United Kingdom Box Office for Ammonite (2020)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $266,720 | Details |
| Worldwide Box Office | $1,120,265 | Details |
| Further financial details... | ||
Synopsis
In the 1840s, acclaimed self-taught palaeontologist Mary Anning works alone on the wild and brutal Southern English coastline of Lyme Regis. The days of her famed discoveries behind her, she now hunts for common fossils to sell to rich tourists to support herself and her ailing widowed mother. When one such tourist, Roderick Murchison, arrives in Lyme on the first leg of a European tour, he entrusts Mary with the care of his young wife Charlotte, who is recuperating from a personal tragedy. Mary, whose life is a daily struggle on the poverty line, cannot afford to turn him down but, proud and relentlessly passionate about her work, she clashes with her unwanted guest. They are two women from utterly different worlds. Yet despite the chasm between their social spheres and personalities, Mary and Charlotte discover they can each offer what the other has been searching for: the realization that they are not alone. It is the beginning of a passionate and all-consuming love affair that will defy all social bounds and alter the course of both lives irrevocably.
Metrics
Movie Details
| United Kingdom Releases: | March 26th, 2021 (Limited) |
| Video Release: | December 4th, 2020 by Neon |
| MPAA Rating: | R for graphic sexuality, some graphic nudity and brief language. (Rating bulletin 2652 (#52944), 10/21/2020) |
| Running Time: | 120 minutes |
| Keywords: | 1840s, 1800s, LGBTQ+, Romance, Closeted Homosexual, Romantic Drama, Cross-Class Romance, Paleontologist |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | See-Saw Films, Neon Films, BFI, Cross City Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/05/21 | - | $184,516 | 54 | $3,417 | $184,516 | 9 | |
| 2021/05/28 | - | $5,216 | -97% | 21 | $248 | $215,077 | 10 |
| 2021/06/11 | 20 | $2,382 | 9 | $265 | $237,898 | 12 | |
| 2021/06/18 | - | $2,153 | -10% | 2 | $1,077 | $239,793 | 13 |
| 2021/06/25 | - | $218 | -90% | 5 | $44 | $243,019 | 14 |
| 2021/07/09 | - | $673 | 3 | $224 | $250,801 | 16 | |
| 2021/07/16 | - | $1,372 | +104% | 4 | $343 | $253,428 | 17 |
| 2021/07/23 | - | $1,024 | -25% | 3 | $341 | $255,251 | 18 |
| 2021/07/30 | - | $1,489 | +45% | 1 | $1,489 | $262,753 | 19 |
| 2021/08/20 | - | $104 | 2 | $52 | $260,798 | 22 | |
| 2021/09/10 | - | $406 | 1 | $406 | $266,720 | 25 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 1/14/2021 | $78,647 | 99 | 99 | 446 | $374,757 | 10/20/2022 |
| France | 3/31/2021 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 11/4/2021 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 12/11/2020 | $66,411 | 36 | 40 | 166 | $164,632 | 6/28/2021 |
| New Zealand | 2/11/2021 | $27,371 | 75 | 75 | 296 | $112,173 | 10/19/2022 |
| North America | 11/13/2020 | $87,552 | 280 | 280 | 518 | $160,930 | |
| South Korea | 3/11/2021 | $19,227 | 190 | 190 | 223 | $41,053 | 3/24/2021 |
| United Kingdom | 3/26/2021 | $0 | 0 | 54 | 128 | $266,720 | 9/15/2021 |
| Worldwide Total | $1,120,265 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Kate Winslet | Mary Anning |
| Saoirse Ronan | Charlotte Murchison |
Supporting Cast
| Gemma Jones | Molly Anning |
| James McArdle | Roderick Murchison |
| Alec Secareanu | Dr. Lieberson |
| Fiona Shaw | Elizabeth Philpot |
| Sarah White | Museum Cleaning Woman |
| Liam Thomas | Museum Workman |
| Sam Parks | Curator |
| Claire Rushbrook | Eleanor Butters |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Francis Lee | Director |
| Francis Lee | Screenwriter |
| Emile Sherman | Producer |
| Iain Canning | Producer |
| Fodla Cronin O’Reilly | Producer |
| Simon Gillis | Executive Producer |
| Mary Burke | Executive Producer |
| Rose Garnett | Executive Producer |
| Zygi Kamasa | Executive Producer |
| Nicky Earnshaw | Co-Producer |
| Rob How* | Co-Producer |
| Stephane Fontaine | Director of Photography |
| Sarah Finlay | Production Designer |
| Chris Wyatt | Production Designer |
| Michael O’Connor | Costume Designer |
| Johnnie Burn | Sound Designer |
| Volker Bertelmann | Composer |
| Dustin O'Halloran | Composer |
| Fiona Weir | Casting Director |