Spain Box Office for A Ga ssi (2016)
Theatrical Performance (US$) | ||
Spain Box Office | $143,143 | Details |
Worldwide Box Office | $38,571,040 | Details |
Home Market Performance | ||
North America DVD Sales | $319,371 | Details |
Total North America Video Sales | $319,371 | |
Further financial details... |
Synopsis
The Handmaiden is about a tale of two women—a young Japanese Lady living on a secluded estate, and a Korean woman who is hired to serve as her new handmaiden, but is secretly plotting with a conman to defraud her of a large inheritance.
Metrics
Movie Details
Spain Releases: | December 2nd, 2016 (Wide) |
Video Release: | January 24th, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | Not Rated |
Running Time: | 145 minutes |
Keywords: | Set in Japan, 1930s, False Identity, Confidence Men, LGBTQ+, Modern Adaptation, Romance, Relationships Gone Wrong, Intertitle, Non-Chronological, Suicide, Inheritance |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Moho Films, Yong Film, CJ Entertainment, Korea Post, Idea Bridge Asset Management, KDB Bank, Meritz Insurance, Shinhan Life Insurance Co , Hyundai Marine & Fire Insurance, SolaireInvestments, Interpark Corporation, kth , Isu Venture Capital Company, Pan Entertainment |
Production Countries: | Republic of Korea |
Languages: | Japanese, Korean |
Home Market Releases for March 28th, 2017
March 29th, 2017
It’s a good week for Pick of the Week contenders, as there are seven such releases on this week’s list. Unfortunately, none of them really scream out as The Pick of the Week. Rogue One: A Star Wars Story is by far the biggest, but it is only out on Video on Demand right now, while Hidden Figures is the best, but again, it is only on VOD this week. There are also a couple of busted Oscar-bait films, Archer: Season Seven is only getting a DVD release, while the previous seasons came out on Blu-ray. In the end, I went with Mystery Science Theater 3000: Volume XXXVIII, partially to celebrate the return of the show.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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Home Market Releases for January 24th, 2017
January 23rd, 2017
It’s not a particularly good week for top-notch releases. There are only three contenders for Pick of the Week, one of which doesn’t come out till next week. I was able to review Pinocchio a week early. The others are a classic from the 1970s, The Man Who Fell To Earth on Blu-ray Combo Pack, and an import from South Korea, The Handmaiden on DVD. Even though The Handmaiden is only coming out on DVD, it is still the best and is this week’s Pick of the Week.
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Theater Averages: It’s a Long Walk to the Top with $57,065
November 16th, 2016
Billy Lynn’s Long Halftime Walk earned first place on the theater average chart over the weekend earning an average of $57,065 in two theaters. That’s the good news. The bad news is its reviews suggest poor word of mouth and difficulty expanding wide this coming weekend. Elle opened in second place with an average of $25,467, also in two theaters. Loving remained in the $10,000 club for the second weekend with an average of $11,149 in 46 theaters. It still has room to grow. Doctor Strange was right behind with an average of $11,069. The final film in the $10,000 was the biggest new release of the week, Arrival, which earned an average of $10,390.
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Theater Averages: Moonlight Shines Bright With $100,519
October 25th, 2016
Moonlight not only earned the best theater average of the weekend at $100,519 in four theaters, but it had the best average for any film that opened in 2016. It wasn’t the only film to do well this week, as Michael Moore in TrumpLand earned an average of $25,100 in two theaters. The Handmaiden pulled in an average of $18,426 in five theaters, while the re-release of Tanpopo earned $16,410 in one. We are still not done, as the overall number one film, Tyler Perry’s Boo! A Madea Halloween, earned an average of $12,611.
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Weekend Estimates: Jack Reacher No Match for Madea
October 23rd, 2016
Hollywood has a habit of underestimating Tyler Perry. When Diary of a Mad Black Woman opened back in 2005, it was expected to struggle to make the top 10, and yet finished top of the chart with a $21.9 million weekend. More than eleven years later, he, or perhaps more accurately, Madea, continues to defy tracking models and rack up wins at the box office, with Boo! A Madea Halloween set to top this weekend’s chart with a projected $27.6 million. That’s nearly $5 million better than the debut of Jack Reacher: Never Go Back, which Paramount has coming in at $23 million.
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Limited and VOD Releases: Handmade Limited Releases
October 21st, 2016
Several films coming out this week are earning nearly unanimously positive reviews. This includes a few documentaries, but also a couple of narrative films that have a shot at some box office success. Moonlight is clearly aiming to win awards and it might do so. The Handmaiden should help grow Chan-wook Park’s fanbase here.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/12/02 | 22 | $22,952 | 14 | $1,639 | $22,952 | 1 | |
2016/12/09 | 23 | $16,818 | -27% | 15 | $1,121 | $69,487 | 2 |
2016/12/16 | 23 | $10,151 | -40% | 15 | $677 | $86,648 | 3 |
2016/12/23 | 26 | $4,545 | -55% | 13 | $350 | $97,692 | 4 |
2016/12/30 | 26 | $5,611 | +23% | 12 | $468 | $116,534 | 5 |
2017/01/06 | 31 | $7,114 | +27% | 10 | $711 | $132,807 | 6 |
2017/01/13 | - | $4,737 | -33% | 9 | $526 | $143,143 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/22/2016 | $23,873 | 8 | 14 | 44 | $89,256 | 1/9/2017 |
Czech Republic | 8/12/2016 | $10,025 | 23 | 23 | 42 | $33,397 | 1/1/2019 |
France | 11/4/2016 | $554,379 | 0 | 0 | 0 | $1,909,657 | 8/17/2018 |
Italy | 8/29/2019 | $26,060 | 0 | 15 | 19 | $74,320 | 10/19/2022 |
Netherlands | 2/3/2017 | $35,751 | 21 | 21 | 40 | $97,565 | 2/17/2017 |
New Zealand | 10/14/2016 | $0 | 0 | 3 | 8 | $11,081 | 11/14/2016 |
North America | 10/21/2016 | $92,129 | 5 | 125 | 682 | $2,006,788 | |
Portugal | 3/31/2017 | $3,816 | 10 | 10 | 14 | $9,998 | 5/4/2017 |
Russia (CIS) | 8/26/2016 | $77,176 | 163 | 163 | 369 | $182,562 | 12/31/2018 |
South Korea | 5/25/2016 | $25,638 | 12 | 1167 | 3700 | $32,945,864 | 11/30/2018 |
Spain | 12/2/2016 | $22,952 | 14 | 15 | 88 | $143,143 | 1/20/2017 |
Turkey | 8/11/2017 | $9,784 | 33 | 33 | 33 | $22,857 | 2/26/2019 |
United Kingdom | 4/14/2017 | $594,927 | 94 | 94 | 185 | $1,044,552 | 4/26/2017 |
Worldwide Total | $38,571,040 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Kim Min-hee | Lady Hideko |
Ha Jung-woo | Count Fujiwara |
Jin-woong Jo | Uncle Kouzuki |
Kim Hae-sook |
Supporting Cast
Moon So-Ri | Hideko’s Aunt |
Kim Tae-ri | |
Lee Dong-hwi | Goo-gai |
Rina Takagi | Hideko’s Mother |
Hae-suk Kim | Butler Madame Sasaki |
Jeong Ha-dam | Housemaid |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Park Chan-wook | Director |
Miky Lee | Executive Producer |
Jeong Tae-Sung | Co-Executive Producer |
Sarah Waters | Story based on “Fingersmith” by |
Chung Seo-kyung | Screenwriter |
Park Chan-wook | Producer |
Syd Lim | Producer |
Park Chan-wook | Screenwriter |
Yoon Suk-Chan | Co-Producer |
Kim Jong-dae | Co-Producer |
Wonjo Jeong | Co-Producer |
Jay Lee | Associate Producer |
Chung-Hoon Chung | Director of Photography |
Ryu Seong-hie | Production Designer |
Kim Sang-bum | Editor |
Kim Jae-bum | Editor |
Cho Young-uk | Composer |
Cho Sang-kyung | Costume Designer |
Lee Jeon-Hyoung | Visual Effects Supervisor |
Kim Suk-Won | Sound Designer |
Jung Gun | Sound Mixer |