Slovakia Box Office for Bad Santa 2 (2016)
Theatrical Performance (US$) | ||
Slovakia Box Office | $23,574 | Details |
Worldwide Box Office | $23,345,113 | Details |
Home Market Performance | ||
North America DVD Sales | $1,444,324 | Details |
North America Blu-ray Sales | $1,237,179 | Details |
Total North America Video Sales | $2,681,503 | |
Further financial details... |
Synopsis
Fueled by cheap whiskey, greed and hatred, Willie teams up once again with his angry little sidekick, Marcus, to knock off a Chicago charity on Christmas Eve. Along for the ride is ‘the kid’ — chubby and cheery Thurman Merman, a 250-pound ray of sunshine who brings out Willie’s sliver of humanity. Mommy issues arise when the pair are joined by Willie’s horror story of a mother, Sunny Soke. A super butch super bitch, Sunny raises the bar for the gang’s ambitions, while somehow lowering the standards of criminal behavior. Willie is further burdened by lusting after the curvaceous and prim Diane, the charity director with a heart of gold and libido of steel.
Metrics
Movie Details
Production Budget: | $26,000,000 |
Slovakia Releases: | December 2nd, 2016 (Wide) |
Video Release: | February 14th, 2017 by Miramax Video |
MPAA Rating: | R for crude sexual content and language throughout, and some graphic nudity. (Rating bulletin 2440 (Cert #50643), 8/31/2016) |
Running Time: | 92 minutes |
Franchise: | Bad Santa |
Keywords: | Delayed Sequel, Christmas in November, Christmas, Santa Claus Impersonators, Heist, Dwarfism, Addiction, Black Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Broad Green Pictures, Miramax Films, Ingenious Media |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 14th, 2017
March 15th, 2017
There are a few Oscar-nominated films on this week’s list. However, it was still hard to come up with a Pick of the Week release. Most of them were like Elle with great reviews and weak extras. The DVD for Drunk History: Season Four has more than two hours of extras, but I admit it is an acquired taste. Fortunately, we do have a clear winner: The Love Witch on Blu-ray.
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Home Market Releases for February 21st, 2017
February 21st, 2017
Did you know Oscars are being handed out next week? If you didn’t already know that, you would be able to figure that out, as there are five major Oscar nominees on this week’s list. Two of those, Jackie and Moana, are VOD releases, so that limits the choices for Pick of the Week. In fact, only Manchester by the Sea was a contender for Pick of the Week. Unfortunately for that film, I got to the review for Doctor Strange a week early and I’m awarding it the Pick of the Week this week. It is out on VOD right now, but I would wait a week for the Blu-ray Combo Pack.
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Home Market Releases for February 14th, 2017
February 13th, 2017
It is an interesting week with four top-notch releases. Unfortunately, two of those releases, Doctor Strange and Moonlight, are VOD only. This leaves just two contenders for Pick of the Week: Arrival and The Edge of Seventeen. Both are absolute must haves, but Arrival’s Blu-ray or 4K Ultra HD Combo Pack have far more extras and it is the Pick of the Week.
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Thursday Night Previews: Office Parties with $950,000
December 9th, 2016
Office Christmas Party got off to a wild start last night with $950,000 during its previews. This is much better than the $350,000 Bad Santa 2 earned last month, but that was a Tuesday preview. The Night Before might be a better comparison and it earned $550,000 during its Thursday previews. If Office Christmas Party has the same legs, then it will earn $17 million over the weekend, but its weaker reviews will likely get in the way.
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Weekend Predictions: Will the Box Office get an Early Christmas Gift?
December 8th, 2016
There is only one wide release this week, Office Christmas Party. There are also two films expanding semi-wide, Miss Sloane and Nocturnal Animals. I doubt both of them will make the top ten, but I would be equally surprised if neither did. At the beginning of the month, I assumed Office Christmas Party would win this weekend, but it is looking like Moana has a shot at the threepeat. It could be a really close race with the two films changing positions on the daily chart. Meanwhile, this weekend last year, In the Heart of the Sea bombed earning just $11.05 million on a $100 million budget. The Hunger Games: Mockingjay, Part 2 earned first place with $11.41 million. Both Office Christmas Party and Moana will top that with ease. Fantastic Beasts and Where to Find Them might also beat that. On the other hand, last year there were four films that earned more than $10 million, while this year there will be no more than 3. I still think 2016 will win, but it could be close.
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Weekend Wrap-Up: Moana Sails to Victory with $28.27 million
December 6th, 2016
As expected, Moana dominated the weekend box office chart with a $10 million lead over its nearest competitor earning $28.27 million. Fantastic Beasts and Where to Find Them also did well with $18.12 million. Unfortunately, those were the only two films to earn more than $10 million over the weekend and this left the overall box office down a massive 48% from last weekend to just $95 million. Worse still, this is 2.8% lower than the same weekend last year. I’m actually surprised it’s that close, because there were four films that earned more than $10 million last year, including the biggest new release, Krampus. 2016 was able to crack $10 billion before the weekend and has a very substantial lead at $10.12 billion to $9.66 billion for 2015.
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Weekend Wrap-up: Moana Takes on Beast Over Thanksgiving Weekend
November 29th, 2016
As expected, Moana earned first place over the Thanksgiving weekend and became the biggest true opener in the holiday’s history. (Technically Frozen opened in limited release the week before and as we learned from Futurama, technically correct is the best kind of correct.) The film was a little more front-loaded than expected and nearly matched our predictions. Fantastic Beasts and Where to Find Them held on better than predicted and that one-two punch helped the overall box office grow 17% from last weekend to $184 million, over the three-day portion of the weekend. This is nearly identical to the same weekend last year; in fact, it was up by less than 1%. Year-to-date, 2016 has pulled in $9.99 billion. 2016 will soon become the eighth year in a row to reach the $10 billion milestone. This is 5.0% / $470 million above last year’s pace. I’ve been saying for a while that we needed to enter December with a $300 million advantage over 2015 in order to come out ahead at the end of the year, so this is great news.
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Weekend Estimates: Moana Sails to Thanksgiving Win
November 27th, 2016
November 26th, 2016
Moana remained the dominant film at the box office on Friday, pulling in $21.86 million. This is lower than the $23 million we were hoping for yesterday, but it still puts the film on pace to break the record for the biggest Thanksgiving opening, currently held by Tangled at $48.77 million / $68.71 million. (Frozen opened in limited release the week before Thanksgiving, so it technically doesn’t hold the record for best Thanksgiving opening, although it does have the best Thanksgiving weekend for an animated film with $67.4 million / $93.6 million.) Moana should earn just under $55 million over the three-day weekend for a five-day total of just over $80 million. This would put the film in a tie with Toy Story 2 for sixth place on the list of all-time best Thanksgiving weekends, depending on how well it does for the rest of the weekend. Furthermore, its 98% positive reviews and its A rating from CinemaScore suggest long legs going forward. It should still be in a lot of theaters on Christmas day.
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November 24th, 2016
Moana started its box office run in first place, which is no shock. However, it did so with an opening day of $15.68 million. This is the new record for the biggest Wednesday before Thanksgiving, topping the previous record-holder, Frozen, which managed $15.16 million back in 2013. Frozen is also the biggest animated hit worldwide, so I don’t think using it is a good idea. Instead, let’s use The Good Dinosaur, which opened this time last year with $9.76 million. If the two films have the same legs, then Moana will earn $62.90 million / $89.09 million over the three-day / five day weekend. That’s a little higher than predicted and it might be too cautious. Moana’s reviews are 97% positive, while its CinemaScore is a solid A. The Good Dinosaur’s reviews were only 77% positive, although it too earned an A from CinemaScore. Hopefully the reviews will translate into better legs and an even bigger opening weekend.
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November 23rd, 2016
Thanksgiving weekend is one of the most lucrative weekends of the year and this time around we could have a relatively close battle between a new release, Moana, and last week’s number one film, Fantastic Beasts and Where to Find Them. At least that’s what analysts thought, before we saw the preview numbers. None of the rest of the new wide releases are expected to do much. Allied could become a midlevel hit, but I would be surprised if its budget was only midlevel. Bad Santa 2 is on its way to becoming another comedy sequel that bombs. If Rules Don’t Apply’s previews are any indication, it will become one of the worst box office performers of the year. This weekend last year, The Hunger Games: Mockingjay, Part 2 beat The Good Dinosaur rather easily. However, Fantastic Beasts started slower than Moana, so I think we will have a new winner this week.
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November 17th, 2016
There are four films opening next week, but only one of them, Moana, is going to be a major factor at the box office. Allied looks like it will be a midlevel hit, but it likely cost a serious amount of money to make, so a midlevel hit won’t be enough. Finally, there are limited releases coming out that will top Bad Santa 2 or Rules Don’t Apply. Because the new releases are so lop-sided, Moana is the only serious choice for the target film in this week’s Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Moana.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting or either a full-season TV on DVD release, two movies, or three single-discs kids movies, winners’ choice, from our collection or previously reviewed titles.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will the final Frankenprize, as described above.
Remember, while Moana opens on Wednesday, we only care about the Friday through Sunday three-day weekend.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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November 1st, 2016
October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
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Friday Estimates: Moana Adds $21.83 million on Black Friday to Earn a Technical Record
Wednesday Estimates: Moana Freezes Frozen with Record-Setting $15.68 million
Weekend Predictions: Moana Takes on Beast Over Thanksgiving Weekend
Contest: Say Thanks
2016 Preview: November
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/12/02 | 6 | $14,839 | 53 | $280 | $14,839 | 1 | |
2016/12/09 | 10 | $3,348 | -77% | 27 | $124 | $21,529 | 2 |
2016/12/23 | 15 | $981 | 4 | $245 | $23,574 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/25/2016 | $437,809 | 205 | 205 | 705 | $1,051,686 | 12/28/2016 |
Bulgaria | 11/25/2016 | $13,228 | 0 | 0 | 0 | $34,400 | 2/26/2019 |
Czech Republic | 12/2/2016 | $18,675 | 72 | 72 | 105 | $27,374 | 1/1/2019 |
Italy | 12/7/2016 | $346,257 | 0 | 0 | 0 | $896,802 | 1/5/2017 |
Lithuania | 12/16/2016 | $10,547 | 90 | 90 | 98 | $22,199 | 1/10/2017 |
Netherlands | 11/25/2016 | $61,935 | 27 | 27 | 89 | $184,442 | 12/21/2016 |
New Zealand | 11/25/2016 | $47,402 | 52 | 52 | 136 | $114,614 | 12/19/2016 |
North America | 11/23/2016 | $6,176,680 | 2,920 | 2,945 | 8,544 | $17,782,176 | |
Poland | 11/25/2016 | $58,586 | 0 | 0 | 0 | $69,124 | 12/31/2018 |
Portugal | 12/2/2016 | $32,395 | 19 | 19 | 48 | $58,093 | 12/29/2016 |
Russia (CIS) | 12/2/2016 | $364,509 | 704 | 704 | 1444 | $709,372 | 12/31/2018 |
Slovakia | 12/2/2016 | $14,839 | 53 | 53 | 84 | $23,574 | 12/29/2016 |
Slovenia | 11/25/2016 | $7,321 | 14 | 14 | 41 | $21,770 | 12/28/2016 |
United Kingdom | 11/25/2016 | $995,957 | 423 | 423 | 1278 | $2,349,487 | 12/20/2016 |
Worldwide Total | $23,345,113 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Billy Bob Thornton | Willie Soke |
Supporting Cast
Kathy Bates | Sunny Soke |
Tony Cox | Marcus Skidmore |
Christina Hendricks | Diane Hastings |
Brett Kelly | Thurman Merman |
Ryan Hansen | Regent Hastings |
Jenny Zigrino | Gina De Luca |
Jeff Skowron | Dorfman |
Mike Starr | Jolly Santa |
Cristina Rosato | Alice |
Octavia Spencer | Opal |
Ranee Lee | Choirmaster |
Selah Victor | Breast Feeding Mom |
Lombardo Boyar | Valet Boss |
Dean Hagopian | Costume Greeter |
Marc-Andre Boulanger | Tatooed Jail Dude |
Sean Devine | Jail Guard |
Maria Herrera | Bus Driver |
Christopher Tyson | AA Meeting Jason |
Tyrone Benskin | AA Group Leader |
Bineyam Girma | Pedicab Driver |
Valerie Wiseman | Greta |
Arthur Holden | Buttslap Santa |
David Correa | Peeing Boy |
Violet Reid | Grand Rapids Girl |
Ethan Caminsky | Video Game Boy |
Daniela De Gregorio | Stuffed Cow Girl |
Piper Davies | Penguin Girl |
Noah Tran | Hand Grenade Boy |
Kyle Switzer | Angry Drugstore Worker |
Huntington Daly | Mustang Owner |
Clarrel Pope | Valet |
Jason Brillanties | Valet |
Linda Nourse | Volunteer Greeter |
Frank Fiola | Bartender |
Jason Cavalier | Chicago Policeman |
Vlado Stokanic | Santa Con Bouncer |
Richard Anderson | Santa Con Bouncer |
Dany Wiseman | Piano Player |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mark Waters | Director |
Johnny Rosenthal | Screenwriter |
Shauna Cross | Screenwriter |
Glenn Ficarra | Based on Characters Created by |
John Requa | Based on Characters Created by |
Andrew Gunn | Producer |
Geyer Kosinski | Producer |
Zanne Devine | Executive Producer |
David Thwaites | Executive Producer |
Daniel Hammond | Executive Producer |
Gabriel Hammond | Executive Producer |
Mark Waters | Executive Producer |
Jessica Tuchinsky | Executive Producer |
Adam Fields | Executive Producer |
Doug Ellin | Executive Producer |
Theo Van de Sande | Director of Photography |
Isabelle Guay | Production Designer |
Travis Sittard | Editor |
Mario Davignon | Costume Designer |
Jeffrey Lampert | Co-Producer |
Tracy McKnight | Music Supervisor |
Lyle Workman | Composer |
Lisa Beach | Casting Director |
Sarah Katzman | Casting Director |
Helene Ross | Production Manager |
Andrew Shea | First Assistant Director |
Renato DeCotiis | Second Assistant Director |
Dave McKeown | Stunt Coordinator |
Dave McKeown | Second Unit Director |
Robert Parle | Art Director |
Jean-Pierre Paquet | Art Director |
Michel Clement | First Assistant Art Director |
Paul Hotte | Key Set Decorator |
Daniel Hamelin | Set Decorator |
Marie-Soleil Denomme | Set Decorator |
Frederic Berthiaume | Set Decorator |
Jean Gagnon | Set Designer |
Etienne Gravrand | Set Designer |
David Gaucher | Set Designer |
Simon Poudrette | Sound Mixer |
Fabienne April | Costume Supervisor |
Colleen Quinton | Make up |
Ronald J. Rolfe | Hairstylist |
Lisa Rodgers | Post-Production Supervisor |
Becky Sullivan | Supervising Sound Editor |
Terry Porter | Re-recording Mixer |
Anna Behlmer | Re-recording Mixer |
Steve La Ponsie | First Assistant Director |
Richard Saulnier II | Assistant Editor |
Louis Craig | Special Effects Supervisor |
Carole Gauthier | Special Effects Coordinator |
Isabelle Faivre-Duboz | Script Supervisor |
Michele St-Arnaud | Location Manager |
Steve Eccelsine | Line Producer |
Elaine Dysinger | Unit Production Manager |
Sebastien Moreau | Visual Effects Executive Producer |
Andre U Montambeaul | Visual Effects Supervisor |
Daniel Lavoie | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.