Ted Tally
| Best known as a Screenwriter based on credits in that role in 6 films, with $344,554,638 worldwide aggregate box office (rank #905) |
| Best-known technical roles: 12 Strong (Screenwriter), Red Dragon (Screenwriter), The Juror (Screenwriter), All the Pretty Horses (Screenwriter), White Palace (Screenwriter) |
| Most productive collaborators: Anthony Hopkins, Brett Ratner, Nicolai Fuglsig, Chris Hemsworth, Peter Craig |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 6 | $203,162,831 | $141,391,807 | $344,554,638 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 601-700) | 687 | $203,162,831 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,101-1,200) | 1,191 | $141,391,807 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 901-1,000) | 905 | $344,554,638 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Preview: January
January 1st, 2018
2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss.
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All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jan 19, 2018 | 12 Strong | Screenwriter | $45,819,713 | $25,298,665 | $71,118,378 |
| Oct 4, 2002 | Red Dragon | Screenwriter | $92,955,420 | $113,500,000 | $206,455,420 |
| Dec 22, 2000 | All the Pretty Horses | Screenwriter | $15,527,125 | $2,593,142 | $18,120,267 |
| Feb 23, 1996 | Before and After | Screenwriter | $8,642,118 | $8,642,118 | |
| Feb 2, 1996 | The Juror | Screenwriter | $22,730,924 | $22,730,924 | |
| Oct 19, 1990 | White Palace | Screenwriter | $17,487,531 | $17,487,531 | |
| Averages | $33,860,472 | $47,130,602 | $57,425,773 | ||
| Totals | 6 | $203,162,831 | $141,391,807 | $344,554,638 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jan 19, 2018 | 12 Strong | $15,815,025 | 3,018 | $45,819,713 | $71,118,378 | 64.4% |
| Oct 4, 2002 | Red Dragon | $36,540,945 | 3,363 | $92,955,420 | $206,455,420 | 45.0% |
| Dec 22, 2000 | All the Pretty Horses | 1,593 | $15,527,125 | $18,120,267 | 85.7% | |
| Feb 23, 1996 | Before and After | $4,023,815 | 1,318 | $8,642,118 | $8,642,118 | 100.0% |
| Feb 2, 1996 | The Juror | $8,411,178 | 2,205 | $22,730,924 | $22,730,924 | 100.0% |
| Oct 19, 1990 | White Palace | 892 | $17,487,531 | $17,487,531 | 100.0% | |
| Averages | $16,197,741 | 2,065 | $33,860,472 | $57,425,773 | 82.5% | |
| Totals | 6 | $203,162,831 | $344,554,638 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 601-700) | 687 | $203,162,831 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,101-1,200) | 1,191 | $141,391,807 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 901-1,000) | 905 | $344,554,638 |