South Korea Box Office for Along With the Gods: The Two Worlds (2017)
Theatrical Performance (US$) | ||
South Korea Box Office | $105,063,576 | Details |
Worldwide Box Office | $107,476,731 | Details |
Home Market Performance | ||
North America DVD Sales | $49,057 | Details |
North America Blu-ray Sales | $78,005 | Details |
Total North America Video Sales | $127,062 | |
Further financial details... |
Synopsis
After dying unexpectedly, firefighter Ja-hong is taken to the afterlife by three guardians, where only after passing seven trials and proving he lived a noble life will he be able to reincarnate.
Metrics
Movie Details
South Korea Releases: | December 11th, 2017 (Wide), released as Along With the Gods: The Two Worlds |
Video Release: | April 10th, 2018 by Well Go USA Video |
MPAA Rating: | Not Rated |
Running Time: | 140 minutes |
Keywords: | Firefighter, Reincarnation, Afterlife, Underworld, Action Adventure |
Source: | Based on Web Series |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production Countries: | Republic of Korea |
Languages: | Korean |
Home Market Releases for April 10th, 2018
April 10th, 2018
The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition.
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Theater Averages: Post Haunts the Theater Average Chart
January 10th, 2018
None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493.
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Theater Averages: 2017 Ends on a Lucky Note, with Seven Members of the $10,000 Club
January 3rd, 2018
The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters.
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International Box Office: The Last Jedi Repeats on Top with $75.1 million, China Dominates Chart
December 27th, 2017
We’ve been tracking Star Wars: The Last Jedi’s international numbers since it debuted, so there’s not a lot to talk about here. The film earned $75.1 million over the weekend for totals of $380.3 million internationally and $748.5 million worldwide. The film has yet to open in China, so this is not a complete picture of its box office strength.
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Theater Averages: The Post Posts Top Marks with average of $58,446 / $84,673
December 27th, 2017
The Post dominated the Christmas weekend, earning an average of $58,446 in nine theaters, $84,673 if you include Christmas Day. The second best result of the four-day weekend was Phantom Thread, which earned an average of $31,818 in four theaters on Christmas Day alone. Last week’s winner, The Last Jedi, earned an average of $16,911 during its second weekend of release. The final two films in the $10,000 club were I, Tonya and Along With The Gods: The Two Worlds with averages of $11,169 and $10,914 respectively.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/12/22 | 1 | $21,230,517 | 1,887 | $11,251 | $26,926,209 | 2 | |
2017/12/29 | 1 | $19,294,748 | -9% | 1,666 | $11,581 | $64,209,597 | 3 |
2018/01/05 | 1 | $10,335,375 | -46% | 1,260 | $8,203 | $86,516,449 | 4 |
2018/01/12 | 2 | $5,852,936 | -43% | 985 | $5,942 | $96,666,205 | 5 |
2018/01/19 | 5 | $2,793,037 | -52% | 650 | $4,297 | $100,369,983 | 6 |
2018/01/26 | 4 | $1,792,332 | -36% | 704 | $2,546 | $103,366,291 | 7 |
2018/02/02 | 5 | $967,918 | -46% | 534 | $1,813 | $104,462,365 | 8 |
2018/02/09 | - | $568,898 | -41% | 456 | $1,248 | $106,648,567 | 9 |
2018/02/16 | 9 | $257,004 | -55% | 149 | $1,725 | $107,189,161 | 10 |
2018/02/23 | 15 | $25,436 | -90% | 59 | $431 | $108,471,292 | 11 |
2021/01/08 | 12 | $9,211 | 109 | $85 | $105,488,616 | 161 | |
2021/01/15 | - | $2,389 | -74% | 59 | $40 | $105,063,576 | 162 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/12/2018 | $148,591 | 14 | 14 | 54 | $460,414 | 2/22/2018 |
New Zealand | 1/12/2018 | $13,458 | 3 | 3 | 9 | $41,821 | 2/19/2018 |
North America | 12/22/2017 | $185,546 | 17 | 35 | 158 | $1,908,822 | |
South Korea | 12/11/2017 | $0 | 0 | 1887 | 8518 | $105,063,576 | 1/20/2021 |
United Kingdom | 3/9/2018 | $2,098 | 4 | 4 | 4 | $2,098 | 3/14/2018 |
Worldwide Total | $107,476,731 | 1/20/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Kim Yong-hwa | Director |
Kim Yong-hwa | Screenwriter |
Ho-min Joo | Story Creator |