United Kingdom Box Office for Bad Samaritan (2018)

← Go to main Bad Samaritan page

Bad Samaritan
Theatrical Performance (US$)
United Kingdom Box Office $9,333Details
Worldwide Box Office $4,781,638Details
Further financial details...

Synopsis

Two young men who valet cars at a local restaurant develop a clever scam to burglarize the houses of the restaurant's customers. Things go smoothly until one robs the wrong customer and discovers a woman being held captive. Afraid of going to prison, he leaves the woman and returns the car to the restaurant. Filled with guilt, he makes a call to the police, who find nothing when they investigate. Now, the valet must endure the wrath of the kidnapper who seeks revenge on him, all while desperately trying to find and rescue the captive woman he left behind.

Metrics

Movie Details

United Kingdom Releases: August 24th, 2018 (Limited)
Video Release: August 3rd, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for violence, language throughout, some drug use and brief nudity.
(Rating bulletin 2499 (Cert #51293), 10/25/2017)
Running Time: 110 minutes
Keywords: Kidnap, Burglary, Revenge, Rescue, Psychological Thriller, Unbelieving Police, FBI, Serial Killer, Framed, Faked Suicide
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Electric Entertainment, Global Pictures Media
Production Countries: United States
Languages: English

Home Market Releases for August 14th, 2018

August 15th, 2018

Avengers: Infinity War

Avengers: Infinity War comes out on DVD, Blu-ray Combo Pack, and 4K Ultra HD Combo Pack this week and it is scaring away most of the competition. That’s not to say there’s nothing else worth picking up. For example, Grace Jones: Bloodlight and Bami isn’t selling well enough to make the list, but the Blu-ray is certainly worth owning. More...

Weekend Wrap-Up: Infinity War Helps 2018 Take on Guardians

May 15th, 2018

Avengers: Infinity War

The weekend was better than expected, for the most part. All of the holdovers, including the number one film, Avengers: Infinity War, held on better than we predicted, while one of the two new releases also opened faster. Life of the Party was the only film in the top five that didn’t beat expectations. Overall, the box office still slipped 19% from last week, down to $137 million. However, this is 1.2% higher than the same weekend last year. Year-to-date, 2018 maintains a strong 5.2% / $210 million lead over 2017 at $4.24 billion to $4.03 billion. More...

Weekend Wrap-Up: Infinity Tops Charts, can’t Quite Match Guardians Debut

May 8th, 2018

Avengers: Infinity War

It was a relatively good weekend at the box office with every film in the top five matching or beating expectations. This includes Avengers: Infinity War, which had the second best second weekend of all time, earning $114.77 million. Overall, the box office fell 46% from last weekend, but $169 million is still a good total. It is 13% lower than the same weekend last year, but it had to go up against Guardians of the Galaxy Vol 2 opening weekend, so being this close is actually a positive result. Year-to-date, 2018 has pulled in $4.05 billion, which is 5.6% or $220 million higher than last year’s pace. More...

Friday Estimates: Infinity War Just a Day Away from $400 million

May 5th, 2018

Avengers: Infinity War

Infinity War dominated the Friday box office chart with $31.43 million for an 8-day total of $369.76 million. The only film with a faster pace than Infinity War is The Force Awakens. Granted, this is down just over 70% from the film’s opening Friday, but it is 9% ahead of Black Panther’s second Friday. If this film has the same internal multiplier, then it will pull in $122 million over the full weekend. That’s a little too bullish for my tastes, but $120 million is still fantastic for a sophomore stint. More...

Thursday Night Previews: Overboard Overtakes Latin Lover (Plus Infinity War Update)

May 4th, 2018

Overboard

Overboard opened with $675,000 during its previews last night. This is 50% higher than the $450,000 How to Be a Latin Lover managed during its previews. However, that film earned better reviews than Overboard is earning, so it likely won’t have as good legs. It should still top our $12 million prediction, barely. $13 million to $14 million is now more likely. More...

Weekend Predictions: How Badly will Infinity War Beat the New Releases?

May 3rd, 2018

Overboard

Last weekend, Infinity War destroyed the weekend record. This weekend, there are three new releases that are just hoping to not get embarrassed. Overboard is the biggest film in terms of buzz, but the buzz isn’t good, to be kind. Tully is the smallest film in terms of theater count, but its reviews are stellar and it has a shot at the top five. Bad Samaritan’s early reviews, are good, but its buzz is so quiet that it will likely bomb in theaters. This weekend last year, Guardians of the Galaxy Vol 2 opened with $146.51 million. There’s almost no chance 2018 will match last year’s performance. Thanks to Infinity War’s record-breaking opening, 2018 should be relatively close. More...

2018 Preview: May

May 1st, 2018

Solo: A Star Wars Story

April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/08/24 - $9,333   10 $933   $9,333 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/24/2018 $26,564 0 0 0 $32,139 1/1/2019
Lithuania 5/4/2018 $3,685 74 74 85 $8,351 9/11/2018
Mexico 8/10/2018 $173,197 0 0 0 $173,197 8/14/2018
Netherlands 5/11/2018 $144,704 67 69 283 $419,847 6/11/2018
North America 5/4/2018 $1,726,868 2,007 2,007 3,601 $3,424,744 8/3/2020
Portugal 6/22/2018 $2,577 7 7 14 $7,038 7/6/2018
Russia (CIS) 4/19/2018 $163,510 475 475 745 $284,465 2/26/2019
South Korea 10/18/2018 $31,875 159 159 159 $75,609 11/2/2018
United Kingdom 8/24/2018 $9,333 10 10 10 $9,333 8/29/2018
 
Rest of World $346,915
 
Worldwide Total$4,781,638 8/3/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

David Tennant Cale Erendreich
Robert Sheehan Sean Falco

Supporting Cast

Carlito Olivero Derek Sandoval
Kerry Condon Katie
Jacqueline Byers Riley Seabrook
Lisa Brenner Helen Leyton
Rob Nagle Don Falco
Austin Leo Young Cale
Hannah Barefoot Sabine
Carsten Lorenz Uncredited

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dean Devlin Director
Brandon Boyce Screenwriter
Dean Devlin Producer
Rachel Olschan-Wilson* Producer
Marc Roskin Producer
Brandon Lambdin Executive Producer
Carsten Lorenz Executive Producer
Brian Gonosey Editor
Heidi Levitt Casting Director
Lana Veenker Additional Casting
Eryn Goodman Additional Casting
Joseph LoDuca Composer
Nate Jones Production Designer
David Connell Director of Photography