Germany Box Office for Blackhat (2015)
Theatrical Performance (US$) | ||
Germany Box Office | $965,588 | Details |
Worldwide Box Office | $19,665,004 | Details |
Home Market Performance | ||
North America DVD Sales | $1,777,941 | Details |
North America Blu-ray Sales | $1,477,331 | Details |
Total North America Video Sales | $3,255,272 | |
Further financial details... |
Synopsis
A furloughed convict and his American and Chinese partners hunt a high-level cybercrime network from Chicago to Los Angeles to Hong Kong to Jakarta.
Metrics
Movie Details
Production Budget: | $70,000,000 |
Germany Releases: | February 6th, 2015 (Wide) |
Video Release: | May 5th, 2015 by Universal Home Entertainment |
MPAA Rating: | R for violence and some language. (Rating bulletin 2340, 9/17/2014) |
Running Time: | 133 minutes |
Keywords: | Internet, Terrorism, Life on the Outside, Confidential Informant, Revenge, Cybercrimes, Criminals Working With Cops, Action Thriller |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Legendary Pictures, Forward Pass |
Production Countries: | United States |
Languages: | Cantonese, English, Mandarin |
Home Market Numbers: Fifty Shades Continues its Perfect Run
June 4th, 2015
The second major change in news articles this week is the consolidation of the home market columns and using the Combined DVD and Blu-ray Sales Chart. It is kind of a bad week for this change, as the new releases were a disappointment; 50 Shades of Grey remained on top on both the Blu-ray sales chart and the DVD sales chart. It sold an additional 896,000 units and generated $15.82 million for the week giving it totals of 2.27 million units / $40.20 million.
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Home Market Numbers: Fifty Shades Brightens the Home Market
May 30th, 2015
There were a lot of new releases to reach the top twenty on the Blu-ray sales chart this week. This includes 50 Shades of Grey, which is already the fifth best selling Blu-ray of 2015. Needless to say, this meant the overall Blu-ray sales were a lot stronger than last week. There were 89% more units sold and 77% higher revenue. Compared to last year, there were 72% more units sold and 47% higher revenue. The overall DVD market also grew, but not as much as much as the Blu-ray market rose and this helped the overall Blu-ray share rocket to 45%.
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DVD and Blu-ray Releases for May 12th, 2015
May 11th, 2015
It is a typical summer week on the home market with little to no prime releases. The biggest release of the week is Still Alice, which earned $18 million in theaters. That's not bad for a limited release. It is better than some of the wide releases that came out earlier this year. Fortunately, the Blu-ray is also the best new release of the week and it is the Pick of the Week. In fact, it isn't even close as there are no other contenders for that title.
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Weekend Wrap-Up: Sniper Stable, While Next Door Survives
January 27th, 2015
As expected, American Sniper earned first place, but it did so with a much stronger sophomore stint. As for the new releases, The Boy Next Door matched expectations (nearly) perfectly but the other two missed the Mendoza Line. Overall, the box office was down 21% to $159 million; however, this is good for a post-holiday weekend. Compared to last year, the overall box office was 37% higher. This kind of year-over-year growth usually only happens when holidays are misaligned. Year-to-date, 2015 is ahead of 2014 by 4.1% at $856 million to $823 million. It is obviously too soon to celebrate, but after last year's losses, I'll take any reason to be optimistic.
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Weekend Wrap-Up: Sniper Earns Even More Records
January 21st, 2015
American Sniper opened wide after a record-breaking run on limited release and it topped expectations. I know, that's an understatement, but in my defense, I don't think there's anybody that seriously predicted American Sniper would earn $107 million during the four-day weekend. A lot of people didn't think it would earn $107 million in total. Both The Wedding Ringer and Paddington did okay business, all things considering, while Blackhat was also released this past weekend. Overall, the box office was $203 million over the three-day period, which was 61% more than last weekend. More importantly, it was 15% more than the same weekend last year. 2015 is still behind 2014 in the year-to-date comparison, but it closed the gap to just just under $20 million or 2.9%.
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Weekend Estimates: American Sniper Shatters January Record
January 18th, 2015
American Sniper was confidently expected to top the box office charts this weekend, and to give Clint Eastwood his best weekend as a director, but no-one was predicting that the film would break the record for the biggest weekend in January by over $20 million. As of Sunday morning, that’s what Warner Bros. is projecting for the film with their official weekend estimate standing at $90,205,000 from 3,555 theaters. Since the film had already played for three weeks in exclusive engagements, it will also grab the crown for biggest fourth weekend at the box office.
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Weekend Predictions: Can Sniper Expand into First Place?
January 16th, 2015
There are four films opening or expanding wide this Martin Luther King Day weekend. American Sniper is expanding wide after its record-breaking limited release run. The Wedding Ringer is expected to earn second place, while Paddington and Blackhat are the other wide releases. They have opposite results when it comes to reviews, but I fear neither will find an audience in theaters. This weekend last year was led by Ride Along with $41.52 million. I don't think American Sniper will match that, nor do I think the overall box office is quite as strong, so 2015 will probably lose the year-over-year comparison. Hopefully it will be close.
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2015 Preview: January
January 1st, 2015
2014 is over and for the most part, December was a soft ending to a weak year. This is bad news for two reasons. Firstly, it means the overall box office is still soft and it is unlikely that January will start strong. Secondly, last January was a great month, thanks in part to Frozen and other holdovers. The slump can't last forever and Taken 3 should help 2015 get off to a reasonably fast start and it even has a shot at $100 million. American Sniper got off to a really fast start in limited release, so it too could be a hit when it expands wide. By comparison, last January was led by Ride Along, but there were only two other films that didn't completely bomb. I want to say 2015 will start out on a winning note, but given the box office losing streak, it will likely pay to be pessimistic.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/5/2023 | $0 | 0 | 0 | 0 | $0 | |
France | 3/20/2015 | $349,558 | 0 | 0 | 0 | $672,983 | 8/21/2018 |
Germany | 2/6/2015 | $523,246 | 0 | 0 | 0 | $965,588 | 8/22/2018 |
Hong Kong | 1/23/2015 | $193,835 | 60 | 60 | 91 | $286,622 | 11/25/2018 |
Italy | 3/13/2015 | $253,913 | 0 | 0 | 0 | $376,520 | 11/6/2018 |
Netherlands | 1/23/2015 | $175,119 | 65 | 65 | 155 | $392,241 | 11/21/2018 |
North America | 1/16/2015 | $3,901,815 | 2,567 | 2,568 | 5,371 | $8,005,980 | 1/18/2017 |
Poland | 1/16/2015 | $46,745 | 0 | 0 | 0 | $95,659 | 12/30/2018 |
Russia (CIS) | 1/30/2015 | $557,728 | 684 | 684 | 1349 | $836,826 | 11/19/2018 |
Spain | 1/30/2015 | $453,517 | 271 | 271 | 819 | $663,485 | 11/28/2018 |
Taiwan | 1/16/2015 | $258,262 | 0 | 0 | 0 | $574,078 | 11/2/2018 |
Turkey | 1/16/2015 | $83,085 | 50 | 50 | 99 | $220,216 | 12/30/2018 |
United Kingdom | 2/20/2015 | $226,802 | 0 | 0 | 0 | $226,802 | 8/27/2018 |
Rest of World | $6,348,004 | ||||||
Worldwide Total | $19,665,004 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Chris Hemsworth | Nicholas Hathaway |
Supporting Cast
Wei Tang | Chen Lien |
Viola Davis | Carol Barrett |
Ritchie Coster | Kassar |
Holt McCallany | Mark Jessup |
Yorick van Wageningen | Sadak |
Wang Lee-Hom | Chen Dawai |
Christian Borle | Jeff Robichaud |
Manny Montana | Alonzo Reyes |
Andy On | Alex Trang |
John Ortiz | Henry Pollack |
Brandon Molale | Sort Guard |
Danny Burstein | Associate Warden Jeffries |
Archie Kao | Shum |
Abhi Sinha | Daniels |
Jason Butler Harner | George Reinker |
Spencer Garrett | Gary Baker |
Shi Liang | Lieutenant Colonel Zhao |
David McKinney | Waiter |
Sophia Santi | Mrs. Novo |
Cheung Siu-fai | Chow |
Tommy Wong | Johnny Li |
Courtney Wu | Samuel Wu |
Adrian Pang | Keith Yan |
Kirt Kishita | Paul Wang |
Leanne Li | Emergency Worker |
Timothy Ngah | EMT |
William Mapother | Rich Donahue |
Berg Lee Seng Wan | Ambulance Driver |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Michael Mann | Director |
Michael Mann | Screenwriter |
Morgan Davis Foehl | Screenwriter |
Michael Mann | Story Creator |
Morgan Davis Foehl | Story Creator |
Michael Mann | Producer |
Thomas Tull | Producer |
Jon Jashni | Producer |
Alex Garcia | Executive Producer |
Eric McLeod | Executive Producer |
Stuart Dryburgh | Cinematographer |
Guy Hendrix Dyas | Production Designer |
Joe Walker | Editor |
Stephen Rivkin | Editor |
Jeremiah O'Driscoll | Editor |
Mako Kamitsuna | Editor |
John Nelson | Visual Effects Supervisor |
Philip Brennan | Visual Effects Supervisor |
Colleen Atwood | Costume Designer |
Harry Gregson-Williams | Composer |
Atticus Ross | Composer |
Julie Herrin | Co-Producer |
Diane Sabatini | Co-Producer |
Michael J. Malone | Co-Producer |
Michael Solinger | Co-Producer |
Leo Ross | Composer |
Gabe Hilfer | Music Supervisor |
Thomas C. Reta | Supervising Art Director |
Luke Freeborn | Art Director |
Arran Mann | Art Director |
Victor J. Zolfo | Set Decorator |
David A. Cook | Set Decorator |
Paige Augustine | Set Decorator |
Alessandra Querzola | Set Decorator |
Lee Orloff | Sound Mixer |
Tony Lamberti | Sound Designer |
Victor Ray Ennis | Sound Designer |
Victor Ray Ennis | Supervising Sound Editor |
Doug Hemphill | Re-recording Mixer |
Andy Nelson | Re-recording Mixer |
Tony Lamberti | Re-recording Mixer |
Bruno Van Zeebroeck | Special Effects Coordinator |
Amber Kirsch | Visual Effects Producer |
Petra Holtorf-Stratton | Visual Effects Producer |
Lisa Satriano | Assistant Director |
Peter Thorell | Assistant Director |
Anastacia Nemec | Assistant Director |
Mikey Eberle | Assistant Director |
Julie Lau | Assistant Director |
Yap Wai Yin | Assistant Director |
Brian Chew | Assistant Director |
Bryan H. Carroll | Associate Producer |
Maggie Chieffo | Associate Producer |
Bonnie Timmermann | Casting Director |
Rebecca Boyle | Script Supervisor |
Jessica Clothier | Script Supervisor |
Chu Chung On | Line Producer |
John Radel | Line Producer |
Bill Donovan | Line Producer |
Elza Hidayat | Production Supervisor |
Thomas Milano | Music Editor |
Katrina Schiller | Music Editor |
Pete Snell | Music Editor |
Clint Bennett | Music Editor |
Sally Boldt | Music Editor |
Joe E. Rand | Music Editor |
Peter Myles | Music Editor |
Philip Tallman | Music Editor |
Julie Pearce | Music Editor |
Barbara McDermott | Music Editor |
Mark Jan Wlodarkiewicz | Music Editor |
Slamm Andrews | Music Editor |
Stephen Lotwis | Music Editor |
Al Clay | Score Mixer |
C. Scott Baker | Set Designer |
Mark Hitchler | Set Designer |
Patricia Klawonn | Set Designer |
Thomas T. Taylor | Set Designer |
Stacy Horn | Costume Supervisor |
Jane Seow | Costume Supervisor |
Jane Galli | Make up |
Tyson Fountaine | Make up |
Kathrine Gordon | Hairstylist |
Karen Triest | Sound Effects Editor |
Hector Gika | Sound Effects Editor |
Jay Wilkinson | Sound Effects Editor |
Jeff Sawyer | Sound Effects Editor |
John J. Morris | Sound Effects Editor |
Bill R. Dean | Sound Effects Editor |
Jon Title | Sound Effects Editor |
Ronald Eng | Dialogue Editor |
Julie Feiner | Dialogue Editor |
Laura R Harris | Dialogue Editor |
Michael Szakmeister | Dialogue Editor |
Chi Shui Tim | Special Effects Supervisor |
Vellasamy Sinniah | Special Effects Supervisor |
Joe Farrell | Special Effects Supervisor |
Viktor Muller | Visual Effects Supervisor |
Eric Barba | Visual Effects Supervisor |
Paul Lambert | Visual Effects Supervisor |
Vit Komrzy | Visual Effects Producer |
Lisa K. Spence | Visual Effects Producer |
Carla Schwam | Visual Effects Producer |
Lisa Beroud | Visual Effects Producer |
Daniel Brimer | Visual Effects Producer |
Doug Coleman | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.