Germany Box Office for Blackhat (2015)

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Blackhat poster
Theatrical Performance (US$)
Germany Box Office $965,588Details
Worldwide Box Office $19,665,004Details
Home Market Performance
North America DVD Sales $1,777,941 Details
North America Blu-ray Sales $1,477,331 Details
Total North America Video Sales $3,255,272
Further financial details...

Synopsis

A furloughed convict and his American and Chinese partners hunt a high-level cybercrime network from Chicago to Los Angeles to Hong Kong to Jakarta.

Metrics

Movie Details

Production Budget:$70,000,000
Germany Releases: February 6th, 2015 (Wide)
Video Release: May 5th, 2015 by Universal Home Entertainment
MPAA Rating: R for violence and some language.
(Rating bulletin 2340, 9/17/2014)
Running Time: 133 minutes
Keywords: Internet, Terrorism, Life on the Outside, Confidential Informant, Revenge, Cybercrimes, Criminals Working With Cops, Action Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Legendary Pictures, Forward Pass
Production Countries: United States
Languages: Cantonese, English, Mandarin

Home Market Numbers: Fifty Shades Continues its Perfect Run

June 4th, 2015

Fifty Shades of Grey

The second major change in news articles this week is the consolidation of the home market columns and using the Combined DVD and Blu-ray Sales Chart. It is kind of a bad week for this change, as the new releases were a disappointment; 50 Shades of Grey remained on top on both the Blu-ray sales chart and the DVD sales chart. It sold an additional 896,000 units and generated $15.82 million for the week giving it totals of 2.27 million units / $40.20 million. More...

Home Market Numbers: Fifty Shades Brightens the Home Market

May 30th, 2015

Fifty Shades of Grey

There were a lot of new releases to reach the top twenty on the Blu-ray sales chart this week. This includes 50 Shades of Grey, which is already the fifth best selling Blu-ray of 2015. Needless to say, this meant the overall Blu-ray sales were a lot stronger than last week. There were 89% more units sold and 77% higher revenue. Compared to last year, there were 72% more units sold and 47% higher revenue. The overall DVD market also grew, but not as much as much as the Blu-ray market rose and this helped the overall Blu-ray share rocket to 45%. More...

DVD and Blu-ray Releases for May 12th, 2015

May 11th, 2015

Welcome to Me

It is a typical summer week on the home market with little to no prime releases. The biggest release of the week is Still Alice, which earned $18 million in theaters. That's not bad for a limited release. It is better than some of the wide releases that came out earlier this year. Fortunately, the Blu-ray is also the best new release of the week and it is the Pick of the Week. In fact, it isn't even close as there are no other contenders for that title. More...

Weekend Wrap-Up: Sniper Stable, While Next Door Survives

January 27th, 2015

American Sniper poster

As expected, American Sniper earned first place, but it did so with a much stronger sophomore stint. As for the new releases, The Boy Next Door matched expectations (nearly) perfectly but the other two missed the Mendoza Line. Overall, the box office was down 21% to $159 million; however, this is good for a post-holiday weekend. Compared to last year, the overall box office was 37% higher. This kind of year-over-year growth usually only happens when holidays are misaligned. Year-to-date, 2015 is ahead of 2014 by 4.1% at $856 million to $823 million. It is obviously too soon to celebrate, but after last year's losses, I'll take any reason to be optimistic. More...

Weekend Wrap-Up: Sniper Earns Even More Records

January 21st, 2015

American Sniper poster

American Sniper opened wide after a record-breaking run on limited release and it topped expectations. I know, that's an understatement, but in my defense, I don't think there's anybody that seriously predicted American Sniper would earn $107 million during the four-day weekend. A lot of people didn't think it would earn $107 million in total. Both The Wedding Ringer and Paddington did okay business, all things considering, while Blackhat was also released this past weekend. Overall, the box office was $203 million over the three-day period, which was 61% more than last weekend. More importantly, it was 15% more than the same weekend last year. 2015 is still behind 2014 in the year-to-date comparison, but it closed the gap to just just under $20 million or 2.9%. More...

Weekend Estimates: American Sniper Shatters January Record

January 18th, 2015

American Sniper poster

American Sniper was confidently expected to top the box office charts this weekend, and to give Clint Eastwood his best weekend as a director, but no-one was predicting that the film would break the record for the biggest weekend in January by over $20 million. As of Sunday morning, that’s what Warner Bros. is projecting for the film with their official weekend estimate standing at $90,205,000 from 3,555 theaters. Since the film had already played for three weeks in exclusive engagements, it will also grab the crown for biggest fourth weekend at the box office. More...

Weekend Predictions: Can Sniper Expand into First Place?

January 16th, 2015

American Sniper poster

There are four films opening or expanding wide this Martin Luther King Day weekend. American Sniper is expanding wide after its record-breaking limited release run. The Wedding Ringer is expected to earn second place, while Paddington and Blackhat are the other wide releases. They have opposite results when it comes to reviews, but I fear neither will find an audience in theaters. This weekend last year was led by Ride Along with $41.52 million. I don't think American Sniper will match that, nor do I think the overall box office is quite as strong, so 2015 will probably lose the year-over-year comparison. Hopefully it will be close. More...

2015 Preview: January

January 1st, 2015

Taken 3 poster

2014 is over and for the most part, December was a soft ending to a weak year. This is bad news for two reasons. Firstly, it means the overall box office is still soft and it is unlikely that January will start strong. Secondly, last January was a great month, thanks in part to Frozen and other holdovers. The slump can't last forever and Taken 3 should help 2015 get off to a reasonably fast start and it even has a shot at $100 million. American Sniper got off to a really fast start in limited release, so it too could be a hit when it expands wide. By comparison, last January was led by Ride Along, but there were only two other films that didn't completely bomb. I want to say 2015 will start out on a winning note, but given the box office losing streak, it will likely pay to be pessimistic. More...

Weekend Box Office Performance

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 12/5/2023 00$0
France 3/20/2015 $349,558 0 0 0 $672,983 8/21/2018
Germany 2/6/2015 $523,246 0 0 0 $965,588 8/22/2018
Hong Kong 1/23/2015 $193,835 60 60 91 $286,622 11/25/2018
Italy 3/13/2015 $253,913 0 0 0 $376,520 11/6/2018
Netherlands 1/23/2015 $175,119 65 65 155 $392,241 11/21/2018
North America 1/16/2015 $3,901,815 2,567 2,568 5,371 $8,005,980 1/18/2017
Poland 1/16/2015 $46,745 0 0 0 $95,659 12/30/2018
Russia (CIS) 1/30/2015 $557,728 684 684 1349 $836,826 11/19/2018
Spain 1/30/2015 $453,517 271 271 819 $663,485 11/28/2018
Taiwan 1/16/2015 $258,262 0 0 0 $574,078 11/2/2018
Turkey 1/16/2015 $83,085 50 50 99 $220,216 12/30/2018
United Kingdom 2/20/2015 $226,802 0 0 0 $226,802 8/27/2018
 
Rest of World $6,348,004
 
Worldwide Total$19,665,004 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Chris Hemsworth Nicholas Hathaway

Supporting Cast

Wei Tang Chen Lien
Viola Davis Carol Barrett
Ritchie Coster Kassar
Holt McCallany Mark Jessup
Yorick van Wageningen Sadak
Wang Lee-Hom Chen Dawai
Christian Borle Jeff Robichaud
Manny Montana Alonzo Reyes
Andy On Alex Trang
John Ortiz Henry Pollack
Brandon Molale Sort Guard
Danny Burstein Associate Warden Jeffries
Archie Kao Shum
Abhi Sinha Daniels
Jason Butler Harner George Reinker
Spencer Garrett Gary Baker
Shi Liang Lieutenant Colonel Zhao
David McKinney Waiter
Sophia Santi Mrs. Novo
Cheung Siu-fai Chow
Tommy Wong Johnny Li
Courtney Wu Samuel Wu
Adrian Pang Keith Yan
Kirt Kishita Paul Wang
Leanne Li Emergency Worker
Timothy Ngah EMT
William Mapother Rich Donahue
Berg Lee Seng Wan Ambulance Driver

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Mann Director
Michael Mann Screenwriter
Morgan Davis Foehl Screenwriter
Michael Mann Story Creator
Morgan Davis Foehl Story Creator
Michael Mann Producer
Thomas Tull Producer
Jon Jashni Producer
Alex Garcia Executive Producer
Eric McLeod Executive Producer
Stuart Dryburgh Cinematographer
Guy Hendrix Dyas Production Designer
Joe Walker Editor
Stephen Rivkin Editor
Jeremiah O'Driscoll Editor
Mako Kamitsuna Editor
John Nelson Visual Effects Supervisor
Philip Brennan Visual Effects Supervisor
Colleen Atwood Costume Designer
Harry Gregson-Williams Composer
Atticus Ross Composer
Julie Herrin Co-Producer
Diane Sabatini Co-Producer
Michael J. Malone Co-Producer
Michael Solinger Co-Producer
Leo Ross Composer
Gabe Hilfer Music Supervisor
Thomas C. Reta Supervising Art Director
Luke Freeborn Art Director
Arran Mann Art Director
Victor J. Zolfo Set Decorator
David A. Cook Set Decorator
Paige Augustine Set Decorator
Alessandra Querzola Set Decorator
Lee Orloff Sound Mixer
Tony Lamberti Sound Designer
Victor Ray Ennis Sound Designer
Victor Ray Ennis Supervising Sound Editor
Doug Hemphill Re-recording Mixer
Andy Nelson Re-recording Mixer
Tony Lamberti Re-recording Mixer
Bruno Van Zeebroeck Special Effects Coordinator
Amber Kirsch Visual Effects Producer
Petra Holtorf-Stratton Visual Effects Producer
Lisa Satriano Assistant Director
Peter Thorell Assistant Director
Anastacia Nemec Assistant Director
Mikey Eberle Assistant Director
Julie Lau Assistant Director
Yap Wai Yin Assistant Director
Brian Chew Assistant Director
Bryan H. Carroll Associate Producer
Maggie Chieffo Associate Producer
Bonnie Timmermann Casting Director
Rebecca Boyle Script Supervisor
Jessica Clothier Script Supervisor
Chu Chung On Line Producer
John Radel Line Producer
Bill Donovan Line Producer
Elza Hidayat Production Supervisor
Thomas Milano Music Editor
Katrina Schiller Music Editor
Pete Snell Music Editor
Clint Bennett Music Editor
Sally Boldt Music Editor
Joe E. Rand Music Editor
Peter Myles Music Editor
Philip Tallman Music Editor
Julie Pearce Music Editor
Barbara McDermott Music Editor
Mark Jan Wlodarkiewicz Music Editor
Slamm Andrews Music Editor
Stephen Lotwis Music Editor
Al Clay Score Mixer
C. Scott Baker Set Designer
Mark Hitchler Set Designer
Patricia Klawonn Set Designer
Thomas T. Taylor Set Designer
Stacy Horn Costume Supervisor
Jane Seow Costume Supervisor
Jane Galli Make up
Tyson Fountaine Make up
Kathrine Gordon Hairstylist
Karen Triest Sound Effects Editor
Hector Gika Sound Effects Editor
Jay Wilkinson Sound Effects Editor
Jeff Sawyer Sound Effects Editor
John J. Morris Sound Effects Editor
Bill R. Dean Sound Effects Editor
Jon Title Sound Effects Editor
Ronald Eng Dialogue Editor
Julie Feiner Dialogue Editor
Laura R Harris Dialogue Editor
Michael Szakmeister Dialogue Editor
Chi Shui Tim Special Effects Supervisor
Vellasamy Sinniah Special Effects Supervisor
Joe Farrell Special Effects Supervisor
Viktor Muller Visual Effects Supervisor
Eric Barba Visual Effects Supervisor
Paul Lambert Visual Effects Supervisor
Vit Komrzy Visual Effects Producer
Lisa K. Spence Visual Effects Producer
Carla Schwam Visual Effects Producer
Lisa Beroud Visual Effects Producer
Daniel Brimer Visual Effects Producer
Doug Coleman Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.