloomer | Still Photographer |
Fred Mpuuga | Storyboard Artist |
Meg Tanner | Hair Supervisor |
Simone Stubbs | Hairstylist |
Mark Hyland | Special Effects |
Leanne Mullon | Special Effects |
Christopher September | Special Effects |
Hennie Jooste | Special Effects |
Tyler Spindel | Second Unit Director |
Stephen Shapiro | First Assistant Editor |
J.J. Titone | Assistant Editor |
Jamie Keeney | Visual Effects Editor |
Aimee Keen | Post-Production Supervisor |
Sean Ware | Visual Effects Producer |
Tateum Kohut | Re-recording Mixer |
Greg Orloff | Re-recording Mixer |
Elmo Weber | Supervising Sound Editor |
Ulrika Akander | Dialogue Editor |
Robert C. Jackson | Dialogue Editor |
Darrin Mann | Foley Mixer |
J. J. George | Music Editor |
Stu Grusin | Music Editor |
Frank Wolf | Score Recordist |
Nick Wollage | Score Mixer |
James Roberson | Score Coordinator |
Peter G. Travers | Visual Effects Supervisor |
Grant Hulley | Stunt Coordinator |
Johann Spilhaus | Assistant Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.