Portugal Box Office for Uma Mulher Não Chora (2017)
Theatrical Performance (US$) | ||
Portugal Box Office | $41,305 | Details |
Worldwide Box Office | $4,997,844 | Details |
Further financial details... |
Synopsis
Out of nowhere, Katja’s life falls apart when her husband Nuri and little son Rocco are killed in a bomb attack. Her friends and family try to give her the support she needs, and Katja somehow manages to make it through the funeral. But the mind numbing search for the perpetrators and reasons behind the senseless killing complicate Katja’s painful mourning, opening wounds and doubts. Danilo, a lawyer and Nuri’s best friend, represents Katja in the eventual trial against the two suspects: a young couple from the neo-Nazi scene. The trial pushes Katja to the edge, but there’s simply no alternative for her: she wants justice.
Metrics
Movie Details
Portugal Releases: | January 19th, 2018 (Wide), released as Uma Mulher Não Chora |
Video Release: | April 17th, 2018 by Magnolia Home Entertainment |
MPAA Rating: | R for some disturbing images, drug use, and language including sexual references. (Rating bulletin 2503 (Cert #51338), 11/22/2017) |
Running Time: | 105 minutes |
Keywords: | Terrorism, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Neo Nazis |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Bombero Intl. , Warner Brothers Germany, Macassar Productions, Pathe, Dorie Film, Corazon Intl, Filmforderung Hamburg Schleswig-Holstein, The German Federal Film Fund, BKM, Film- und Medienstiftung NRW, The German Federal Film Board, Canal Plus, Cine Plus |
Production Countries: | Germany |
Languages: | German |
Home Market Releases for May 1st, 2018
May 2nd, 2018
It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead.
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2017 Awards Season: Golden Globes Winners
January 7th, 2018
The Golden Globes winners were announced on Sunday and there were a few surprises worth talking about, starting at the top. I was not expecting Three Billboards Outside Ebbing, Missouri to be the big winner of the night, but it was with four wins. Only two other movies, The Shape of Water and Lady Bird, won more than one award during the night.
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Theater Averages: 2017 Ends on a Lucky Note, with Seven Members of the $10,000 Club
January 3rd, 2018
The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters.
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Limited and VOD Releases: Will 2017 Fade Away?
December 29th, 2017
This weekend is very literally the last chance for a film to qualify for the Oscars and for most Awards Season ceremonies, it is too late as voting has already begun. This explains why there are only three films on this week’s list, only two of which have any reviews. Film Stars Don’t Die in Liverpool is easily the best, but I’m still unsure if it will thrive in limited release.
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2017 - Awards Season: Golden Globes - Nominations
December 11th, 2017
The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/01/19 | 16 | $11,494 | 10 | $1,149 | $11,494 | 1 | |
2018/01/26 | 17 | $9,317 | -19% | 9 | $1,035 | $29,114 | 2 |
2018/02/02 | 24 | $2,987 | -68% | 6 | $498 | $36,794 | 3 |
2018/02/09 | 33 | $599 | -80% | 2 | $300 | $38,277 | 4 |
2018/02/16 | - | $607 | +1% | 1 | $607 | $40,764 | 5 |
2018/02/23 | - | $387 | -36% | 2 | $194 | $41,305 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/16/2018 | $10,733 | 0 | 0 | 0 | $16,397 | 1/1/2019 |
Australia | 3/9/2018 | $13,441 | 8 | 8 | 29 | $40,385 | 8/13/2018 |
Bulgaria | 5/11/2018 | $672 | 0 | 0 | 0 | $9,680 | 2/26/2019 |
Czech Republic | 1/5/2018 | $13,608 | 24 | 24 | 51 | $34,651 | 1/1/2019 |
France | 1/19/2018 | $848,149 | 0 | 0 | 0 | $1,976,200 | 6/13/2018 |
Germany | 11/24/2017 | $788,578 | 0 | 0 | 0 | $1,552,125 | 6/29/2018 |
Italy | 3/15/2018 | $278,370 | 0 | 0 | 0 | $517,671 | 9/12/2018 |
Netherlands | 3/30/2018 | $55,097 | 32 | 34 | 127 | $195,537 | 4/23/2018 |
North America | 12/27/2017 | $10,455 | 3 | 35 | 195 | $321,011 | |
Portugal | 1/19/2018 | $11,494 | 10 | 10 | 30 | $41,305 | 2/28/2018 |
Russia (CIS) | 2/23/2018 | $19,082 | 0 | 0 | 0 | $50,912 | 1/1/2019 |
Slovakia | 3/30/2018 | $1,971 | 5 | 5 | 5 | $3,404 | 4/3/2018 |
South Korea | 11/14/2019 | $10,274 | 37 | 37 | 60 | $28,723 | 11/27/2019 |
Spain | 2/23/2018 | $43,467 | 45 | 45 | 45 | $43,467 | 3/1/2018 |
Turkey | 2/1/2018 | $40,723 | 61 | 61 | 122 | $131,956 | 2/26/2019 |
United Kingdom | 6/22/2018 | $34,420 | 36 | 36 | 36 | $34,420 | 6/27/2018 |
Worldwide Total | $4,997,844 | 11/27/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Diane Kruger | Katja |
Supporting Cast
Denis Moschitto | Danilo |
Johannes Krisch | Defense Attorney Haberbeck |
Samia Chancrin | Brigit |
Numan Acar | Nuri Sekerci |
Ulrich Tukur | Jürgen Möller |
Rafael Santana | Rocco |
Hanna Hilsdorf | Edda Möller |
Ulrich Friedrich Brandhoff | André Möller |
Hartmut Loth | Judge Grabow |
Ioannis Economides | Nikolaos Makris |
Karin Neuhauser | Annemarie, Katja |
Uwe Rohde | Michi |
Asim Demirel | Ali, Nuri’s Father |
Avsel Iscan | Hülya, Nuri‘s Mother |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Fatih Akin | Director |
Fatih Akin | Screenwriter |
Hark Bohm | Screenwriter |
Rainer Klausmann | Director of Photography |
Andrew Bird | Editor |
Tamo Kunz | Production Designer |
Josh Homme | Composer |
Katrin Aschendorf | Costume Designer |
Christian Vennefrohne | Line Producer |
Klaus Spinnler | Production Designer |
Kai Lude | Sound Mixer |
Kai Storck | Sound Supervisor |
Richard Borowski | Re-recording Mixer |
Monique Akin | Casting Director |
Nurhan Sekerci-Porst | Producer |
Fatih Akin | Producer |
Herman Weigel | Producer |
Melita Toscan du Plantier | Co-Producer |
Marie-Jeanne Pascal | Co-Producer |
Jerome Seydoux | Co-Producer |
Ardavan Safaee | Co-Producer |
Alberto Fanni | Co-Producer |
Flaminio Zadra | Co-Producer |
Ann-Kristin Homann | Associate Producer |
Michael Weber | Associate Producer |
Harro von Have | Associate Producer |