J. Mills Goodloe
| Best known as a Screenwriter based on credits in that role in 5 films, with $241,359,287 worldwide aggregate box office (rank #1,139) |
| Best-known technical roles: Lethal Weapon 4 (Co-Producer), The Age of Adaline (Screenwriter), The Age of Adaline (Story Creator), Everything, Everything (Screenwriter), The Mountain Between Us (Screenwriter) |
| Most productive collaborators: Nick Robinson, Stella Meghie, Blake Lively, Lee Toland Krieger, Idris Elba |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 5 | $140,923,284 | $100,436,003 | $241,359,287 |
| Co-Producer | 1 | $130,444,603 | $154,955,397 | $285,400,000 | |
| Story Creator | 1 | $42,629,776 | $26,354,760 | $68,984,536 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Co-Producer at the Domestic Box Office (Rank 301-400) | 362 | $130,444,603 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 901-1,000) | 940 | $140,923,284 |
| Top Grossing Story Creator at the Domestic Box Office (Rank 1,301-1,400) | 1,363 | $42,629,776 |
| Top Grossing Co-Producer at the International Box Office (Rank 301-400) | 361 | $154,955,397 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,301-1,400) | 1,396 | $100,436,003 |
| Top Grossing Story Creator at the International Box Office (Rank 1,401-1,500) | 1,488 | $26,354,760 |
| Top Grossing Co-Producer at the Worldwide Box Office (Rank 301-400) | 366 | $285,400,000 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,101-1,200) | 1,139 | $241,359,287 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 1,401-1,500) | 1,451 | $68,984,536 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2017 Preview: October
October 1st, 2017
September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic.
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2017 Preview: May
May 1st, 2017
April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth.
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2015 Preview: April
April 1st, 2015
March ended on a good note and helped 2015 maintain its lead over 2014 thanks to a trio of $100 million movies: Cinderella, Insurgent, and Home. April isn't as strong as far as depth goes, as only Furious 7 is expected to come close to $100 million at the box office. On the positive side, it could earn $100 million during its opening weekend, becoming the fastest starting film of the year, so far. On the negative side, it is expected to earn more than double the rest of the films' combined box office totals. Even worse, last April, there were two $100 million hits, including Captain America: The Winter Soldier, as well as two others that came close. There's no way April 2015 is going to live up to April 2014. I just hope the collapse isn't so bad that 2015 loses its lead over 2014 completely.
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2014 Preview: October
September 30th, 2014
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September is over and while it got off to a bad start, a really, really, truly terrible start, it actually ended on a bit of a strong note. Granted, no film has yet to reach $100 million, but The Maze Runner and The Equalizer both could get there in the end. As for October, we might go another month without a $100 million hit. There are a couple of films that have the potential to reach the century mark, Gone Girl and Fury. Hopefully they will get there, but given the recent box office woes, it is probably best to keep expectations low. Last October, there were two films that earned more than $100 million. Bad Grandpa just made it passed that mark. On the other hand, Gravity was a monster hit earning nearly $275 million. It you compare its run to this year's batch of films, it only ranks behind Guardians of the Galaxy. ... There's no way any film opening this month is going to match that. ... There no way the top two films will match that. ... The top three films might not match that. ... 2014 is going to get crushed in the year-over-year comparison and by the end of the month, it will be safe to say its chances of ever catching up to 2013 will be over. It is going to be a depressing month.
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All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Oct 6, 2017 | The Mountain Between Us | Screenwriter | $30,348,555 | $32,268,992 | $62,617,547 |
| May 19, 2017 | Everything, Everything | Screenwriter | $34,121,140 | $27,481,996 | $61,603,136 |
| Apr 24, 2015 | The Age of Adaline | Screenwriter Story Creator |
$42,629,776 | $26,354,760 | $68,984,536 |
| Oct 17, 2014 | The Best of Me | Screenwriter | $26,766,213 | $14,293,205 | $41,059,418 |
| Mar 23, 2007 | Pride | Screenwriter | $7,057,600 | $37,050 | $7,094,650 |
| Jul 10, 1998 | Lethal Weapon 4 | Co-Producer | $130,444,603 | $154,955,397 | $285,400,000 |
| Averages | $45,227,981 | $42,565,233 | $87,793,215 | ||
| Totals | 6 | $271,367,887 | $255,391,400 | $526,759,287 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Oct 6, 2017 | The Mountain Between Us | $10,551,336 | 3,259 | $30,348,555 | $62,617,547 | 48.5% |
| May 19, 2017 | Everything, Everything | $11,727,390 | 2,801 | $34,121,140 | $61,603,136 | 55.4% |
| Apr 24, 2015 | The Age of Adaline | $13,203,458 | 3,070 | $42,629,776 | $68,984,536 | 61.8% |
| Oct 17, 2014 | The Best of Me | $10,003,827 | 2,936 | $26,766,213 | $41,059,418 | 65.2% |
| Mar 23, 2007 | Pride | $3,533,300 | 1,518 | $7,057,600 | $7,094,650 | 99.5% |
| Averages | $9,803,862 | 2,717 | $28,184,657 | $48,271,857 | 66.1% | |
| Totals | 5 | $140,923,284 | $241,359,287 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Co-Producer at the Domestic Box Office (Rank 301-400) | 362 | $130,444,603 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 901-1,000) | 940 | $140,923,284 |
| Top Grossing Story Creator at the Domestic Box Office (Rank 1,301-1,400) | 1,363 | $42,629,776 |
| Top Grossing Co-Producer at the International Box Office (Rank 301-400) | 361 | $154,955,397 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,301-1,400) | 1,396 | $100,436,003 |
| Top Grossing Story Creator at the International Box Office (Rank 1,401-1,500) | 1,488 | $26,354,760 |
| Top Grossing Co-Producer at the Worldwide Box Office (Rank 301-400) | 366 | $285,400,000 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,101-1,200) | 1,139 | $241,359,287 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 1,401-1,500) | 1,451 | $68,984,536 |