Portugal Box Office for 12 Indomáveis (2018)
Theatrical Performance (US$) | ||
Portugal Box Office | $269,878 | Details |
Worldwide Box Office | $71,118,378 | Details |
Home Market Performance | ||
North America DVD Sales | $4,770,936 | Details |
North America Blu-ray Sales | $6,102,277 | Details |
Total North America Video Sales | $10,873,213 | |
Further financial details... |
Synopsis
In the harrowing days following 9/11, a U.S. Special Forces team, led by their new Captain, Mitch Nelson, is chosen to be the first U.S. troops sent into Afghanistan for an extremely dangerous mission. There, in the rugged mountains, they must convince Northern Alliance General Dostum to join forces with them to fight their common adversary: the Taliban and their Al Qaeda allies. In addition to overcoming mutual distrust and a vast cultural divide, the Americans—accustomed to state-of-the-art warfare—must adopt the rudimentary tactics of the Afghan horse soldiers. But despite their uneasy bond, the new allies face overwhelming odds: outnumbered and outgunned by a ruthless enemy that does not take prisoners.
Metrics
Movie Details
Production Budget: | $35,000,000 |
Portugal Releases: | February 23rd, 2018 (Wide), released as 12 Indomáveis |
Video Release: | April 10th, 2018 by Warner Home Video |
MPAA Rating: | R for war violence and language throughout. (Rating bulletin 2502 (Cert #51285), 11/15/2017) |
Running Time: | 90 minutes |
Keywords: | 2000s, 9/11, C.I.A., Taliban, Set in Afghanistan, Afghanistan War, Special Ops, IMAX: DMR, War Drama |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Alcon Entertainment, Black Label Media, Jerry Bruckheimer Films, Torridon Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 1st, 2018
May 2nd, 2018
It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead.
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Home Market Releases for April 10th, 2018
April 10th, 2018
The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition.
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Weekend Wrap-Up: Maze Runner Leads 2018 to a Photo Finish with $24.17 million
January 30th, 2018
Maze Runner: The Death Cure beat expectations by a little bit with $24.17 million. In fact, every film in the top five this this weekend, except one, topped expectations, including the other new release, Hostiles. This helped the overall box office rise 2.6% from last week. It did fall 0.8% from last year, but 2018 is still ahead of 2017 by $18 million or 2.1% at $908 million to $890 million.
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Weekend Wrap-Up: New Releases Can’t Outshine Jumanji’s $19.51 million Weekend Haul
January 23rd, 2018
Nearly every film we talked about in our predictions beat expectations over the weekend. This includes Jumanji: Welcome to the Jungle, which earned first place with $19.51 million. All three wide releases did better than expected, with 12 Strong leading the way with $15.82 million. The overall box office still fell 15% from last weekend to $135 million. A 15% drop-off for a post-holiday weekend isn’t bad. Compared to this weekend last year, 2018 was down by 7.0%, which isn’t good, but it could have been much worse. Year-to-date, 2018 still has a small lead of 2.9% or $20 million at $725 million to $704 million. Granted, it is still way too early for this to matter, but an early lead means you won’t need to fight back late in the year like we did last year.
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Weekend Estimates: Jumanji Holds Off 12 Strong, Den of Thieves
January 21st, 2018
Jumanji will win at the box office for a third straight weekend, according to studio estimates released on Sunday morning. Its weekend total of about $20.04 million is down just 29% from its MLK Holiday numbers, in spite of losing over 100 theaters (its theater average is off just 26%). With $317 million to date, it is now Sony’s most successful non-Spider-Man movie at the domestic box office, not accounting for ticket price inflation. Inflation-adjusted, it’s at number 8 for the studio, and should end up their fifth-best ticket seller ever.
Jumanji’s strength is far from the only good news this weekend.
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Friday Estimates: 12 and Thieves Start Strong with $5.66 million Apiece
January 20th, 2018
As expected, 12 Strong opened in first place on Friday. Technically it tied for first place according to the estimates. It did do a little bit better than expected, earning $5.66 million, which puts it on pace for about $15 million over the weekend. Its reviews got a little bit better since Thursday and are now 56% positive, while it is earning an A from CinemaScore. Clearly this movie is connecting with its target audience. This is great news for Warner Bros., as they only spent $35 million making the movie and likely a little under that advertising it. Strong legs would be a good omen for strong home market sales. On the other hand, I don’t think its going to find an audience internationally.
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Thursday Night Previews: Thieves Steal Top Spot with $950,000
January 19th, 2018
Den of Thieves surprised analysts with $950,000 on Thursday, putting it just ahead of 12 Strong, which managed $900,000. However, 12 Strong does have better reviews and a more mature target demographic, so it should have better legs and still has a better shot at the box office overall. Den of Thieves will beat our prediction and will likely earn a spot in the top five. We will have a better idea where it will end up this time tomorrow when Friday’s numbers are in.
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Weekend Predictions: Are the New Releases Strong? Or will Jumanji Rule Forever?
January 18th, 2018
The post-holiday weekend is rarely a good week to release a movie and none of the three new releases are expected to be box office successes. 12 Strong is the biggest release and it is also earning the best reviews, although its Tomatometer Score is just 50% positive. Den of Thieves isn’t opening as wide, while its reviews are not as good. It also shares its target audience with 12 Strong, which will hurt its box office chances even more. Finally there’s Forever My Girl, which is barely opening semi-wide and will likely miss the top ten. This weekend last year, Split had a shockingly big opening. In fact, the second place film, xXx: Return of Xander Cage, opened with just over $20 million, which is more than any film is expected to earn this weekend. 2018’s mini-winning streak is about to come to a painful end.
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12 Strong Trailer
January 9th, 2018
War action movie starring Chris Hemsworth, Michael Shannon, Michael Peña, and Trevante Rhodes opens January 19 ... Full Movie Details.
In the harrowing days following 9/11, a U.S. Special Forces team, led by their new Captain, Mitch Nelson, is chosen to be the first U.S. troops sent into Afghanistan for an extremely dangerous mission. There, in the rugged mountains, they must convince Northern Alliance General Dostum to join forces with them to fight their common adversary: the Taliban and their Al Qaeda allies. In addition to overcoming mutual distrust and a vast cultural divide, the Americans—accustomed to state-of-the-art warfare—must adopt the rudimentary tactics of the Afghan horse soldiers. But despite their uneasy bond, the new allies face overwhelming odds: outnumbered and outgunned by a ruthless enemy that does not take prisoners.
More...
2018 Preview: January
January 1st, 2018
2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/02/23 | 3 | $89,151 | 55 | $1,621 | $89,151 | 1 | |
2018/03/02 | 5 | $54,653 | -39% | 54 | $1,012 | $176,520 | 2 |
2018/03/09 | 12 | $23,148 | -58% | 32 | $723 | $214,744 | 3 |
2018/03/16 | 19 | $5,834 | -75% | 13 | $449 | $225,094 | 4 |
2018/03/23 | - | $1,364 | -77% | 3 | $455 | $230,163 | 5 |
2018/03/30 | - | $737 | -46% | 2 | $369 | $269,878 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/8/2018 | $80,649 | 124 | 124 | 143 | $107,129 | 1/1/2019 |
Australia | 3/9/2018 | $719,913 | 254 | 254 | 733 | $1,659,461 | 6/21/2018 |
Austria | 3/9/2018 | $28,400 | 23 | 23 | 71 | $66,694 | 4/12/2018 |
Belgium | 2/14/2018 | $0 | 0 | 13 | 15 | $125,802 | 3/30/2018 |
Bolivia | 3/8/2018 | $15,917 | 14 | 14 | 28 | $32,780 | 1/1/2019 |
Brazil | 3/15/2018 | $87,042 | 85 | 85 | 162 | $168,562 | 4/19/2018 |
Bulgaria | 1/26/2018 | $21,036 | 0 | 0 | 0 | $76,394 | 2/26/2019 |
Cambodia | 1/19/2018 | $0 | 0 | 0 | 0 | $4,832 | 1/1/2019 |
Chile | 3/8/2018 | $58,847 | 38 | 38 | 54 | $90,395 | 12/20/2018 |
Colombia | 4/5/2018 | $107,458 | 0 | 104 | 137 | $106,948 | 12/20/2018 |
Costa Rica | 5/10/2018 | $6,425 | 10 | 10 | 13 | $8,418 | 1/1/2019 |
Croatia | 2/1/2018 | $19,406 | 0 | 22 | 28 | $72,983 | 1/1/2019 |
Cyprus | 1/18/2018 | $0 | 0 | 0 | 0 | $12,577 | 2/13/2018 |
Denmark | 2/8/2018 | $100,683 | 55 | 55 | 61 | $317,213 | 3/30/2018 |
Dominican Republic | 3/22/2018 | $8,490 | 6 | 6 | 6 | $21,837 | 1/1/2019 |
Ecuador | 3/30/2018 | $76,479 | 26 | 28 | 80 | $209,369 | 12/20/2018 |
Egypt | 1/17/2018 | $0 | 0 | 0 | 0 | $130,293 | 1/1/2019 |
El Salvador | 3/22/2018 | $7,772 | 8 | 8 | 12 | $19,884 | 1/1/2019 |
Estonia | 1/19/2018 | $0 | 0 | 1 | 1 | $23,521 | 2/13/2018 |
France | 1/31/2018 | $376,239 | 209 | 209 | 420 | $588,262 | 9/20/2018 |
Germany | 3/8/2018 | $267,280 | 200 | 200 | 493 | $388,518 | 4/19/2018 |
Greece | 1/18/2018 | $0 | 0 | 9 | 9 | $73,503 | 3/8/2018 |
Guatemala | 3/22/2018 | $21,636 | 23 | 23 | 34 | $53,249 | 1/1/2019 |
Honduras | 3/22/2018 | $8,550 | 21 | 21 | 29 | $21,299 | 1/1/2019 |
Hong Kong | 2/1/2018 | $230,498 | 45 | 45 | 88 | $631,853 | 9/13/2018 |
Hungary | 3/8/2018 | $68,535 | 35 | 47 | 158 | $253,877 | 1/1/2019 |
Iceland | 1/19/2018 | $0 | 0 | 0 | 0 | $34,542 | 1/1/2019 |
India | 1/19/2018 | $110,787 | 0 | 0 | 0 | $186,349 | 9/10/2018 |
Indonesia | 1/31/2018 | $110,779 | 0 | 0 | 0 | $797,851 | 1/1/2019 |
Iraq | 1/18/2018 | $0 | 0 | 0 | 0 | $71,788 | 1/1/2019 |
Israel | 2/1/2018 | $131,184 | 19 | 20 | 103 | $688,080 | 1/1/2019 |
Italy | 7/11/2018 | $276,881 | 0 | 0 | 0 | $839,714 | 9/28/2018 |
Japan | 5/4/2018 | $805,244 | 194 | 194 | 493 | $1,958,583 | 6/8/2018 |
Jordan | 1/18/2018 | $0 | 0 | 0 | 0 | $37,869 | 1/1/2019 |
Latvia | 1/26/2018 | $0 | 0 | 2 | 2 | $8,760 | 1/1/2019 |
Lebanon | 1/18/2018 | $0 | 0 | 0 | 0 | $253,805 | 1/1/2019 |
Lithuania | 2/2/2018 | $14,187 | 42 | 42 | 79 | $44,331 | 3/8/2018 |
Malaysia | 1/18/2018 | $0 | 0 | 40 | 40 | $424,189 | 2/13/2018 |
Mexico | 3/9/2018 | $172,349 | 0 | 149 | 311 | $499,406 | 7/13/2018 |
Netherlands | 2/2/2018 | $229,731 | 66 | 66 | 269 | $684,632 | 4/26/2018 |
Nicaragua | 3/22/2018 | $3,389 | 3 | 3 | 5 | $7,235 | 1/1/2019 |
North America | 1/19/2018 | $15,815,025 | 3,002 | 3,018 | 12,713 | $45,819,713 | |
Panama | 3/22/2018 | $31,736 | 20 | 20 | 29 | $64,388 | 1/1/2019 |
Paraguay | 4/12/2018 | $3,688 | 14 | 14 | 17 | $5,751 | 1/1/2019 |
Peru | 5/5/2018 | $5,408 | 0 | 0 | 0 | $89,514 | 1/1/2019 |
Philippines | 1/17/2018 | $0 | 0 | 8 | 8 | $414,447 | 12/20/2018 |
Portugal | 2/23/2018 | $89,151 | 55 | 55 | 159 | $269,878 | 4/5/2018 |
Qatar | 1/18/2018 | $0 | 0 | 0 | 0 | $796,814 | 1/1/2019 |
Romania | 2/2/2018 | $97,209 | 57 | 57 | 57 | $303,927 | 1/1/2019 |
Russia (CIS) | 3/8/2018 | $95,682 | 371 | 371 | 371 | $148,832 | 2/26/2019 |
Serbia and Montenegro | 2/15/2018 | $0 | 0 | 12 | 16 | $16,142 | 1/1/2019 |
Singapore | 1/18/2018 | $0 | 0 | 22 | 39 | $432,610 | 3/8/2018 |
Slovenia | 2/8/2018 | $12,163 | 14 | 14 | 21 | $28,063 | 3/30/2018 |
South Africa | 2/9/2018 | $86,137 | 65 | 65 | 70 | $226,911 | 4/12/2018 |
South Korea | 1/24/2018 | $0 | 0 | 206 | 454 | $1,718,839 | 5/24/2018 |
Spain | 5/4/2018 | $245,364 | 221 | 234 | 767 | $910,504 | 6/28/2018 |
Sweden | 3/9/2018 | $66,501 | 50 | 50 | 65 | $154,046 | 5/17/2018 |
Switzerland (French Speaking) | 2/21/2018 | $0 | 0 | 0 | 0 | $17,243 | 4/12/2018 |
Switzerland (German Speaking) | 3/8/2018 | $31,414 | 0 | 0 | 0 | $78,534 | 4/12/2018 |
Taiwan | 1/19/2018 | $383,502 | 0 | 0 | 0 | $1,080,145 | 9/13/2018 |
Thailand | 1/18/2018 | $0 | 0 | 75 | 75 | $601,945 | 3/30/2018 |
Turkey | 3/20/2018 | $25,565 | 95 | 95 | 112 | $44,848 | 1/1/2019 |
Ukraine | 3/8/2018 | $31,603 | 0 | 0 | 0 | $56,885 | 1/1/2019 |
United Arab Emirates | 1/18/2018 | $0 | 0 | 0 | 0 | $947,336 | 1/1/2019 |
United Kingdom | 1/16/2018 | $0 | 0 | 311 | 620 | $1,241,360 | 3/30/2018 |
Venezuela | 5/11/2018 | $578,075 | 23 | 23 | 99 | $3,612,286 | 6/28/2018 |
Vietnam | 1/26/2018 | $0 | 0 | 0 | 0 | $146,991 | 1/1/2019 |
West Indies | 1/19/2018 | $0 | 0 | 0 | 0 | $87,639 | 4/5/2018 |
Worldwide Total | $71,118,378 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Chris Hemsworth | Captain Mitch Nelson |
Michael Shannon | Chief Warrant Officer Cal Spencer |
Michael Peña | Sergeant First Class Sam Diller |
Trevante Rhodes | Sergeant First Class Ben Milo |
Supporting Cast
Navid Negahban | General Abdul Rashid Dostum |
Geoff Stults | Sean Coffers |
Thad Luckinbill | Vern Michaels |
Austin Stowell | Staff Sergeant Fred Falls |
Ben O'Toole | Scott Black |
Kenneth Miller | Kevin Jackson |
Kenny Sheard | Bill Bennett |
Jack Kesy | Charles Jones |
Rob Riggle | Colonel Max Bowers |
William Fichtner | Colonel Mulholland |
Arshia Mandavi | Najeeb |
Elsa Pataky | Jean Nelson |
Marie Wagenman | Maddy Nelson |
Alison King | Marsha Spencer |
Samuel Kamphuis | Jake Spencer |
Lauren Myers | Lisa Diller |
Laith Nakli | Commander Ahmed Lal |
Fahim Fazli | Commander Khaled |
Numan Acar | Mullah Razzan |
Peter Malek | Habib |
Austin Hebert | SFC Pat Essex |
Matthew Van Wettering | Desk Sergeant |
Timothy Kamphuis | Diller’s Son |
Jahan Khalili | Shepherd |
Seth Adkins | Young Soldier Josh |
Nate Boyer | Door Gunner |
Taylor Sheridan | Brian |
Vincent E. McDaniel | Soldier |
Yousuf Azami | Fakir |
Tommy Truex | Chinook Pilot #1 |
Veronica Diaz Carranza | Lieutenant Henriques |
Shvan Aladin | Taliban Fighter #1 |
Mustafa Haidari | Taliban Fighter #2 |
Ali Olomi | Afghan Man |
Yasmine Aker | Afghan Woman Teacher |
Sofia Chicorelli Serna | Crying Afghan Girl #1 |
Massa Daoud | Crying Afghan Girl #2 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nicolai Fuglsig | Director |
Peter Craig | Screenwriter |
Ted Tally | Screenwriter |
Doug Stanton | Story based on the book “Horse Soldiers” by |
Jerry Bruckheimer | Producer |
Molly Smith | Producer |
Trent Luckinbill | Producer |
Thad Luckinbill | Producer |
Andrew Kosove | Executive Producer |
Broderick Johnson | Executive Producer |
Chad Oman | Executive Producer |
Mike Stenson | Executive Producer |
Ellen H. Schwartz | Executive Producer |
Garrett Grant | Executive Producer |
Yale Badik | Executive Producer |
Val Hill | Executive Producer |
Doug Stanton | Executive Producer |
Christopher Glass | Production Designer |
Lisa Lassek | Editor |
Lorne Balfe | Composer |
Rasmus Videbaek | Director of Photography |
Dan Lester | Costume Designer |
Mic Rodgers | Supervising Stunt Coordinator |
Jon Schumacher | Co-Producer |
Melissa Reid | Co-Producer |
John Papsidera | Casting Director |
Jonathan Watkins | Music Supervisor |
Garrett Grant | Unit Production Manager |
David H. Venghaus, Jr. | First Assistant Director |
Kim Richards | Second Assistant Director |
Emma McGill | Associate Producer |
David H. Venghaus, Jr. | Associate Producer |
Rachel Smith | Associate Producer |
Karen Jarnecke | Production Supervisor |
S. Todd Christensen | Supervising Location Manager |
Brad Arensman | Post-Production Supervisor |
Troy Sizemore | Supervising Art Director |
Derrick D. Ballard | Art Director |
Bjarne Sletteland | Art Director |
Taura C.C. Rivera | Set Designer |
James W. Stodgel Jr | Set Designer |
Wilhelm Pfau | Set Decorator |
Mara Herdmann | Script Supervisor |
Rodney Gurule | Sound Mixer |
Mark A. Peterson | Costume Supervisor |
Bill Corso | Make up |
Cary Ayers | Make up |
Anji Bemben | Hairstylist |
Ian MacGregor | Location Manager |
Mike Meinardus | Special Effects Supervisor |
Mic Rodgers | Second Unit Director |
Ellen H. Schwartz | Unit Production Manager |
Ryan Chan | Associate Editor |
Joseph Kirkland | First Assistant Editor |
Staci Pontius | First Assistant Editor |
Richard King | Supervising Sound Editor |
Laurent Kossayan | Supervising Sound Editor |
Joel Dougherty | Supervising ADR/Dialogue Editor |
Christopher S. Aud | Supervising Sound Editor |
Aaron Glascock | Sound Effects Editor |
Michael Mitchell | Sound Effects Editor |
Richard King | Sound Designer |
Beau Borders | Re-recording Mixer |
Joel Dougherty | Re-recording Mixer |
Lorne Balfe | Score Producer |
Max Aruj | Score Producer |
John Chapman | Score Mixer |
Richard Ziegler | Music Editor |
Roger Nall | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.