Todd Field
Best known as a Supporting Actor based on credits in that role in 5 films, with $794,199,708 worldwide aggregate box office (rank #4,444) |
Best-known acting roles: Beltzer (Twister), Todd Fredericks (The Haunting), Nick Nightengale (Eyes Wide Shut), David Schreiner (Gross Anatomy), Robert Wilson (Fat Man and Little Boy) |
Best-known technical roles: TÁR (Director), TÁR (Screenwriter), TÁR (Producer), Little Children (Director), Little Children (Screenwriter) |
Most productive collaborators: Cate Blanchett, Mark Strong, Noémie Merlant, Jan De Bont, Nina Hoss |
Born: February 24, 1964 (60 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 5 | $402,614,684 | $391,585,024 | $794,199,708 |
(Unclassified) | 4 | $5,024,862 | $398,620 | $5,423,482 | |
In Technical Roles | Director | 3 | $48,167,273 | $37,236,666 | $85,403,939 |
Screenwriter | 2 | $12,236,669 | $31,029,399 | $43,266,068 | |
Producer | 1 | $6,773,650 | $22,371,241 | $29,144,891 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jul 23, 1999 | The Haunting | Todd Fredericks | $91,188,905 | $89,000,000 | $180,188,905 |
Jul 16, 1999 | Eyes Wide Shut | Nick Nightengale | $55,691,208 | $48,573,409 | $104,264,617 |
Jul 2, 1999 | Broken Vessels | Jimmy Warzniak | $15,030 | $70,313 | $85,343 |
Jul 17, 1996 | Walking and Talking | Frank | $1,287,480 | $328,307 | $1,615,787 |
May 10, 1996 | Twister | Beltzer | $241,688,385 | $254,011,615 | $495,700,000 |
Sep 23, 1994 | Sleep With Me | Duane | $161,410 | $161,410 | |
Oct 20, 1989 | Gross Anatomy | David Schreiner | $11,346,186 | $11,346,186 | |
Oct 20, 1989 | Fat Man and Little Boy | Robert Wilson | $3,560,942 | $3,560,942 | |
May 1, 1987 | The Allnighter | Bellhop | $2,700,000 | $2,700,000 | |
Averages | $45,293,283 | $78,396,729 | $88,847,021 | ||
Totals | 9 | $407,639,546 | $391,983,644 | $799,623,190 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jul 23, 1999 | The Haunting | $33,435,140 | 2,881 | $91,188,905 | $180,188,905 | 50.6% |
Jul 16, 1999 | Eyes Wide Shut | $21,706,163 | 2,483 | $55,691,208 | $104,264,617 | 53.4% |
May 10, 1996 | Twister | $41,059,405 | 2,808 | $241,688,385 | $495,700,000 | 48.8% |
Oct 20, 1989 | Gross Anatomy | $2,830,387 | 1,080 | $11,346,186 | $11,346,186 | 100.0% |
May 1, 1987 | The Allnighter | $1,419,581 | 977 | $2,700,000 | $2,700,000 | 100.0% |
Averages | $20,090,135 | 2,046 | $80,522,937 | $158,839,942 | 70.6% | |
Totals | 5 | $402,614,684 | $794,199,708 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Oct 7, 2022 | TÁR | Director Screenwriter Producer |
$6,773,650 | $22,371,241 | $29,144,891 |
Oct 6, 2006 | Little Children | Director Screenwriter |
$5,463,019 | $8,658,158 | $14,121,177 |
Nov 23, 2001 | In the Bedroom | Director | $35,930,604 | $6,207,267 | $42,137,871 |
Averages | $16,055,758 | $12,412,222 | $28,467,980 | ||
Totals | 3 | $48,167,273 | $37,236,666 | $85,403,939 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Oct 7, 2022 | TÁR | $158,620 | 1,090 | $6,773,650 | $29,144,891 | 23.2% |
Oct 6, 2006 | Little Children | $97,953 | 115 | $5,463,019 | $14,121,177 | 38.7% |
Nov 23, 2001 | In the Bedroom | $93,972 | 1,103 | $35,930,604 | $42,137,871 | 85.3% |
Averages | $116,848 | 769 | $16,055,758 | $28,467,980 | 49.1% | |
Totals | 3 | $48,167,273 | $85,403,939 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Oct 7, 2022 | TÁR | $158,620 | 1,090 | $6,773,650 | $29,144,891 | 23.2% |
Averages | $158,620 | 1,090 | $6,773,650 | $29,144,891 | 23.2% | |
Totals | 1 | $6,773,650 | $29,144,891 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Oct 7, 2022 | TÁR | $158,620 | 1,090 | $6,773,650 | $29,144,891 | 23.2% |
Oct 6, 2006 | Little Children | $97,953 | 115 | $5,463,019 | $14,121,177 | 38.7% |
Averages | $128,287 | 603 | $6,118,335 | $21,633,034 | 31.0% | |
Totals | 2 | $12,236,669 | $43,266,068 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 1,101-1,200) | 1,106 | $48,167,273 |
Top Grossing Producer at the Domestic Box Office (Rank 3,501-3,600) | 3,517 | $6,773,650 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 3,501-3,600) | 3,598 | $12,236,669 |
Top Grossing Director at the International Box Office (Rank 1,301-1,400) | 1,378 | $37,236,666 |
Top Grossing Producer at the International Box Office (Rank 2,501-2,600) | 2,505 | $22,371,241 |
Top Grossing Screenwriter at the International Box Office (Rank 2,101-2,200) | 2,161 | $31,029,399 |
Top Grossing Director at the Worldwide Box Office (Rank 1,201-1,300) | 1,254 | $85,403,939 |
Top Grossing Producer at the Worldwide Box Office (Rank 3,001-3,100) | 3,054 | $29,144,891 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,701-2,800) | 2,763 | $43,266,068 |