United Kingdom Box Office for Bastille Day (2016)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $2,854,482 | Details |
| Worldwide Box Office | $8,831,974 | Details |
| Further financial details... | ||
Synopsis
Michael Mason is an American pickpocket living in Paris who finds himself hunted by the CIA when he steals a bag that contains more than just a wallet. Sean Briar, the field agent on the case, soon realizes that Michael is just a pawn in a much bigger game and is also his best asset to uncover a large-scale conspiracy. Going against commands, Briar recruits Michael to use his expert pick-pocketing skills to help quickly track down the source of the corruption. As a 24-hour thrill ride ensues, the unlikely duo discover they are both targets and must rely upon each other in order to take down a common enemy.
Metrics
Movie Details
| United Kingdom Releases: | April 22nd, 2016 (Wide) |
| Video Release: | November 18th, 2016 by Focus Features |
| MPAA Rating: | R for violence, language and some nudity. (Rating bulletin 2404 (Cert #49182), 12/16/2015) |
| Running Time: | 91 minutes |
| Keywords: | Confidence Men, C.I.A., Terrorism, Pickpocket, Early / Simultaneous Video-on-Demand release, Falsely Accused |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | StudioCanal, Anton Capital Investors, Amazon Prime Instant Video, Vendome Pictures, TFI Films, Canal Plus, Cine Plus, Anonymous Content |
| Production Countries: | France, United States |
| Languages: | English, French |
Home Market Releases for February 07th, 2017
February 7th, 2017
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The winter releases are starting to come out on the home market. Trolls is the biggest such release, but it isn’t the best. It isn’t bad either, but it’s for kids and not adult fans of animation. As for the best, there are a quartet of contenders for Pick of the Week; Loving, The Eagle Huntress, Little Sister, and Two Lovers and a Bear. All four are must haves, while Loving’s Blu-ray Combo Pack is the Pick of the Week. Meanwhile, Two Lovers and a Bear’s DVD is the Puck of the Week for Best Canadian Release.
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Theater Averages: Manchester is Something to Sea, Earns $64,125
November 23rd, 2016
Manchester by the Sea led the way on the theater average chart with an average of $64,125 in four theaters. That isn’t the best average we’ve seen this year, but it is fourth place for a 2016 release. Fantastic Beasts and Where to Find Them earned first place on the overall chart and second place with $17,954 on this chart. Nocturnal Animals earned an average of $13,315 in 37 theaters. That’s an impressive average considering how wide it was playing. Best Worst Thing That Ever Could Have Happened earned an average of $11,745 in two theaters. Meanwhile, the re-release of Daughters of the Dust was the final film in the $10,000 club earning $10,842 in its lone theater.
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Limited and VOD Releases: Limited Releases Need Some Animal Magnetism
November 18th, 2016
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There are few films on this week’s list, but most of them are earning good reviews. Two of them, Manchester by the Sea and Nocturnal Animals, are also earning Oscar buzz and I wouldn’t be surprised of both did very well on the per theater average chart. On the other hand, I’m interested in seeing Girls und Panzer The FILM.
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Home Market Releases for November 15th, 2016
November 15th, 2016
There are several prime releases on this week’s Home Market report. This includes the biggest film of the week, Finding Dory, which was previously named Pick of the Week. I suspect a lot of people reading this have pre-ordered the Blu-ray already. Other contenders for Pick of the Week include Game of Thrones: Season Six and Rush: Time Stands Still on Blu-ray. I’m awarding Pick of the Week to Game of Thrones, while Rush gets Puck of the Week, for best Canadian release.
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Limited and VOD Releases: See a Limited Releases During Your Coffee Break
July 15th, 2016
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It’s not a grand week for limited releases. Café Society is the only big release of the week and while its reviews and its pedigree suggest it should be a hit, it might be the only hit of the week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/04/22 | 3 | $1,097,421 | 439 | $2,500 | $1,097,421 | 1 | |
| 2016/04/29 | 5 | $489,560 | -55% | 417 | $1,174 | $2,249,930 | 2 |
| 2016/05/06 | 9 | $113,516 | -77% | 219 | $518 | $2,656,951 | 3 |
| 2016/05/13 | 16 | $59,112 | -48% | 122 | $485 | $2,794,108 | 4 |
| 2016/05/20 | 26 | $17,547 | -70% | 60 | $292 | $2,865,462 | 5 |
| 2016/05/27 | 25 | $7,175 | -59% | 25 | $287 | $2,911,672 | 6 |
| 2016/06/03 | 36 | $620 | -91% | 5 | $124 | $2,889,528 | 7 |
| 2016/06/10 | 44 | $248 | -60% | 4 | $62 | $2,854,482 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 11/25/2016 | $82,149 | 59 | 59 | 92 | $136,808 | 1/1/2019 |
| Australia | 5/13/2016 | $153,899 | 128 | 128 | 282 | $315,663 | 6/9/2016 |
| Bulgaria | 6/3/2016 | $6,617 | 0 | 0 | 0 | $14,299 | 2/26/2019 |
| China | 9/20/2016 | $780,000 | 8391 | 8391 | 8391 | $2,148,284 | 8/27/2018 |
| Czech Republic | 5/19/2016 | $29,827 | 66 | 66 | 168 | $85,334 | 1/1/2019 |
| Italy | 7/14/2016 | $141,877 | 0 | 0 | 0 | $300,593 | 7/27/2016 |
| Lithuania | 5/13/2016 | $0 | 0 | 0 | 0 | $13,223 | 6/9/2016 |
| Mexico | 9/22/2016 | $434,138 | 0 | 0 | 0 | $801,739 | 10/4/2016 |
| Netherlands | 5/4/2016 | $98,137 | 67 | 67 | 313 | $663,385 | 6/28/2016 |
| New Zealand | 5/13/2016 | $27,485 | 31 | 34 | 107 | $81,706 | 8/1/2016 |
| North America | 11/18/2016 | $41,546 | 100 | 100 | 100 | $50,269 | |
| Poland | 6/3/2016 | $37,121 | 0 | 0 | 0 | $37,121 | 12/31/2018 |
| Portugal | 9/9/2016 | $33,377 | 27 | 28 | 65 | $68,340 | 10/5/2016 |
| Russia (CIS) | 7/29/2016 | $114,287 | 400 | 3237 | 3649 | $231,099 | 12/31/2018 |
| South Korea | 10/10/2016 | $394,389 | 422 | 422 | 639 | $663,618 | 11/9/2016 |
| Switzerland | 4/6/2016 | $227,583 | 31 | 31 | 31 | $227,583 | 6/9/2016 |
| Turkey | 4/27/2016 | $53,728 | 98 | 98 | 215 | $138,428 | 2/26/2019 |
| United Kingdom | 4/22/2016 | $1,097,421 | 439 | 439 | 1291 | $2,854,482 | 6/22/2016 |
| Worldwide Total | $8,831,974 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Idris Elba | Sean Briar |
| Richard Madden | Michael Mason |
| Charlotte Le Bon | Zoe Naville |
Supporting Cast
| Kelly Reilly | Karen Dacre |
| Jose Garcia | Victor Gamieux |
| Anatol Yusef | Tom Luddy |
| James Cox | Pierre |
| Eriq Ebouaney | Baba |
| Thierry Godard | Rafi Bertrand |
| Vincent Londez | Yannick Bertrand |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| James Watkins | Director |
| Andrew Baldwin | Screenwriter |
| James Watkins | Screenwriter |
| Philippe Rousselet | Producer |
| David Kanter | Producer |
| Bard Dorros | Producer |
| Michael Dreyer | Executive Producer |
| Fabrice Gianfermi | Executive Producer |
| Guy Stodel | Executive Producer |
| Steve Golin | Executive Producer |
| Olivier Courson | Executive Producer |
| Ron Halpern | Executive Producer |
| Dan Macrae | Executive Producer |
| Raphael Benoliel | Co-Producer |
| Alex Heffes | Composer |
| Tim Maurice-Jones | Director of Photography |
| Paul Kirby | Production Designer |
| Jon Harris | Editor |
| Daniel Phillips | Make-up and Hair Designer |
| Guy Speranza | Costume Designer |
| Michael Laguens | Casting Director |
| Julie Harkin | Casting Director |