United Kingdom Box Office for The Levelling (2017)

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The Levelling
Theatrical Performance (US$)
United Kingdom Box Office $115,381Details
Worldwide Box Office $118,421Details
Home Market Performance
North America DVD Sales $9,210 Details
Total North America Video Sales $9,210
Further financial details...

Synopsis

Somerset, England. Trainee veterinarian Clover Catto returns to the farm where she grew up after hearing news that her brother Harry has died in what appears to be a suicide. Finding the family home in a state of horrendous disrepair following the 2014 floods that devastated the area, Clover is forced to confront her father Aubrey about the farm, the livestock and, crucially, the details surrounding Harry's death. Clover's discoveries send her on an emotional journey of reckoning with her family, her childhood and herself.

Metrics

Movie Details

United Kingdom Releases: May 12th, 2017 (Wide)
Video Release: April 25th, 2017 by Cinedigm
MPAA Rating: R for language and brief nudity.
(Rating bulletin 2462 (Cert #50906), 2/8/2017)
Running Time: 84 minutes
Keywords: 2010s, Death of a Sibling, Death of a Son or Daughter, Life on a Farm, Dysfunctional Family
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: BBC Films, BFI, Oldgarth Media, Wellington Films, iFeatures, Creative England
Production Countries: United Kingdom
Languages: English

Home Market Releases for April 25th, 2017

April 25th, 2017

Tanpopo

We are entering the worst time of year for the home market. The number of Oscar contenders have nearly dried up and there are more bombs than box office hits. As for the best of the new releases, The Criterion Collection release for Tampopo is the best and the only real choice for Pick of the Week. Meanwhile, the Mean Dreams DVD earns Puck of the Week, for the best Canadian release of the week. More...

Theater Averages: Beast’s Reign Continues with $21,479

March 29th, 2017

Beauty and the Beast

It was a bad week for limited releases, as the only two films to top $10,000 on the per theater chart were also the two biggest hits on the weekend chart. Beauty and the Beast remained in first place with an average of $21,479, while Power Rangers were well back with an average of $10,913. More...

Limited and VOD Releases: Previewing Prevenge and Others

March 24th, 2017

Prevenge

It is not a great week for limited releases. Granted, there are several that are earning excellent reviews, films like Dig Two Graves, I Called Him Morgan, The Levelling, and A Woman, A Part. However, none of them look like they will be box office hits. The film I’m most interested in seeing is Prevenge and this film could be a hit, when it hits the home market. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/05/12 - $32,093   22 $1,459   $32,093 1
2017/05/19 - $11,367 -65% 16 $710   $63,737 2
2017/05/26 - $6,569 -42% 15 $438   $78,149 3
2017/06/02 - $1,308 -80% 5 $262   $90,432 4
2017/06/09 - $1,675 +28% 6 $279   $93,577 5
2017/06/16 - $689 -59% 5 $138   $100,256 6
2017/06/23 - $700 +2% 3 $233   $101,153 7
2017/07/14 - $1,035   2 $518   $109,287 10
2017/08/04 - $448   2 $224   $115,381 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 3/24/2017 $160 1 4 5 $3,040
United Kingdom 5/12/2017 $32,093 22 22 76 $115,381 8/9/2017
 
Worldwide Total$118,421 8/9/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

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Production and Technical Credits

Hope Dickson Leach Director
Hope Dickson Leach Screenwriter
Rachel Robey Producer