R.J. Palmer
Best known as a Sound Editor based on credits in that role in 6 films, with $1,057,765,439 worldwide aggregate box office (rank #21) |
Best-known technical roles: Sweet Home Alabama (Sound Editor), Man on Fire (Sound Effects Editor), Con Air (Sound Editor), Crimson Tide (Sound Editor), The Hunt for Red October (Sound Editor) |
Most productive collaborators: Suhail Kafity, George Watters II, F. Hudson Miller, Gary Wright, James W. Skotchdopole |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Sound Editor | 6 | $573,437,263 | $484,328,176 | $1,057,765,439 |
Sound Effects Editor | 3 | $243,864,912 | $222,874,400 | $466,739,312 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Editor at the Domestic Box Office | 18 | $573,437,263 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 201-300) | 217 | $243,864,912 |
Top Grossing Sound Editor at the International Box Office | 28 | $484,328,176 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 201-300) | 270 | $222,874,400 |
Top Grossing Sound Editor at the Worldwide Box Office | 21 | $1,057,765,439 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 201-300) | 249 | $466,739,312 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Apr 23, 2004 | Man on Fire | Sound Effects Editor | $77,906,816 | $53,061,763 | $130,968,579 |
Sep 27, 2002 | Sweet Home Alabama | Sound Editor | $127,214,072 | $55,151,042 | $182,365,114 |
Nov 21, 2001 | Spy Game | Sound Editor | $62,362,560 | $80,687,000 | $143,049,560 |
Jun 6, 1997 | Con Air | Sound Editor | $101,117,573 | $123,000,000 | $224,117,573 |
Feb 9, 1996 | Broken Arrow | Sound Editor | $70,645,997 | $77,700,000 | $148,345,997 |
May 12, 1995 | Crimson Tide | Sound Editor | $91,387,195 | $68,000,000 | $159,387,195 |
Jun 5, 1992 | Patriot Games | Sound Effects Editor | $83,287,363 | $94,812,637 | $178,100,000 |
Jun 27, 1990 | Days of Thunder | Sound Effects Editor | $82,670,733 | $75,000,000 | $157,670,733 |
Mar 2, 1990 | The Hunt for Red October | Sound Editor | $120,709,866 | $79,790,134 | $200,500,000 |
Averages | $90,811,353 | $78,578,064 | $169,389,417 | ||
Totals | 9 | $817,302,175 | $707,202,576 | $1,524,504,751 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Editor at the Domestic Box Office | 18 | $573,437,263 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 201-300) | 217 | $243,864,912 |
Top Grossing Sound Editor at the International Box Office | 28 | $484,328,176 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 201-300) | 270 | $222,874,400 |
Top Grossing Sound Editor at the Worldwide Box Office | 21 | $1,057,765,439 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 201-300) | 249 | $466,739,312 |