Peter Michael Sullivan
| Best known as a Sound Effects Editor based on credits in that role in 2 films, with $377,456,901 worldwide aggregate box office (rank #293) |
| Best-known technical roles: Air Force One (Supervising Sound Editor), Courage Under Fire (Digital Effects Supervisor), Heat (Sound Effects Editor), Outbreak (Sound Effects Editor), The Abyss (Sound Editor) |
| Best-known acting roles: Guy in Crowd (Get Hard) |
| Most productive collaborators: Will Ferrell, Etan Cohen, Kevin Hart, Jay Martel, T.I. Tip Harris |
| Also credited as: Michael P. Sullivan |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Supporting | 1 | $90,411,453 | $21,300,000 | $111,711,453 |
| In Technical Roles | Sound Effects Editor | 2 | $135,260,391 | $242,196,510 | $377,456,901 |
| Supervising Sound Editor | 1 | $172,956,409 | $142,311,944 | $315,268,353 | |
| Digital Effects Supervisor | 1 | $59,003,384 | $41,829,761 | $100,833,145 | |
| Sound Editor | 1 | $54,763,229 | $30,205 | $54,793,434 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 27, 2015 | Get Hard | Guy in Crowd | $90,411,453 | $21,300,000 | $111,711,453 |
| Averages | $90,411,453 | $21,300,000 | $111,711,453 | ||
| Totals | 1 | $90,411,453 | $21,300,000 | $111,711,453 | |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jul 25, 1997 | Air Force One | Supervising Sound Editor | $172,956,409 | $142,311,944 | $315,268,353 |
| Jul 12, 1996 | Courage Under Fire | Digital Effects Supervisor | $59,003,384 | $41,829,761 | $100,833,145 |
| Dec 15, 1995 | Heat | Sound Effects Editor | $67,436,818 | $119,996,510 | $187,433,328 |
| Mar 10, 1995 | Outbreak | Sound Effects Editor | $67,823,573 | $122,200,000 | $190,023,573 |
| Aug 9, 1989 | The Abyss | Sound Editor | $54,763,229 | $30,205 | $54,793,434 |
| Averages | $84,396,683 | $85,273,684 | $169,670,367 | ||
| Totals | 5 | $421,983,413 | $426,368,420 | $848,351,833 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Sound Editor at the Domestic Box Office (Rank 401-500) | 405 | $54,763,229 |
| Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 301-400) | 370 | $135,260,391 |
| Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 201-300) | 217 | $172,956,409 |
| Top Grossing Sound Editor at the International Box Office (Rank 601-700) | 650 | $30,205 |
| Top Grossing Sound Effects Editor at the International Box Office (Rank 201-300) | 254 | $242,196,510 |
| Top Grossing Supervising Sound Editor at the International Box Office (Rank 201-300) | 246 | $142,311,944 |
| Top Grossing Sound Editor at the Worldwide Box Office (Rank 401-500) | 493 | $54,793,434 |
| Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 201-300) | 292 | $377,456,901 |
| Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 201-300) | 226 | $315,268,353 |