Portugal Box Office for A Vida de um Campeão (2019)
Theatrical Performance (US$) | ||
Portugal Box Office | $159,403 | Details |
Worldwide Box Office | $33,773,963 | Details |
Home Market Performance | ||
North America DVD Sales | $4,061,464 | Details |
North America Blu-ray Sales | $2,091,160 | Details |
Total North America Video Sales | $6,152,624 | |
Further financial details... |
Synopsis
Through his bond with his owner, Denny Swift, an aspiring Formula One race car driver, Enzo has gained tremendous insight into the human condition and understands that the techniques needed on the racetrack can also be used to successfully navigate the journey of life. The film follows Denny and the loves of his life—his wife, Eve, their young daughter Zoe, and ultimately, his true best friend, Enzo.
Metrics
Movie Details
Production Budget: | $18,000,000 |
Portugal Releases: | August 30th, 2019 (Wide), released as A Vida de um Campeão |
Video Release: | October 29th, 2019 by Fox Home Entertainment |
MPAA Rating: | PG for thematic material. (Rating bulletin 2565 (Cert #51978), 2/13/2019) |
Running Time: | 109 minutes |
Keywords: | Animal Lead, Auto Racing, Talking Animals, Reincarnation, Voiceover/Narration, Comedy Drama, Romance, In-Laws / Future In-Laws, Cancer, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Dysfunctional Family, Falsely Accused |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | 20th Century Fox, Original Film, Starbucks Coffee Company, Shifting Gears Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for November 5th, 2019
November 6th, 2019
Fast & Furious Presents: Hobbs & Shaw is easily the biggest release of the week, but it is not the best. Pick of the Week contenders include Galaxy Quest and Good Omens, as well as Alice, Sweet Alice, which arrived late. I’m going with Good Omens, but all three are must haves.
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Home Market Releases for October 29th, 2019
October 30th, 2019
It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks.
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Weekend Wrap-Up: Good Does Well, Box Office is Still Weak
August 20th, 2019
It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash.
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Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint
August 12th, 2019
The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion.
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Weekend Estimates: Hobbs and Shaw Remain Top Draw
August 11th, 2019
Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend
August 10th, 2019
Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content.
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Thursday Night Previews: Stories Scares Up Some Box Office Dollars
August 9th, 2019
Scary Stories to Tell in the Dark had the best previews on Thursday, earning $2.3 million. It was expected to top Dora and the Lost City of Gold, because it is a horror movie and that genre tends to be a lot more front-loaded. However, it wasn’t expected to do this well and it will easily top our $15 million prediction for the weekend, especially if its reviews translate into strong word-of-mouth.
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Weekend Predictions: Can Dora find Box Office Gold?
August 8th, 2019
There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again.
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2019 Preview: August
August 1st, 2019
July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year.
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The Art of Racing in the Rain Trailer
May 20th, 2019
Family drama starring Milo Ventimiglia and Amanda Seyfried opens August 9 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/08/30 | 9 | $44,140 | 33 | $1,338 | $44,140 | 1 | |
2019/09/06 | 10 | $26,116 | -41% | 34 | $768 | $92,667 | 2 |
2019/09/13 | 11 | $18,133 | -31% | 22 | $824 | $129,411 | 3 |
2019/09/20 | 15 | $14,276 | -21% | 17 | $840 | $150,002 | 4 |
2019/09/27 | 19 | $4,026 | -72% | 8 | $503 | $156,249 | 5 |
2019/10/04 | 27 | $1,574 | -61% | 4 | $394 | $159,403 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 8/9/2019 | $49,341 | 0 | 0 | 0 | $66,086 | 10/20/2019 |
Brazil | 8/9/2019 | $300,000 | 0 | 0 | 0 | $763,463 | 10/20/2019 |
Germany | 10/4/2019 | $38,464 | 0 | 0 | 0 | $53,170 | 10/20/2019 |
Italy | 11/7/2019 | $134,837 | 0 | 54 | 67 | $207,770 | 10/19/2022 |
Mexico | 8/23/2019 | $991,719 | 0 | 0 | 0 | $2,551,018 | 10/19/2022 |
North America | 8/9/2019 | $8,137,584 | 2,765 | 2,765 | 10,896 | $26,402,818 | 6/14/2022 |
Poland | 9/6/2019 | $19,125 | 0 | 0 | 0 | $81,316 | 10/19/2022 |
Portugal | 8/30/2019 | $44,140 | 33 | 34 | 118 | $159,403 | 10/19/2022 |
Romania | 8/16/2019 | $0 | 0 | 62 | 187 | $155,470 | 10/21/2019 |
Russia (CIS) | 10/24/2019 | $0 | 0 | 0 | 0 | $0 | |
United Kingdom | 8/9/2019 | $238,077 | 383 | 383 | 383 | $556,513 | 10/20/2019 |
Rest of World | $2,776,936 | ||||||
Worldwide Total | $33,773,963 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Milo Ventimiglia | Denny Swift |
Kevin Costner | Enzo |
Supporting Cast
Amanda Seyfried | Eve |
Kathy Baker | Trish |
Martin Donovan | Maxwell |
Gary Cole | Don Kitch |
Ian Lake | Mike |
Ryan Kiera Armstrong | Young Zoe |
McKinley Belcher III | Mark Finn |
Lily Dodsworth-Evans | Teenage Zoe Swift |
Andres Joseph | Tony |
Al Sapienza | Actor |
Nicole Anthony | Midwife |
Aliza Vellani | Assistant |
Eli Gabay | Student #1 |
Donald Heng | Sean Rey |
Leo Chiang | Officer #1 |
Irakli Lomaia | Cafe Patron |
Jim Pagiamtzis | Spectator |
Kasia Machelak | Midwife |
Tashia Wong | Cafe Patron and Racing Fan |
Grayson Maxwell Gurnsey | Teen Driver |
Nakita Kohan | Paralegal |
Marcus Hondro | Mr. Spangle |
Patrick Roccas | Officer #2 |
Aias Dalman | Friend of Zoë |
Ian Hawes | Cafe Patron |
Gianpiero Cognoli | F1 Commentator |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Simon Curtis | Director |
Mark Bomback | Screenwriter |
Garth Stein | Story based on the novel by |
Neal H. Moritz | Producer |
Patrick Dempsey | Producer |
Tania Landau | Producer |
Donald J. Lee | Executive Producer |
Joanne Burstein | Executive Producer |
James C. France | Executive Producer |
Ross Emery | Director of Photography |
Brent Thomas | Production Designer |
Adam Recht | Editor |
Dustin O'Halloran | Composer |
Volker Bertelmann | Composer |
Season Kent | Music Supervisor |
Monique Prudhomme | Costume Designer |