Laura Perlman
| Best known as a Music Editor based on credits in that role in 17 films, with $1,103,100,433 worldwide aggregate box office (rank #82) |
| Best-known technical roles: A League of Their Own (Music Editor), We Were Soldiers (Music Editor), Driving Miss Daisy (Music Editor), The Man in the Iron Mask (Music Editor), Cool Runnings (Music Editor) |
| Most productive collaborators: Hans Zimmer, Randall Wallace, Elliot Abbott, Amy Lemisch, Nick Glennie-Smith |
| Also credited as: Laura J. Perlman |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Music Editor | 17 | $837,003,345 | $266,097,088 | $1,103,100,433 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Music Editor at the Domestic Box Office | 39 | $837,003,345 |
| Top Grossing Music Editor at the International Box Office (Rank 101-200) | 152 | $266,097,088 |
| Top Grossing Music Editor at the Worldwide Box Office | 82 | $1,103,100,433 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 1, 2002 | We Were Soldiers | Music Editor | $78,120,196 | $36,538,066 | $114,658,262 |
| Oct 19, 2001 | Riding in Cars with Boys | Music Editor | $29,781,453 | $29,781,453 | |
| Jun 30, 2000 | The Adventures of Rocky & B… | Music Editor | $26,000,610 | $9,129,000 | $35,129,610 |
| Mar 13, 1998 | The Man in the Iron Mask | Music Editor | $56,968,169 | $56,968,169 | |
| Dec 13, 1996 | The Preacher’s Wife | Supervising Music Editor | $48,102,795 | $8,329,851 | $56,432,646 |
| Aug 4, 1995 | Something to Talk About | Music Editor | $50,865,589 | $26,441,637 | $77,307,226 |
| Dec 9, 1994 | Drop Zone | Music Editor | $28,607,015 | $28,607,015 | |
| Jun 3, 1994 | Renaissance Man | Music Editor | $24,172,899 | $24,172,899 | |
| Oct 1, 1993 | Cool Runnings | Music Editor | $68,856,263 | $86,152,646 | $155,008,909 |
| Sep 3, 1993 | Calendar Girl | Music Editor | $2,501,113 | $2,501,113 | |
| Jul 1, 1992 | A League of Their Own | Music Editor | $107,533,925 | $24,906,141 | $132,440,066 |
| Feb 21, 1992 | Radio Flyer | Music Editor | $4,651,977 | $4,651,977 | |
| May 24, 1991 | Backdraft | Music Editor | $77,868,585 | $74,500,000 | $152,368,585 |
| May 24, 1991 | Thelma & Louise | Music Editor | $45,361,000 | $99,747 | $45,460,747 |
| Dec 19, 1990 | Awakenings | Music Editor | $51,636,504 | $51,636,504 | |
| Sep 28, 1990 | Pacific Heights | Music Editor | $29,381,956 | $29,381,956 | |
| Dec 13, 1989 | Driving Miss Daisy | Music Editor | $106,593,296 | $106,593,296 | |
| Averages | $49,235,491 | $33,262,136 | $64,888,261 | ||
| Totals | 17 | $837,003,345 | $266,097,088 | $1,103,100,433 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Music Editor at the Domestic Box Office | 39 | $837,003,345 |
| Top Grossing Music Editor at the International Box Office (Rank 101-200) | 152 | $266,097,088 |
| Top Grossing Music Editor at the Worldwide Box Office | 82 | $1,103,100,433 |