Micah Fitzerman-Blue
Best known as a Screenwriter based on credits in that role in 6 films, with $557,771,360 worldwide aggregate box office (rank #517) |
Best-known technical roles: Maleficent: Mistress of Evil (Screenwriter), A Beautiful Day in the Neighborhood (Screenwriter), A Beautiful Day in the Neighborhood (Executive Producer) |
Most productive collaborators: Angelina Jolie, Joachim Ronnin, Tom Hanks, Marielle Heller, Elle Fanning |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 6 | $175,626,041 | $382,145,319 | $557,771,360 |
Executive Producer | 1 | $61,696,436 | $6,893,567 | $68,590,003 | |
Director | 1 | $0 | $0 | $0 | |
Producer | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Executive Producer at the Domestic Box Office (Rank 1,901-2,000) | 1,970 | $61,696,436 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) | 741 | $175,626,041 |
Top Grossing Executive Producer at the International Box Office (Rank 4,101-4,200) | 4,177 | $6,893,567 |
Top Grossing Screenwriter at the International Box Office (Rank 401-500) | 446 | $382,145,319 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 2,601-2,700) | 2,654 | $68,590,003 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 501-600) | 518 | $557,771,360 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
Announced (Undated)
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Nov 22, 2019 | A Beautiful Day in the Neig… | Screenwriter Executive Producer |
$61,696,436 | $6,893,567 | $68,590,003 |
Oct 18, 2019 | Maleficent: Mistress of Evil | Screenwriter | $113,929,605 | $375,251,752 | $489,181,357 |
Nov 8, 2013 | The Motel Life | Screenwriter | |||
Averages | $87,813,021 | $191,072,660 | $278,885,680 | ||
Totals | 3 | $175,626,041 | $382,145,319 | $557,771,360 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 22, 2019 | A Beautiful Day in the… | $13,251,238 | 3,491 | $61,696,436 | $68,590,003 | 89.9% |
Oct 18, 2019 | Maleficent: Mistress o… | $36,948,713 | 3,820 | $113,929,605 | $489,181,357 | 23.3% |
Nov 8, 2013 | The Motel Life | |||||
Averages | $25,099,976 | 3,656 | $87,813,021 | $278,885,680 | 56.6% | |
Totals | 3 | $175,626,041 | $557,771,360 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Executive Producer at the Domestic Box Office (Rank 1,901-2,000) | 1,970 | $61,696,436 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) | 741 | $175,626,041 |
Top Grossing Executive Producer at the International Box Office (Rank 4,101-4,200) | 4,177 | $6,893,567 |
Top Grossing Screenwriter at the International Box Office (Rank 401-500) | 446 | $382,145,319 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 2,601-2,700) | 2,654 | $68,590,003 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 501-600) | 518 | $557,771,360 |