Frank Howard
Best known as a Sound Editor based on credits in that role in 4 films, with $865,696,940 worldwide aggregate box office (rank #34) |
Best-known technical roles: Top Gun (Sound Editor), Clear and Present Danger (Sound Effects Editor), The Hunt for Red October (Sound Editor), Crimson Tide (Sound Editor), Broken Arrow (Sound Editor) |
Most productive collaborators: Jerry Bruckheimer, James Earl Jones, R.J. Palmer, F. Hudson Miller, Mickey S. Michaels |
Born: September 25, 1970 (53 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Sound Editor | 4 | $463,213,547 | $402,483,393 | $865,696,940 |
Sound Effects Editor | 3 | $287,970,752 | $255,299,981 | $543,270,733 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Editor at the Domestic Box Office | 23 | $463,213,547 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 101-200) | 182 | $287,970,752 |
Top Grossing Sound Editor at the International Box Office | 38 | $402,483,393 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 201-300) | 243 | $255,299,981 |
Top Grossing Sound Editor at the Worldwide Box Office | 34 | $865,696,940 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 201-300) | 219 | $543,270,733 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Feb 9, 1996 | Broken Arrow | Sound Editor | $70,645,997 | $77,700,000 | $148,345,997 |
May 12, 1995 | Crimson Tide | Sound Editor | $91,387,195 | $68,000,000 | $159,387,195 |
Aug 3, 1994 | Clear and Present Danger | Sound Effects Editor | $122,012,656 | $85,487,344 | $207,500,000 |
Jun 5, 1992 | Patriot Games | Sound Effects Editor | $83,287,363 | $94,812,637 | $178,100,000 |
Jun 27, 1990 | Days of Thunder | Sound Effects Editor | $82,670,733 | $75,000,000 | $157,670,733 |
Mar 2, 1990 | The Hunt for Red October | Sound Editor | $120,709,866 | $79,790,134 | $200,500,000 |
May 16, 1986 | Top Gun | Sound Editor | $180,470,489 | $176,993,259 | $357,463,748 |
Averages | $107,312,043 | $93,969,053 | $201,281,096 | ||
Totals | 7 | $751,184,299 | $657,783,374 | $1,408,967,673 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Editor at the Domestic Box Office | 23 | $463,213,547 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 101-200) | 182 | $287,970,752 |
Top Grossing Sound Editor at the International Box Office | 38 | $402,483,393 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 201-300) | 243 | $255,299,981 |
Top Grossing Sound Editor at the Worldwide Box Office | 34 | $865,696,940 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 201-300) | 219 | $543,270,733 |