Australia Box Office for Bitter Harvest (2017)
| Theatrical Performance (US$) | ||
| Australia Box Office | $24,530 | Details |
| Worldwide Box Office | $606,162 | Details |
| Home Market Performance | ||
| North America DVD Sales | $211,841 | Details |
| Total North America Video Sales | $211,841 | |
| Further financial details... | ||
Synopsis
As Stalin advances the ambitions of the burgeoning Soviet Union, a young artist named Yuri battles to survive famine, imprisonment and torture to save his childhood sweetheart Natalka from the “Holodomor,” the death-by-starvation program which ultimately killed millions of Ukrainians. Against this tragic backdrop, Yuri escapes from a Soviet prison and joins the anti-Bolshevik resistance movement as he battles to reunite with Natalka and continue the fight for a free Ukraine.
Metrics
Movie Details
| Production Budget: | $21,000,000 |
| Australia Releases: | February 24th, 2017 (Wide) |
| Video Release: | June 13th, 2017 by Lionsgate Home Entertainment |
| MPAA Rating: | R for violence and disturbing images. (Rating bulletin 2454 (Cert #50598), 12/7/2016) |
| Running Time: | 103 minutes |
| Keywords: | 1930s, Genocide, Political Prisoner, Tortured for Information, Artists, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Andamar Entertianment |
| Production Countries: | Canada |
| Languages: | English |
Home Market Releases for June 13th, 2017
June 12th, 2017
It’s a good week, but a shallow weak. The biggest release of the week is The Lego Batman Movie, which is also one of the best. There are a couple of other big releases that are must haves, like Dark Matter: Season Two, but the size and quality quickly drop-off after that. As for the Pick of the Week, the John Wick: Chapter Two Blu-ray Combo Pack claims that title.
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Theater Averages: From A to Zucchini
March 1st, 2017
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My Life as a Zucchini topped the per theater chart with an average of $14,529 in two theaters. The only other film in the $10,000 club was the overall number one film, Get Out, which earned an average of $12,002.
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Limited and VOD Releases: Give the Gift of Zucchini
February 24th, 2017
January and February are terrible months to release a limited release movie. Not only is it way too soon to earn Oscar buzz, but the competition includes a ton of last year’s crop of Oscar contenders. Worse still, this is Oscar weekend. I’m not saying there are no good movies coming out. My Life as a Zucchini is an Oscar-nominated film and it deserves to be seen. The Girl with all the Gifts feels like it is being dumped on VOD, but the reviews suggest it could find an audience on the home market.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/02/24 | - | $12,742 | 10 | $1,274 | $13,221 | 1 | |
| 2017/03/03 | - | $4,016 | -68% | 6 | $669 | $22,137 | 2 |
| 2017/03/10 | - | $1,180 | -71% | 6 | $197 | $24,530 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 2/24/2017 | $12,742 | 10 | 10 | 22 | $24,530 | 3/13/2017 |
| France | 2/22/2023 | $0 | 0 | 0 | 0 | $0 | |
| North America | 2/24/2017 | $219,357 | 127 | 127 | 261 | $557,241 | |
| Spain | 6/16/2017 | $8,751 | 37 | 37 | 58 | $15,087 | 6/29/2017 |
| United Kingdom | 2/24/2017 | $9,304 | 41 | 41 | 41 | $9,304 | 3/1/2017 |
| Worldwide Total | $606,162 | 6/29/2017 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Max Irons | Yuri |
| Samantha Barks | Natalka |
| Barry Pepper | Yaroslav |
| Tamer Hassan | Sergei |
| Terence Stamp | Ivan |
Supporting Cast
| Aneurin Barnard | Mykola |
| Alex Pecherytsia | Vlodio |
| Ostap Stupka | Ihor Boyko |
| Tom Austen | Taras |
| William Beck | Stefan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| George Mendeluk | Director |
| Richard Bachynsky-Hoover | Screenwriter |
| George Mendeluk | Screenwriter |
| Richard Bachynsky-Hoover | Story by |
| Ian Ihnatowycz | Producer |
| Stuart Baird | Producer |
| George Mendeluk | Producer |
| Chad Barager | Producer |
| Jaye Gazeley | Producer |
| Dennis Davidson | Executive Producer |
| Peter D. Graves | Executive Producer |
| William J. Immerman | Executive Producer |
| Richard Bachynsky-Hoover | Executive Producer (Ukraine) |
| Camilla Storey | Co-Producer |
| Tamer Hassan | Co-Producer |
| Doug Milsome | Director of Photography |
| Stuart Baird | Editor |
| Lenka Svab | Editor |
| Volodymyr Radlinskiy | Production Designer |
| Martin Hitchcock | Production Designer |
| Ganna Tavlinkska | Production Designer |
| Christine Allsopp | Make-up and Hair Designer |
| Rupert Simon | Make-up and Hair Designer |
| Gala Otenko | Costume Designer |
| Tatyana Fedotova | Costume Designer |
| Dan Hubbard | Casting Director |
| Benjamin Wallfisch | Composer |
| Claire Freeman | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.